Category Archives: Workshops and Retreats

Oaxaca Screenwriting Workshop for Film + TV: We All Have a Story

Arrive Thursday, March 28 and depart Wednesday, April 3, 2024–Semana Santa Experience

What makes a good story? And how do we translate that to a movie or television? We might say: That show has a good story line, or I love those characters (or not), or The plot is unbelievable (as in, either amazing or false). A story is a simple thing – someone wants something, and someone or something stands in their way. The purpose of storytelling is to give meaning and to express wonder. It’s the emotion and empathy that you personally put into a story that makes it compelling. We have created this workshop to provide you with tools to develop and tell a worthy story, and then to pitch it to those who might produce it. This is the perfect opportunity to take a novel, short story, a work of fiction or creative non-fiction, documentary, and personal essay, and begin to turn it into a screenplay worthy of viewing in a movie or on television. Through personal coaching, learning sessions, and group feedback, you will gain the skills to create structure, plot, and formatting.

Whether you are interested in writing a TV pilot, a feature film, a short film, a documentary film, or a work of literary fiction, knowing your core concept and message, and developing fully realized three-dimensional characters is essential to the ultimate success – however long that may take – of a writing project.  We will help you get there.

Meet your instructor: Harry Werksman

Harry Werksman is a veteran screenwriter who promises that you will participate in a free-spirited, free-wheeling exchange of ideas, sprinkled with creative writing exercises, that are designed to warm up your writing engine. If you are an experienced writer and need encouragement and feedback, this is the place for you. If you have always wanted to write a screenplay and you consider yourself a novice, we can offer you a solid path from which you can pursue your dream. All experience levels welcome.

Werksman has worked in the entertainment industry as a writer-producer for many years. He has been nominated for two Emmys, one Golden Globe, one Saturn Award, one People’s Choice Award and three Writer’s Guild Awards (WGA). He has won a WGA Award for GREY’S ANATOMY, a Golden Globe for UGLY BETTY, and won both a People’s Choice Award and a Saturn Award for MOONLIGHT. Other credits include: EON-4, STAR TREK: DS9, EARTH: FINAL CONFLICT, FARSCAPE, THE INVISIBLE MAN, DEATHLANDS: HOMEWARD BOUND, VERITAS: THE QUEST, FINAL FANTASY XV and CASTLE.

In addition, Harry is a seasoned instructor! He has taught for The American Film Institute, UCLA Extension Writer’s Program, New York Film School, The Institute for British and Irish Studies (Oxford University), New York University, and more. Harry holds the B.A. from Northwestern University, and master’s degree from New College, Oxford University, England.

And now, after nearly 30 years in the industry, he’s left Los Angeles for the wind-swept, wide-open spaces of Santa Fe, New Mexico. He continues to write and teach – acting as the Lead Instructor for the Southwest School of Story Telling’s summer film camp for high school students; has earned a master’s certificate from University of New Mexico and the Santa Fe Watershed Association in climate change; and has begun to seriously explore the world of documentary filmmaking.

How Travel Boosts Creativity: Why Write in Oaxaca

Harry tells us that by traveling, we look at the world through an entirely different lens and connect with the greatest of all Muses, Nature. He notes that many of his most creative thoughts come when he least expects them, when he has taken his mind off the challenges he faces, even for a brief time.

He says, In this space, far away from the demands of everyday, competing, and conflicting thoughts, frustrations melt away. Eliminating external distractions allows my mind to relax. I can contemplate my ideas and understand the emotions and motivations I’m trying to convey through words. This is when the magic happens.

Think about Kerouac’s On the Road, Van Gogh’s Café Terrace at Night, Chopin’s Winter Wind: all these incredible pieces were inspired by travel. Finding inspiration in a creative field can prove difficult, with many experiencing a form of writer’s block. Often, the solution is as simple as going somewhere new and having new experiences. In these new surroundings, you may experience a renewed inspiration to get you going again. You may even enter a ‘flow state,’ in which you completely lose yourself in your work and complete a creative project without even trying!

By immersing yourself in a foreign environment, you are helping to strengthen the neurons that like to make connections, solve problems, and embrace new ideas. This will feed into your work, with your new surroundings, offering inspiration.

