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Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
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What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
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Tenochtitlan: Aztecs Under the Cathedral, Mexico City
The Aztecs dominated Mexico for over two hundred years and left a legacy for many more centuries than they existed. They created modern Mexico and called themselves Mexicas.
Remains of the Aztec Empire and their city Tenochtitlan continue to be discovered in the heart of Mexico City after archeologists started excavations in 1978.
Yesterday, I spent three hours in the archeological site and adjoining museum and it was not enough. While nowhere near as extensive as the famed Anthropology Museum, this archeological site holds the keys to the kingdom. Many Mexicans claim their identity from the Aztecs, and nationalism and its attendant symbols are rooted here.
For all the times I have visited Mexico City, I must confess that this was my first visit to Tenochtitlan. Bad me. I would recommend it as a starting point to anyone wanting to know more about Mexico culture, beliefs and identity.
Serpents are important Aztec symbols
The museum holds many important pieces that have been discovered over the years, most recently the wall of skull masks. Skulls figure prominently in pre-Hispanic Mexican tradition, symbols of conquest, ancestor worship and the continuous journey of life to death.
Skull wall detail
Ceramic and stone sculpture of deities like the Chac Mool, Tlaloc and Eagle Warrior are housed here, too, along with trade jewelry and articles used for ritual sacrifice. There is a section on natural history, textiles and other art forms.
The site is different each time I view it above from the restaurant terrace at El Mayor (top floor, Libreria Porrua bookstore). A tribute to INAH‘s dedication to restore Mexico’s pre-Hispanic history.
On this day, it was cloudy and overcast, the sky filled with rain clouds. My photos are shades of gray and muted colors as I continue to practice with the new Olympus mirrorless camera with Zuiko 12-40mm lens.
How to Enter Tenochtitlan: By foot, walk by the front of the Cathedral toward the Palacio Nacional. Make a left turn at the plaza with all the larger than life bronze sculptures by Javier Marin. Continue to the end where you will see an entry kiosk. Admission is 65 MXN pesos (about $4 USD at today’s exchange rate). Wear a sun hat or take an umbrella for shade. No food or beverage allowed.
Three stone figures lay where they were found
Two spaces left in the Textile Study Tour, February 3-11, 2015, featuring the ikat rebozos of Tenancingo de Degollado, Estado de Mexico. Contact me!
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Posted in Cultural Commentary, Photography, Travel & Tourism
Tagged archeology, Aztecs, cultural history, D.F., Mexica, Mexico, Mexico City, mirrorless camera, photography, pyramids, sculptures, Tenochtitlan