The sentiment is the same around the world wherever Mother’s Day is celebrated: love, gratitude, and appreciation. It is a day to honor and celebrate mothers and those who have stepped into this role as surrogates. We show appreciation for their care and contributions to us as individuals and to families in general. Many use the day to express affection, give gifts, or spend quality time with the important women in their lives. It is one particular time to show respect and acknowledge the essential role that mothers play. From my point of view, it does not need to be soppy or dramatic, or over-the-top. It is an opportunity for each of us to communicate genuine caring, whatever that looks like.
In the USA, President Woodrow Wilson declared Mother’s Day to be official in 1914. The Mexican government officially recognized Mother’s Day in 1922. In the USA, the date floats and is always observed on the second Sunday in May. In Mexico, this is a fixed date and is observed on whichever day May 10 falls.
Why May 10? Because back in the day, the 10th of the month was pay day in Mexico, meaning that everyone could afford a little extra to buy mom a gift or take her out for a nice meal. The month of May in Mexico is also important because it is consecrated to the Virgin of Guadalupe, the Patron Saint of Mexico, and the incarnation of the Virgin Mary.
In Mexico, children of all ages make a fuss about their mothers in various ways. Moms are called las reinas de la casa, or the queens of the house, and treated accordingly. Flowers are particularly popular – the more colorful, the better! But for many Mexican moms, the most valuable gift is a little less tangible. Often, children gather outside the house on the morning of Mother’s Day to serenade mom with a song. Las Mañanitas is a favorite tune, with appropriate lyrics that translate to Because today is your day, we’ve come to sing for you. To awaken to the sound of your children singing to you (sometimes accompanied by a full mariachi band) is considered to be the ultimate Mother’s Day experience.
You will often hear this in Mexico:
Mamá, eres la mejor (Mom, you’re the best).
Te quiero con todo mi corazón (I love you with all my heart).
Also, Mother’s Day in Mexico all about food. Families will often gather around a feast featuring such signature Mexican dishes as mole, pozole verde with pork, enchiladas, sopes, quesadillas, beef barbacoa and more.
If we are so lucky that our mothers, grandmothers, or other mother figures are still with us, this is an opportunity to offer a special tribute. If our mothers have passed on, it is a time for us to reflect on how they influenced us, contributed to our well being, and helped shaped us to better navigate in the world.
Not every mother-child relationship is/was consistently rosy. Most of us have experienced the inconsistencies of mothering. If we are parents ourselves, we know how difficult it is to be even-handed, rational, loving, affirming, and offer unconditional love and support one-hundred percent of the time. As I have written in a recent essay, they did the best they could given the tools they were given, and so did we!
Each Oaxaca village celebrates Day of the Dead a bit differently, according to their own customs. In Mitla, the spirits (difuntos) leave their tombs and follow the scents of copal and marigold back to the family homes on November 1. The transition from the underworld back to the world of the living happens in the morning and tradition has it that all have left their resting places by noon. This is when the firecrackers go off, the church bells ring, and all living relatives have left the cemetery in a procession, guiding the spirits with the intense aroma of incense and flowers.
Decorating the tombCarrying incenseEntering the Mitla Cemetery
Our group arrived at the cemetery at 11 a.m. in time to give prayers to Arturo’s mother Elena Quero Quero at her grave site. Arturo is a back strap and flying shuttle loom weaver who we have known for many years. We visit the Mitla cemetery with him for an explanation of the cultural history and traditions. Having a local friend to take us makes all the difference in how we are seen and accepted by locals, as well as enhances our learning experience.
The cemetery is a playground, tooMitla cemetery wall decor
We pay homage to two men from the USA who made Mitla their home in the mid-1900s, archeologist Ervin Frissell and artist Howard Leigh. They are both buried in a mausoleum at the cemetery and this is highly unusual. They are honored by the village and Oaxaca state because they were instrumental in collecting and documenting important artifacts that are part of the town’s cultural patrimony. In addition, Frissell introduced the fixed frame treadle loom here, bringing it from Saltillo, and taught women to weave shawls and make hand-knotted fringes. His hotel and restaurant attracted artists, writers, and archeologists from around the world. Frissell was the first outsider to come to help, according to Arturo, and the town reveres him.