Location: Teotitlan del Valle, Oaxaca, Mexico

We are based in the famed tapestry weaving village of Teotitlan del Valle, located about forty minutes outside of Oaxaca city, where there are 2,000 looms and artisans create award-winning floor rugs and wall-hangings . Here, in a retreat-like setting, we are based in a lovely, small bed and breakfast inn within steps of the 17th century church and pre-Hispanic Zapotec temple and archeological site. Walking trails and cobblestone streets attest to an ancient culture more than 8,000 years old. Up the road, about seven miles from the village, native corn was first hybridized 12,000 years ago. We will be there over Semana Santa Easter celebrations rooted in syncretism – Spanish Catholicism and ancient mystical-spiritual traditions. Being here allows us to immerse ourselves in rituals, observances, meet locals, and retreat into a world of creative inspiration.

What the Workshop Includes

  • Expert instruction and private coaching session
  • Lodging at an excellent bed and breakfast inn
  • 6 breakfasts
  • 3 lunches
  • 4 dinners, including Gala Grand Finale Dinner
  • Mezcal tasting
  • Guided visits to local artisans
  • Participation at Semana Santa Procession
  • Dance of the Old Men enactment
  • Transportation that is part of the itinerary
  • Support for a student scholarship at the Oaxaca Learning Center

The workshop does not include alcoholic beverages, tips, transportation to/from the airport or city to the workshop location, airfares to/from Oaxaca.

Preliminary Program: March 28-April 3, 2024 – Seven days, six nights

Day 1: Thursday, March 28. Please arrive to our Teotitlan del Valle lodging by 4 p.m. to check in. 6 pm welcome reception and supper. Sign up for individual coaching sessions with the instructor. (D)

Day 2: Friday, March 29. Breakfast is at 8 am, followed by a morning session that includes discussion about What is a story? What is a script? This includes a deep dive into format, structure, plotting and the process of scripting for TV, film, short, documentary. You will begin to develop a Concept Document and Character Thumbnails. 11:30 am lunch. Noon break to join the village Semana Santa procession. Afternoon individual consults with instructor and free time. 6 pm Mezcal Tasting followed by dinner. (B, L, D)

Day 3: Saturday, March 30. Breakfast is at 8 am., followed by a morning session to explore the Who, What, Where, and When of a good story. The Why will not be given – you will start your project by teasing out Why this story is important, valuable, meaningful. Through readings and feedback, you’ll better understand what works, what doesn’t, challenges, areas of difficulty and areas for improvement. You’ll continue to work on Concept Document and Character Thumbnails to ensure you are reaching your intended goal. Lunch is at noon, followed by individual coaching sessions, free time to write. We meet at 4 pm to visit a master weaver before dinner. (B, L, D)

Day 4: Sunday, March 31. Breakfast begins at 8 am followed by our morning workshop session that focuses on the “Character To Do List.”  We all make lists: errands to run, groceries we need, holiday gifts to buy, project milestones to hit. We will use this format to explore character as part of the script. And, we will continue to write Concept Document and Character Thumbnails. Lunch is at noon. Then, it’s writing, free time, and personal coaching sessions. Dinner is at 6:30 pm. (B, D)

Day 5, Monday, April 1. After breakfast, our session will focus on The Writer’s Room, by experiencing how this group format advances the project. We will collectively craft a single scene either from one of the concepts pitched or of our own that will represent the core scene of a potential story.  A Writers Room is where the writers pitch, brainstorm, and workshop ideas together. A collaboration, the group can vary from several to more than a dozen people. How they operate depends on the executive producer/show runner or their top lieutenants. This is where script ideas are born and polished for production. After lunch, we move into personal writing time, free time, and individual coaching sessions with the instructor. At 4 pm, we walk to the plaza to witness the Dance of the Old Men. Dinner is at 6:30 p.m. and on your own. (B, L)

Day 6, Tuesday, April 2. After breakfast we meet again from 9 am to Noon. Each participant will make a presentation to the group of their Individual Concept Documents and Character Thumbnails, to receive feedback, reactions, suggestions, identify areas of difficulty and improvement. This feedback will be the basis for the final rewrite on your own after lunch. At 4 pm we will meet local artisans who will present and discuss their work. We gather at 6:30 pm for a Reading and Celebratory Grand Finale Dinner. (B, D)

Day 7, Wednesday, April 3. Breakfast is included on your departure day. We are happy to help you arrange transportation (at your own expense) to the airport or to the city if you choose to extend your stay. (B)

Note: During the personal coaching sessions, each participant will be scheduled to meet for one hour with Harry Werksman. There will be opportunities, too, to meet for informal chats, answer questions, or help break up a creative/mental log jams that hold up the creative process.

