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Connect: email, text or WhatsApp +1-919-274-6194, FB Messenger, IG
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Why Travel With Us: Help sustain regenerative traditions.
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- We know the culture! This is our land! We are locally owned and operated.
- Eric Chavez Santiago is tri-lingual --Spanish, English, Zapotec.
- Eric was founding director of education, Museo Textil de Oaxaca + folk art expert
- Norma Schafer has lived in Oaxaca since 2005.
- Norma is a seasoned university educator.
- We have deep connections with artists and artisans.
- 63% of our travelers repeat -- high ratings, high satisfaction.
- Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
- We give you a deep immersion to best know Oaxaca and Mexico.
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We organize private travel + tours for museums, arts, organizations, collectors + appreciators.
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Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions. Create value and memories. Enjoy hands-on experiences. Make a difference.
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What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
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OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here
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Meet Makers. Make a Difference
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Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
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Programs can be scheduled to meet your independent travel plans. Send us your available dates.
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Arts organizations, museums, designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, meetings and conferences. It's our pleasure to make arrangements.
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Select Clients *Abeja Boutique, Houston *North Carolina Museum of Art *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
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Tell us how we can put a program together for you! Send an email norma.schafer@icloud.com
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- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
Our Favorites
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Predictability of Daily Life
The big looms are on the second story balcony of the Chavez house at Francisco I. Madero #55. They are 12 feet and 8 feet wide respectively. Two apprentices are here this week working at these looms. They arrive at 7 a.m. and leave 3 p.m. for comida. Yesterday, the younger one returned and worked until 10 p.m. The music from the boom box fills the entire space of the casa with blues and jazz repurposed in Spanish, and the beat beat beat of the looms shakes the underpinnings of the house. It is mucho trabajo, much work, constant work, long hours, and the finished 8 x 10 foot hand loomed rug made with naturally dyed 100% wool yarn will fetch about $1,600 USD. Not much for the labor involved. I am sitting on the balcony of my bedroom feeling the vibrations of the looms. The French doors are wide open and the grillwork casts a curly cue shadow across the floor. Beyond the geranium pots are courtyard upon courtyard of cooking fires, bleating sheep, cackling hens, tiled roofs, adobe walls, isolated pine trees, and in the distance the 9,000 foot high Sierra Madre del Sur.
The day is warm, 68 degrees. Nights are chilly, 45 degrees. The bougainvilla are blooming now. Roses twine over door arbors. White jasmine flowers drape across trellises providing needed shade. I can stand on the cobblestone street and in a matter of minutes a diminutive farmer, staff in hand, will guide his herd of cattle out from behind a walled fence, door flung open to the world, on their way to nibble alfalfa in the field beyond. I feel no need to do or see, only to be in this moment of tranquility.
There is a predictable pattern for each day in this Zapotec household. Arise. Sprinkle water on the courtyard floor. Sweep. Make coffee. Shower and dress. Weave a little. Climb into the blue camionetta (truck) for the morning trip to the market to buy food for the day. Visit there with village friends. Squeeze the pineapple or melon or papaya or oranges to test for freshness. Buy chicken breasts or tasajo (meat for grilling). Choose the tortillas from your favorite vendor: are they yellow, white or blue masa today? Stop for pan dulce (sweet bread). Put everything in your handmade woven basket. Come home, make fresh salsa. Sautee a mixture of diced carrots and potatoes and onions and chicken. Serve it on the table. Assemble a tortilla with the chicken mixture, add salsa, wrap it all and eat it. Drink coffee or hot chocolate. Dunk the sweet bread into your beverage to soften. This is a daily habit, a rhythm of repetition and comfort.
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