Monthly Archives: August 2013

Oaxaca Day of the Dead Film in Production

Day of the Dead in Oaxaca is celebrated with energy, solemnity, respect, and joy. That’s why we focus on it with Day of the Dead Photography Expedition workshop. Still a few places open!

A couple of weeks ago, University of Wisconsin-Madison textile and design associate professor Carolyn Smythe Kallenborn sent me an announcement of her upcoming film, Life and the Dead.

Yesterday, when she came to the casita for dinner with Ale, Tito, Liliana, Santiago, Claudia, Fe and Lola, Carolyn talked more about how she plans to integrate an exhibition of traditional Oaxaca textiles with the video.

The film will be available in October 2014.

Street Food: Perhaps the Best Tamales in Oaxaca

It was one of those perfectly glorious Oaxaca days.

Church1

Our walking destination: corner of Calle Armenta y Lopez and Calle Cristobal Colon on the southwest side of the Zocalo.  There on the southwest corner, tucked into the shade of the Parisina building protected from the strong Oaxaca sun, is perhaps the best tamale stand in all of Oaxaca city.

TamaleVendor

Who says so?  The people who line up everyday starting at two o’clock in the afternoon.  Sometimes the line snakes halfway down the block.  The busiest times are from two to four in the afternoon, when most locals take their lunch.  Eating on the street is a Mexican tradition.

For me, tamales are right up there with Oaxaca’s famed seven moles.  Here at this little corner of heaven is a selection of ten different tamales:  mole negro wrapped in banana leaf, cheese with squash blossom, spicy green chile with chicken, raja chile (sliced jalapeño) with chicken, yellow mole, red mole, spicy red mole, bean, chipil, sweet with pineapple and raisins, and corn kernels.

Lady Customer  ManCustomer

Customers are loyal and keep coming back.

Why do you like these tamales? I ask the patient man waiting his turn.  Estan muy rico —  they are very good — he answers, emphasizing the very, and then adds, and they are big.

DSC_8791 DSC_8790 DSC_8767

Another hears my question and adds, Si, muy rico.  Riccisimo. El mejor de Oaxaca.  The best of Oaxaca.  There is an echo as I hear muy rico repeated among the crowd, like a chant in the round.

DSC_8784 copy

Indeed they are big.  The tamales are wrapped in corn husks or banana leaves depending on the variety, each giving the masa a distinctive flavor. They are plump filled with lots of steamed ground corn, lots of salsa or mole, and either chicken, cheese, pork or herbs.

Note:  Most of Oaxaca corn is organic, and there is social/political resistance to Monsanto and genetically modified versions coming in.  Original corn is  astoundingly flavorful, nutty, crunchy, delicious and nutritious.

It takes the Dueña at least five hours daily to make a fresh batch of each variety which she transports to the corner every day except Mondays.  She is there promptly at two o’clock in the afternoon and closes at eight o’clock at night, sometimes earlier if she sells out.  People gather to wait for her opening.

DSC_8744

Today I bought at least one of every variety to take home and serve at a gathering of friends this Sunday afternoon.  I don’t think I could put out a tastier spread!

3wholetamales

Special thanks to Stephen for this discovery and introducing me to these delicious tamales.

My confession is that even after a hefty lunch elsewhere, when the Dueña offered me a taste of the frijol tamale with a touch of hierba santa slathered with a picante salsa, I could not resist.  I added my own muy rico y mil gracias.

DSC_8793

Oaxaca Guelaguetza 2013: Photographs and Impressions

Conga Line

Guelaguetza on the Hill is a big, professional production.  Villages from throughout Oaxaca state are invited to present their unique traditional traje (dress), music and dance traditions which are bound to centuries old cultural customs and conquest history.  For textile lovers, it’s a chance to see an

Guelaguetza2013Best27-21  Guelaguetza2013Best27-5

array of beautifully woven, embroidered and embellished shirts, skirts, blouses, dresses, blankets and baskets.

Guela2013Leapers-9

Dance interpretations include:

  • Courtship and engagement ceremonies
  • Wedding ceremonies and festivities
  • Conquest and conversion of indigenous peoples
  • Life of caballeros and bullfighting

Guelaguetza2013Best27-8

Yes, she is dancing (above) with a guacalote (indigenous turkey), symbol of sustenance and a special celebration gift, representing San Antonino Castillo Velasco, the home of the Oaxacan wedding dress.  The embroidery there is unparalleled.  The dances are choreographed to give the audience a sense of rural life, some sizzle and more than plenty of dazzle.

