Tag Archives: culture

Celebrating the Giver of Miracles: The Virgin of Guadalupe

December 12 is recognized throughout Mexico as a Feast Day of Our Lady of Guadalupe, when she appeared as an apparition and miraculously changed the course of history in Latin America. In Oaxaca today, there will be parades and masses and people lighting votive candles to honor the woman who symbolically brought indigenous peoples under the fold of Catholicism brought by the Conquest.

If you are in Oaxaca and want to participate in observances, here is the link https://maps.app.goo.gl/oWm8RmQteTSHqi8j6 to get you to the Iglesia de Guadalupe (Guadalupe church).

My friend Linda Hanna who has been a Oaxaca textile maven for years, celebrates with an annual gathering at her home in Huayapam. Invited participants create a Virgin from piles of findings — fabrics, ribbons, buttons bric a brac, amulets, and milagros. Some years back, Linda worked with weavers, embroiderers and dyers from throughout Mexico to recreate images of the Virgin of Guadalupe in cloth — clothing, wall hangings, table coverings. It was spectacular and there is a book dedicated to what was created and the artisans who contributed.

Guadalupe is NOT a saint. She is Our Lady of Guadalupe, Giver of Miracles. She is more popular than Mary, Jesus, or any other dieties in Mexico. In fact, she is celebrated in the Spanish-speaking world where the Conquest aimed to convert indigenous people to the new religion. She became the embodiment of Mary, but much more important because she blends the old beliefs with the new — called syncretism.

In pre-Hispanic Mexico, she is Corn Goddess. She is Mother Earth. Protectress. She is Tonantzin. Guadalupe, or Lupita as many call her, sings to us as a spiritual symbol, especially for women. She is Queen, robed in finery, but also of the people.

I’ve written a lot about the Virgin of Guadalupe. If you want to know more, please click on these links.

Who Is the Virgin of Guadalupe?

Digging Deeper: About the Virgin of Guadalupe

Linda Hanna’s Textile Show in Mexico City

Who is she?

  • Mother of the Americas
  • Patroness of Mexico
  • A religious symbol
  • A symbol of identity and resistance, especially during the Mexican Revolution
  • A unifying figure, blending cultures
  • Celebrated with pilgrimages, religious services, dances, music and cultural festivities

For women, the Virgin of Guadalupe symbolizes strength, identity, hope, and protection. Her image transcends religion, and that is why she appeals to so many women worldwide. She is an emblem in social and political contexts, seen as a compassionate and loving mother who understands struggles and provides comfort. She is believed to watch over and protect families. As a symbol of feminine strength, she offers an alternative to colonialism. As a symbol of endurance, she speaks to women who struggle against poverty, violence, and marginalization. She has been reframed by contemporary writers as a figure of defiance and transformation. Activists have reclaimed her as a protector of marginalized and oppressed women.

This is why it is palatable to embrace, honor, respect, and light a candle for the Virgin of Guadalupe. She is not a religious symbol to me, but one that speaks to social justice and advocacy for equality.

Photography Workshop Day Two: Portraits + More

On the second day of our photography workshop in Teotitlan del Valle, our instructor, Luvia Lazo Gutierrez, made appointments with families to visit them in their homes. This was an incredible exercise to capture a more intimate view of village life and to understand the technical aspects of light, shadow, distance, and perspective. Luvia, whose work is featured in The New Yorker magazine, Vogue magazine, and represented in U.S. galleries, made suggestions for ways to best focus on portrait elements. In addition, we took turns photographing each other, which was very fun.

We visited two weaving families and a practice session for the new Dance of the Feathers group. Luvia asked us to look at subjects differently — to move close up with our feet rather than using the zoom feature, to focus on elements such as hands and feet or a particular section of the body. We challenged ourselves to be more conceptual rather than literal. It was an excellent learning experience.

Since it’s Halloween today, I want to make an important distinction between this tradition rooted in Catholicism, and Day of the Dead which is rooted in pre-Hispanic indigenous tradition. Day of the Dead is NOT Halloween. It is an important ritual to remember, respect, and honor those we love who have passed before us. It is quiet, reflective, introspective, and reverent. We sit at gravesites cleaned and decorated with fresh flowers, fruit, vegetables, drinks that loved ones preferred, talk to them, and feel their presence even though they are gone from us.

