Tag Archives: Museo Textil de Oaxaca

From Mitla to Sumatra: The Art of the Woven Fret

THIS is Oaxaca! The colors and graphics alone of this brochure singularly depict the vibrancy and energy of Oaxaca life and art. The opening exhibit at the new Museo Textil de Oaxaca explores the pattern of the fret or greca as a universal textile design used around the globe, from southern Mexico to Indonesia. There are 130 textiles on exhibit from all over the world. I hope you can read the text written by curator Alejandro de Avila, who received his PhD from University of California at Berkeley. http://ucjeps.berkeley.edu/Endangered_Lang_Conf/Avila.html

If not, you’ll just have to come to Oaxaca to see the exhibit for yourself 🙂 The cover design is from a tapestry woven by Roman Gutierrez of Teotitlan del Valle. He weaves in the Saltillo style, 22 threads per inch. I have been to his studio/workshop and can attest to the fact that his work is masterful. He also has a commitment to cultural sustainability by teaching village young people traditional methods in order to preserve ancient Zapotec weaving and dyeing techniques.

June 2008 current exhibit at the Oaxaca textile museum

Weaving With Feathers!

I can’t wait to get back to Oaxaca!  Just a few more weeks until we arrive on June 25.  I want to see our casita construction progress AND I want to see the new textile museum.  Eric reports that this Saturday there will be a “by invitation only” workshop about weaving fibers with feathers for weavers and artists at the museum.  It will be taught by a textile restorer from Mexico City and Veracruz.  Eric was able to get invitations for four artist-weavers from Teotitlan to attend:  Federico Chavez Sosa, Mariano Sosa, Fausto Contreras and Panteleone Ruiz Martinez.  The energy and excitement generated around this new museum is fantastic.  There are student volunteers from the U.S. who are helping Eric construct 200 cardboard looms to use in his introduction to weaving program for Oaxaca school children.  Posters about the museum exhibitions are going up around the city and in Teotitlan to encourage general attendance, and weavers to explore innovative approaches and to use traditional natural dye stuffs. I can only imagine that there will be a surge, momentum and exponential creativity that will come from the Museo Textil that will be momentous for weaving and textile development and preservation in Oaxaca.  One thing is for certain, that everyone who attends the Oaxaca Weaving Workshop:  Dancing on the Loom, will get a special visit to the textile museum, too!

Letter From Eric, May 31, 2008

I have been at the Museo Textil de Oaxaca for only for 2 weeks and I am still trying to understand and learn the complexities of the job. I had a group of 9 year old kids today to test the workshop I proposed. Mexican kids are very different from those in America. They were giggling, cavorting and talking about who’s in love with who and the school teachers. But, after it was all done, they had created a small textile woven from a cardboard loom 🙂

There are so many projects planned that I will be involved with here. I’ll be developing the certification for rugs woven with natural dyes. I will also be designing interactive display structures that explain the fibers, colors, weaving and spinning. The museum asked me to also develop an international exchange between weavers of Oaxaca and other countries. All of this could take a year or more before it happens.

The current exhibit we have is called “De Mitla a Sumatra: The Art of the Woven Fret” with over 130 pieces from different places in the world using the Greca as a universal pattern in every weaving culture. This exhibit will be up until August 2008.

Alejandro de Avila is the museum curator and I haven´t met him yet. He´s doing hundreds of things around Oaxaca.

Tomorrow is Sunday, and I am so glad I am staying in Teotitlan all day 🙂 I feel very tired by the end of the work day. I have been reading a lot about Oaxacan textiles and natural dye books in the last two weeks. It’s a lot of information. Next week I will start to use the museum kitchen to experiment with the new methods I´ve learned from the books. Life is good, as you said. The only thing I am missing is spending enough time with my family 🙁

Norma’s Note: Museo Textil de Oaxaca is open Monday-Friday, 9 a.m. to 7 p.m., and Saturday, 10 a.m. to 6 p.m. Current exhibit: “De Mitla a Sumatra (From Mitla to Sumatra): The Art of the Woven Fret” through August 2008

Eric’s New Job: Museo Textil de Oaxaca

We’re really excited! Today Eric Chavez Santiago started a new job — coordinator of educational services — at the Museo Textil de Oaxaca, the new Oaxaca City museum funded by Alfredo Harp Elu, the Banamex philanthropist and relative of chanteuse Susanna Harp. Un milagro, one might say. But talent, perseverance, intelligence and understanding of textiles as art are the personal strengths that helped Eric get the attention of the museum’s director, Ana Paula. It’s a perfect match! The museum’s mission is to preserve, document, rescue and promote the textiles of Oaxaca. Eric, his father Federico Chavez Sosa, and his sister, Janet Chavez Santiago, have been promoting the textiles of Oaxaca in the U.S. for the past several years by demonstrating, lecturing, and exhibiting their work at universities, museums and galleries.

This didn’t just happen by happenstance. Eric has been preserving the textile traditions of his people by recording the near-forgotten oral formulas of natural dyes, and has documented over 95 different shades of cochineal alone. We talked with Eric when he was here with us in North Carolina in April about ways he and his family could develop a relationship with the new museum. Perhaps, they could exhibit the Chavez tapestries and teach some classes. We encouraged Eric to call the museum when he got home, to make an appointment with the director, and to drop in for a visit. And that’s exactly what he did in late April. When Eric introduced himself, described the work he had been doing in the U.S. and suggested ways he could help the new museum fulfill its mission, the director took notice, asked Eric to develop a proposal, and got the approval from Dr. Maria Isabel Granen Perrua, one of the founders, to create a new position. What developed was something far more valuable than we first imagined, with farther reaching goals that will touch many more people! especially young people who will learn more about their cultural and textile traditions.

“I am formally in this job now from Monday through Friday from 9am to 3pm and 5pm to 7pm, and Saturdays from 10am to 6pm,” Eric said today. “Since the Museum is new, most of the goals have yet to be achieved, especially in my area. I will first be developing the programs to teach children about weaving and natural dyeing, and eventually I will do them for tourists, too.” Then, Eric will develop a program to authenticate the use of natural dyes, so that weavers whose work is created with plant materials and cochineal will be certified. He’ll also be developing exhibitions that show how natural dyes are made. The beauty of the new position is that the museum appreciates the relationships that the Chavez family and Eric have developed in the U.S. He will be able to continue to come to the U.S. for 6 weeks a year to lecture and exhibit at galleries, universities and museums as he has done in the past.

“What can I say,” said Eric. “My first formal job is what I love to do!, I will be able to help more weavers from this position and I hope it all goes smooth and well. I am so happy.” And, why not?

Address: Museo Textil de Oaxaca, Hidalgo 917, Centro Oaxaca, Mexico

Open Monday-Friday, 9 a.m. to 7 p.m., Saturday, 10 a.m. to 6 p.m. Closed Tuesdays.

When you visit, say hello to Eric Chavez.