Tag Archives: Mexico

Oaxaca Day of the Dead Photo Workshop

Three Days — October 27, 28, 29, 2024, 9:30 a.m. to 4:00 p.m.

Arrive just before Dia de los Muertos, Day of the Dead to explore the Zapotec village of Teotitlan del Valle as preparations begin for this grand celebration to honor the ancestors. We take you inside people’s homes and workshops where you might never have access on your own. We explore the 17th century church, ancient archeological sites, the local market, and wander cobblestone streets to find hidden treasures that you will capture with your camera. We arrange portrait sessions with local families where we take you on an insiders journey to document how locals live and work.

We welcome novice and experienced photographers who want to capture people and place. We focus on portrait and street photography, how to look for that great shot and compose it for greatest impact. We do NOT teach you how to use your camera. We teach you what to look for, how to frame a photograph, perspective, how to determine what to shoot close-up and from a distance. We will discuss editing techniques, too. We welcome all types of cameras from DSLRs to iPhones.

Our workshop day is from 9:30 a.m. to 4 p.m. We will meet each morning as a group to discuss process and technique, show our work, give and receive feedback. Then, we will venture out into the village to explore.

Your instructor is Luvia Lazo. She is featured in The New Yorker magazine. You can read more about Luvia and see her work on her website. You can also do a Google search to see and read more!

Luvia is described this way: Photography is her way of portraying the worlds to which she belongs. Her work aims to capture reality from the perspective of the contemporary Zapotec woman, creating a constellation of images through time and spaces in Oaxaca, documenting the generational gaps and the transformation of identities across ages.

She is a recipient of the Jóvenes Creadores grant of the FONCA 2020 (National Fund for the Culture of the Arts, Mexico) and inaugural recipient of the Indigenous photo grant 2021 supported by Leica and Photoville.

Cost: $995 per person. This includes three workshop days, all instruction, three lunches, and one Grand Finale Dinner where we present our best work.

The cost does not include lodging, breakfast or transportation. We recommend several bed-and-breakfast inns where you can book your lodging directly with the innkeeper at your own expense, once you register for the workshop. These are Casa Elena, La Cupula, and Las Granadas.

The workshop will be held from 9:30 a.m. to 4 p.m. each day. We will send you meeting location and other details in late September. We suggest you book your lodging to arrive October 26 and depart on October 30.

How to Reserve Your Space — We are limiting participation to 10 people.

We request a $995 payment in full to reserve. Payment can be made with a Zelle transfer (we will send you a request for funds when you send us how your Zelle account is registered), or we can send you a Square invoice to pay with a credit card (4% service fee added). Please advise which payment method you prefer.

Please complete this registration form to participate.

Cancellations.  If you cancel on or before August 15, 2024, we will refund $500 of your fee. After August 15, there are no refunds. You may consider purchasing international travel insurance that would allow you to file a claim in the event you are unable to attend.

If we cancel for whatever reason, we will offer a 100% refund of all amounts received to date, less the non-refundable deposit.

NOTE:  Please bring one Covid test kit and a face mask to use in crowded spaces and inside homes where there is no air circulation. Local people do not have wide access to effective vaccines and are very vulnerable to Covid. We urge you to be up-to-date with all vaccines, including influenza and RSV.

To Register, Policies, Procedures & Cancellations–Please Read

Walking and Group Courtesy: We are at almost 6,000 feet altitude. Streets and sidewalks are cobblestones, and narrow. We will do a lot of walking. We will walk a lot — up to 10,000 steps per day at a moderate pace. We recommend you bring a walking stick and wear sturdy shoes.

NOTE: If you have mobility issues or health/breathing impediments, please consider that this may not be the program for you.

Traveling with a small group has its advantages, and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

Just in: Two Embroidered Oaxaca Blouses

We’ve just added these to the shop where you can purchase them directly and use a credit card or PayPal for no added fees! http://www.shop.oaxacaculture.com

Size Small, measuring 19″ wide and 21″ long. Both of these are embroidered using a sewing machine, but the pattern is created free-form. They do not use a template and each blouse made this way is especially unique. The blouses comes from San Juan Guichcovi, in Juchitan, Isthmus of Tehuantepec. They are easy to wear and easy to clean (wash on cold, gentle, hang to dry) because they are 100% cotton. Go to the Shop Website. But hurry. We only have these two.