(Itinerary subject to change at our discretion.)

Please complete this Registration Form and return to Norma Schafer at norma.schafer@icloud.com to participate. Thank you.

Note: You can add days on to the tour — arrive early or stay later — at your own expense. We also suggest you arrive a day early (your own hotel expense) to avoid any unforeseen flight delays.

Cost to Participate

  • $2,695 shared double room with private bath (sleeps 2)
  • $3,295 for a single supplement (private room and bath, sleeps 1)

Reservations and Cancellations.  A $500 non-refundable deposit is required to guarantee your place. The balance is due in two equal payments. The second payment of 50% of the balance is due on or before November 1, 2023. The third payment, 50% balance, is due on or before January 5, 2024. We accept payment using Zelle, Venmo, PayPal or Square. For a Zelle transfer, there is no service fee.  We add a 3.5% service fee to use Venmo, PayPal or Square. We will send you a request for funds to make your deposit when you tell us you are ready to register. (We need details on how your account is registered to make the request.)

After January 5, 2024, there are no refunds. If you cancel on or before January 5, 2024, we will refund 50% of your deposit received to date (less the $500 non-refundable deposit). After that, there are no refunds UNLESS we cancel for any reason. If we cancel, you will receive a full 100% refund.*

Required–Travel Health/Accident Insurance: We require that you carry international accident/health insurance that includes $50,000+ of emergency medical evacuation insurance. Check out Forbes Magazine for best travel insurance options. https://www.forbes.com/advisor/travel-insurance/best-travel-insurance/

Proof of insurance must be sent at least 45 days before departure.

COVID-19 Precautions. We trust that you are fully vaccinated and take all precautions when traveling, including mask-wearing in airports and on airplanes. Thank you.

We ask that you test two days before traveling to the tour, and that you inform us if the results are positive. Please bring 4 self-tests with you. We ask that you do a self-test 48 hours after arrival and then periodically thereafter if you feel you have been exposed. Face masks are strongly suggested for van travel, densely populated market visits, and artisan visits that are held indoors. We ask this to keep all travelers safe, and to protect indigenous populations who are at higher risk.

Be certain your passport has at least six months on it before it expires from the date you enter Mexico! It’s a Mexico requirement.

Where is Zacoalpan, Guerrero? Find It on the Oaxaca Coast Textile Tour

The Costa Chica of Oaxaca actually includes the southern part of Guerrero state, stretching from Puerto Escondido north to Acapulco. We don’t go quite as far as Acapulco, but we go deep into Amuzgo territory. The Amuzgo ethnic group encompasses northern Oaxaca and southern Guerrero. As in many parts of the world, political boundaries have nothing to do with tribal affiliations. I have seen this in India, China, Chiapas and Guatemala, too.

Selection of beautiful huipiles

Some years ago, I discovered the weaving family of my friend Jesus Ignacio when Instagram was in its infancy. I saw through his photos that the workmanship was extraordinary and he was dedicated to reviving ancient patterns, many lost to common memory. I knew that our itinerary took us to Xochistlahuaca, Guerrero, and learned that Zacoalpan is a nearby sister village where back-strap loom weaving also has important traditions. I added this family to our tour.

2023 Oaxaca Coast Textile Study Tour–Registration Open!

Supplementary weft technique yields dense design – 8 months of work

During our first visit a few years ago, Jesus showed us examples of textile fragments he was able to find and replicate. The family grows their own native, pre-Hispanic cotton on a small plot that he and his father tend. They grow coyuchi brown, soft green and creamy white. His mom, aunts and cousins process the cotton by hand, separating the fibers and taking out the seeds which they save for future planting. They roll a petate around dried corn leaves and beat the cotton on top with two hefty sticks to soften it. Then, they card and spin it using a malacate or drop-spindle. The cotton is then ready for the back-strap loom.

Raw native green cotton

I describe all this because the preparation is an integral part of the weaving process and takes a lot of time. To calculate he cost of a hand-made garment, we must factor in all the steps in the vertical production process — from growing to the final blusa or huipil.

Not only does the family use native cotton, they also use natural dyes: indigo, cochineal, wild marigold (pericone), nanche bark, zapote negro (a local fruit), and occasionally purple snail dye which they buy from Pinotepa de Don Luis across the Oaxaca-Guerrero border.

