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Why Travel With Us: Help sustain traditions.
- We know the culture! This is our land! We are locally owned and operated.
- Eric Chavez Santiago is tri-lingual --Spanish, English, Zapotec.
- Eric was founding director of education, Museo Textil de Oaxaca + folk art expert
- Norma Schafer has lived in Oaxaca since 2005.
- Norma is a seasoned university educator.
- We have deep connections with artists and artisans.
- 63% of our travelers repeat -- high ratings, high satisfaction.
- Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
- We give you a deep immersion to best know Oaxaca and Mexico.
We organize private travel + tours for museums, arts, organizations, collectors + appreciators.
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here
Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Arts organizations, museums, designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *North Carolina Museum of Art *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email norma.schafer@icloud.com
PRESS
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
Our Favorites
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
El Sueño de Elpis: Oaxaca Art Interprets Hope
While Elpis was locked inside Pandora´s box, a miracle furrowed through her dreams: the possibility of a 360-degree turn for humanity, a change that would make the world a better place. She dreamed of the virtues that abounded back in the days when the world honored the sacred feminine ways: actual times in which life and all of its processes were in tune with Earth’s natural rhythms, the seasonal cycles, the equality of all beings — animate and inanimate, equality among genders, among the most diverse species. When she awoke, she told men and women about her dream and the miracle started to materialize.
Artist Mauricio Cervantes‘ interpretation of Elpis’ dream is manifested through a multimedia art installation at Murguia #103 in Oaxaca’s historic district. The exhibition will be open through Sunday, November 4, 2012.
The space is magical and inspiring. A roofless historic adobe building, living spaces undefined, texture, mood, and altars that are bed frames and yellow chairs adorned with cempasuchitl, the flowers of the dead, ubiquitous during this time of Day of the Dead in Oaxaca. The altars are suspended, floating, reflected, rooted.
Photography workshop participant Helene Haviland and I met Mauricio in the patio of the 17th century once-splendid home hours before the official opening, when the light and shadow were perfect. Art students were putting the finishing touches on a mural. Curator Pablo Rico was taking a break, and Mauricio, always generous with his time, explained the meaning of the installation to us.
There is so much here that is rich for reflection. The cracks in the mortar, the decay, the dreams of the builders, the ability to take what is a shell and reconstruct it into something magnificent, beautiful, and strong. Even stronger. We go to the core in this space to ask, who are we and what is our hope for humanity.
And finally, the camera often shows us what our eyes do not — the many layers of life waiting to be excavated, that we choose our altars, our prayers and the path to salvation. The cut flowers will die, their scent will dissipate, but our dreams live on in the collective ambition to create a better, cleaner, safer world.
Day of the Dead teaches us that life is cyclical and the spirit of life regenerates.
Coming Up: Street Photography starts January 16. Women’s Creative Writing and Yoga Retreat starts March 8. There is always something wonderful happening in Oaxaca to capture.
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