Tag Archives: Ikat

Susie’s Regrets Sale: Three Fine Rebozos (Shawls)

Posted on Sunday, August 26, 2018 | Comments Off on Susie’s Regrets Sale: Three Fine Rebozos (Shawls)

Three fine rebozos at a glance: Tenancingo de Degollado and Oaxaca

Susie’s traveled with Oaxaca Cultural Navigator to Tenancingo de Degollado to explore the ikat weaving and rebozo making culture of Mexico. She has since returned with us to other parts of Mexico, including Chiapas and the Oaxaca Coast. Meanwhile, on that trip she picked up a few beautiful pieces she hasn’t yet worn and after seeing that I was helping Leslie sell her regrets, asked me if I could try to resell these for her. We know the provenance!

#1. The intricate fringe, all hand-knotted on the Rose Rebozo

#1. Rose Rebozo. This rebozo, or fringed shawl, is hand-woven on a flying shuttle, four harness loom in Tenancingo de Degollado, Estado de Mexico (State of Mexico) by one of the finest weavers in town, Jesus Zarate. What makes this textile most remarkable is the fringe. It is completely hand-knotted by Fitalina, considered to be the greatest puntadora or fringe-knotter in all of Mexico. It took her three months to make this luxurious fringe after the weaver sold her the fine cotton hand-woven cloth.  This is a large shawl, called a Chalina because it has no pattern in the cloth, is akin to what Frida Kahlo preferred, and is part of Mexican female identity. It measures 90″ long (including the fringe) and 29″ wide.  This exceptional piece is $335 USD. Price includes mailing via USPS Priority Mail to anywhere in 48 U.S. states.

#1. Full length view of pink rebozo

How to Buy

Send me an email: norma.schafer@icloud.com

  • Tell me which piece(s) you want by number.
  • Tell me your complete name, mailing address and email.
  • I will send you a PayPal invoice.
  • As soon as I receive payment, I will confirm and we will prepare for mailing. You should be receiving your order within 5-7 days.
  • This group will be mailed from a remote corner of Northern California in the Lake Shasta region.

#2. Double weave cotton rebozo from the Sierra Mixe, Oaxaca

#2. This rebozo was commissioned by the famed Remigio Mestas of Oaxaca, who works with the finest back-strap loom weavers in villages throughout the state. This is a double-faced weave, soft and cozy cotton, difficult to execute, woven by Maria Teodora from the Sierra Mixe Alta. One face shows indigo blue natural dye. The red-brown rust color on the second side is achieved with encino or red oak. The Sierra Mixe region of Oaxaca is about eight hours from Oaxaca city on the way to the Pacific coast, high in the mountains. Fringes are hand-twisted. It measures 102″ long (including fringe) and 29″ wide. $345 USD and includes USPS priority mailing to continental 48 U.S. states.

#2. Indigo blue dyed rebozo

#2. View of side dyed with encino (red oak)

#3. Cotton ikat hand-woven fabric, with fringes

#3. This Magenta Rebozo is from the Xoxopastli studio in Malinalco operated by designer Camilla Ramos, famous throughout Mexico for her intricate ikat rebozos and Colonial-style puntas or fringes. It is among the finest workmanship in the country. This one is woven on the four-harness flying shuttle loom. Ikat is achieved by dyeing the warp threads. Every one of the 6,000 threads of the warp must be exactly on register for the pattern to match up. This pattern is called Chispas and is created from brown, hot pink and white cotton threads. It measures 80″ long (including the fringe) and 29″ wide. Cost is $225 USD including mailing via USPS priority mail to anywhere in 48 US states.

#3. Full length view of Xoxopastli ikat rebozo

It’s not likely I will take another group to Tenancingo, so this may be your best chance to get as close to the source as possible!

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Let’s Go Shopping: Eleven Mexican Shawls, Scarves, Rebozos for Sale

Posted on Thursday, October 5, 2017 | 5 comments

Rebozos are part of Mexican female identity and culture. Frida wore them. So did the women of the Mexican Revolution, 1910-1920. Aristocrats from Spain loved their shoulder coverings as they strolled the Alameda. Indigenous women still rely on them to swaddle and carry infants. Women in El Norte (USA and Canada) find them comforting on a chilly fall evening or to adorn a favorite outfit.

These rebozos I am offering for sale today are part of my collection. They are new and never worn. Most are from Tenancingo de Degollado, Estado de Mexico, where the men weave ikat cotton and women hand-knot elaborate fringes. I have one piece from Zinacantan, Chiapas, two from Santa Maria del Rio, San Luis Potosi, and one from Teotitlan del Valle, Oaxaca.