Visitors have brought the film Coco to Oaxaca, with face painting, revelry, and little understanding of indigenous culture. Day of the Dead is NOT this.

Here are some of the photos I took on Day Two:

A Culture of Kindness in Japan

Some of you may know that I have a creative writing site on Substack called Digging Deep, Then Deeper: Something to Say. Today, I published an essay about my take on Japanese culture based on my observations of acts of kindness, cleanliness, and respect. Rather than repost it in its entirety, you can read it at this link: A Culture of Kindness.

And, if you haven’t already subscribed to read my essays past and future, you can do this at the end of the essay with the buttons.

Thanks so much for reading and commenting. All my best, Norma

And, we are taking a list of people interested in going with us to Japan for a culture and textile tour in October 2025. If you would like to add your name to be notified when we have more information, please send me an email. Thank you very much.

In the Triqui Village of Chicahuaxtla, Mixteca Alta, Oaxaca

Our friend Shuko Clouse captures the essential emotion and experience of being in the Triqui village of San Andres Chicahuaxtla in the Mixteca Alta as she traveled with us this past weekend on a textile exploration seven hours beyond the city of Oaxaca. She writes a blog called Our Universe that is part of her Mano del Sur folk art site.

I encourage you to read it. It is a heartfelt expression for the Mixtec people, the textiles they make and the meaning in the cloth.

https://manodelsur.com/blog/our-universe/

The Mixteca Alta is characterized by eight thousand foot mountain ranges, pine forests, winding roads, and remote villages where women create traditional textiles on back strap looms. Here subsistence farming — raising corn, squash and beans — is the work of men, who have difficulty making enough money to sustain their families. This region has one of the highest rates of people in Mexico who migrate to the United States in search of employment. Many women are left to carve out a living to support their children alone in dire economic conditions.

Yet, the textiles they create are stunning examples of cultural heritage, pride, and commitment to their people. It takes as long as one year to weave this complex huipil that is symbolic of the Triqui people.

Here are a few photos to tempt you to come with us March 12-18, 2025. Write to tell us you are interested in participating.

Note: We are educators who guide you into villages to introduce you to the people with whom we have relationships. We give you cultural context and insights into not only the meaning behind the textiles, but identity, language, economics and way of life. Come with us to go deep, not wide.

The original Triqui huipil design was white and blue and dates back to 1875-1890. The red and white and multi-colors came after the Industrial Revolution with the introduction of synthetic dyes. The counting of threads today is exactly like they were then, made with hand-spun cotton.

We visit with Otelia and Yatali in their home and weaving workshop high up the mountain in a remote region where tourists rarely go. They have researched ancient designs and incorporate them into their cloth. Yatali went to Mexico City to study for a masters degree in textile engineering. She came back to her village because she has a deep attachment to her culture, is an innovator, and has continued the family tradition of being a textile activist. They have a small cooperative that is making marketable pieces like shawls, napkins, tablecloths, and throws for collectors and appreciators of their cloth.

They are also experimenting with natural dyes and are using Brazil wood, indigo, wood bark, and wild marigold to create a softer color palette.

Threads of Connection in Oaxaca + Chiapas: Norma Presents at OLL, Tuesday, March 5

This Tuesday, March 5, 2024, at 4:30 p.m. I will be making a presentation at the Oaxaca Lending Library titled Threads of Connection in Oaxaca and Chiapas: Meeting Artisans Where They Live and Work. If you live here or are visiting, I invite you to join us. Contact the OLL website to register.

During the talk, I’ll be comparing two weaving villages, San Juan Colorado, Oaxaca, on the Pacific Coast, and San Pedro Chenalho, Chiapas, in the highlands above San Cristobal de las Casas. The talk includes weaving style, culture, women’s issues, advocacy and human rights, and the cooperative systems in which they organize themselves.

Many of you know that Oaxaca and Chiapas are the two poorest Mexican states, with Chiapas coming in last in terms of access to education, health care, and economic opportunity. Yet, both give us the most extraordinary handwoven textiles in the entire country. We will talk about why.

We will also discuss the knotty issues surrounding the topic of cultural appropriation, the perspective of artisans who must reach markets to sell their work, and what we as supporters and collectors can do to help alleviate poverty, injustice and support the continuation of centuries old textile traditions.

I hope you can join us.

Weaving from San Juan Colorado, Oaxaca

Weaving from San Pedro Chenalho, Chiapas