Arturo explains the altarNative corn represented in weavingArturo carries difunto basketAt Arturo’s traditional altar
We return to Arturo’s home studio for an explanation of his traditional altar and it’s significance for Day of the Dead. He uses only pre-Hispanic fruits and vegetables, uses a corn stalk instead of sugar cane (introduced by the Spanish) to create the portal to enter the living world from the underworld. He says there are more elaborate, luxurious altars, but this is how he personally wants to honor the ancestors. He tells us that the raised concrete altar was introduced by the Spanish. Before that, altars were on the ground.
Carrying marigoldsAt the tomb of Arturo’s mother in Mitla
Mitla is significant. It’s original name is Mictlan, place of the dead. It is believed that all Zapotec spirits eminate from here, a testimony that death is the most consequential event of life.
In the practice of blending Zapotec and Spanish tradition that we call syncretism, Arturo explains that the first arch of the concrete altar represents birth. The middle arch represents life and the one on the right represents death. The Catholics adapted the three portals to fit with their own spiritual beliefs and said the three portals represent the Trinity: Father, Son, Holy Ghost.
Gretchen and MartinLorraine, Anabel and Arturo
He shows us a new basket on the floor next to the portal. The spirits use this to collect the food from the altar to take with them when they return to the underworld. The basket must be new because it cannot occupy the spirit of anyone else! Alongside the altar is a petate, where the spirits can rest. The petate is a key part of ancient Zapotec life. This is where you are born, sleep, and wrapped with for burial. A man’s petate is tied closed with his sash. A woman’s is tied with her rebozo. The textiles help people cross over into the underworld.
Our partner Elsa Sanchez Diaz models an indigo-dyed rebozo
Arturo serves us pulque, a lightly fermented juice from the agave plant. Different from mezcal, which is distilled, pulque is a viscous slightly sweet liquid that is a digestive cleanser, much like kombucha, and very important to indigenous culture for ceremonies.
He describes the mural behind the altar that shows the Mitla archeological site, the Catholic church built atop of these ruins, Spanish conquerors on horseback, birds that symbolize peace, native hairless Mexican dog called Xoloitzcuintli, a pre-Hispanic pastoral scene. Arturo says that the indigenous worshipped nature, water, and mother earth. The Spanish needed to conquer them spiritually.
A Mitla tradition, tamale with mole negro wrapped in banana leaf
After lunch next door at La Choza del Chef, we return to Arturo’s studio for a backstrap loom weaving demonstration and to see the beautiful textiles he and his son Martin create.
Epifanio’s traditional altarEpifanio portrait
Next, we made a stop to visit Epifanio, another long-time friend in Mitla, who has constructed a very traditional altar amidst his collections of antiques that he buys and sells.
Eric explains and translates. He is wearing a poncho woven by Arturo.
The Maya World of Chiapas, Mexico, spans centuries and borders. Maya people weave their complex universe into beautiful cloth. Symbols are part of an ancient pre-Hispanic animist belief system. In the cloth we see frogs, the plumed serpent, woman and man, earth and sky, the four cardinal points, moon and sun, plus more, depending on each weaver.
Andrea with her award-winning huipil, San Andres LarrainzarSan Juan Chamula woman, Los Leñateros print + paper making studio
We go deep into the Mayan world of southern Mexico, from February 23 to March 3, 2021. While we focus on textiles, we also explore what it means to be indigenous, part of cooperative, live in a remote village, have agency and access to economic opportunity. We meet creative, innovative and talented people who open their doors and welcome us.
Church official, Zinacantan, ChiapasMelanie brought 25 boxes of crayons to give to children along the way
Our dates of February 23 to March 3, 2021, are reserved in a fine historic hotel. 8 nights, 9 days in and around the San Cristobal de Las Casas highlands.
