OMG. Shuko and I went a little crazy in the Tlaxiaco (Tla-hee-ah-koh) market that happens once a week on Saturday, starting at 7:30 a.m. in the Mixteca Alta This is a tianguis similar to the one we find on Sundays in Tlacolula, but much more rustic. Recently, it was held in the town zocalo across the street from our hotel, but was moved to an open field on the outskirts about eight long blocks from the city center. Some of us got up at 6 a.m. to get there early on a quest for handwoven palm baskets, the kind farmers have used for ages to carry feed to their animals out in the fields, as well as other artisan wares.
We want to use the baskets for home decor and storage! They come in all shapes and sizes. Most of the woven material now is plastic, but there are still some made in the traditional way using palm fronds. These have softer sides and are light weight, distinguished by a woven carrying strap. Some are plain weave. Others incorporate black dyed palm woven into the basket body in geometric patterns. We hunted and hunted and found these hidden among piles of plastic ones. We also found some beautiful heavier duty baskets suitable for holding weaving and knitting supplies, toiletries, kitchen utensils, napkins, and more. The applications are limitless!
By the time we were done, we probably had ten baskets each! Now to ship them to the USA. Hahaha!
Come with us March 12-17, 2025, for your own basket shopping adventure. Send us an email to say you are interested!
The map says it’s just under five hours from Oaxaca City to the remote Mixtec village of San Pablo Tijaltepec. For those of us who traveled there last Sunday on our Mixteca Alta textile study tour, it seemed more like many more hours and a world far, far away. We were based in Tlaxiaco (Tla-hee-ah-koh), the administrative district headquarters for the Mixtec nation, which extends from the highlands to the Pacific coast. To get from there to Tijaltepec, we traveled more than two hours going up, down, across and through spectacular countryside dotted with pine forests along winding mountain roads where we climbed to 7,425 feet to reach the town of 2,750 people where 91% speak Mixtec, one of Oaxaca’s sixteen different language groups.
The village was an important one for us to visit on our textile and cultural tour because of the amazing smocking (called pepenado) that adorns blouses and dresses made there. I have been enamored of and collected these textiles for years because of their whimsical iconic designs of deer and rabbits that are featured on the bodices.
On this visit we also saw images of birds, ducks, turkeys, jaguars, and people. The smocking is all done by hand and it takes women artisans months to create one blouse. The work is apportioned by interest and skill. One person will make the smocked bodice designs. Another will make the smocked sleeves. Another will add very detailed embroidery around the neckline. Finally, one will assemble and will sew the garment together.
We discovered Kintex Gonzalez Garcia in November 2023 when we attended Original in Mexico City. Original is an expoventa organized by the Mexican Secretary of Tourism under President Andres Manuel Lopez Obrador (AMLO) to promote indigenous makers throughout the country. Over 1,000 artisans were invited to participate and were supported by the federal government. Over sixty-percent were textile makers. We identified Kintex Gonzalez Garcia by their quality, originality, and complexity. Since we knew were were traveling to Tijaltepec, we reached out to them to arrange to bring our group of fifteen travelers there. This is the first time they welcomed a large group!
They know this is not an easy journey to make and they are isolated. They so appreciated that we came to visit.
Their story is remarkable. Twenty-three years ago Natividad Garcia Silva, head of the cooperative, who learned to weave from her mother at eight, and her husband Geronimo Gonzalez, traveled to Santa Maria, California to live the American Dream. One of eighteen children, she was age 16 at the time. Natividad harvested grapes, strawberries and oranges. They stayed for ten years, cooking, cleaning, gardening, working construction. Their eldest daughter Maria de Jesus, now age twenty-two, was born there. What they found was struggle and difficulty making ends meet.
Thirteen years ago they decided to return to their home town and make a go of designing and sewing the smocked blouses the village has become so well known for. They named their cooperative Kintex, the name of Geronimo’s great grandmother.
One of their daughters went to university in Mexico City and graduated as a civil engineer. She began making contact with the Ministry of Culture and this is how Kintex was invited to participate in Original. Since this is a Usos y Costumbres village, they had to get approval from their community’s president to travel to Mexico City to participate. In traditional villages like this, most do not want to share their weaving and embroidery with outsiders.
Finding markets has been tough. Only lately, have they been able to sell beyond local consumption. Natividad and Germonimo both say there is a lot of need. Single moms and widows survive by selling their textiles and have an income. They both say, We like it that others wear what we make and it says that they value our work. Now, people know where these designs come from!
Social media is their main outlet for selling. They have both a Facebook and Instagram page that Geronimo manages and that their son-in-law, Maria de Jesus’ husband, takes videos for.
