Posted onFriday, January 12, 2024|Comments Off on Back to the Oaxaca Villages: Teotitlan del Valle and Mitla
My friend Chris returned to Ajijic, Lake Chapala, Guadalajara, yesterday morning, so it’s been a day of quietude, plus packing to get ready to leave for the Oaxaca Coast early Saturday morning. We have a 14-person tour going to discover handmade textiles on the Costa Chica.
My family wonders when I rest. In bits and pieces, fits and starts, at night when REM sleep kicks in. It’s going to be a very busy winter. After the coast, we go to Michoacan, then I take off for Bacalar in the Yucatan to visit my Taos friend Susy Starr who owns a rug gallery that she opened in the 1970’s. I’d call her an original Hippie. Then, to Chiapas (please join us, we won’t offer this tour again for some time), then to the Mixteca Alta. I’m trying to reschedule medical appointments in New Mexico so I can have a month of unfettered time here before returning in the spring.
Zapotec carved stonesUsed to construct church foundationOfferings box, ancient and beautifulMe and Chris. I’m shrinking.
Instead of spending the day in the frenzy of the city, we spent the morning at the Teotitlan del Valle village market, one of the few surviving daily markets in Oaxaca. After we stopped in the church for some silent prayer (it’s all about our health, these days), we drove south along the Pan American Highway MEX 190 to San Pablo Villa de Mitla to visit Arturo the weaver, Armando the doll maker, Epifanio the antique dealer, and Reynoldo, the maker of fine quality table linens.
Armando’s sister, Norma, my tocaya, made us chocolate atole with plenty of aspuma
The chocolate atole (above) is so thick, we can eat it with a spoon!
Then, back to Mo Kalli for the second time this week to eat the amazing food prepared by traditional cook Catalina Chavez Lopez. She is a hidden treasure, tucked into the hillside in the Tres Piedras neighborhood of Tlacolula.
Seguesa, my favorite molePassion Fruit waterEmpanada appetizer
Posted onMonday, December 18, 2023|Comments Off on Immersive Day of the Dead Experience: Altars, Studios, Workshop + More! 2024
On October 30, 2024, we immerse ourselves in all the senses that Day of the Dead offers. You experience the rich cultural and social history of Teotitlan del Valle. No where is Day of the Dead celebrated with more authenticity than in the villages. Our one-day tour starts at 9:00 a.m. We pick you up at a central location in the Historic District of Oaxaca city and return you there by 6:00 p.m. We will let you know the location two-weeks before the tour. Your guide is Eric Chavez Santiago, Oaxaca Cultural Navigator managing partner.
Build a Day of the Dead Altar with us
Visit the Dia de la Muertos market in Teotitlan del Valle
Buy fresh flor de muerto, candles, homemade chocolate, special altar bread
Make a Day of the Dead napkin using wild marigolds botanical dyes
You will meet a Zapotec family who will prepare and serve traditional tamales with yellow mole and taste artisanal mezcal. We will discuss traditional altar preparation in this community, culture and traditional. We end the day with a textile and candle studio visit.
What’s Included:
Lunch with a local Zapotec family
Hands-on workshop–Make a botanical dyed napkin using wild marigold plants
Transportation
Guided visits including cultural commentary and translation
Why you want to travel with us:
We know the culture! We are locally owned and operated.
Eric Chavez Santiago is Zapotec, tri-lingual, born and raised in Teotitlan del Valle.
Norma Schafer has been living in Oaxaca for almost 20 years.
We have deep connections with artists and artisans.
63% of our travelers repeat — high ratings, high satisfaction.
Wide ranging expertise.
We give you a deep immersion to best know Oaxaca and Mexico.
The artisans we visit in Teotitlan del Vallenot only talk about and demonstrate their craft, they discuss their personal experiences and traditions growing up and honoring their ancestors during Day of the Dead. When you participate with us, you will go deep into a rich Zapotec history and culture that pre-dates the Spanish conquest of Oaxaca in 1522, and the settlement of Oaxaca as a colonial capitol.
