Tag Archives: mezcal

Travel Tips: How to Safely Pack Mezcal, Pottery for the Trip Home

It’s been some years since I wrote about how I pack mezcal bottles, pottery and other fragile artisan crafts to take back to the USA after my stay in Oaxaca. For the most part, I can claim 99.5% success that all will arrive undamaged. Only once, did a plate arrive broken! Basically, what I do is consider my largest piece of luggage to be a shipping container. You CANNOT carry-on mezcal bottles. They have to be transported in checked bags!

Over the years, I have carried three to four bottles of mezcal back to the US with each return visit. I declare three bottles. Each customs officer will be different and may or may not ask you if you are bringing any liquor with you. I always offer that I’m bringing back three bottles, even if they don’t ask specifically. My packing success has included Uriarte Talavera dinnerware from Puebla, ceramic face planters by Don Jose Garcia Antonio from Ocotlan, black pottery from San Bartolo Coyotepec, carved wood and painted figures (alebrijes) from Jacobo and Maria Angeles. Of course, I don’t worry about textiles or palm baskets.

How To SAFELY Pack Mezcal and Pottery, and other Fragile Crafts:

  • Bring or find bubble wrap and packing tape. Bubble wrap is called burbuja de plastico or plastic bubbles! You can buy this at any DHL, FedEx or UPS shop in downtown Oaxaca. Office Depot, Walmart, and Soriana also stock this. There is a comprehensive shipping supplies store at the corner of Independencia and Pino Suarez.
  • Buy at least TWO reed-woven, rigid waste baskets from any mercado. I prefer those with straight sides. These are carrizo (river reed) woven when green in the village of San Juan Guelavia. You can easily find these at the Sunday Tlacolula market, and in and around the Benito Juarez market, or the Sanchez Pascuas or La Merced markets in downtown Oaxaca. Next, find a woven flat tray that fits the opening diameter of the wastebasket. This will serve as your cover. I can fit three mezcal bottles in one of these wastebaskets. The other, I pack with pottery.
  • Of course, each bottle and fragile item must be encased in bubble wrap! When an item has arms, legs, necks, tails, remove what you can and wrap separately. Be sure to fill in any gaps/open spaces with crumbled newspaper or tissue. For the mezcal bottle necks, I wrap this several times to be certain it is the same thickness as the bottle body.
  • Using a permanent market, write what’s inside on the packing tape in case you forget!
  • Fit your bottles into the basket. If there are any gaps, stuff them with socks, underwear, clothing. Put the top on. Tape the top to the basket, wrapping the tape around several times so it is secure. Nothing inside the basket can move. The fit has to be tight! I also keep on hand, empty water bottles and paper boxes. I crush the bottles and cut the boxes, put them inside the basket to ensure a tight fit.
  • Position the basket(s) inside your luggage and surround it with clothes, shoes, chocolate, coffee, and other unbreakables. Everything must be a tight fit. Nothing can move or you risk breakage.
  • Don’t be in a hurry to unwrap the packages after you get home. Fragile is as fragile does.

Note: It’s cheaper to pay for an extra piece of luggage to go on the airplane than it is to send a package via DHL, FedEx or UPS. NEVER use Estafeta, Castores, or other Mexican shippers. Boxes are inspected (more like, dismantled) at the border for customs purposes resulting in loss and broken pieces. Mostly because they unwrap everything to inspect and don’t repack well. I’ve had this experience and won’t repeat it.

There you have it.

I’m returning to the USA from Oaxaca in a few days. Before I get to Taos, I’m traveling first to Nashville to visit my goddaughter Kathryn, who just moved there from Durham to take a job at Vanderbilt. I’m excited to see her. Then, in early April, back to Albuquerque to visit with hijo and nuera for a few days before returning to Northern New Mexico. Along the way, I won’t touch what is inside the shipping container aka large piece of luggage. Everything I need to get to will be in the second, smaller bag.

Happy to answer any questions you have! Write me here.

When you get home and unload, these baskets are useful for containing yarn, thread, knitting, weaving, and sewing supplies; pantry storage for potatoes and onions; wastebaskets; holding hand weights; linen closet storage for wash cloths, sundries and toiletries. Plus, they are made from natural materials, so can be completely recycled.

When Visitors Come to Oaxaca: What to See and Do

My son Jacob (mi hijo) and my daughter-in-law Shelley (mi nuera) came to visit for a week and just returned to Albuquerque last Saturday night. We were not hard-pressed to figure out what to do during their time here. Fortunately for me, daily activities also included some resting time, which I appreciated since they arrived the day after my return from our whirlwind Chiapas Textile Study Tour (registrations open for 2024).