Cost • $2,695 double room with private bath (sleeps 2) • $3,195 single room with private bath (sleeps 1)
We are based in the historic Chiapas mountain town of San Cristobal de las Casas, the center of the Maya world in Mexico. Here we will explore the textile traditions of ancient people who weave on back strap looms.
Ancient Maya cemetery, San Juan ChamulaWe distributed more than 50 pairs of glasses to help weavers see
Women made cloth on simple looms here long before the Spanish conquest in 1521 and their techniques translate into stunning garments admired and collected throughout the world today. Colorful. Vibrant. Warm. Exotic. Connecting. Words that hardly describe the experience that awaits you.
Home goods for export made on flying shuttle pedal loomExtraordinary gauze woven huipil from Venustiano Carranza, Chiapas
We are committed to give you a rich cultural immersion experience that goes deep rather than broad. We cover a lot of territory. That is why we are spending eight nights in this amazing Pueblo Magico — Magic Town — to focus on Maya textiles, weaving and embroidery traditions.
Saints dress in traditional garments, Magdalena AldamaJulia and friends in Tenejapa during Carnival
Our cultural journey takes us into villages, homes and workshops to meet the people who keep their traditions vibrant. We explore churches, museums and ancient cemeteries. This is an interpersonal experience to better know and appreciate Mexico’s amazing artisans.
Embroidered skirts and shawls, Zinacantan Sunday Market
There will be only ONE study tour to Chiapas in 2021.
Your Study Tour Leader is Norma Schafer, Oaxaca Cultural Navigator LLC. Sheri Brautigam, author of Living Textiles of Mexico, will be your expert resource guide.
Lynn and Andrea — of course! She bought it.
Take this study tour to learn about:
culture, history and identity of cloth
cultural appropriation or cultural appreciation
wool spinning and weaving
clothing design and construction
embroidery and supplementary (pick-up) weft
Maya textile designs — iconography and significance
village and individual identity through clothing
social justice, opportunities and women’s issues
market days and mercantile economy
local cuisine, coffee, cacao and chocolate
quality and value
Men wear flowers, too, in Zinacantan
We work with one of San Cristobal’s best bilingual cultural guides who has worked with weavers and artisans in the region. Alejandro is a native Mexican who knows textiles and can explain the meaning of the woven symbols embedded in the cloth. You will enjoy learning from him.
Keeping the edges straight on a back-strap loom
We will travel in a comfortable van as we go deep into the Maya world.
We visit 6 Maya weaving villages
We enjoy home-cooked meals
We meet makers and directly support them
We go far and away, off-the-beaten path
We decode the weaving designs unique to each woman and village
We explore three towns on their market days
We understand the sacred, mysterious rituals of Maya beliefs
Innovative colors with traditional designs from Alberto Lopez Gomez
Who Should Attend Anyone who loves cloth, culture, and collaboration • Textile and fashion designers • Weavers, embroiderers and collectors • Photographers and artists who want inspiration • Resellers
Winn finds a treasure at our Regrets Sale on the last day
Daily Itinerary
Tuesday, February 23: Travel day. Arrive and meet at our hotel in San Cristobal de las Casas. You will receive directions to get from the Tuxtla Gutierrez airport to our hotel. The airport is a clean and modern facility with straightforward signage. You will book your flight to Tuxtla from Mexico City on either Interjet, AeroMar, Volaris or Aeromexico. There are plenty of taxis and shuttle services to take you there. Your cost of transportation to/from San Cristobal is on your own. Taxis are about $55 USD or 800 pesos. Shared shuttle is 180 pesos or about $10 USD.
