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Norma Writes for Selvedge Magazine Issues #89 + #109
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are designed as learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them in their designs, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection and help artisans reach people who value them and their work.
Why We Left, Expat Anthology: Norma’s Personal Essay
We Contribute Two Chapters!
Meet Makers. Make a DifferenceOaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *MINNA *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email firstname.lastname@example.org
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Ancient Rocks and Rainbows: San Pablo Villa de Mitla
On Thursday this week, Lupita came to visit. She is age 10, soon to be eleven next month. We were looking through photographs on my computer and found one when she was a toddler playing in a pile of wool.
She might want this photo for her quinceañera. That got us to talking about being young and Zapotec. As we scrolled through photos, I stopped on a photo of the San Pablo Villa de Mitla archeological site. What’s that? Lupita said. You haven’t been to Mitla? I asked. Do you want to go tomorrow?
I was actually struck by the fact that here we are just 10 miles and 20 minutes from one of the most amazing archeological sites in Mesoamerica and Lupita hasn’t been there. She hasn’t been to Monte Alban either. We have a lot of traveling to do. Next week, I’ll take her to Yagul. Maybe another young friend, Cristobal, will come, too
When we got to Mitla early Friday morning, the place was empty. I explained how important this post-classical site is and how special it is to be Zapotec with a proud and ancient history. Here and at Monte Alban, the Zapotecs commanded a great nation. There are so many more ancient rocks yet to uncover.
Lupita climbed up the temple steps and then down into the tombs. We talked about how the ancient burial ritual was to move the bones of the those buried before aside to make way for those who had just died. They would be buried in the same tomb. We compared how this ancient Zapotec practice is exactly the way it is today in her village of Teotitlan del Valle.
Next week we will go to the cemeteries to celebrate the dead and their return to visit loved ones. Dia de los Muertos is about the continuity of life and it occurs to me that there is no greater tribute than burial in the same resting place as a beloved ancestor.
We talked about the history of the Spanish conquest, conversion, how the conquerors took the ancient rocks from the temples and used them to build church walls to attract the people to the new religion.
Codices etched in plaster, painted with cochineal
I showed Lupita the example of the wall integrated into the Mitla church structure and pointed to the carved patterns that most Teotitlan del Valle weavers have incorporated into their rug designs.
Biznaga cactus in bloom, an endangered species
There’s a lot of activity in Mitla now, fresh paint, new hotels and restaurants, since the town just became a Pueblo Magico.
We finished up our day together with lunch in Tlacolula at Comedor Mary. Then, I got Lupita to school in time for the start of her 1:30 p.m. classes.
With the day only half-finished, I got into my creative side, making flower pins from wool I had felted last year. After “cooking” the finished flowers in hot water with a bit of vinegar, I took them up to the terrace to hang on the line to dry. Oops, why not take a photo? It was such a gorgeous day. When, I returned to the terrace with my camera, this is what I saw.
A magic end to a magical day.
Posted in Cultural Commentary, Oaxaca Mexico art and culture, Photography, Travel & Tourism
Tagged archeology, culture, felt flowers, frets, Grecas, Mexico, Oaxaca, rainbows, San Pablo Villa de Mitla, Zapotec