Monthly Archives: November 2024

Day of the Dead Photo Workshop: Portraits + Still Life

Okay. It’s beyond Election Day in the USA. My stomach is still in knots and I’m spending a lot of time resting. I’m trying to minimize my news consumption so I don’t go crazy. I think of Leonard Nimoy: Live long and prosper. I could twist that around and say, Live long and stay calm. It’s a perfect day in the aftermath to publish more photos from the workshop we held with Luvia Lazo for three days before Dia de los Muertos in Teotitlan del Valle.

Write to me if you are interested in participating in this photo workshop with Luvia in 2025 — dates to be determined! We are taking an interested list.

We had a small but mighty group of participants. Not only did we take portraits of people in the village, we also experimented by taking photos of each other. We paid attention to light, shadow, using editing functions on our cameras and iPhones, and generally having an overall great time.

Here are some of the photos I took that you haven’t seen yet.

See these links for other workshop day photos:

Day One: Photography Workshop

Day Two: Photo Workshop

Day Three: Photo Workshop

And, thank you for reading!

Photo Workshop Day 3: Luvia’s Grandmother +

We met at Luvia’s photography studio at 9:30 a.m. Before that, most of us returned to the village market to take more pictures. The early morning light here is illuminating. The light plays with shadows and texture; there is so much to capture the eye. This is a daily market in Teotitlan del Valle, one of the few remaining here in indigenous culture. During Dia de los Muertos, as families buy flowers, bread, chocolate, fruit, candles to decorate graves and home altars, the market is even more resplendent.

At the studio, we send photos to Luvia’s computer and then have a look-see with a discussion about each of our works taken the day before and this morning. We were frantically editing the ones from this morning to get these ready to send. We talked about composition, cropping, lighting, finding the details, getting closer to our subjects than many of us are comfortable with. It’s an exercise in asking permission to photograph and then stepping into a space that is tighter than usual.

We began to see our world differently and with more definition.

We especially enjoyed our visit to the home of Luvia’s grandmother. She is age 78. Many women age faster here, especially the older generation who have borne and raised many children, and did everything by hand including: shucking corn from the cob, washing laundry and dishes, carrying water, preparing meals three times a day, and feeding the farm animals — chickens, goats, turkeys, cows. Each morning they walked to the market and home again throughout their lives where the daily social contact there was so important. Many ducked into the local convenience store to sip mezcal together and catch up on gossip.

Then it was home again to do everything necessary to keep an extended-family household going.

We were so happy this workshop fit into Luvia’s schedule. Her work has been featured in The New Yorker and Vogue magazines, and she has had exhibitions in the USA and Europe. Fujifilm and Leica awarded her grants as a rising star, and she will be going to New York to participate in an arts residency in 2025. Both Luvia and I agree: we do not want to hold workshops during Day of the Dead — November 1 and November 2. We want this to be quiet time with our families to reflect on meaning, loss, life and death, and to remember our loved ones.

Here are some of the photos I took that day in the market and with Luvia’s grandmother:

And here is my Day Of the Dead Altar to remember my parents. I call it my Memory Altar. It looks very much the same year after year, which is very reassuring.