After hiking the wetlands trails of Bolsa Chica (little purse) Ecological Reserve in Huntington Beach along the Pacific Ocean, my son decided we should take in some local culture at the Museum of Latin American Art (MOLAA) in nearby Long Beach. What’s there? The Latino Comics Expo to celebrate it’s 5th anniversary at MOLAA, age 20.
The Expo was created by Javier Hernandez and Ricardo Padilla. They started it at the San Francisco Cartoon Art Museum in 2011. This is their second time at MOLAA. They mounted the first expo there in 2013.
As a lover of Oaxaca graphic arts, it’s not a stretch for me to consider that comics are a natural extension of the great Mexican tradition of illustrator Jose Guadelupe Posada. In fact, there are Posada illustrations on exhibit at this museum, too.
Jose Guadalupe Posada original illustration, a poke at the bourgeoisie
After all, Posada is Diego Rivera’s hero and he features him prominently, and fondly, in the mural Dream on a Sunday Afternoon in the Alameda Park (Mexico City). Muralists Jose Clemente Orozco and David Alfaro Siquieros form the second and third legs of the Mexican Muralist Movement stool. They used caricature, too, as prominent artistic expression in their work.
In artist Ramiro Gomez’ Magazine series, he comments on who does the work
The Latino comics tradition of Los Angeles is rooted in these antecedents. Illustrators used and continue to use political parody in their work, just as Posada, Rivera, Orozco and Siquieros did one hundred years ago to poke at their adversaries.
Do you think they use pesticides? Who is harvesting? What is health risk?
In the permanent exhibition, Ramiro Gomez, son of Mexican immigrants, reflects his experiences and stories growing up in a working class family. His art (above) focuses on class difference and the people behind a socially constructed representation of luxury. He tears out advertisements from upscale magazines and superimposes domestic workers into the composition.
The Latino Comics Expo was a two-day event, August 6 and 7. There were about 50 illustrators there demonstrating their work, selling books, posters, postcards, t-shirts, ball caps and pins. Some works were prints, silkscreen, engravings and hand-illustrated with colored pen.
Lowriders at the Center of the Earth, illustrated by Raul The Third
Lowriders to the Center of the Earth, illustrated by Raul the Third, grabbed my attention. So did the lowrider on the cover, an integral part of my growing-up years in the San Fernando Valley when young Latinos/Chicanos altered their Chevys, Fords and Chryslers. Tuck and roll leather seats. Raked front ends. Flashing lights. Flames. The more elaborate, the better.
Illustrator Lalo Alcarez. Political & social justice commentary, too. Plus a little pin-up.
The t-shirt Lalo Alcarez (above) wears, Hecho en California, speaks to the strong influences of Latino culture in the second largest city of America.
As I looked around at the posters and books, I thought, this is great art, just like what I’m used to seeing at the Oaxaca printmaking studios of Fernando Sandoval and La Chicharra. I walked away with an autographed book copy of Lowriders.
Hand-colored illustration of the Conquest. With codices footnotes.
Then, my son tells me, mom, he’s pretty famous. He’s published in L.A. Weekly. What do I know?
Zapotec poet Natalia Toledo, in featured museum video
As I turned the corner to go through the regular exhibition, there was a video interview with Oaxaca poet Natalia Toledo talking about the importance of literacy and preserving Zapotec culture. Natalia also designs extraordinary jewelry (available for sale at the Museo Textil de Oaxaca gift shop). Versatile like her father, Francisco Toledo.
Untitled, by Rodolfo Morales, Oaxaca painter
Show Me Your Papers! by illustrator Lalo Alcaraz
Comic book art/illustration defines the culture and sub-culture, makes a political, social commentary and moral observation about the world that can be humorous, biting and truth-telling. What if Native Americans had asked immigrating English, French and Spanish for their papers?
Uncle Sam wants YOU! Who else will clean homes, harvest food?
After over a wonderful, satisfying month visiting family and friends, I’m back home in quiet, calm Oaxaca. No freeway congestion or the lure of mall shopping, over-priced lunches and dinners, blustering television pundits that I admit had me addicted to the next adrenaline fix. My wi-fi service is now reconnected and it’s raining. What could be better? Now for a bit of sopa de pollo con limon (chicken with lime soup).
Come! It’s safe.
Comic book series, The Hand of Destiny
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The Latino Comics Expo @Museum of Latin American Art, Long Beach, California
After hiking the wetlands trails of Bolsa Chica (little purse) Ecological Reserve in Huntington Beach along the Pacific Ocean, my son decided we should take in some local culture at the Museum of Latin American Art (MOLAA) in nearby Long Beach. What’s there? The Latino Comics Expo to celebrate it’s 5th anniversary at MOLAA, age 20.