Fine food and beverage is a cornerstone of our visit, too
Wednesday, February 24: On our first day in San Cristobal de las Casas, we orient you to the textiles of the Maya World. You will learn about weaving and embroidery traditions, patterns and symbols, women and villages, history and culture. After a breakfast discussion, we will visit Centro Textiles Mundo Maya museum, Sna Jolobil Museum Shop for fine regional textiles, meander the Santo Domingo outdoor market that takes over the plaza in front of the church, and visit two outstanding textile shops. We guide you along the walking streets to get your bearings. We finish the morning together with a Group Welcome Lunch. (B, L)
Carnival in Tenejapa, Chiapas
Thursday, February 25: Tenejapa is about an hour and a world away from San Cristobal de Las Casas. Today is market day when villagers line the streets filled with fresh fruits, vegetables, meats, and household supplies. Peer into dimly lit doorways to find hidden textile treasures. We’ll meander the market to see what’s there. In years past, I’ve found some stunning shawls, huipils and bags. Keep your eyes open. Then, we will visit the outstanding textile cooperative founded by Doña Maria Meza Giron. After a box lunch at the centuries- old Romerillo Maya cemetery, we continue on up another mountain to visit Maruch (Maria), a Chamula woman at her rural home. Surrounded by sheep and goats, Maruch will demonstrate back strap loom weaving and wool carding, and how she makes long-haired wool skirts, tunics and shawls. Perhaps there will be some treasures to consider. Return to San Cristobal de Las Casas in time for dinner on your own. (B, L)
Maruch using a warp board called stairway to the moon to prepare back-strap loomIt was cold in the Chamula highlands at over 7,000 feet altitude
Friday, February 26: After breakfast, we set out for a full morning at Na Bolom, Jaguar House, the home of anthropologist Franz Blom and his photographer wife, Gertrude Duby Blom. The house is now a museum filled with pre-Hispanic folk art and jewelry. We walk the gardens and learn about Franz and Trudy’s work with the Lacandon tribe and their relationship with Frida Kahlo and Diego Rivera. After hot chocolate there we go to the outskirts of town to an outstanding women’s weaving cooperative that was founded over 40 years ago. You will learn about international collaborations and textile design that conserves traditions while meeting marketplace needs for exquisite and utilitarian cloth. After lunch on your own, we meet in the early evening to visit Museo de Trajes Regionales and humanitarian healer Sergio Castro, who has a large private collection of Maya indigenous daily and ceremonial dress representing each Chiapas region. (B)
Saturday, February 27: We set out by foot to a nearby textile collaboration that houses three different cooperative groups, one of which is founded by Alberto Lopez Gomez who was invited to New York Fashion Week in 2019. We hear presentations about creativity, style, innovation, and how to incorporate tradition while breaking new ground. Next, we stop at Los Leñateros, the hand-made paper workshop that is also a graphics arts print studio. You will have the afternoon and evening on your own. (B)
Alberto Lopez Gomez combines tradition with innovation and creativity
Sunday, February 28: This is a big day! First we go to San Lorenzo Zinacantan, where greenhouses cover the hillsides. Here, indigenous dress is embellished in exquisite floral designs, mimicking the flowers they grow. First we meander the open-air market, then visit the church, bedecked in fresh flowers. Next stop is magical, mystical San Juan Chamula where the once-Catholic church is given over to a pre-Hispanic pagan religious practice that involves chickens, eggs and coca-cola. You’ll find out why. We’ll roam Chamula’s abundant textile market, compare and contrast fabrics and designs. (B, L) Dinner on your own.
Alejandro and Maria Meza Giron, TenejapaMagdalena Aldama back-strap loom weaving, the finest
Monday, March 1: Today, we make a study tour to the textile villages of San Andres Larrainzer and Magdalena Aldama. This is another ultimate cultural experience to immerse yourself into families of weavers in their humble homes. We will see how they weave and embroider beautiful, fine textiles, ones you cannot find in the city markets or shops. They will host a show and sale for us, and we will join them around the open hearth for a warming meal of free range chicken soup, house made tortillas, and of course, a sip of posh! (B, L)
Hearty lunch Rosita + Cristobal, Magdalena Aldama, ChiapasBitty peeks out from behind exquisite cloth, San Andres Larrainzar
Tuesday, March 2: This is expoventa day! We have invited one of the finest embroiderers of Aguacatenango blouses, an amber wholesaler, an organic coffee grower/roaster, and other artisans to show and sell their work. Afternoon is on your own to do last minute shopping and packing in preparation for your trip home. We end our study tour with a gala group goodbye dinner. (B, D)
Enjoying cocktail hour in hotel garden before gala dinner
Wednesday, March 3. Depart. You will arrange your own transportation from San Cristobal to the Tuxtla Gutierrez airport. The hotel guest services can help. It takes about 1-1/2 hours to get to Tuxtla, plus 1-2 hours for check-in. Connect from Tuxtla to Mexico City and then on to your home country.