The women in the cooperative joined together to prepare lunch for us — pozole (hominy) with locally raised guajalote (turkey), accompanied by homemade tortillas and agua de jamaica (hibiscus drink). We all said it was the best we had ever tasted, anywhere! Natividad insisted on gifting us with this meal because we had traveled so far to visit them. After everyone had left the dining room, I asked her to sit next to me, to look at me, woman to woman, face to face. I explained that it was only fair and just to thank her with a payment for the food they prepared. That it took time, effort, and resources. I took her hand and put a wad of pesos in her palm. She began to cry, confessing this had been a difficult year for them, and we cried together and then hugged.
This is why we do what we do, this is why travelers appreciate coming with us. Because we care about the people who do so much for us, and we in turn, have an opportunity to do for them. This is not about giving a hand-out. It is about cultural appreciation on the most intimate, personal level.
And, of course, we all supported the cooperative with our purchases. It was an amazing day.
I’m reposting this from The Mezcalistas team and Susan Coss, who is a mezcal educator and runs Mezcal in a Bottle throughout the USA. She operates out of the Bay Area of Northern California. There is water urgency here in Oaxaca, where many of us buy water for drinking and household use. We are alarmed and concerned for locals and foreigners alike. The cost of water has tripled as the aquafer has dried up and wells are no longer providing for our basic needs. I’m showering no more than twice a week and wash my hair maybe once a week. When I do, it’s a dribble. I conserve water at the sink by running the water at a trickle. Visitors need to heed all precautions for water conservation!
It rained last night in Teotitlan del Valle. I sat under the corridor, the sheltered part of my patio, in celebration of the forty-minute downpour. But it’s a drop in the bucket.
Please read to understand what is going on here!
From The Mezcalistas
If we needed a reminder about how serious the drought is in Mexico, we got a strong one in the form of the forest fires that have impacted the state of Oaxaca. While the one that came dangerously close to Santiago Matatlan has been fully contained, five lives were lost fighting the fire. About 75% of Mexico is suffering from a drought. The past two rainy seasons have been lackluster and communities are running out of water – even Mexico City is not immune. While droughts are not uncommon, the frequency and severity of them is only increasing with global climate change. There are the short term solutions of providing immediate support and relief, but clearly longer term solutions are required. We cannot be reliant on a good rainy season to replenish rivers, wells and aquifers and must take a long range view to help mitigate times when there are droughts, which fuel devastating forest fires.
We in the mezcal community must ask ourselves and others what we can do. Like everything mezcal related, this is a complicated and layered question. On average it takes 10 liters of water to make one liter of mezcal. Almost 72.3 million liters of water were used to make the amount of mezcal exported to the US in 2023. What can be done to use less water in the production? And what can be done with the 72.3 million liters of viñaza that were created from that same production – what solutions can be implemented to safely return that dirty water to the rivers and aquifers?
But it isn’t just about water usage. It’s also about forest management (and deforestation) and how agave is cultivated and how it could be grown differently to capture more water for the ground. It’s about the responsibility both brands and producers have to the communities where they do business. It’s about the government policies that encourage mezcal production but don’t mitigate its impacts.
And finally it’s about the decisions we make as consumers when we buy mezcal. We all can and should do better and we are planning continued coverage on these important issues. Be sure to check out the stories below. We have a terrific profile on Chacolo from new contributor Felisa Rogers. The Partida family has been making “vino de mezcal” in southern Jalisco, which some consider the birthplace of mezcal, for five generations. In this profile, Felisa shows not only the tradition of the family, but also how their sustainability measures could be a path forward for the category. Also be sure to check out a perfect pairing with the new Legendario Domingo expression from San Luis Potosi, new tasting notes, a new mezcal math post and links to various mezcal events happening in the coming months.
Our friend Shuko Clouse captures the essential emotion and experience of being in the Triqui village of San Andres Chicahuaxtla in the Mixteca Alta as she traveled with us this past weekend on a textile exploration seven hours beyond the city of Oaxaca. She writes a blog called Our Universe that is part of her Mano del Sur folk art site.
I encourage you to read it. It is a heartfelt expression for the Mixtec people, the textiles they make and the meaning in the cloth.
The Mixteca Alta is characterized by eight thousand foot mountain ranges, pine forests, winding roads, and remote villages where women create traditional textiles on back strap looms. Here subsistence farming — raising corn, squash and beans — is the work of men, who have difficulty making enough money to sustain their families. This region has one of the highest rates of people in Mexico who migrate to the United States in search of employment. Many women are left to carve out a living to support their children alone in dire economic conditions.
Yet, the textiles they create are stunning examples of cultural heritage, pride, and commitment to their people. It takes as long as one year to weave this complex huipil that is symbolic of the Triqui people.
Note: We are educators who guide you into villages to introduce you to the people with whom we have relationships. We give you cultural context and insights into not only the meaning behind the textiles, but identity, language, economics and way of life. Come with us to go deep, not wide.
The original Triqui huipil design was white and blue and dates back to 1875-1890. The red and white and multi-colors came after the Industrial Revolution with the introduction of synthetic dyes. The counting of threads today is exactly like they were then, made with hand-spun cotton.