Question: What is the difference between Artist and Artisan?

Are artisans also artists? This is a question that has been ruminating in my mind for a while now. It was triggered again recently when I attended the Weave a Real Peace  (WARP) conference in Colorado in mid-May 2024. When there, I listened to the keynote presentation by Lynda Teller Pete, a Navajo weaver from Two Grey Hills, Newcombe, New Mexico.  She is also a writer, and consultant, author of Spider Woman’s Children.  Lynda calls herself and her prolific sister Barbara Teller Ornelas artists. What is the difference and how do we explain it? It’s difficult, she says, almost a blended concept. She goes on to explain that We are artists because we are not into production work, and we don’t sell to middlemen. We sell direct to collectors.  Lynda, as the keeper of the family and community stories, says that the traditions of the culture are sacred and preserved in the rug designs. Artistry is a very colonial term. We live as a Navajo and as weavers we strive to be great artists. We see the resiliency of our ancestors.  Art and family are all one thing. I see the same thing In Oaxaca and throughout Mexico.

Teller Pete continues to discuss how some criticize them for offering workshops for non-Natives, claiming that she and her sister are encouraging cultural appropriation and giving away cultural secrets.  We also teach weaving to non-Navajos. How else will people know about the weaving? We are giving an insight into how difficult it is and how we have survived with our skills.  We aren’t training people to become weavers. This is an educational process. We have talked about the differences here at Oaxaca Cultural Navigator between cultural appropriation and cultural appreciation, and in this case, the circumstances fall under the category of cultural appreciation. The same holds true in the weaving community of Teotitlan del Valle, where some object to weavers teaching workshops to outsiders, claiming this gives away their culture and borders on cultural appropriation.  

Let’s get back to Artist v. Artisan. I asked Lynda about this directly at the conference, and her response was that the definitions between the two are blurred. I came home wanting to know more. So, I’ve thought about and researched this topic. In my view, art is an expression of personal creativity, and the artist is an innovator and originator, rooted in traditional practices and with outstanding skills, yet able to express self and the world in new ways using tradition as a steppingstone. An artist breaks boundaries and interprets the traditional, giving us something new and exciting. An artisan is a master crafts person who perfectly executes traditional processes, often keeping cultural continuity by replicating what has been done in the past.

Furthermore, artists use creative imagination and conscious skill to create, such as paintings, sculptures, music or writing. They prioritize self-expression and creativity.  Whereas artisans are skilled workers who practice a trade or handicraft, often making functional or decorative items. They value technical mastery and tradition. According to conservative interpretation, artisans can include bakers, silversmiths, jewelers, glassblowers, leather workers, potters, and weavers.

Artists create work driven by personal expression, creativity and aesthetic value. This work is often unique, one-of-a-kind, and may provoke thought, evoke emotions, or convey a message. Artisans focus on creating functional, practical, and often decorative objects using traditional methods and skills. Their work combines both artistic and technical skills, often resulting in handcrafted items like pottery, jewelry, furniture or textiles. It is said that artists are associated with fine arts, and artisans with craftsmanship. Artists sign their work and artisans often do not. 

The art and artisan world in Mexico is changing.  As Lynda Teller Pete explains, the boundaries between the two categories are blurred. The Chavez Santiago family of weavers, with whom I have lived for twenty years, are now all putting their initials into their woven rugs and textiles. They are innovating by creating new designs and revitalizing the use of natural dyes. Jewelry and alebrijes makers have signed their work for at least the last twenty years. Most of the artist-artisans I know are innovators – modifying their designs and products to appeal to a broader market, making clothing that is more breathable and lighter weight, taking elements of traditional pre-Hispanic designs and modifying them for a more contemporary appeal, incorporating non-traditional materials into their work like jute and other plant fibers, copper and other elements. Are they artists or artisans?

