Mexico’s Ex-Votos are collectible naive folk art that tell a story of thanksgiving for being saved from near-death or disaster. Yes, it was a miracle to survive. Usually, the person who escaped tragedy would hire a local artist to paint a tin square depicting the scene. The message of thanks may have included many misspellings, as the painters were not educated. They often include depictions of the saint to whom the supplicant is sending prayers of thanks.
Three of the exvotos are reproductions by famed Mexico City artist Rafael Rodriguez. One is a vintage piece dating from the 1950’s, acquired from a collector friend.
To Buy: Send me an email and tell me which piece(s) you want indicating the number of the item, your name and mailing address. I will send you a PayPal invoice and add-on $8 USD for USPS priority mail if you are in the lower 48 states.
Time sensitive. Purchases must be made by Monday, December 10, 2018. I fly away to North Carolina on December 12, and I’ll need time to package for taking with me.
#1 is a whimsical, vintage exvoto, rare and in excellent condition for its age, is a perfect example of naive folk art, painted at Chapala, Jalisco in the 1950s, according to my collector friend in Mexico City (and she should know!). It says: Gracias a la virgencita y el niño por senar a mi hijo enfermo de Tifoidea a anto de morir. El sans infinitamente agracidas. (signed) Lupe Ma. Miraflores Lopez, Chapala, Jalisco. (Thanks to the little virgin and her son for saving my son from typhoid before he died. He is infinitely thankful.) Measures 10-1/4″ x 8-1/2″
#2 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez, painted on tin. It measures 14-1/4″ x 10-1/4″ and says: Roperta Lara da las gracias con esta laminita pues unas calaveras nos atacaran a mi y mi vieja. Puebla, 9 de julio de 1940. Roperta Lara gives thanks with this plaque since the skeletons didn’t attack me and my old lady.
#3 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez. It measures 12″ x 9-3/4″ and says: Contava la gente que salia una serpiente mujer que se lleva va a los hombres a su gruta y alli se los come hasta con zapatos y zombrero. Jalisco a 5 de Julio de 1938. Saved from Contava the snake woman who comes out of her cave and captures men and eats them, except for their shoes and hat.
#4 is an exvoto reproduction by Mexico City artist Rafael Rodriguez. It measures 10″ x 7-1/2″ and says: Rufina Estrada dedica esta laminita porque me salve de la huesuda. San Luis, a 11 de enero 1939. Rufina Estrada dedicates this plaque because she was saved from death. San Luis, January 11, 1939.
#5 is a rare necklace, attributed to Patzcuaro, Michoacan, according to famous Oaxaca jeweler Federico, from whom I bought this some years ago. The beads are vintage, rare and collectible Venetian glass trade beads called White Hearts, brought to the Americas by Cortes. There are 15 handmade silver Virgin of Soledad (?) pendants, each 1-1/2″ long by 7/8″ wide. Pendants have various designs. The necklace is 20″ long. An outstanding piece.
#6 is one of those unusual finds, 40 perfectly formed 15 mm beads made in the heyday of Taxco silversmithing, probably from the 1960’s. 23-1/2″ long. I bought these beads in Puebla. The chain broke and I had them restrung on very sturdy jewelers wire.
#8 is a new William Spratling sterling silver chain, made in the Spratling studios in Taxco, Guerrero, and is 22″ long. It is a contemporary piece cast from Spratling’s original molds by the Ulrich sisters, who own the famed franchise and whose father was Spratling’s business partner before Spratling died.
#9 is a perfect specimen of Taxco silver and inlay mastery, from the 60’s or 70’s. 1-1/4″ wide by 1″ high. The abalone shell glimmers and the silver work is pristine. Fish pin, inlaid abalone on silver. Excellent. $95.
Three Pillow Covers From Chiapas
These pillow covers are woven by the famed cooperative El Camino de Los Altos by women who use back strap looms. The designs are not embroidered, they are woven into the cloth. They each measure 17″ x 16-1/2″ and they are $35 each.