Our itinerary includes stops to see:
a chocolate maker who uses grandmothers’ recipes to make delicious eating + drinking chocolate
a famous rug weaving family that works only in the highest quality wool and natural dyes
an accomplished women’s cooperative that fashions leather trimmed handbags
traditional lunch prepared by a local family who prepares exquisite food
The difuntos enter this world through the sugar cane arches flanking the altar and this portal is necessary to ensure an easy passage. Almost everyone here will have their altars complete by November 1, just in time for the spirits to return at three o’clock in the afternoon. They will stay with their families until November 2, consuming the ceremonial foods from the altar. At three o’clock on November 2, the church bells will ring and announce the time for the difuntos to return to their resting places in the cemetery. We accompany them, leading the way with copal, to ease them back to the underworld, offering prayers for a smooth passage and a promise that we will see them next year.
The offerings on the altars in Teotitlan del Valle include chocolate, bread, and candles. Other foods can include those favored by the deceased: beer, mezcal, coffee, coca cola, tortillas, tamales stuffed with mole amarillo (a village tradition). There will always be peanuts and pecans, eaten here long before the Spanish arrived.
Lunch is a culinary exploration into the traditional foods of the season, including yellow mole tamales, mezcal, and fruit water prepared by a local traditional cook.
Registrationand Cancellation. Tour cost is $175 per person. This includes transportation in a luxury van, bilingual guide services with translation, market meander, altar and studio visits, and lunch. Payment in full is required to reserve. In the event cancellation is necessary, we request a 10-day notice (by October 20) to receive a 50% refund. We accept payment with Zelle (no fees) or with a credit card (4% fee). Tell us when you are ready to register and we will send you a request for funds.
Patti wrote to me in response to my post about Day of the Dead Etiquette and Behavior. It is so touching and expressive that I asked permission to share it with you. Here it is.
Dear Norma,
Over 20 years ago, I lost my sister to cancer, and her husband just a few years after that. We had been to the Yucatán in 1990 together and always assumed we would some day travel to Oaxaca for Dia de Los Meurtos. Unfortunately, I never traveled with them again.
I work in Olympia, Washington, at a small art gallery that features primarily Northwest artists. One of our long time print makers went to Oaxaca de Juárez six years ago to create and learn from local print makers after meeting Edgar Martinez from Oaxaca, who now lives in our area. Together, they were able to bring up almost 100 prints from 25 Oaxaca artists to sell at our gallery. We fell in love with the artwork and were touched by the history and background of the protests and struggles of the teachers ( Mimi Williams, who was our resident printmaker, was a teacher herself ) whose story the printmakers were able to bring to the attention of the world. The exhibit was wildly popular and educating. I translated all of the titles and found myself reading everything I could to learn more about their meaning. traditions, archaeology, folklore, geology animals, rituals…I drank it in. I found your blog and have read every entry at least once.
Five years ago, my husband Roger and I were blessed to carry out the dream of my sister, Lynda and brother in law, Bob, and fulfill their dream. We were able to see the build up to the holiday, visit most of the cultural sites, experience markets, museums and of course visit all of the print shops. I brought with us postcards and media info on our exhibit and was able to meet almost every artist we had represented. This was a thrill for both myself and the artists. Of course, we came home with many new prints!
We spent only two days in Teotitlan de Valle where we felt a bit out of place at first, but quickly realized we should have spent more time. We visited the beautiful pantheon as the villagers worked decorating their loved ones gravesites, heard the church bells ring, the fireworks at 3:00 pm, the scent of chocolate and tamales in the air, and see all of the flower filled moto-taxis en route to alters and the cemetery which we visited early in the day. There was only a small tour group of six there that were very respectful. They appeared to be the only other tourists. What I felt was no coincidence; I struck up a brief conversation with an older woman, and then was approached by her husband who recognized me from my former occupation, working at a plant nursery in Olympia! This was just one of many coincidences we experienced. Norma, my family was raised without religion, but open to spirituality. I hadn’t felt closer to my lost loved ones than when we were walking the streets of Teotitlan de Valle. The warmth and welcome we received was nothing short of magical, and I felt Lynda and Bob’s presence every step.
We went back to the big city and met with the guide we had for several days and had an amazing experience with the first week. He convinced us we should go on a cemetery tour that evening. This was the single most poor choice we have ever made traveling. At first, lost in the beauty and excitement we took a few photos, but then chose to exit and wait for our group outside the gates. The inappropriate behavior, sexy party clothing, open drinking and pure disrespect made us feel sick to our stomachs. Literally.
