Most tourists come to Oaxaca for Day of the Dead to immerse themselves in the October 31 cemetery extravaganza in Xoxocotlan (ho-ho-coht-lahn), a suburb about 15 minutes from the historic center of Oaxaca City. The locals refer to it as Xoxo (ho-ho). The Nuevo Panteon (new cemetery) is the scene for strolling musicians, graveside picnics, good cheer encouraged by the imbibing of local mescal followed by a beer chaser, plenty of costumed children, the heady aroma of marigold flowers in urns and petals next to and atop the resting place of loved ones. My focus was on the old cemetery.
The Viejo Panteon (old cemetery) is a marked contrast. It is much smaller and very old. I imagine the early friars built this now crumbling adobe church in the 16th or 17th century. The foundation stones and surviving frescoes held up by heavy pine reinforcements tell me this. The atmosphere is serene, subdued, reverent and mystical.
Then there are the masked and costumed children. Immigrants who have lived in the U.S. and returned to Mexico are introducing Halloween as a Muertos overlay. Youngsters trailed me everywhere with palms open, arms outstretched, asking for a Halloween treat. I took photos instead and they were happy. La Catrina, skeletal symbol of Muertos, appears below in the flesh.
The technical difficulties of shooting at night are immense. As a newly initiated night photographer I have come to appreciate the benefits of using a tripod. Imagine stepping around grave sites on dirt paths that are, at most, six inches wide, obstructed by burning candles and smokey copal incense. The huge urns of flowers are balanced as precariously as me.
Then, there is the challenge of finding level ground in a cemetery that is at least 400 years old and adjusting camera settings in darkness. Next time I will bring the miner’s flashlight!
We arrived in Xoxo at 4:30 p.m. to give us the magic light at end of day. The shadows were spectacular. Very few people were there. Older women were beginning to arrive with huge bundles of marigolds and long beeswax tapers. We could get very close! Of course, we always ask permission to take photographs, and 90% of the people we ask always say yes. It is an ethical decision by the photographer. Long lenses give us the freedom of a photojournalist to roam and shoot without connection. And, the connection can always lead to something more extraordinary. We believe it is our ethical responsibility to ask.
This year the Oaxaca Symphony Orchestra moved inside the walls under a big tent at the entrance to perform works by Mozart, Bach and Handel complete with oratorios. The music was ethereal and soothing.
Since we arrived at 4:30 p.m. by the time 10:30 came around most of us were ready to go back to our hotel. More people were coming in than were leaving and there must have been thousands in the new cemetery. Jenny, who speaks fluent Spanish, stayed on until 2:30 a.m. and hailed a taxi on her own to get back to the hotel. Yes, once again, perfectly safe!
Join us in February for Oaxaca Carnivale Photography Arts Workshop or in July for Oaxaca Photography Workshop: Market Towns & Artisan Villages.
Teotitlan del Valle Celebrates Day of the Dead–Photography Expedition
In the Oaxaca village of Teotitlan del Valle, Dia de los Muertos is serene, low-key and beautiful. Here, it is celebrated at the cemetery on all Soul’s Day, November 2. At home, families light the copal incense burner to help the spirits of their loved ones find their way back to the grave. Then, they gather for a meal of traditional mole negro with chicken, rice, plenty of tortillas, beer and mezcal. At about 5:30 p.m. they make their way to the panteon for mass and to sit with the spirits of their ancestors.
The altar is a central part of each home. During Muertos, visitors come with offerings to the dead: chocolate, beer, candles, mescal, and bread. Photos of the loved ones who have died are prominently displayed along with their favorite foods.
The copal incense burner is a mystical part of the celebration. The church bells toll exactly at 3 p.m. Federico lights the incense. He and Dolores tend the fire to make certain it doesn’t go out, using a hand-held fan woven with plant fibers. The copal flames, aroma of incense, and smoke create a space of reverence and reflection.
Villagers come to the cemetery with brooms, buckets of flowers, the favorite fruits, nuts, and beverages of their loved ones, and begin to clean the grave sites and decorate them. Then they may sit in meditative prayer. Or, entire extended families may gather with a case of beer and the evening for them is festive and celebratory. The range of emotions in this small space is huge: from laughter and music to tears and keening.
There was far less ambient light and fewer candles at the Teotitlan del Valle cemetery than there was in Xoxocotlan. So it was very dark — difficult conditions for night photography even when I opened the aperture to its widest setting with the camera speed to 1600. I switched to manual mode but couldn’t see clearly through the viewfinder to even see if the shot was in focus! This was the best I could do!
Grainy and fuzzy. But don’t you love that purple sky? It was pitch black out and I could barely see those figures. Hopefully this gives you the sense of place.
Here, at the entrance to the cemetery the street light provided illumination on this old wooden cross.
And the tuba offered a mirror onto the world along with a self-portrait.
Neighborhoods have their own altars positioned at crossroads where people travel most. A green vase from Atzompa holds fresh marigolds, the aromatic flower of this season.
On November 2, all our our Day of the Dead Photography Expedition participants spent the day with a host family, shared the meal, and then accompanied them to the cemetery. Tonight, we have invited our host families to our Best of Week show that will feature photographs from Teotitlan del Valle.
Like this:
2 Comments
Posted in Cultural Commentary, Photography, Travel & Tourism
Tagged blogsherpa, day of the dead, Mexico, Oaxaca, photography, postaweek2011, Teotitlan del Valle