How to Buy: Send me an email and identify which one you want by NUMBER, plus your mailing address. I will then send you a PayPal invoice that will include mailing costs.  I will mail on the next business day.

Style 1: Zinacantan Chal, machine embroidered on back strap loomed cloth, 45″ x 20-1/2″, with handmade tassels.  Zinacantan is a village outside of San Cristobal de Las Casas, Chiapas. Floral motifs are predominant here. $120 USD plus shipping.

P.S. I have two spaces open for the February textile study tour to Chiapas. Email me if you are interested and I’ll send you the program description.

Style 1: Zinacantan Chal, $120

Style 1. Zinacantan Chal detail.

Style 2: SOLD. Large Navy Blue Ikat Rebozo, $175, hand-woven in Tenancingo on a flying shuttle loom with hand-knotted fringe. This large shawl measures 92″ long (including an 11″ hand-knotted fringe) and 29″ wide.

Style 2: Navy Blue Rebozo, $175

Style 2: Navy Blue Ikat Rebozo, detail

Style 3: SOLD. Multi-Rebozo with Blue, Red and Yellow, $175. This is what is known as Grande, 92″ long (including 11″ fringe) and 29″ wide. It is a very fine ikat cotton. Hand-woven in Tenancingo with a hand-knotted fringe.

Style 3, Red, Blue, Yellow Rebozo, extra large, $175

Style 3: Blue, Red, Yellow Rebozo

Style 4: SOLD. This striking contrast of rose and black together with a hand-knotted fringe that says Remember Me gives this very fine quality rebozo a subtle, yet powerfully contrasting design. $125. Size Medium. 88″ long (including a 12″ fringe) and 27″ wide.

Style 4: Rose and Black rebozo, Medium Size, $125 — Recuerdame

Style 4: Recuerdame detail

Style 5: SOLD. Chakira Chalina, $150. Rare, pale blue/gray shawl in plain weave, with intricate fringe that is knotted with beadwork.  Each bead in the fringe is part of the hand-knotting process.  A dying art form! Size medium, measures 82″ long (incuding 11″ fringe) and 29″ wide. Made in Tenancingo de Degollado, Estado de Mexico.

Style 5: Chakira Chalina, $150

Style 5: Chakira Chalina, fringe detail

Style 6: Black and Red Ikat Scarf. $95. This is loomed in Santa Maria del Rio, San Luis Potosi, and woven of rayon, which the locals call seda or silk, because it has a smooth, shiny, silky finish. The scarf measures 90″ long (including an 8″ fringe) and 13-3/4″ wide.

Style 6, Red/Black Ikat Scarf, $95

Style 6: Red/Black Ikat Scarf, detail

Style 7: SOLD. Small Black/Brown Ikat Scarf, $35. Measures 50″ long (including 5″ fringe) by 18-3/4″ wide. A nice addition to keep your neck warm as the weather chills.

Style 7: Black/Brown Ikat Scarf, $35

Style 7: Black/Brown Ikat Scarf, detail

Style 8: SOLD. Indigo-dyed Scarf, $115, by Juan Carlos from Teotitlan del Valle, Oaxaca. Juan Carlos is my neighbor and his work is exceptionally fine. This is a deep, rich blue, all natural with hand-spun wool. 72″ long (including 4″ fringe) by 14″ wide. The fringe is hand-knotted by his wife.

Style 8: Indigo dyed wool scarf, $115

Style 8: Indigo Scarf, detail

Style 9: SOLD. Super Grande Rebozo, $150. This is made in Santa Maria del Rio, San Luis Potosi, handwoven rayon that the locals call seda (or silk) because of its smooth, silky hand. Color is predominantly dark blue and lime green. Measures 114″ long (with huge 20″ hand-knotted fringe) by 30″ wide. A stunner.

Style 9: Super Grande Shawl, $150

Style 9: Fringe detail

Style 10: SOLD. This Rose Chalina shawl, $125,  is made from the highest quality cotton and has a very fine hand. The fabric is soft and glows. The intricate fringe is all hand-knotted. It’s called a Chalina because it is a plain weave with no pattern. It measures 90″ long (including a 12″ fringe) by 28″ wide. Made in Tenancingo.