Native coyuchi brown and creamy white cotton

I want to share with you these words that Jesus wrote to me a few days ago. He doesn’t speak English, but he uses Google Translate. I’m copying what he wrote verbatim. When I read it, it makes me cry.

“Thank you friend Norma for visiting us. The Zacoalpan textile workshop teacher has been very talented, I have focused on helping her to spread her backstrap loom arts, even though I do not have compensation from the teachers, but my passion is to spread our ancestral knowledge. I feel so grateful for your visit in my humble home where we are struggling with stereotypes.

A study in humble— Jesús ‘ aunt

“I have always dreamed of going very far for the world to know our arts. I know our textiles are in danger of extinction, but I have not been able to make a lot of progress due to lack of support. The only support we have had is from your trip to our workshop. I have been a young dreamer, sometimes it makes me sad because I have not found a job in my profession, which is civil engineering. I have become very sad because our Mexico lacks employment. My dream is to become a better construction engineer but I have not been able to find work to practice my profession.

“My only dream is to have a house of my own and work. Sincerely, I am deeply grateful for your support in purchasing the art we make. I also have a dream that one day I will get to know your country, the USA, friend Norma. It is my only wish.

“I used Google translate.”

Jesús, Norma and his mom

Find Jesus on Instagram: @textil_zacoalpan

I’m sharing the contact because we don’t want them to have to wait another year for our visit to sell something! They ship internationally. Please support them. Our group was the only one to visit in the last two years. The work is finely made and exceptional. You must be able to do a wire transfer to his bank account. I use the App Remitly to send wire transfers to Mexico.

Ancient double-headed eagle design revived

Oaxaca Rugs in Philadelphia, Pa.

Omar Chavez Santiago from Galeria Fe y Lola in Oaxaca is traveling with me to Philadelphia, Pennsylvania at the end of the week to start a series of rug exhibitions, sales and natural dye demonstrations.

Events start on Saturday, October 27, 2018. We hope if you live in the region you can stop by.  On November 5 and 6, Omar will be in New York City — his first time to the Big Apple. We will confirm dates, announce location and time soon.

Huge thanks to Leah Reisman, Ellen Benson, Suzanne Bakewell and Kathleen Bakewell for organizing Omar’s visit. They made it happen!

We hope to see you. I’ll be there the first weekend. Stop by to say Hello!

Please share so we can give Omar a big Philly welcome. It’s his first time there.

If you want a PDF flyer, send me an email!

Photo Essay: Oaxaca Cochineal Dye Workshop in Durham, NC

Cochineal dyed wool scarves drying

Yesterday, my Teotitlan del Valle, Oaxaca, godson Omar Chavez Santiago, from Galeria Fe y Lola, taught a cochineal natural dye workshop through INDIO Durham, hosted by owner Wendy Sease.  We had a sold-out workshop.

Acid base using fresh lime juice turns the dye bath orange

Most people don’t know that cochineal is the natural dye that colors lipstick, Campari, yogurt, and wine. Anything labeled carminic acid comes from cochineal. When you manipulate the pH, you can change the dye color.

Cochineal dyed silk

When you over-dye with blue, the cloth becomes purple. When you start with wild marigold and over-dye with cochineal, the cloth becomes peach color. The color of the sheep wool will also determine the shades of red.

Cochineal dyed wool

The wool must be washed/cleaned or mordanted first before it is dyed. This takes out the lanolin and makes the wool more receptive to accepting the color. The cochineal mordant bath is clear water with alum, heated to dissolve the natural rock. Wool dyed with cochineal needs mordanting. Wool dyed with indigo does not.

Taking the wool out of the bath that mordants the wool

Once the wool is cleaned, we prepare the cochineal dye bath dissolving the powdered bugs into hot water and stirring.

A red pullover scarf called a quechquemitl coming out of the dye bath

For a deeper color red, the wool must stay in the dye pot for at least an hour. At home in Teotitlan del Valle, Omar and his family will keep the yard they weave rugs with in the dye bath overnight to get the most intense color.

Another view of a dyed wool scarf coming out of the dye bath

Eight women gathered around Wendy’s kitchen to prepare the mordant and dye pots after Omar gave an introduction and orientation to the cochineal and its color properties.

Cooking it up in Wendy’s kitchen

He brought hand-woven wool scarves with him from Oaxaca that each participant could work with.