What did they want to do?

  • Soak at Hierve el Agua mineral springs
  • Climb the archeological site at San Pablo Villa de Mitla
  • Taste mezcal (of course) in Santiago Matatlan, Mezcal Capital of the World
  • Dine in some of Oaxaca’s finest restaurants and comedors
  • Visit 3M and the Mujeres del Barro Rojo in San Marcos Tlapazola
  • Shop for hand-woven home goods
  • Explore the vast Abastos Market
  • Meander the Teotitlan del Valle and Tlacolula markets

Jacob has been here many times before. A world traveler who has lived and taught English in Japan for a year, Shelley had never been to Oaxaca. I know this won’t be her last visit.

Soak at Hierve el Agua. The toll road beyond Mitla is open and it only takes 45-minutes to get to this spectacular ancient Zapotec ritual site from Teotitlan del Valle. (More like 1-1/2 hours from Oaxaca City.) It’s mid-March and extremely hot here now — reaching the mid- to upper-80’s Fahrenheit. Jumping into the pools is a refreshing respite. Know that these are not true hot springs. The water is mineralized but it’s still a chilly, though refreshing plunge. Lots of food and drink stalls at the entrance to satisfy hunger and thirst, including micheladas, fresh coconut water, and snacks. Note that in addition to the tollroad, you will be stopped in the village to pay a per person passage fee, and another fee to park at the site. There are colectivos to take you there from Mitla. Some take a tour to get there or hire a taxi for the day. The tours only give you about an hour there, so beware you may not be able to spend enough time if you go this route.

Climb the Archeological Site at Mitla. Second only to Monte Alban, the post-classical archeological site at Mitla combines Zapotec and Mixtec cultures as expressed through the carved fretwork on the facades of the ancient temples. This is where Zapotec royalty were buried and Mitla was designated a Pueblo Magico a few years ago to acknowledge the historical importance here.

Eat at Mo-Kalli in Tlacolula. This obscure comedor is operated by Traditional Cook Catalina Chavez Lopez who is recognized as one of the best in Oaxaca. The small restaurant has about four tables and can seat 18-20 people if filled. It rarely is. There is no menu! This is mole country and featured here are usually seven different moles including: negro, coloradito, rojo, verde, amarillo, estofado, sigueza, and sometimes more. They come as a tasting selection for you to decide which you want to order. Depending on this, you will get the mole accompanied by either beef, pork or chicken and plenty of hot-off-the-comal tortillas. Order a cerveza or a fruit water to wash it down. This is the REAL Oaxaca. Tell her I referred you.

Taste Mezcal at Don Secundino 1914 in Santiago Matatlan. Another off-the-beaten path palenque where 30-something mezcalero Jorge Alberto Santos Hernandez makes amazing wild agave mezcal that rivals the best in Oaxaca, including my favorite, tepeztate. The palenque is named in honor of Jorge’s grandfather and his birth year. The family has been making mezcal for generations. This palenque is not easy to find. There is no signage, anywhere. It is hidden back in the campo off a dirt road leading from the highway. Google maps can help you get there — sort of! Best to call for an appointment and directions. Jorge speaks a bit of English. 52-951-185-4350. Tell him I referred you.

Visit 3M and Mujeres del Barro Rojo. 3M is none other than Macrina Mateo Martinez and the Red Clay Women are the cooperative she founded with family members years ago in San Marcos Tlapazola. Macrina may be the most famous of the women potters in the village of San Marcos Tlapazola where they trek into the foothills to dig the clay they work into beautiful pottery — bowls, plates, salseros, mezcal cups, comales and cooking vessels.

They ship worldwide and Macrina shows her work in New York’s Museum of Modern Art gift shop. Oh, and they have been to the Santa Fe International Folk Art Market, too. Why do we love Macrina? She is the story of independent, courageous indigenous women who have chosen not to marry in favor of career and an exit strategy from machismo culture.