We would love to hear from you. What are your views of artist and artisan? Does artisan connote something lesser than artist? Is a weaver entitled to call her/himself an artist? Is a jewelry maker or potter an artist or artisan?

Notes: See shop.oaxacaculture.com for artist and artisan made clothing, rugs, home goods, jewelry from Mexico. We have a great selection of over 100 pieces! If you are coming to Oaxaca for Day of the Dead, come to our Day of the Dead photography workshop in Teotitlan del Valle with award-winning Luvia Lazo, and our October 30, folk art tour that includes hands-on experiences and lunch!

***

Now, a health update from Norma: I’m almost eight weeks out from spinal fusion surgery at University of Colorado Anschutz Medical Center in Denver.  This is the reason you haven’t heard from me in a while.  As we say in Mexico, this surgery was heavy! Intense. Painful. I was on opioid pain medications for six weeks and managed to taper off completely in the seventh week. The incision is almost healed. It’s been a journey. I now have titanium in my back with a spacer between L4-L5 vertebrae, two rods and four screws.  I can walk without pain in my legs. Before surgery, I could barely take five steps without stopping. It’s still a work in process. I’m exercising and walking and intend to go to Japan for two weeks in early September. But I know I’ll have to take it easy. Right now, I’m building up to walking 6,000 steps a day.

Oaxaca Deep Dive: Cooking, Culture + Craft Tour

Jump into the magic of Oaxaca, Mexico, from January 11 to 17, 2025. During this six-night, seven-day immersion tour you will discover (almost) everything this UNESCO World Heritage city has to offer. You will take a hands-on cooking class from a traditional chef who uses an outdoor wood-fired kitchen to prepare acclaimed pre-Hispanic dishes, visit the bustling Mercado de Abastos to shop, taste and savor artisanal mezcal especially distilled from rare wild agave, visit outstanding makers of craft and textiles that distinguish Oaxaca and elevate her above and beyond any place in the world, sample street tacos, take a graphic arts and printmaking workshop from a renowned artist, and enjoy the best that Oaxaca has to offer. Recap it all at our Grand Finale Dinner at one of Oaxaca’s top restaurants. A perfect Oaxaca Visitor’s Tour.

We will be based in one of Oaxaca’s most trendy, vibrant neighborhoods where murals will dazzle you, coffee bars will delight you, restaurants will tempt you, and galleries will excite you.

PRELIMINARY ITINERARY

Day 1 – Saturday, January 11. Arrive to Oaxaca, check into our comfortable hotel located in one of the city’s most captivating neighborhoods filled with murals, galleries, coffee bars. Meet for a no host dinner at 6:00 pm. We suggest you arrive before 3 p.m. today. Meals included: none.

Day 2 – Sunday, January 12.  Today we start with an orientation and introduction during breakfast. Then we get in the van for a short trip to Santa María Atzompa, where we will meet a traditional cook who specializes in pre-Hispanic food prepared in an outdoor smoke kitchen called Cocina de Humo. First, she takes us on a culinary shopping tour of Mercado de Abastos, the largest Oaxaca market, to procure all the ingredients we need. After our workshop and delicious lunch, we will visit our friend Rufina who specializes in making pottery with lead-free glazes and oxygen reduction techniques. We will return to the hotel in time for you to enjoy Margaritas and dinner on your own. Meals included: breakfast and lunch.

Day 3 – Monday, January 13.  After breakfast, our luxury van takes us deep into the Ocotlan Valley.  We call this the Handcraft Route since it takes us through black pottery studios, embroidery workshops, and wood-carving spaces. We introduce you to the famed painter Rodolfo Morales who created extraordinary murals of rural life in the municipal building and then move on to meet a cooperative of embroiderers where we will learn about the different techniques used for ceremonial garments in San Antonino Castillo Velasco. Our lunch is at an outdoor kitchen in San Martin Tilcajete, one of our favorite spots for relaxed al fresco dining. Meals included: breakfast and lunch.