What Is Included
• 8 nights lodging at a top-rated San Cristobal de las Casas hotel within walking distance to the historic center and pedestrian streets
• 8 breakfasts • 4 lunches • 1 grand finale gala dinner
• museum and church entry fees
• luxury van transportation
• outstanding and complete guide services
The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute instructors and alter the program as needed.
Cost • $2,695 double room with private bath (sleeps 2) • $3,195 single room with private bath (sleeps 1)
Melanie adorned in pompoms and her Cancuc huipil
Reservations and Cancellations. A 40% deposit is required to guarantee your spot. The balance is due in two equal payments. The second payment of 30% of the total is due on or before October 1, 2020. The third 30% payment is due on or before December 15, 2020. We accept payment using online e-commerce only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2020, there are no refunds. If you cancel on or before December 15, 2020, we will refund 50% of your deposit received to date. After that, there are no refunds.
All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.
How to Register: First, complete the Registration Form and send it to us. We will then send you an invoice to make your reservation deposit.
Pom poms are us, and Sheri models them well!Meet our guide, Alejandro — a knowledgeable textile and cultural translator, too
Terrain, Walking and Group Courtesy: San Cristobal de las Casas is a hill-town in south central Chiapas, the Mexican state that borders Guatemala. The altitude is 7,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have high curbs. Pavement stones are slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight because there are three flat streets devoted exclusively to walking. We walk a lot — up to 10,000 steps per day at a moderate pace. We recommend you bring a walking stick.
NOTE: If you have mobility issues or health/breathing impediments, please consider that this may not be the program for you.
Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.
Sunnie and Phoebe from behind a flying shuttle pedal loom at rest
Mucha Fiesta! I knew it would be BIG when two giant tents went up three days ago beyond the tall concrete walls that separate my neighbors from me. I steeled myself for a really BIG party. I even thought I should high tail it to the city for the night to escape the sound of music.
I knew it would be LOUD. I wasn’t sure how loud. And, since I had been up since 5 a.m. to say goodbye to my sister and brother, I thought earplugs would block out the sound by the time I went to bed, early. WRONG.
There are no photos of this wedding fiesta. Only the SOUND OF MUSIC. Here, in this video, just mere feet from my bedroom window. This is what its like living in the village of endless fiestas. Sooner or later, they come to your back door.
Now, a word about weddings. They go on for three days. This is the tradition. There’s the party. Then, the after-party (that’s today, Sunday, and the music started at 11:30 a.m.). And, the clean-up crew party hearty on the third day. Usually there is barbecue beef or pork, plenty of tortillas, beer and of course, mezcal. And, always leftovers.
The music for this one started around 2 p.m. and went until 2 a.m. or so …. It probably wasn’t interrupted by the earthquake that shook my bed at around 11 p.m. It didn’t matter. I wasn’t sleeping, and the quake wasn’t as strong the music.
Another word about weddings. There is the civil wedding, the legal wedding performed by a justice of the peace, and recognized by the state. Then, there is a church wedding. Church weddings can cost $50,000 USD or more, and that’s why many young couples wait for the church wedding until they can afford it. Some never have one.
The one next door was a church wedding. They have been married for years and have children, but the church wedding is icing on the cake. To have children at the wedding altar in church is a common practice here. If children are young, they are sometimes baptized during the wedding ceremony, too. Since the priest comes from another village, there can be several weddings in one day, as was the case yesterday.