Lucha Libre is a popular Latino comic book subject
The Expo was created by Javier Hernandez and Ricardo Padilla. They started it at the San Francisco Cartoon Art Museum in 2011. This is their second time at MOLAA. They mounted the first expo there in 2013.
As a lover of Oaxaca graphic arts, it’s not a stretch for me to consider that comics are a natural extension of the great Mexican tradition of illustrator Jose Guadelupe Posada. In fact, there are Posada illustrations on exhibit at this museum, too.
Jose Guadalupe Posada original illustration, a poke at the bourgeoisie
After all, Posada is Diego Rivera’s hero and he features him prominently, and fondly, in the mural Dream on a Sunday Afternoon in the Alameda Park (Mexico City). Muralists Jose Clemente Orozco and David Alfaro Siquieros form the second and third legs of the Mexican Muralist Movement stool. They used caricature, too, as prominent artistic expression in their work.
In artist Ramiro Gomez’ Magazine series, he comments on who does the work
The Latino comics tradition of Los Angeles is rooted in these antecedents. Illustrators used and continue to use political parody in their work, just as Posada, Rivera, Orozco and Siquieros did one hundred years ago to poke at their adversaries.
Do you think they use pesticides? Who is harvesting? What is health risk?
In the permanent exhibition, Ramiro Gomez, son of Mexican immigrants, reflects his experiences and stories growing up in a working class family. His art (above) focuses on class difference and the people behind a socially constructed representation of luxury. He tears out advertisements from upscale magazines and superimposes domestic workers into the composition.
The Trump High Five, by Lalo Alcarez
The Latino Comics Expo was a two-day event, August 6 and 7. There were about 50 illustrators there demonstrating their work, selling books, posters, postcards, t-shirts, ball caps and pins. Some works were prints, silkscreen, engravings and hand-illustrated with colored pen.
Lowriders at the Center of the Earth, illustrated by Raul The Third
Lowriders to the Center of the Earth, illustrated by Raul the Third, grabbed my attention. So did the lowrider on the cover, an integral part of my growing-up years in the San Fernando Valley when young Latinos/Chicanos altered their Chevys, Fords and Chryslers. Tuck and roll leather seats. Raked front ends. Flashing lights. Flames. The more elaborate, the better.
Illustrator Lalo Alcarez. Political & social justice commentary, too. Plus a little pin-up.
The t-shirt Lalo Alcarez (above) wears, Hecho en California, speaks to the strong influences of Latino culture in the second largest city of America.
As I looked around at the posters and books, I thought, this is great art, just like what I’m used to seeing at the Oaxaca printmaking studios of Fernando Sandoval and La Chicharra. I walked away with an autographed book copy of Lowriders.
Hand-colored illustration of the Conquest. With codices footnotes.
Then, my son tells me, mom, he’s pretty famous. He’s published in L.A. Weekly. What do I know?
Zapotec poet Natalia Toledo, in featured museum video
As I turned the corner to go through the regular exhibition, there was a video interview with Oaxaca poet Natalia Toledo talking about the importance of literacy and preserving Zapotec culture. Natalia also designs extraordinary jewelry (available for sale at the Museo Textil de Oaxaca gift shop). Versatile like her father, Francisco Toledo.
Untitled, by Rodolfo Morales, Oaxaca painter
Show Me Your Papers! by illustrator Lalo Alcaraz
Comic book art/illustration defines the culture and sub-culture, makes a political, social commentary and moral observation about the world that can be humorous, biting and truth-telling. What if Native Americans had asked immigrating English, French and Spanish for their papers?
Uncle Sam wants YOU! Who else will clean homes, harvest food?
After over a wonderful, satisfying month visiting family and friends, I’m back home in quiet, calm Oaxaca. No freeway congestion or the lure of mall shopping, over-priced lunches and dinners, blustering television pundits that I admit had me addicted to the next adrenaline fix. My wi-fi service is now reconnected and it’s raining. What could be better? Now for a bit of sopa de pollo con limon (chicken with lime soup).
Come! It’s safe.
Comic book series, The Hand of Destiny
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Posted in Cultural Commentary, Mexican Immigration, Oaxaca Mexico art and culture, Travel & Tourism
Tagged California, comic book, graphic art, illustration, immigration, Latino comics, Long Beach, Los Angeles, lowrider, Lowriders to the Center of the Earth, Mexico, migrants, Museum of Latin American Art, Natalia Toledo, Oaxaca, Orozco, posada, Raul The Third, Rivera, Siquieros