Well, that experience left a sour taste in our mouths, but we chose to go back again in 2021. This time, we took more time to simply wander the streets and neighborhoods a bit further out, eat at smaller less known “risky” restaurants, and if course revisit the print shops and artists when we were in the big city. We then spent four days in Teotitlan de Valle. We stayed at the same little hotel, Teocalli, and met up with the rug maker who treated us like royalty and had us stay for lunch. He arranged for his nephew to guide us up El Picacho, which was breathtaking, and an education even though we really don’t speak Spanish and our guide no English! We were taken to our innkeepers home for delicious snacks and beverages made by all three generations of women in the home.
Patty and Roger’s ofrenda in Olympia, Washington
That night I was attempting to ask the innkeeper’s husband where we could purchase cerveza for our ofrenda so late in the evening. A pleasant friend of his, who spoke English offered to take us to a store. Breaking every travelers rule in the book even during a non pandemic year, we got into the vehicle with this stranger, and drove off. Well, not only did he take us to the store, he asked if he could drive us to his home and show us his own alter. Keeping in mind, we had left the door to our room wide open, with my purse, our laptop and extra cash in plain sight. We spent almost four hours sitting in front of their ofrenda, shared mezcal, nuts and stories with his wife and son. Before we left, he made sure that we had fresh tortillas (both large and small for angelitos ), nuts, more chocolate, freshly made tamales, all in a handwoven basket his wife gave as a gift, and a HUGE bundle of Fleur de Muertos, which we were told, was more important than cempasuchil in their village. He drove us back a bit tipsy, stopping to say hello to every person still out and about. Of course, our unlocked room was just as we left it.
We set up as proper of an altar as you can in a place that is not your own home, and walked to the cemetery. We only sat outside under the tree and observed. We did not go in. We saw both the beautiful and obnoxious side of this important holiday. We retired to our room, lit a few candles, drank a couple of cervesas and talked about each loved one whose photo we placed and snacks we set out for. Two days later when we left, the gentleman whose home we had spent time in, happened to be driving by and saw us. My husband asked if he wanted to come in and see our ofrenda. He left the car running in the street, came inside, and actually started to cry telling us it was perfect! Of course, this made both of us cry as well. We hugged and said our farewells and thank you’s. Before we exited to go back to the city, another rug maker we spent a few hours with insisted we ride with him and not call a taxi. It was a memorable drive back and consider him a friend now as well.
Last week, we once again created an alter in our Pacific Northwest home. We added two photos this year. Very bittersweet. Again, not being raised in an organized religion, we both feel such a driving force to carry out this yearly ritual now. We are pleased that we had the blessing of doing so from the native people we met and now consider friends.
I realize this is quite a long message, but I’ve been wanting to write and thank you for a few years now, for guiding us through our travels to this amazing part of our world. The experiences and the opportunities that were presented to us left no doubt that the spirits of our dear Lynda and Bob indeed made it to Oaxaca and joined us, guided our travels and celebrated life with us. We hope to go back again and join you on a tour some day.
Thank you for all you do. You are my hero. Keep up the great work!
Posted onMonday, October 30, 2023|Comments Off on Day of the Dead in Teotitlan del Valle: Altars + Artisans
While we spent most of the day in Teotitlan del Valle learning about the Day of the Dead traditions here, we started out in Santa Maria El Tule at the home studio of flying shuttle loom weaver Alfredo who uses naturally dyed threads to create clothing — blouses and shawls. Oaxaca Cultural Navigator tour partner Elsa Sanchez Diaz, a natural dye master, dyes many of the threads that Alfredo uses in his work. She explained the different fibers and colors to our group of fourteen travelers on a beautiful Oaxaca morning filled with clear air and sunshine!
Alfredo + ElsaAgave fiber for weavingNative coyuchi cottonNatural dyes on Oaxaca silk
Alfredo also makes tablecloths, napkins, table runners, dish towels, and bedspreads. For these, he uses natural white manta cloth of fine quality, however the colorful threads incorporated in the weaving are synthetic dyes, much more economical and will withstand years of machine washing. As we know, stains are inevitable and using natural dyes in home goods is impractical!