Style 10: Rose Chalina, Super Fine and Large, $125

Style 10: Rose Chalina detail

Style 11: SOLD. Black with Coral Accents Ikat Rebozo, $110, size medium, measures 78″ long (including 9″ fringe) by 28″ wide. A graphic masterpiece. Made in Tenanciingo de Degollado, Estado de Mexico on a flying shuttle loom.

Style 11: Black Ikat with Coral Accents, $110

Style 11: Black Ikat Shawl detail

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Pop-Up Textile Fiesta Sale: Mexico and India Cloth and Clothes

Posted on Friday, February 24, 2017 | 6 comments

Gosh, so many textiles, so little time. Just back from weeks of textile travels in Mexico! After a month of textile adventures in India!

Ikat rebozo on the loom, Tenancingo de Degollado

And, in my desire to support the weavers and block printers of Bhuj, Gujarat, India; Tenancingo de Degollado, Estado de Mexico, who make ikat rebozos; the embroiderers and back-strap loom weavers of Chiapas and Oaxaca, Mexico, and the beaders and embroiderers of Puebla State, I have collected too much.

Pop-Up Textile + Jewelry Sale 

Tuesday and Wednesday,  February 28 and March 1

Noon to 4 p.m. 

Where: Norma’s Casita Alegria, Teotitlan del Valle, Oaxaca

RSVP: email norma.schafer@icloud.com to get directions

  • Rebozos, shawls and scarves
  • Huipiles, dresses and blouses
  • Bolsas, bags and totes
  • Array of jewelry — some new, some vintage
  • Miscellaneous — come see what you will find

I have invited an excellent local cook to come with her amazing tamales. She will offer these for sale at village prices, plus hand crafted hot chocolate made from cacao beans she roasts herself! Come and spend the day on the terraza.

Block printed cotton collected over weeks in India

Textiles from the village of Cancuc, Chiapas

 

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Posted in Clothing Design, Textiles, Tapestries & Weaving

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Rebozo Weaving Technology in Mexico: How to Make an Ikat Shawl

Posted on Monday, February 13, 2017 | 8 comments

On our textile study tour to Tenancingo de Degollado, Estado de Mexico (State of Mexico) we met ikat rebozo weavers, called reboceros, who use up to 6,400 cotton warp threads on a back strap loom.

Evaristo Borboa, grand master of Mexican folk art, weaves on a back strap loom

About 3,000 to 5,000 cotton warp threads are used on the fixed frame pedal floor loom.

Rebozo weaver Gabriel Perez at his floor loom

The technology is simple. The fabric created is complex.

The floor loom is faster.  Weavers can produce a rebozo in about a week using this loom. It takes three months or more to make a rebozo on the back strap loom.

Weaver Jesus Zarate defies imagination with his ikat butterfly design

Because fewer warp threads are used on the floor loom, the cotton threads can be thicker and the finished cloth might be coarser.

A weaver’s took kit

As you might imagine, the cost for a rebozo made on a back strap loom is much more than one woven on a pedal loom. Except for the rebozos woven by Jesus Zarate! What do rebozos cost? From 400 to 16,000 pesos.

Bits and pieces of supplies that might be needed for dyeing

Would you work six months to earn $800 USD?

The pattern can be more blurred and not as detailed as those created on the back strap loom. Except for the rebozos woven by Jesus Zarate!

Fermin Escobar marks stiff bundles of thread with ink to make a pattern

There are fourteen different steps required to make an ikat rebozo. The most difficult and time-consuming part is the preparation of the threads before they are dressed on the loom.

Threads are soaked in starch to dry and stiffen before marking.

Ikat pattern markers are coated with ink, rolled along stiffened cords.

The weavers we met all repeated that the actual weaving is the simplest part of the process.

Weavers throw hardwood bobbins between the warp sheds to make the weft

Dipping the yarn into the starch to stiffen it

A better view of the pattern marked on the stiff cotton cords

Separating the cords so they dry evenly

Each mark must be hand tied to create the dye resist

Once the cords are marked in ink with the pattern, each mark is hand tied. The cloth will then be dipped in the dye bath. It is then washed and dried. The knots are cut and the pattern emerges on the warp thread, ready to be threaded on the loom.

Mexicans innovate and cobble together materials to keep things running

For rebozos with multiple colors, they can be hand-dipped in the dye pot or the part that is already colored will be tied off so it does not absorb the new color.

Over 4,000 warp threads pass through the hettles of these looms

The loom might be considered low technology, but it is a complex system for making cloth. Today, industrial cloth is made totally by machine. We are interested in the hand-made process.