I could hear the Jarabe del Valle and firecrackers echoing throughout the village from more than one fiesta site.
In the morning at around 10:30 a.m. a village band led the procession of bride and groom from home to church. We could tell when the ceremony ended because the cohetes (firecrackers) shot up in a trail of smoke from the church courtyard about a mile away.
Rosca de Reyes topped with candied fruits, stuffed with plastic Baby Jesus
Tomorrow is Day of the Three Kings. I’m certain all the markets are filled with Rosca de Reyes today. The fiestas continue. We roll from one to the next, with weddings, baptisms, funerals, birthdays and anniversaries in between. Fiestas are part of the culture and tradition of Oaxaca life. Let’s celebrate!
Access to the BIG Guelaguetza under the big top on the Cerro del Fortin of Oaxaca, Mexico, is limited to those who can a) afford to buy a ticket at 1,121 pesos and 908 pesos each plus Ticketmaster fees, and b) those who can stand in line overnight for the limited number of upper deck seats offered for free. It’s a sell-out crowd to 11,000 people every year.
Delegation from Santa Maria Tlahuitoltepec give tepache drink gift to crowd
For the past several years, villages around Oaxaca have been offering what I call mini-Guelaguetzas, alternative, smaller versions of the extravaganza that are playing to local audiences who can afford a more modest ticket price. The venues are small, intimate and you can see everything. This makes the experience affordable and accessible.
Las Chinas Oaxaqueñas alway delight the audience
This year, friends and I decided to go to Santa Maria del Tule, famous for the giant 3,000-year old cedar tree. They were hosting their first year Guelaguetza with one performance on the Mondays that the big event took place on the Cerro del Fortin. We went on July 30, the second Monday, and it was just perfect. We even got a parking space on-site next to the stadium.
Cat and mouse courting game played out in dance by Ejutla de Crespo troupe
I bought tickets for 200 pesos each in advance at the municipal building in Santa Maria del Tule. One could also buy them online for a small service fee.
Group from Oaxaca Central Valleys danced with live turkeys
Every seat in the Monumental del Tule, the town’s 3,500 seat outdoor stadium, offered a great view of the circular stage. This is an open-air amphi-theatre, so there is no protection from the weather.
Gifts, usually fresh fruit, were tossed from the stage. We snagged a pomegranate.
Ojala! The 4 p.m. to 7:30 p.m. performance was held between thunderstorms but there was no escaping the rain which came in droplets and downpours. No one seemed to mind because it’s been so dry here. It hasn’t rained in a month. We knew the farmers needed this for their crops.
La Danza de la Piña Papoalapan and Tlahui women huddled under rain clouds
So, we either covered ourselves in plastic sheeting or pulled out parkas and umbrellas. The show must go on. And it did!
Gosh, that rain really poured but we didn’t budge
So many visitors to and many foreign residents of Oaxaca think that the meaning of Guelaguetza is this performance event, plus all the activities that are held concurrently: the Mole Festival, the Feria de Mezcal, the promenade of artisan vendors on the walking street Macedonio Alcala, and the spectacular calendas or parades.
Masked hombre from the Costa Chica reveals himself
Meaning of Guelaguetza
Guelaguetza is an ancient Zapotec community practice that ensures continuity through mutual support. The giving and receiving of gifts and service is a way to equalize relationships and make sure that everyone is cared for via intertwining relationships. Everyone takes their turn to give and receive. It is part of creating mutual respect. As such, no one goes hungry. There is always corn, bread, chocolate and mezcal to share. There is always help when needed. Sharing is embedded in community as a way of life.
Most of the dances are choreographed to depict village life, courting practices and the wedding ceremony. In pre-Hispanic times, these dances were employed to signal commitment and betrothal in the community before there were churches and Catholic priests to do European rituals.
Man carries the baule, wedding chest, while others bring wedding gifts
Each region has different customs. There are 16 different language groups in Oaxaca and many dialect variations. People marry who can understand each other linguistically.