Natural dyesPan de MuertosAna’s workCathy models indigo dyed blouse with hand crocheted details
Alfredo does not practice a formal religion though he was raised Catholic. He tells us that Day of the Dead is not a religious holiday but a cultural one, hearkening back to the pre-Hispanic ancestors. Building an altar is his way of honoring his grandmothers and grandfathers who taught him to weave. He works on several looms that he inherited from his grandfather that are more than ninety years old. They have been repaired repeatedly and the wood frames are pocked with insect holes that accumulated over the years. Nothing here is discarded and age in whatever form — human or inanimate — is revered.
Above video features all the different fibers and dyes that Alfredo uses in his studio. His partner Ana is a book artist who also makes boxes covered in handmade paper and fabric. She is a talent in her own right!
The difuntos carry new basketsSurprise visitorsBeginning to create the altar to honor the deceased
We made three more stops during the day. First to Galeria Fe y Lola to smell and feel the emotional connection with the altar, learning about the importance of celebrating in the home. We were welcomed with the perfume of copal incense, candlelight, and marigold flowers — all important for guiding the spirits of deceased loved ones back home for this twenty-four hour period when they return from the underworld to visit us.
Shopping for sugar cane for the altar
The difuntos enter our world through the sugar cane arches flanking the altar and this portal is necessary to ensure an easy passage. Almost everyone here will have their altars complete by November 1, just in time for the spirits to return at three o’clock in the afternoon. They will stay with us until November 2, consuming the ceremonial foods we have put on the altar for them. At three o’clock on November 2, the church bells will ring and announce the time for the difuntos to return to their resting places in the cemetery. We accompany them, leading the way with copal, to ease them back to the underworld, offering prayers for a smooth passage and a promise that we will see them next year.
Copal incenseFruit stallsMural, Teotitlan del Vallean abundance of Pan de Muerto
For the children who have died before their time, families build small altars and give special prayers on November 1, too. In the city of Oaxaca, there will be comparsas (processions) of parents and children to give special tribute to the young ones who have passed.
Plenty of fruit for altars and gravesNew baskets for altarsSugar skullsTeotitlan del Valle market filled with flowers and more
The offerings on the altars in Teotitlan del Valle include chocolate, bread, and candles. Other foods can include those favored by the deceased: beer, mezcal, coffee, coca cola, tortillas, tamales stuffed with mole amarillo (a village tradition). There will always be peanuts and pecans, eaten here long before the Spanish arrived.
Anabel crushes cochinealFrothing hot chocolateEstela makes chocolateThe most delicious memelas for lunch
After a weaving and natural dyeing demonstration, we went to lunch where nutritionist Joanna prepared a meal of memelas topped with bean paste, Oaxaca cheese, and seasoned pork cubes. We were offered toppings of guacamole, roasted tomatoes, and pickled onions. To wash it all down, what else but hibiscus fruit water (agua de jamaica).
A piece de resistance of the afternoon was a demonstration of chocolate making, followed by a cup of steaming hot chocolate and pan de muerto (a Day of the Dead egg bread), which we dunk into the deliciousness.
Cathy and Mark enjoy hot chocolate Oaxaca style made with water
Our last stop before returning to the city was a visit to Estela and Edith who weave beautiful small tapestries colored with natural dyes that they make into totes and handbags, trimmed with leather straps. It takes about two weeks to make a bag and the craftsmanship is superb. Everyone on the tour got a chance to make a pompom to adorn purse, hair, or use as a hatband, a special gift from the artisans.
Pat and Lorraine fell in love with this rug woven and dyed by Lola Santiago Arrellanas
On Wednesday, November 1, we will spend the day in San Pablo Villa de Mitla, starting off at the cemetery with Don Arturo where his family is buried.
An offering of nuts and fruitLola toasts cacao beans on the comal for chocolate
I wrote the draft of this last year during Day of the Dead during our Women’s Creative Writing Workshop, and recently rewrote and edited it to read at SOMOS The Taos Literary Society last night. It was well-received and I want to share it with you. Creative writing is an important aspect of my life — in Oaxaca and in Taos. That’s why we continue to offer creative writing workshop retreats. We all have something to say, and it’s important to express ourselves in whatever way seems most meaningful. To get on the mailing list for the next workshop retreat in January 2025, please send me an email.