Guelaguetza2013Best27-7

There might be as many as thirty-five or more people in a presentation group.  That takes a lot of coordination and practice!

Guelaguetza2013Best27-11

Be prepared.  I attended the morning event, arrived at 9:30 a.m. and did not leave the amphitheater until well after 2:30 p.m.

Guelaguetza2013Best27-19 Guelaguetza2013Best27-4 

Music included song and vocal chanting in Zapotec and Mixtec, pre-Hispanic flutes, ancient high-pitched fiddles, and a tune as familiar as the one that accompanies the Dance of the Feather that I know so well from my Teotitlan del Valle experience.  Look at these guys leap! About as good as my pals from the 2009 Teoti group.

Guelaguetza2013Best27-16

There are certain iconic photographs from Guelaguetza that say it all! Like these beautiful women from the Isthmus of Tehuantepec (below).  Frida Kahlo modeled her dress from this region.  They pay tribute to the pineapple

Guelaguetza2013Best27-2

with the Flor de Piña dance.  And then there are the caballeros from the Sierra Norte who re-enact a bullfight, part of their every day village life.

Guelaguetza2013Best-13  Guelaguetza2013Best27-6

The women from the village of Pinotepa de Don Luis wear the traditional purple and red striped falda (wrap skirt) dyed with murex snail and cochineal and woven on a back-strap loom.  They are modest and white woven cloth cover their torsos.  Traditional older women in the Sierra Norte village are bare breasted.  We were breathless hoping no one would lose their coverings!

Guelaguetza2013Best27-18 Guelaguetza2013Best-35

At the end of each group’s performance, they gifted the audience in traditional Guelaguetza style by tossing out an array of things:  woven hats, fans, tortillas, oranges, nuts, small brown paper bags filled with little loaves of bread.  The men and women from the Isthmus sent pineapples into the crowd.  There was even an occasional bottle of mezcal gifted.  Lucky me, I got one, and a pineapple, too (mostly because I hung around to take photos after the event ended and there was stuff leftover).

Guelaguetza2013Best27-10

People clamored down the aisles to get up close.  The best trick was to put your hat out and catch an empanada or two.  This strange green pod (below)

Guelaguetza2013Best27-17

is a fruit, I am told, and very tasty.  It was hurled like a missile from the stage. The idea of Guelaguetza is to give and receive freely from your heart, to be part of community.  There was lots of gifting on Monday on the Hill.  Many left with bags filled with goodies!  Good for them 🙂  Part of the fun of being there.

Guelaguetza2013Best27-23 Guelaguetza2013Best27-13

Both arriving and departing, I climbed and descended the steep steps of the Cerro Fortin, stopping every little while to catch my breath and gawk at vendors.  It was too early in the morning to go shopping on my up!  I was too hungry to stop on my way down.  But folks were doing a brisk business and there was a pedestrian traffic jam every time someone stopped for a drink or something to eat.

Guelaguetza2013Best27-25 Guelaguetza2013Best-2

The steps to Fortin hill lead through a tunnel that passes under the Carretera Nacional Pan American Highway 190.  The tunnel recognizes the indigenous and Mexican leaders of Oaxaca, and makes note of the city’s original Nahuatl name, which the Spanish could not pronounce: Huaxyacac.

Guelaguetza2013Best27-22

Guelaguetza2013Best27-24

Despite the cost, the auditorium was packed.  Most of the audience were Mexicans who traveled to Oaxaca on holiday, with a smattering of extranjeros.  I would say, a good time was had by all!

Guelaguetza2013Best27-20

Descending the stairs through the tunnel, I decided to wait until the crowd thinned.  The steps to the hill were lined with vendors selling everything from atole to maguey worms to textiles to electrical chords and kitchen utensils.  Anyone who stopped to shop or buy a soft drink created a bottleneck.

Guelaguetza2013Best27-26 Guelaguetza2013Best27-27

I recommend going to the morning performance, since it’s not as hot, the likelihood of rain is lower, and it is a great time for photography!  Using my Nikon D7000 with 17-55mm 2.8 lens.  Even though I cropped to get closer images, most shots were crystal clear  even from 20 rows away from the stage where I was seated.

Next Photography Workshop:  Day of the Dead Photo Expedition. Still places open!

Guelaguetza2013Best-9