Best of Oaxaca’s Biodiversity at Ejido Union Zapata: Day of Plenty
Oaxaca celebrates indigenous food and handmade at the annual Agro-biodiversity Fair in Ejido Union Zapata. This once a year event is building traction. The main street of several blocks, cordoned off for booths and foot traffic, was packed by noon. The natural food color was beyond belief.
Day of Plenty: native corn varieties with tortillas
Criollo, organic-natural tomatoes + More
Billed as a seed exchange, farmers came from as far away as Chiapas, the Coast of Oaxaca and the Mixteca Alta, the high mountain range that borders the states of Oaxaca and Guerrero. Weavers working in natural dyes and mask makers joined in. For sale were seeds, fruit, vegetables, flowers, tortillas and tamales.
Coconut from Oaxaca’s coast. Have you tasted coconut crackers?
Fitting for Thanksgiving Weekend, it was a day of plenty.
Amaranth seeds, protein-rich, makes sweet treat
There is a big and growing movement in politically active Oaxaca to conserve native food: chiles, tomatoes, corn, peppers, squash, coffee, chocolate, amaranth, jicama and more. There are so many different varieties of each.
Sierra Mixe handmade ceramics, utilitarian beauty
One of the leaders, Rafael Meir, was present along with government representatives of Oaxaca and Mexico. Leaders are becoming more conscious about the importance of keeping GMO contained to what has already infiltrated the commercial tortilla business. Yet, there is still much more to do.
Public education has so much to do with the success of programs like this one.
House made sesame crackers — yummy, or buy seeds and make your own.
Backstrap loomed textiles rom San Juan Colorado
I was so happy to see Yuridia Lorenzo and her mom, Alegoria Lorenzo Quiroz from the Colectivo Jini Nuu in San Juan Colorado. They were selling their beautiful blouses and dresses made with native coyuchi, white and green cotton and natural dyes. Participants in my Oaxaca Coast Textile Study Tour will visit them in mid-January.
Alegoria Lorenzo Quiroz and me.
If you missed it, I hope you will mark your calendar for next year. Although the dates may float, so I’m not sure exactly when it will be held. Check out these Facebook pages to keep track: Rafael Meir, who is director of Fundacion Tortilla de Maiz Mexicana. Watch a VIDEO of the fair.
Zapotec words describe native food
Another benefit of attending is to taste and buy mezcal, Oaxaca’s organic, artisanal alcoholic beverage distilled from fermented agave. I bought a bottle of sylvestre (wild) jabali mezcal grown and distilled in Teozacoalco in the Mixteca Alta by Mezcalero Javier Cruz. Que Rico!
San Juan Colorado Katyi Yaa coop, native coyuchi cotton, natural dyes
I’m noticing that Oaxaca is becoming inundated with foodies and followers of What’s Hot on the food and beverage scene. We’ve got free walking tours led by guides holding colorful umbrellas and flags downtown who get paid with tips. We have USA restauranteurs coming for cooking classes to bring the cuisine home. Rent prices are escalating in the historic center. If one lives on the peso, everything is at a premium now. Those of us who live here always ask if the influx of tourist dollars trickles down to the pueblos, the makers, the field and kitchen workers. What is your experience?
Corn, snake, cacao symbols on wool, back-strap loom
Back-strap loomed wool, San Pablo Villa de Mitla, corn, snake, cacao symbols. That’s why fairs like this one are so important — to buy direct from those who produce. Slow food. Slow fashion. Slow mezcal. Saludos.
Know the Natural Richness of Mexico
Chiles, squash, Mexico’s gift
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Posted in Cultural Commentary, Oaxaca Mexico art and culture, Photography, Textiles, Tapestries & Weaving, Travel & Tourism
Tagged agriculture, biodiversity, fair, Mexico, native food, Oaxaca, slow fashion, slow food, Union Zapata