Tehuanas from the Isthmus of Tehuantepec display heavily embroidered traje
In the Mixtec region, the language is Mixteco. In the Mixe region, that’s what they speak. In the mountains between Oaxaca and the coast, some speak Chatino. The Zapotecs of the Isthmus of Tehuantepec have very few words in common with the Zapotecs of the Central Valleys of Oaxaca.
Tehuanas weather the storm. By this time, they are soaking wet, as are we.
True Confession: We couldn’t tough it out to stay for the Danza de la Piña. The show producers removed the pineapples from the stage. It was 7:30 p.m. and we had arrived at 3:30 p.m. Time to eat. Off we went to Restaurant La Superior where we had a fine supper of tasajo (grilled beef) and barbacoa (goat).
We know the culture! We are locally owned and operated.
Eric Chavez Santiago is Zapotec, born and raised in Teotitlan del Valle, Oaxaca.
Norma Schafer has been living in Oaxaca for almost 20 years.
We have deep connections with artists and artisans.
63% of our travelers repeat -- high ratings, high satisfaction.
Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
We give you a deep immersion to best know Oaxaca and Mexico.
Creating Connectionand Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here!
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
We Contribute Two Chapters!
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Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
Oaxaca has the largest and most diverse textile culture in Mexico! Learn about it.
When you visit Oaxaca immerse yourself in our textile culture: How is indigenous clothing made, what is the best value, most economical, finest available. Suitable for adults only. Set your own dates.
One-Day Custom Tours: Tell Us When You Want to Go!
Ruta del Mezcal One-Day Tour.We start the day with pottery, visiting a master, then have lunch with a Traditional Oaxaca Cook who is the master of mole making. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you will NEVER find on your own! Schedule at your convenience!
October 27, 28, 29: People and Place Photography Workshop in Teotitlán Del Valle with Luvia Lazo, featured in The New Yorker Magazine. Portraits and Street Photography, recipient of Leica Women Foto Project Award Winner 2024. This is an insider's Street and Portrait photography experience. We visit families in their homes to arrange photo sessions, we take you on the back streets where tourists rarely go.
October 30: Day of the Dead in Teotitlan del Valle--Altars and Studio Visits. A one-day immersion into culture, traditions, and meaning in Teotitlan del Valle. In this traditional village, where the native language is still spoken, we take you to meet local artisans who also explain their personal family traditions including who and what is on the altar and why. P.S. We know Teotitlan. We live here!
November 1: Day of the Dead Magic in Mitla--Visit the cemetery with our local host, understand the meaning of the pre-Hispanic altar, help honor the ancestors with offerings, enjoy a traditional meal of mole negro, a feast day speciality in Mitla. A one-day immersion experience.
January 11-19, Oaxaca Coast Textile Study Tour. Visit five remote weaving villages on the Costa Chica--Pacific Coast. See backstrap loom weaving, natural dyeing with rare purple snail dye, diverse language, culture, food. Discover Afro-Mestizo roots. This is one of our more Amazing study tours! We will not offer this tour in 2026! Don't miss it.
February 6-15:Guatemala Textile Study Tour: Cloth and Culture. Discover Antigua, Lake Atitlan and Panajachel, Chichicastenango Market, and visit Coban where they weave fine gauze cloth called pikbil. SOLD OUT
March 12-17: Deep Into the Mixteca Alta: Oaxaca Textile + Folk Art Study Tour 2025. This is cultural immersion at its best! Following the Dominican Route, we visit potteries, churches, Triqui weavers working in natural dyes, a cooperative in Tijaltepec that makes smocked blouses, the expansive Tlaxiaco Saturday Tianguis. Experience another side of Oaxaca.
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Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle
The Other Guelaguetza in Santa Maria del Tule: Affordable and Accessible
Access to the BIG Guelaguetza under the big top on the Cerro del Fortin of Oaxaca, Mexico, is limited to those who can a) afford to buy a ticket at 1,121 pesos and 908 pesos each plus Ticketmaster fees, and b) those who can stand in line overnight for the limited number of upper deck seats offered for free. It’s a sell-out crowd to 11,000 people every year.