Omar coaching participants as they get ready to immerse their scarves

Fresh lime juice is essential because the acid is the necessary ingredient to alter the color of the dye bath. This is exactly how the family does it at home in Oaxaca — an entirely hand-made process.

Everyone squeezed limes by hand!

You can come to Oaxaca for a natural dye workshop or a tapestry weaving workshop. Contact Norma Schafer, Oaxaca Cultural Navigator LLC. We can fit your schedule.

It was a perfect NC day — our outdoor dye kitchen

Wool wet and waiting for the dye pot

When you bring the cloth out of the pot you want to make sure not to waste the cochineal. It cost over $100 USD per kilo, so you squeeze the liquid out over the dye pot to reuse it.

Squeezing the excess liquid

A study in color variation depending on wool type and dye bath

Hot purple and juicy lime, a great color contrast of wool in bowl

Three scarves in black and white

Experimenting with shibori

 

 

 

Day of the Dead 2019 Women’s Writing Retreat: How Memory Inspires Us

Arrive Wednesday, October 30 and leave Monday, November 4, 2019. The retreat can accommodate up to 10 women.

We gather for Day of the Dead 2019 in the traditional Zapotec village of Teotitlan del Valle, Oaxaca, Mexico to write with intention for five nights and four days. Day of the Dead inspires us to revisit our memories of people and places, to dig in and go deep, and to write in whatever genre speaks to us: memoir, journaling, fiction, personal essay, creative nonfiction, and poetry.

New and seasoned writers are welcome. Come to kindle and rekindle the writer’s life.

Cost is $1,095 per person for a shared room, and $1,395 for a private room. A 50% deposit will reserve your space.

All single rooms sold out. Shared rooms only. 

During this time, Oaxaca honors her ancestors: parents, grandparents, aunts and uncles, young ones lost to tragedy. Loss surrounds us: loss of time, loss of relationships, loss of self and identity, loss of a loved one or someone with whom closure was incomplete.

Day of the Dead Altar

It is also a celebration of life, the continuum, the link between the generations before and the world we inhabit. During the workshop we discuss Day of the Dead symbols, meaning and concepts, comparing Mexican beliefs with those from our own cultures to spark memory and creativity. Perhaps we explore this in writing or use it as a device to trigger imagination.

Day of the Dead offers each of us an opportunity to explore the tenor of life, and the meaning of life and death, transition, passage, and relationships. Memory is powerful. Recall gives us permission to exhume and revisit, to sit with what is at the surface or buried deep within, to see beyond the mask. Writing gives outlet to self-expression whether your goal is to publish or not.

Day of the Dead, handmade tin, folds to 10-1/4×6-1/2″. For Sale, $95 + $8 mailing

Teotitlan del Valle is our base. It is an ancient weaving village about thirty minutes beyond the hubbub of the city where Day of the Dead rituals are practiced much as they were hundreds of years ago.

During our time together, we will integrate our writing practice with visits to San Pablo Villa de Mitla cemetery and a home altar on the morning of November 1 with a local weaver friend. Then, on the evening of November 2 we will go with a local family to the Teotitlan del Valle cemetery to guide the difuntos back to their resting places.

Calavera Artist, hand-painted, 8-1/2″ high x 3″ wide. For Sale, $85 + $8 mailing

Want to buy Muertos decor? Send an email.

There will be optional daily activities in our schedule: gentle yoga, afternoon walks, and mini-seminars on writing topics such as writing effective description and dialogue, grammar, or submitting creative work for publication. Each person will have a private coaching session, too.

Roses on the writing table with journal notes

Planned Itinerary: 2019

  • Wednesday, October 30: Arrive and check-in to our retreat space. Group dinner. Introductions.
  • Thursday, October 31: Morning yoga (optional), breakfast, writing workshop, lunch, afternoon independent writing, optional activities, group dinner, coaching session
  • Friday, November 1:  Morning yoga (optional), breakfast, visit to Mitla cemetery and home altar, independent writing, lunch,                afternoon workshop, group dinner, coaching session
  • Saturday, November 2:  Morning yoga (optional), breakfast, writing workshop, lunch, afternoon independent writing, visit to Teotitlan del Valle cemetery, dinner on your own
  • Sunday, November 3:  Morning yoga (optional) breakfast, writing workshop, lunch, afternoon independent writing, optional                    activities, group reading and celebration dinner
  • Monday, November 4:  Breakfast and depart

We reserve the right to make itinerary changes and substitutions as necessary.