Shop for Hand-woven Home Goods with a stop to visit Arturo Hernandez in Mitla. Arturo’s workshop features cotton and wool textiles often colored with natural dyes. He specializes in home goods — tablecloths, napkins, dishtowels — but also weaves glorious rebozos, shawls, scarves, ponchos and quechquemitls. We know many designers who work with Arturo to make private label cloth sold around the world. Call ahead to make sure they are there! 52-951-189-9147

A forage deep into Abastos Market. This is the biggest wholesale and retail market in Oaxaca state. Some say it rivals any Mexico City market, too. Going there is not for the faint of heart. You can get lost. It’s like going through the souk in Marrakesh. Watch your pockets and purses. There are thieves who prey on visitors. However, with caution, you can meander and enjoy EVERYTHING that Oaxaca has to offer — from food to handcrafts to the outdoor grill kitchen where you can eat a fresh-off-the-comal tlayuda. This is where vendors come to shop and resell. Shop like you are a local by going here! Jacob and Shelley found the barbecue grill kitchen where they had goat tacos. You can get this at the Sunday Tlacolula market, too.

Meander Teotitlan del Valle to shop for rugs, get there in time for the daily 8:30-10:30 am. market, see the archeological site (behind the church), and get a great grilled taco de cecina (pork) at Restaurant Tierra Antigua. Teotitlan del Valle is where I live and you can find excellent lodging here for a fraction of the cost of comparable locations in the city. It’s also centrally located to all the sites I’ve noted above. Oaxaca culture is found in her villages, where indigenous language is still spoken and many still wear traditional daily dress.

Enjoy your stay! Oaxaca is a very special place.

Usually Overlooked, Yagul Archeological Site Offers Stunning Vistas

Along the Pan American Highway from Oaxaca City to Mitla and Hierve El Agua, two popular tourist destinations, lies the seldom visited Yagul archeological site. We know that as the taxis, cars, and vans pass, a guide might point to a faint cave painting on the cliff wall as testimony to an ancient Zapotec group that lived here. Don’t blink. You might miss it.

You can see the restoration of this site from the highway. Tucked into the hillside is the outline of a once proud city-state fortress guarding the trade route between Central America and what is now the southwest USA. The ochre colors of the plastered stone walls stand out against the desert landscape and hills beyond. This is not a large site, and it does not have the attraction of neighboring Mitla that boasts extraordinary carvings in ancient stone. It is not as impressive at Monte Alban, the vast city atop the hill outside Oaxaca city, center of Zapotec power noted by Chicago’s Field Museum of Natural History, as the most important city-state in Mesoamerica.

We take the Esprit Travel + Tours group there with special guide Eric Ramirez from Zapotrek. We drive on a dirt road to detour the main entrance and arrive at the foot of the cliffs to get a closer view of the glyphs painted on the face of a stone wall. A few years ago, during an earthquake, the wall face sheered off, exposing a painting in what was once inside a cave.

Eric, who grew up in nearby Tlacolula, and whose ancestors have been farming the land for centuries, tells us that the agricultural crop of agave to make mezcal is changing the landscape and the environment. So many growers are now using herbicides, pesticides, and commercial fertilizers. This is changing the quality of the soil and prohibits anything else from growing. It is even having an impact on locally grown non-GMO corn. The explosion of the mezcal culture in Oaxaca is having a negative impact on traditional crops — the Three Sisters — corn, beans and squash. It used to be that the bean and squash plants would wrap their tendrils around the agave leaves and replenishes the soil with nitrogen.

This is a key reason why so many of us take issue with mezcal tourism, which promotes drinking and overall does not educate visitors about the related environmental impact. I am now meeting the party generation in Oaxaca who fly in for four or five days with little interest in cultural history, archeology or artisan craft. How can we influence this for the better?

An important fact to note: Yagul is the mother source for the hybridization of corn, beans and squash. A World Heritage Site, geneticists have tested seeds found in the caves and determined they are at least 10,000 years old. This site is key to the development and distribution of this essential protein-carbohydrate source of food energy around the world.

This is a photo essay of our experience at Yagul. I hope you will consider making a stop there. I know you will not be disappointed.

Mezcal and the Labor Shortage in Oaxaca

One of my first outings after settling into my casita in Teotitlan del Valle upon arrival to Oaxaca was to make a visit to weaver Arturo Hernandez in San Pablo Villa de Mitla. Mitla is one of those ancient Zapotec villages where a spectacular archeological site rises from the landscape of wild agave, cactus and a mountain backdrop. It was originally known at Mictlan (translates to Place of the Dead). The Spanish couldn’t pronounce it, so it became Mitla.) This time of year wild marigold dots the horizon with a sea of yellow flowers that the ancestors used to decorate altars in honor of loved ones — a pre-Hispanic tradition that blended into Dia de los Muertos. Because Zapotec royalty were interred here, the town goes all out for Day of the Dead traditions.