Day of the Dead in Five Parts by Norma Schafer
1. A mirror of my mother
I am adorned in a crown of flowers. Silver skeletons dangle from my ears. My black velvet blusa, Frida Kahlo style, is heavily embroidered with white orchids and doves. All appears as it should be, still I look in the mirror trying to find myself. Trying to find the woman I used to be. Instead, I have become my mother. Perhaps a reinterpretation of reincarnation. My body has morphed from hourglass to square. My hips have narrowed; my belly expanded. The once imperceptible lines are now etched deeper across my brow. The best night cream does not smooth them. In this reflection I talk to her, mostly at night as I prepare for sleep, as I wash my face, brush my teeth, examine the shape of my nose that more and more resembles hers, elongated with broad nostrils, shaped by stoicism. I see the silver hair, complexion the color of chamomile, skin like an iguana. This is how she was when I thought she was old. Today is Day of the Dead, and I remember her.
2. Death and the ego
Day of the Dead is a celebration of life. Yet, tonight as I lie in bed, I think about what it will feel like to die. I cross my hands over my chest, take a deep breath, and sink into nothingness. For the moment I will sleep, and wonder, Will I awake in the morning? I envision being surrounded by loved ones, saying I love you, saying goodbye. Will they sit at my gravesite, sing and dance, dine on memories? Then, I cannot imagine it and pull back and tell myself, Stop thinking about it.Death will come soon enough. Or maybe I will live forever? Though no one does, not even the most brilliant, the most beautiful, the wealthy and notorious. All this becomes too overwhelming to imagine, and this is when I begin to question my ego.
Who I am and what I do is valuable and important. But who am I kidding? All organisms die. I am having an intellectual discussion with myself, and I am afraid. Fear grips me. I cry for the loss of self. For the body that is not working as it once did, for what hurts, what needs correction. Is it time to say, I am and beyond is nothingness? They say people with high self-esteem do not fear death. I don’t believe it.
3. I count time by medicine
Every three weeks, I pull out the three plastic dispensers to apportion the medicine into each cubicle, labeled Monday through Sunday. The clock ticks. The cubicle empties. I refill it. I count time by medicine. Mostly, these are vitamins: Magnesium, D3, a multivitamin designed for women of a certain age. Each Saturday I give myself a Vitamin B12 injection for more endurance.
I need to fix my aching back, the right knee that’s getting close to replacement time. These days, I worry more about the tremor in my hand as I grasp a cup of coffee, the cramps and numbness in my feet that set me off-balance, the small pockets of skin collapsing on my face. Sunken cheeks and deeply etched lines are not glamorous for seventy-somethings. We used to talk about our children. Then, about our work. Now it’s about medications, doctors, and appointments. Some of us join book clubs, play dominoes, struggle with Wordle. We may even think we have something to say and write.
4. This is all preparation
At two in the morning, I awaken and think, this is all preparation. I go outside my mind and observe my body from a distance. Is this container all of me? As I yield to insomnia, I walk outside to embrace the stars sparkling clear in the Oaxaca sky. This is a perfect moment to take note of the changes. Yes, my body deteriorates, I am increasingly aware of how imperfect it is and will be. I tell myself I must make a shift in vocabulary. Stop saying, I’m old. Maybe I’m older will do. I say, I’m old, forgive me when I forget an important date. I’m old, I excuse myself when my feet go numb and I land on the kitchen floor, grateful I didn’t break a hip. How do I change the narrative when this is happening to me? If I ignore it, will it go away? They say those who have a positive outlook about aging will live another seven years.
How do I describe myself now, a once-energetic woman with limitless stamina and a capacity to wander, explore, discover, reach, inquire, and connect. The days, months, years go by now all too quickly. I look back at the intersections, the choices I made. I have regrets. Yet now I understand contentment and know that all roads taken, lead to where I am, here, in Teotitlan del Valle, Oaxaca, to celebrate Day of the Day one more year, and that is good. What will I say about now in ten years, when I look back?
Suspend your ego, I tell myself. This is my preparation.