You can add-on days in Teotitlan del Valle or Oaxaca before or after the retreat at your own expense. We can arrange transportation for you to/from the airport and to/from the city at your own expense.

What is included?

  • Complete instruction with four workshop sessions
  • 4 dinners
  • 5 breakfasts
  • 4 lunches
  • 5 nights lodging
  • transportation to Mitla cemetery and altar
  • daily gentle yoga (optional)
  • mini-seminars on writing topics
  • one coaching session

Please bring a photo of a loved one. We will build a group altar, too.

Meet Robin Greene, Writer-Editor-Professor

http://www.robingreene-writer.com/artist-statement/

We are pleased that Robin Greene is returning to lead this intensive writer’s retreat. This will be her eighth year teaching with us to rave reviews.

Novelist and Poet Robin Greene in Oaxaca, Mexico

Robin Greene is Professor of English and Writing and Director of the Writing Center at Methodist University in Fayetteville, NC, where she held the McLean Endowed Chair in English from 2013-2016. Robin has published two collections of poetry (Memories of Light and Lateral Drift), two editions of a nonfiction book (Real Birth: Women Share Their Stories), and a novel (Augustus: Narrative of a Slave Woman). Robin’s second novel, The Shelf Life of Fire, is forthcoming from Light Messages Publishing in spring 2019, and Robin is currently working on a sequel.

Robin is a past recipient of a North Carolina-National Endowment for the Arts Fellowship in Writing, and has published over ninety pieces of poetry, fiction, and nonfiction in literary journals. She has received two teaching awards, the latest of which, the Cleveland Award, received in 2017, is the most prestigious award offered by her university. Robin has given over a hundred academic presentations, literary readings, and writing workshops in a variety of venues throughout the US.

Additionally, Robin is a registered yoga teacher (RYT200), cofounder and editor of Longleaf Press, and cofounder of Sandhills Dharma Group, a Buddhist meditation group. She holds a M.A. in English from Binghamton University and a M.F.A. in Writing from Vermont College of Fine Art at Norwich University.

Day of the Dead, Some Links to Culture and Traditions

What is a Workshop Session? The group meets daily for three hours to actively listen to each other’s writing, giving supportive and constructive feedback about what resonates or not. We offer guidelines for the process. Everyone takes a turn to read and everyone participates. Writers may accept or reject suggestions. Workshops offer an important learning tool for writers to gain feedback about how their words are communicated and understood.

How to Register:  Cost is $1,095 per person for a shared room, and $1,395 for a private room. A 50% deposit will reserve your space. Send us an email to say you want to attend and if you want a shared or private room. We will send you a PayPal invoice to secure your space.

Required–Travel Health/Accident Insurance: We require that you carry international accident/health/emergency evacuation insurance with a minimum of $50,000 of medical evacuation coverage. Proof of insurance must be sent at least 45 days before departure. In addition, we will send you by email a PDF of a witnessed waiver of responsibility, holding harmless Norma Schafer and Oaxaca Cultural Navigator LLC. We ask that you return this to us by email 45 days before departure. Unforeseen circumstances happen! Be certain your passport has at least six months on it before it expires from the date you enter Mexico!

Plane Tickets, Arrivals/Departures: Please send us your plane schedule at least 45 days before the trip. This includes name of carrier, flight numbers, arrival and departure time to/from our program destination.

Reservations and Cancellations.  We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After September 1, 2019, refunds are not possible. If there is a cancelation on or before September 1, 50% of your deposit will be refunded. After that, there are no refunds.

All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

Terrain, Walking and Group Courtesy: The altitude is almost 6,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have uneven paths. The stones can be a bit slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do some walking. If you have mobility issues or health/breathing impediments, please let me know before you register. This  may not be the workshop/study tour for you. Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

How to Get To Oaxaca: United Airlines operates direct flights from Houston. American Airlines operates direct flights from DFW. Delta Airlines has a codeshare with AeroMexico with a connection to Oaxaca from Mexico City. All other major airlines fly to Mexico City where you can made independent connections on Interjet, and VivaAerobus. Check Skyscanner for schedules and fares before you book.  Note: I always book directly with the carrier for better customer service.

Workshop Details and Travel Tips: Before the workshop begins, we will email you study tour details and documents that includes travel tips and information.

To get your questions answered and to register, contact Norma Schafer. This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.