Ceremonial sculpture, Mitla antiques shop

Arturo has been a friend for many, many years. He is one of those few weavers remaining in Mitla who uses the back-strap loom to create wool cloth that becomes ponchos and blankets. (He also works in cotton on the pedal loom.) This loom is wider and heavier than the traditional back-strap loom for cotton, and is used by men in a standing position. They sway back-and-forth to control the tension, one end tied to a post, the other around their waist.

Wild marigold with cochineal over-dye

The traditional pattern woven in Mitla includes symbols of corn, cacao and the plumed serpent — all important in Zapotec mythology and prayers for fertility and food. Arturo has the distinction of also working with natural dyes. His pieces are spectacular examples of textiles colored with cochineal, indigo, wild marigold, zapote negro (a local fruit), and pecan shells. Over-dyes yield purple, pink, and green.

Wild marigold dye pot

The village of Mitla, a Pueblo Magico, is about five miles from Santiago Matatlan that bills itself as the Mezcal Capital of the World. Corn fields have given way to neat rows of espadin agave, the fastest growing of all plants used for mezcal, that are ripe after seven years. Traditional farmers of the milpas: corn, squash, and beans are forgoing these crops to plant agave. As demand rises rapidly, this cash crop has become a favored way of making big, fast money. Who can blame them?

Spent wild marigold at Arturo’s feet

I’m standing in a long line at the airport to buy a shuttle ticket to town. In front of me are two young men, 30-somethings. When I ask, they say they are from Denver. How long will you be here? I say. Four days, they answer. What will you do here for four days? I continue. We plan to drink a lot of mezcal, they say. This is the story of Oaxaca today. Mezcal. The men decided to come to Oaxaca instead of going to Chattanooga for a friend’s wedding. Why? Because the airline cost to Tennessee was too high! Go figure. I ask them if they know anything about the culture? Will they visit Monte Alban or any of the nearby Zapotec artisan villages? Hmmm. They hadn’t thought of that. This is the story of Oaxaca today. Mezcal.

A stunning cochineal shawl

So, Arturo says to me, I don’t have enough weavers. I’m down to one. No one wants to work the traditional looms. They are all going to the agave fields where they can make 400 pesos a day. That’s $20 USD, folks. Considered a good wage here. So, my observation is that labor for traditional craft and artisan work will become more scarce in the Tlacolula Valley. I ask Arturo what he pays his workers. About the same, he says. But, I see this is repetitive work to stand at a flying shuttle pedal loom all day, throwing the shuttle back and forth across the warp threads, manipulating the design with your feet. Whereas in the agave fields, one can move and breathe the fresh air.

For everything that ails you, mezcal will cure it. For everything good, also mezcal. — old Oaxaca saying

There’s another factor at play here that has a huge impact on the environment and sustainability. Arturo says that herbicides and pesticides are now widely used in the agave fields. He says this is no longer artisanal, even though the marketing people claim otherwise. He sees men carrying the tanks on their backs, spraying the earth to eradicate the weeds that come up between the rows. The edible wild plants eaten by the ancestors, like quelites, are supressed. The insects and animals that aerate the earth are wiped clean. The plants will grow faster and bring a larger yield.

Natural dyes, Arturo’s studio

I think a lot about the rise of mezcal as a favored distilled beverage. Of course, I love it! Especially the wild agaves like tepeztate, madrecuishe, and arroqueño. It takes a longer time for these varieties to mature, some as much as twenty-five years, which makes the cost so much higher. As the wild varieties are used up, the mezcaleros (mezcal makers) are now reproducing them as cultivars. So, technically, they may no longer be wild, absorbing the flavors of the earth from a specific rocky outcropping of land. Mezcal making is a complex art much like wine making. It is NOT tequila!

The devil made me do it!

So, what will happen to Arturo and his weaving studio if there is no one who wants to work the looms? Is our Oaxaca artisan craft on the verge of extinction, much like the Emperor Penguins of Antarctica.

What will you do and what will you learn when you come to Oaxaca? Isn’t the story of Oaxaca more than mezcal?

Arturo and his wife Marta grow their own organic corn

Cultural Continuity and Sustainability in Oaxaca’s Tlacolula Valley

I thought it was important for the North Carolina State University Study Abroad students to spend an overnight in an indigenous Zapotec village while they were here in Oaxaca. So, I recommended to Professor Ricardo Hernandez that we include a stay in Teotitlan del Valle as as part of our itinerary.