Delegation from Santa Maria Tlahuitoltepec give tepache drink gift to crowd
For the past several years, villages around Oaxaca have been offering what I call mini-Guelaguetzas, alternative, smaller versions of the extravaganza that are playing to local audiences who can afford a more modest ticket price. The venues are small, intimate and you can see everything. This makes the experience affordable and accessible.
Las Chinas Oaxaqueñas alway delight the audience
This year, friends and I decided to go to Santa Maria del Tule, famous for the giant 3,000-year old cedar tree. They were hosting their first year Guelaguetza with one performance on the Mondays that the big event took place on the Cerro del Fortin. We went on July 30, the second Monday, and it was just perfect. We even got a parking space on-site next to the stadium.
Cat and mouse courting game played out in dance by Ejutla de Crespo troupe
I bought tickets for 200 pesos each in advance at the municipal building in Santa Maria del Tule. One could also buy them online for a small service fee.
Group from Oaxaca Central Valleys danced with live turkeys
Every seat in the Monumental del Tule, the town’s 3,500 seat outdoor stadium, offered a great view of the circular stage. This is an open-air amphi-theatre, so there is no protection from the weather.
Gifts, usually fresh fruit, were tossed from the stage. We snagged a pomegranate.
Ojala! The 4 p.m. to 7:30 p.m. performance was held between thunderstorms but there was no escaping the rain which came in droplets and downpours. No one seemed to mind because it’s been so dry here. It hasn’t rained in a month. We knew the farmers needed this for their crops.
La Danza de la Piña Papoalapan and Tlahui women huddled under rain clouds
So, we either covered ourselves in plastic sheeting or pulled out parkas and umbrellas. The show must go on. And it did!
Gosh, that rain really poured but we didn’t budge
So many visitors to and many foreign residents of Oaxaca think that the meaning of Guelaguetza is this performance event, plus all the activities that are held concurrently: the Mole Festival, the Feria de Mezcal, the promenade of artisan vendors on the walking street Macedonio Alcala, and the spectacular calendas or parades.
Masked hombre from the Costa Chica reveals himself
Meaning of Guelaguetza
Guelaguetza is an ancient Zapotec community practice that ensures continuity through mutual support. The giving and receiving of gifts and service is a way to equalize relationships and make sure that everyone is cared for via intertwining relationships. Everyone takes their turn to give and receive. It is part of creating mutual respect. As such, no one goes hungry. There is always corn, bread, chocolate and mezcal to share. There is always help when needed. Sharing is embedded in community as a way of life.
Ferocious with mask, horns and horsehair, African roots in Mexico
Most of the dances are choreographed to depict village life, courting practices and the wedding ceremony. In pre-Hispanic times, these dances were employed to signal commitment and betrothal in the community before there were churches and Catholic priests to do European rituals.
Man carries the baule, wedding chest, while others bring wedding gifts
Each region has different customs. There are 16 different language groups in Oaxaca and many dialect variations. People marry who can understand each other linguistically.
Tehuanas from the Isthmus of Tehuantepec display heavily embroidered traje
In the Mixtec region, the language is Mixteco. In the Mixe region, that’s what they speak. In the mountains between Oaxaca and the coast, some speak Chatino. The Zapotecs of the Isthmus of Tehuantepec have very few words in common with the Zapotecs of the Central Valleys of Oaxaca.
Tehuanas weather the storm. By this time, they are soaking wet, as are we.
True Confession: We couldn’t tough it out to stay for the Danza de la Piña. The show producers removed the pineapples from the stage. It was 7:30 p.m. and we had arrived at 3:30 p.m. Time to eat. Off we went to Restaurant La Superior where we had a fine supper of tasajo (grilled beef) and barbacoa (goat).
Tomorrow, I’ll post videos.
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Posted in Cultural Commentary
Tagged customs, guelaguetza, guelaguetza meaning, languages, Mexico, Oaxaca, photographs, santa maria del tule, traditions