Today I am offering 9 treasures from my collection for sale. These are pieces I have never or rarely worn. They live in my Durham, NC, closet. Many of you know that I am now walking 8,000 to 10,000 steps at least four times a week and have maintained size small for almost two years. These beautiful clothes are now way too big for me to wear. I’ve decided it is time for these pieces to be with others who appreciate them as much as I do.
To Buy: Send me an email — norma.schafer@icloud.com with your name, address, and item number. I will send you a PayPal invoice to pay with credit card. Please be sure to use the payment option “sending to family and friends.” Once I receive your funds, I will mail via USPS to anywhere in the USA. I will add on $12 for mailing to the invoice. Thank you VERY much.
#1 is from the Oaxaca coast in Santiago Ixtlayutla, near Pinotepa de Don Luis. It uses fuchsine dye, which locals call “cochineal” but it isn’t! It actually creates a more purple stain on cotton cloth that then bleeds intentionally into the base fabric. Fine silk thread is woven as the supplementary weft creating the figures in the cotton cloth. It is the silk that takes the dye after the piece is finished. The style is to dye and fold the cloth, soaking it in water so that the dye runs into patterns that are mirrored into the surrounding cloth. Those of us who know these textiles, covet and cherish them. The finishing joinery stitches on this one are very secure and fine.
All fuchsine-dyed garments are rare and collectible!
Notes from Traditional Innovation in Oaxaca Textiles: There is another colour that can be found in several textiles from Oaxaca: fuchsia. The costume of men and women from the Mixtec town of Santiago Ixtayutla use locally-raised silk from San Mateo Peñasco, where silk is dyed with fuchsine, a magenta dye invented in mid-19th century which chemical composition is rosaniline hydrochloride. Since these dyes arrived in Mexico during the second half of the 19th c., weavers started using them: they were quick to use and cheap to obtain.
SOLD. #4 is from the warm, humid coastal region of Venustiano Carranza, Chiapas, where lightweight hand-woven textiles are preferred. This is fine cotton woven on a back-strap loom. The colorful figures uses synthetically-dyed cotton in the supplementary weft. Measures 25″ wide x 25-1/2 long — size L-XL.
SOLD. #5 is woven on a back-strap loom in a Chiapas village of medium-weight cotton, hand-tied fringes. The design is incorporated in the weaving using the supplementary weft technique. It is not embroidered!
SOLD. #6 is a medium-weight cotton poncho with hot red needle work down the front to join the two pieces of cloth together. This is an unusual piece because of the texture of two different weaving styles used in the cloth (it does not have a seam). The front of the piece is shorter, hanging hip length and the back hangs longer to cover the rear!
SOLD. #7 was purchased from Remigio Mestas’ Oaxaca city shop Los Baules de Juana Cata. He is cited as a top authority on Oaxaca textiles, and offers only the finest woven and naturally dyed fabrics for sale, created by the best weavers. The dye is called Palo de Aguila, which translates to Alderwood, and is found in the Sierra Mixe of Oaxaca.
SOLD. #8 is from the back-strap loom weaving village of Pinotepa de Don Luis. There is a very fine young weaver there named Sebastiana Guzman Hernandez. She was educated and worked as an engineer but preferred to weave and rescue her family’s indigenous traditions. I purchased this huipil from her workshop studio in the village. She dyes the indigo and buys the caracol purpura threads from the few local dyers who collect the rare purple snail dye from the Oaxaca coast.
SOLD. #9 is a slinky blouse, machine embroidery on polyester, with see-through eyelet detail from Zinacantan, Chiapas. It is not hemmed because traditional women will tuck this inside their wrap-around skirts.