Bobbin making system — a bicycle wheel

Making ikat for a rebozo on the pedal loom

One of Evaristo’s beautiful blue ikat shawls in blue, finely detailed

The enpuntadora hand ties each knot to create fringe, the finishing touch

Knotting the rebozo can take equally as long as weaving it — three months or more, depending on intricacy. We know one enpuntadora who takes a year to tie a complex fringe.

The fringe must equal or exceed the beauty of the shawl

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Posted in Cultural Commentary, Mexico, Textiles, Tapestries & Weaving

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Ikat Rebozo Fashion Show: Tenancingo de Degollado, Mexico

Posted on Saturday, February 11, 2017 | 6 comments

The rebozo is to Mexico what the sari is to India — integral to cultural identity. Worn by women, the rebozo or shawl has its Mexican origins in the Spanish conquest. Many historians and cultural anthropologists believe the rebozo was adapted from the Philippines, which adapted it from China’s silk shawls.

Lanita with 90-year old Evaristo Borboa, and his new graphic design.

Last year, after our rebozo textile study tour to Tenancingo de Degollado, Estado de Mexico, I wrote at length about the history of the rebozo.

Camelia Ramos shows Elizabeth how to wrap a rebozo

We just finished an intensive nine-day study tour through the rebozo capital of Mexico, Tenancingo de Degollado. Here, beautiful ikat cotton shawls and scarves are woven on pedal and back strap looms.

Patti with rebocero Gabriel Perez and his work

We also took a day trip to visit Violante Ulrich at the Spratling Ranch in Taxco de Alarcon, Guerrero. I’ll write more about that later.

Cookie loves this blue beauty.

Meanwhile, our group of fourteen enjoyed meeting the rebozo weavers, visiting the Sunday rebozo market, watching women hand-knot the fringe of the rebozo into a web of lace.

This is Linda’s butterfly rebozo woven by Jesus Zarate

The fringe, called the punta, is equally as important as the woven cloth. Fine, tightly knotted, long puntas of eight inches or more can make an average rebozo into something magnificent!

Sandi and Janet learn to tie fringes with empuntadora Fidelina, while Cheri looks on

We visited eight different rebozo weavers during our time in Tenancingo de Degollado. Each has a different weaving style. Only two we visited are working on back strap looms, a dying art form.

Sandi with rebocero Luis Rodriguez who works in shibori

The back strap loom is able to hold over 6,000 warp threads, so the ikat design on the fabric is much more detailed and the material is denser because it uses a finer cotton thread. It can take three months or more to weave a rebozo using this method.

Christine wears a fine rebozo woven by Jesus Zarate on the back strap loom

An ikat rebozo woven on the pedal loom is much less expensive and can be completed after about a week on the loom.

Sandi loves purple and this rebozo by Gabriel Perez is a stunner

That does not take into account the preparation time, which includes counting the threads to form cords, washing them in a paste to harden the cords, marking the cords with a design, then tying the cords, dying them, and then threading the loom. All tallied, it’s a 14-step process.

Cynthia found this lovely one in Malinalco

We found some great spots for lunch, like Don Chano’s and El Meson, and some nights we were so tired from visiting rebozo weavers that we opted for pizza and a mezcal or soft drink on the terrace.

Rebozo shopping at the workshop studio of Adofo Garcia

At the end of the trip we were going to offer up confessions of how many each of us bought. We never got around to it, but I heard that one of us went home with eleven rebozos.

Susanne studies the details of this rebozo as she decides whether it’s for her

Ikat rebozo weaving in Mexico is a dying art. In the 1960’s there were over 250 rebozo weavers in Tenancingo. Now there are fewer than thirty. With the strength of the U.S. dollar in Mexico now, it was easy to justify an extra purchase to give one of these beautiful textiles as a gift.

Cheri with rebozo woven by Gabriel Perez. He showed us how to wear them.

Most importantly, each of us felt we were supporting artisans whose hand-work is special and valuable. Without tourism, we risk losing Mexican artisans to an industrial economy where the labor of creating beauty, one article at a time, will fade into non-existence.

Janet, our translator, shows us how to wear yellow!

Thanks to everyone who participated this year. It’s likely I won’t be offering this study tour again until 2019 or later. Stay tuned for new 2018 textile study tours with destinations to Oaxaca and Michoacan and/or Chiapas.

 

 

 

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Posted in Cultural Commentary, Mexico, Textiles, Tapestries & Weaving, Travel & Tourism, Workshops and Retreats

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