We visit with Otelia and Yatali in their home and weaving workshop high up the mountain in a remote region where tourists rarely go. They have researched ancient designs and incorporate them into their cloth. Yatali went to Mexico City to study for a masters degree in textile engineering. She came back to her village because she has a deep attachment to her culture, is an innovator, and has continued the family tradition of being a textile activist. They have a small cooperative that is making marketable pieces like shawls, napkins, tablecloths, and throws for collectors and appreciators of their cloth.
They are also experimenting with natural dyes and are using Brazil wood, indigo, wood bark, and wild marigold to create a softer color palette.
Posted onSunday, March 3, 2024|Comments Off on Threads of Connection in Oaxaca + Chiapas: Norma Presents at OLL, Tuesday, March 5
This Tuesday, March 5, 2024, at 4:30 p.m. I will be making a presentation at the Oaxaca Lending Library titled Threads of Connection in Oaxaca and Chiapas: Meeting Artisans Where They Live and Work. If you live here or are visiting, I invite you to join us. Contact the OLL website to register.
During the talk, I’ll be comparing two weaving villages, San Juan Colorado, Oaxaca, on the Pacific Coast, and San Pedro Chenalho, Chiapas, in the highlands above San Cristobal de las Casas. The talk includes weaving style, culture, women’s issues, advocacy and human rights, and the cooperative systems in which they organize themselves.
Many of you know that Oaxaca and Chiapas are the two poorest Mexican states, with Chiapas coming in last in terms of access to education, health care, and economic opportunity. Yet, both give us the most extraordinary handwoven textiles in the entire country. We will talk about why.
We will also discuss the knotty issues surrounding the topic of cultural appropriation, the perspective of artisans who must reach markets to sell their work, and what we as supporters and collectors can do to help alleviate poverty, injustice and support the continuation of centuries old textile traditions.
We know the culture! We are locally owned and operated.
Eric Chavez Santiago is Zapotec, born and raised in Teotitlan del Valle, Oaxaca.
Norma Schafer has been living in Oaxaca for almost 20 years.
We have deep connections with artists and artisans.
63% of our travelers repeat -- high ratings, high satisfaction.
Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
We give you a deep immersion to best know Oaxaca and Mexico.
Creating Connectionand Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here!
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
We Contribute Two Chapters!
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Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
Oaxaca has the largest and most diverse textile culture in Mexico! Learn about it.
When you visit Oaxaca immerse yourself in our textile culture: How is indigenous clothing made, what is the best value, most economical, finest available. Suitable for adults only. Set your own dates.
One-Day Custom Tours: Tell Us When You Want to Go!
Ruta del Mezcal One-Day Tour.We start the day with pottery, visiting a master, then have lunch with a Traditional Oaxaca Cook who is the master of mole making. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you will NEVER find on your own! Schedule at your convenience!
October 27, 28, 29: People and Place Photography Workshop in Teotitlán Del Valle with Luvia Lazo, featured in The New Yorker Magazine. Portraits and Street Photography, recipient of Leica Women Foto Project Award Winner 2024. This is an insider's Street and Portrait photography experience. We visit families in their homes to arrange photo sessions, we take you on the back streets where tourists rarely go.
October 30: Day of the Dead in Teotitlan del Valle--Altars and Studio Visits. A one-day immersion into culture, traditions, and meaning in Teotitlan del Valle. In this traditional village, where the native language is still spoken, we take you to meet local artisans who also explain their personal family traditions including who and what is on the altar and why. P.S. We know Teotitlan. We live here!
November 1: Day of the Dead Magic in Mitla--Visit the cemetery with our local host, understand the meaning of the pre-Hispanic altar, help honor the ancestors with offerings, enjoy a traditional meal of mole negro, a feast day speciality in Mitla. A one-day immersion experience.
January 11-19, Oaxaca Coast Textile Study Tour. Visit five remote weaving villages on the Costa Chica--Pacific Coast. See backstrap loom weaving, natural dyeing with rare purple snail dye, diverse language, culture, food. Discover Afro-Mestizo roots. This is one of our more Amazing study tours! We will not offer this tour in 2026! Don't miss it.
February 6-15:Guatemala Textile Study Tour: Cloth and Culture. Discover Antigua, Lake Atitlan and Panajachel, Chichicastenango Market, and visit Coban where they weave fine gauze cloth called pikbil. SOLD OUT
March 12-17: Deep Into the Mixteca Alta: Oaxaca Textile + Folk Art Study Tour 2025. This is cultural immersion at its best! Following the Dominican Route, we visit potteries, churches, Triqui weavers working in natural dyes, a cooperative in Tijaltepec that makes smocked blouses, the expansive Tlaxiaco Saturday Tianguis. Experience another side of Oaxaca.
We require 48-hour advance notice for map orders to be processed. We send a printable map via email PDF after your order is received. Please be sure to send your email address. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map After you click, be sure to check PayPal to ensure your email address isn't hidden from us. We fulfill each map order personally. It is not automatic.
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle
