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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email email@example.com
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Veracruz, Gateway to La Chinantla, Oaxaca
Just as Veracruz was the gateway into Mexico for Hernan Cortes in 1519, I begin my journey here to explore remote textile villages that are part of the Chinanteco and Mazateco regions of Oaxaca state called La Chinantla.
We start at Veracruz because it is a short two hours by car to cross over the border to Tuxtepec. From Oaxaca city, this trip can take as much as eight hours over winding, two-lane mountain roads of Oaxaca’s Sierra Norte.
Cortes landed in Veracruz on Good Friday and name the place The True Cross.
I am traveling with Stephanie Schneiderman of Tia Stephanie Tours. She made this trip on her own three times to research the villages and put the tour in place before opening it up in 2013 to textile lovers and collectors.
This is the land of fresh fish, seafood stew, a paella-like dish called arroz a la tumbada and ceviche. It is where women have been weaving on back-strap looms and creating glorious embroidered designs for centuries. They are preserved because the region is remote. The conquistadors were more interested in gold, silver and cochineal.
It’s the end of the rainy season. From the airplane window as we descend into Veracruz, I see the rivers below are full. The earth is forest, spring, olive and lime green. It is the middle of October. I see the blue waters of the Gulf of Mexico in the distance. It is low, flat and warm here. The port city is Mexico’s most important shipping and naval center.
Our Gran Hotel Diligencias is on the Zocalo across from a stark white cathedral. The square is filled with outdoor restaurants, son jarocho music and dancers, and late night lechero coffee drinkers. It’s colonial architecture reflects the sequence of conquests: Spain, France and the United States of America.
I will be here for two days before our textile journey begins.