Day 4 – Tuesday, January 14. Wear your comfortable shoes for a city walking tour – we will cover a lot of territory!  First, we stop to meet our artist friends at a printmaking collective gallery, learn about the rich graphic art movement in Oaxaca, and take a deep dive into learning more about lithography by taking a workshop. We guide you every step of the way.  After a lunch of street tacos at one of our favorite taquerias, we recharge and refresh, then carry on to the Benito Juarez Market, the Museo Textil de Oaxaca, and a noted folk art gallery. Meals included: breakfast and lunch.

Day 5 – Wednesday, January 15. Weaving is Us! Today we travel to Teotitlán del Valle, the famed tapestry weaving village forty minutes outside the city to meet our family of weavers who create outstanding traditional and contemporary designs using all natural, sustainable dyes. Then, we visit a cooperative of women who specialize in making bags and purses from leather and tapestries. After lunch on the way to Mitla, we will meet up with our friend Arturo for a demonstration on flying shuttle land back strap loom weaving techniques. Home goods are his speciality! 

Then we will stop at our favorite Palenque – the distillery — to learn everything about how artisanal mezcal is made, ending our day with a tasting of rare wild and espadin agave spirits. Meals included: breakfast and lunch.

Day 6 – Thursday, January 16.  After breakfast you are on your own to explore the city at your leisure until we meet at a top-rated Oaxaca restaurant for our Grand Finale Dinner. Meals included: breakfast and gala dinner.

Day 7 – Friday, January 17.  Depart to home.  We will help you arrange transportation at your own expense to the Oaxaca airport, or extend your stay independently, or add-on a one- to three-day natural dye workshop (lodging not included). Meals included: breakfast.

What’s Included:

  • 6 nights lodging at a comfortable hotel in the heart of one of Oaxaca’s most artistic neighborhoods
  • 6 breakfasts
  • 4 lunches
  • 1 Gala Grand Finale Dinner with complimentary Margarita
  • Luxury transportation to artisan villages
  • Cocina de Humo cooking class
  • Printmaking workshop
  • Mezcal tasting
  • Demonstrations and market visits
  • An immersion experience beyond your dreams!

Tour Cost:

$2,790, Single—one-traveler in room with one bed and private bath

$2,190, Double—two travelers in room with either two beds or one Queen or King bed, private bath

Add 10% for a ground floor room and eliminate the stairs

Discounts: Oaxaca snowbirds and residents with your own lodging, take $500 off tour cost!

Reservations and Cancellations.  Two easy steps.

  1. Complete this REGISTRATION FORM and email to Norma Schafer
  2. Send a $500 non-refundable deposit (first payment) to guarantee your place.

The balance is due in two equal payments. The second payment of 50% of the balance is due on or before September 1, 2024. The third payment, 50% balance, is due on or before November 15, 2024. We accept payment using Zelle cash transfer or a credit card with Square. For a Zelle transfer, there is no service fee.  We add a 4% service fee to use Square. We will send you a request for funds to make your reservation deposit when you tell us you are ready to register. Please tell us how your account is registered (email or phone number).

After November 15, 2024, there are no refunds. If you cancel on or before November 15, 2024, we will refund 50% of your deposit received to date (less the $500 non-refundable deposit). After that, there are no refunds UNLESS we cancel for any reason. If we cancel, you will receive a full 100% refund.

Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Check out Forbes Magazine for best travel insurance options. https://www.forbes.com/advisor/travel-insurance/best-travel-insurance/

Proof of insurance must be received at least 45 days before the tour start date.

Add  from 1 to 3 days of a natural dye workshop either before or after the tour for a deeper dive into textile arts. Work with indigo, cochineal, wild marigold, tree bark and other plant dyes. Create your own sampler and record formulas to carry home with you.

Denver, Colorado and Update

Just a brief note to tell you why I haven’t been writing lately. I’m in Denver and go into a surgical procedure this afternoon at University of Colorado Anschutz Medical Center to repair L4-L5 vertebrae that has been causing me increasing pain over the last year. I’ll keep you posted as I progress.

Meanwhile, yesterday I visited the botanical gardens with dear friends Leslie and Lynn to see the Jacobo and Maria Angeles giant alebrijes installation. I hope it brings a smile to your face as it did for me.

Abrazos, Norma