If you are in Oaxaca for Day of the Dead, consider our specialized day tours–see the right column.
5. It’s fresh up here on the terrace
Fresca. Fresh is what they say here in Oaxaca to describe the movement of cool air. Look beyond this roof-top terrace. See the twelve-thousand-foot mountains of the Sierra Madre del Sur. Clouds float as if they were meringue topping a pie too delicious to eat. This is my pueblo, Teotitlan del Valle; it’s a miracle I live here. But things don’t just happen, they present themselves, and we get to choose to embrace them, or not. A journey of almost twenty years was determined in the moment I met the Chavez Santiago family then.
Now, during Day of the Dead, cempasuchitl, wild marigold flowers, paint the landscape. On November 1, the ancestors will return to visit loved ones. We revere the altar where we honor them, we serve them a meal of mole amarillo yellow mole and mezcal, then on November 2, we guide them back to the cemetery lured by the scent of copal incense, aromatic with notes of cinnamon and brown sugar, assuring them that they will rest in peace for another year and visit us again.
This thousands-year-old ritual tells me that eternal life may be possible if we remember and honor those who came before us. It is said that the memory of an individual will last for only two generations. Collective memory may be everlasting. This is comforting as I sit on the terrace, solitary, quiet, protected. Below are voices, the whir of a moto-taxi, a cooking fire crackling, aromas from the outdoor cooking fires wafting scents of tortillas, salsa, beans, the bark of street dogs, the beat-beat-beat of a loom.
I recognize that all that I am is the sound of the Teotitlan del Valle church bell ringing for Day of the Dead, strong and clear, then fading into nothingness.
We know the culture! This is our land! We are locally owned and operated.
Eric Chavez Santiago is tri-lingual --Spanish, English, Zapotec.
Eric was founding director of education, Museo Textil de Oaxaca + folk art expert
Norma Schafer has lived in Oaxaca since 2005.
Norma is a seasoned university educator.
We have deep connections with artists and artisans.
63% of our travelers repeat -- high ratings, high satisfaction.
Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
We give you a deep immersion to best know Oaxaca and Mexico.
We organize private travel + tours for museums, arts, organizations, collectors + appreciators.
Creating Connectionand Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here
Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Arts organizations, museums, designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *North Carolina Museum of Art *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
December 6-14: Oaxaca Textile Tour and Workshopsincluding dye and weaving workshops, Tlacolula market, spinning village visits, plus lots more. With Fiber Circle Studio, Petaluma, California. Registration open!
January 11-17, Deep Dive Into Oaxaca: Cooking, Culture + Craft.Take a cooking class and printmaking workshop, visit artisan studios, weavers, and potteries, eat street tacos, taste artisanal mezcal, shop at markets, and explore the depths. SOLD OUT
February 6-15:Guatemala Textile Study Tour: Cloth and Culture. Discover Antigua, Lake Atitlan and Panajachel, Chichicastenango Market, and visit Coban where they weave fine gauze cloth called pikbil. SOLD OUT
March 12-17: Deep Into the Mixteca Alta: Oaxaca Textile + Folk Art Study Tour 2025. This is cultural immersion at its best! Following the Dominican Route, we visit potteries, churches, Triqui weavers working in natural dyes, a cooperative in Tijaltepec that makes smocked blouses, the expansive Tlaxiaco Saturday Tianguis. Experience another side of Oaxaca.
October: Japan Folk Art and Textile Tour.ONE SPACE OPEN! Email us.
Oaxaca has the largest and most diverse textile culture in Mexico! Learn about it.
When you visit Oaxaca immerse yourself in our textile culture: How is indigenous clothing made, what is the best value, most economical, finest available. Suitable for adults only. Set your own dates.
One-Day Tours: Schedule When YOU Want to Go!
Ruta del Mezcal One-Day Tour.We start the day with a pottery master and then have lunch with a traditional Oaxaca Cook, who is the mole-making expert. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you may NEVER find on your own! Schedule at your convenience!
Teotitlan del Valle Map with select rug weavers, restaurants, village attractions
Tlacolula Market Map -- where to find food, shopping, ATMs, and more
Our Favorite Things to Do in Oaxaca -- eating, shopping, gallery hopping + more
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