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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email firstname.lastname@example.org
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Aye, My Aching Back! Keep the DSLR or Opt for Lighter Camera?
For the past three weeks I’ve been traveling in buses, airplanes, vans, taxis and collectivos in Mexico City, and the States of Mexico and Michoacan to discover more of Mexico. I’ve walked a fair piece over cobblestones and uneven pathways. I’ve climbed pre-Hispanic archeological pyramids with steps that are taller than me. All the while, hauling my wonderful Nikon D7000 (now getting a little beat up) and the big honker Nikkor 17-55mm photojournalist lens. I get great photos from this equipment, but I’m tired and can feel the weight in my back and shoulders. Is it time to give up this camera and lens?
I asked Italian photographer Alex (Alessio) Coghe, who lives in Mexico City, why he uses a lighter-weight mirrorless camera. Here is what he said. Perhaps this will interest you as you consider how much you want to schlepp around, too! All advice welcome.
My Choice by Alex Coghe
Many times people ask why I moved to mirrorless and compact cameras for my photography. As a commercial photographer, this has been my choice since 2010. In 2009, I spent two months in Mexico. It was my first visit and during it I never used my Nikon equipment, preferring to use an high-end compact camera: the Panasonic Lumix LX3.
When I returned to Italy with a plan to get back to Mexico, I decided to sell all my Nikon gear to buy an Olympus E-P1 with its 17mm pancake lens which is equivalent to a 34mm in full frame. I can remember many friends saying I was crazy.
Well, now I use one camera and one lens and became a converted professional photographer with no remorse. Today, I see many photographers who decide to switch from DSLRs to mirrorless. In particular, I have colleagues who are choosing Fujifilm X series cameras, mostly X100 and XPRO.
Now I need to clarify that I never particularly loved digital reflex. I come from analog photography and I always preferred point & shoot cameras. I never liked the design and the approach of a DSLR, hiding my face behind a black plastic piece simply doesn’t work for what I do in the street.
Moreover, I always preferred to see what my eyes are seeing and not a reflection of the mirror system through the lens. This is an important part of my choice: I prefer to frame through an optical viewfinder. I do not fear the parallax error: Is it not the way the masters have photographed for almost a century?
As of this moment, I work with a Leica X2, a Fujifilm X100S, a Fujifilm X30 and sometimes I still use film cameras.
I am a commercial photographer, mostly working with models. I am into fashion and and street photography. Small compact cameras allow me to have visual contact with the subjects. This is very important for my kind of approach and way to work because the psychological aspect is very important.
As a street photographer, I need compact, light cameras that allow me to work all day in the street. I also need the discretion and the “invisibility” offered by a small camera. For this reason I think the new rangefinder cameras are perfect for my work. Most of the cameras like this have a fantastic pre-set focus system, so I usually use full manual and zone focus when it comes to street photography.
A camera should not be an obstacle but something that can be an extension of my arm, just to satisfy my approach and get close to my vision. My choice with the cameras is perfect for me and my work.
Norma’s Note: Thanks so much, Alex for contributing to Oaxaca Cultural Navigator. Now, I have some direction about what I may choose next. So hard to give up what you are used to. But, that’s true in almost anything that requires change, verdad?
Check out Alex’s website for 2015 Day of the Dead photo workshop in Oaxaca!
Faces & Festivals Photography Workshop in Chiapas, early January with Denver photographer Matt Nager. Discounts for 2 people. Budget options.
Posted in Cultural Commentary, Photography
Tagged advice, buying, Camera, compact, DSLR, equipment, light weight, mirrorless, photography, rangefinder, review, shopping, tour, what to buy, workshop