Teotitlan del Valle church sits atop Zapotec temple, archeological site

The students were here in Oaxaca — the valley and the coast — to study sustainability. Through the experience they learned that the definition is wide-ranging and far-reaching. It has to do with the land and her people, traditions and beliefs, values and practices. It is economic and social and political. It is still small scale agriculture here where farmers use age-old practices rather than technology.

It is instructive to study cultures where people have been successful for generations by transmitting knowledge as a way of life.

The market experience in Teotitlan del Valle

Afterall, this is the region where corn (maize) was hybridized over 8,000 years ago up the road at Yagul. We talked about Monsanto and GMO, how to overcome hunger and develop crops abundant enough to feed people without sacrificing nutrition. We compared the industrialized agriculture of the USA and the disappearance of family farms, and noticed how things work — and don’t — in Mexico.

Olivia, Alysia and Emory enjoy artisanal hot chocolate

I arranged for them to sleep at two local bed and breakfast inns — Casa Elena and Las Granadas B&B — operated by three generations of women. They ate home-cooked and delicious meals prepared from locally sourced, organic meat and vegetables.

After lunch at El Sabor Zapoteco, Reyna Mendoza treats us to nieves de tuna

Teotitlan del Valle is one of the few villages that still operates a daily market. It is a sight to behold entrepreneurial farmers and vendors who sell native corn, squash, beans, squash blossoms, poultry and meat, and more, plus all the household necessities for a home to operate here.

After indigo dye demonstration, the group gathers for a photo, Galeria Fe y Lola

After the market, we toured the church and noted the carved stones inlaid into its walls. When the Spanish arrived, they razed the Zapotec temple and used the stones to build the church walls. The stucco has been peeled away to reveal this part of the village history. We walked around the back side of the church to see the recently restored archeological site that was the temple foundation.

Grace tries her hand at weaving with Omar, while Alysia is next in line

This is a rug weaving village. There are now about 10,000 people who live here and more than 2,000 looms. Only about a dozen families use natural dyes to color the wool they use. We visited one of them — the home workshop of Galeria Fe y Lola –to see the process and learn about this part of the culture.

In Teotitlan del Valle, the Chavez Santiago family makes red dye from cochineal
Professor Hernandez talks with master weaver Federico “Fe” Chavez Sosa

Student takeaways:

  • It was wonderful to be in the village market and explore it on our own.
  • Meeting 26-year old Omar Chavez Santiago from Galeria Fe y Lola was a testimony to artisan life and pride of workmanship — he is dedicated to continuing his culture. This is refreshing to see.
  • The church offered me a glimpse into the blend of Zapotec and Catholic traditions.
  • There is a reverence for community here that we don’t see at home.
  • Families are close-knit, welcoming to outsiders.
  • Everyone was consistently kind.
  • It was important to see the different ways people earn an income: baking bread, sewing, selling food, services and repair work, doctors and teachers, musicians and weavers — it looks like a self-sustaining community.
  • Walking the back streets of the town gave me a perspective for how people live in rural Mexico.
Watch and listen to Omar Chavez Santiago talk about natural dyes
Guillermo decides to take this one home to Wilson, NC

At Gracias a Dios mezcal palenque in Santiago Matatlan at the far end of the Tlacolula Valley, Emmy Hernandez, the daughter of mezcalero Oscar Hernandez, showed us the artesanal process of making this distilled beverage. Agave is an important native plant and agricultural product in the region. It contributes to Oaxaca’s economy and reputation as a tourist destination. This is also a family business and Emmy is the next generation to sustain it.

Mezcal, not at all like NC moonshine, yet still made by the same process

How many different types of agaves are there? They say over 200 types of agaves exist and 30 are suitable for making mezcal. Espadin is cultivated and easily to reproduce, and therefore, the most sustainable. The wild, or silvestre agaves, have a long growth cycle and are rare. I love cuishe (also spelled cuixe) and tepextate and tobala. For everyone harvested, some growers like Gracias a Dios are planting three to replace them. The wild ones are earthy and take on the flavors of the soil they grow in.

We are accepting reservations for 2020 and 2021 university study abroad programs. It takes about a year to plan this program. Please contact us for a proposal. norma.schafer@icloud.com

Agave in the fermentation vats — oak barrels, just like wine-making
Emmy Hernandez, the next generation to sustain artisanal mezcal