Monthly Archives: November 2012

Day of the Dead Night in Teotitlan del Valle, Oaxaca–2012

November 2 is All Souls’ Day and the night of remembering departed family members at the Teotitlan del Valle, Oaxaca, Day of the Dead ritual.  Our photography workshop participants were there to share in the experience.  On November 1, at 3 p.m., the bells begin to ring signaling the arrival of the dead.  The continue to ring for the next twenty-four hours, and at 3 p.m. on November 2, the spirits begin their return to the grave.  This is when the villagers accompany them to the cemetery to put them at rest and at peace for another year.  The observant sit or stand by grave sites wrapped in candle light, in quiet and reflection.

Each of our photography workshop participants is embedded with a host family for the day and goes with them to the cemetery.  They become part of the family rituals.  At the cemetery, I saw Augustin Ruiz, a 29-year old friend whose mother passed away at age 70 six months ago from a cerebral hemhorrage.  This was a mourning time for him and he was in distress and need of comfort, surrounded by friends and family.

Imagine: 50 or 100 foreign visitors arriving in tour vans and buses, descending on this small village panteon (cemetery), cameras, flash attachments and alcoholic beverages in hand.  There is nearly one of them for every indigenous person. They arrive early, when it is still light to get the best photograph.  They move quickly, not asking permission, going from grave site to grave site.  Click, press the shutter release.  Move on to the next subject.  They might walk into the chapel speaking loudly, unaware of the prayerful people surrounding them.  They might have a beer bottle in hand and smoking a cigarette as they enter this religious site.  Behavior totally inappropriate and culturally insensitive.  Click, take the quick photo, clear out after an hour or so, time to leave and get back on the bus, move on to the next location with no real contact with anyone local.

I arrived after dark, closer to 7 p.m.  I saw none of the above, but it was reported to me in detail by our photography workshop participants who told me they were ashamed and held back because they didn’t want to be lumped in with the disrespectful.

What do you think?  Should access be regulated or controlled?  What would you say to visitors coming to a different culture?  I know the preparation that our organization puts into providing background about cultural sensitivity and respect.  What more can be done?

Outside and inside the cemetery, there is also respect for the environment.  Baskets for basura (garbage) are prominently placed so that it is easy for people to recycle and contain what is discarded.

 

And, on the return home, the home altar is a reminder to honor the memory of those we love who are no longer with us.  A useful universal lesson.

We are now accepting reservations for 2013 Day of the Dead Photography Expedition.  Please send me an email to reserve your space.

 

 

 

 

 

Day of the Dead Night in Xoxocotlan Cemetery, Oaxaca

On October 31, we arrive in Santa Cruz Xoxocotlan, the district located about fifteen minutes just outside the city of Oaxaca, in late afternoon well before dark each year that we organize the Day of the Dead Photography Expedition.  This is intentional, to experience the cleaning of the grave sites, and the arrangement of candles and flowers by surviving loved ones in the magic light of late afternoon. Before dark, it is quiet, still, with few foreigners present. It is as it should be — serene and reflective.

First, we go to the Panteon Antiguo — the old cemetery which is a couple of blocks from the zocalo.  There is still enough light to capture the scene without using a tripod.  Our photography group has been taught not to use flash and to be as unobtrusive as possible, asking permission of people to take their photos when we get up close and personal!  None of us were using zooms larger than 200mm and most of us were using prime or portrait lenses for more intimate details.

Villagers brought in wheelbarrows filled with cempasuchitl — Day of the Dead marigold flowers, brilliant red cockscomb, tall candles and votives, plus the favored food of loved ones to decorate the graves.  There were vases to be filled with water and some sweeping to do.

 As dusk descended, with thirty minutes after we arrived, the skies opened and it began to pour.  It rained steadily for the next three hours.  I found shelter under an ancient arch of the old cemetery chapel which reminded me of being in an archeological site.   The chapel’s adobe walls are crumbling and supported with wood timbers.  It was built in the 17th century, but it’s foundation dates to the early 1500’s.  Today, it is a shell, open to the sky, but a container for grave sites within its walls.

 Briefly, the rain let up and I ran for cover under the vendor arcade joining my compadres.

We found a corner cafe that became our meeting place and respite from the rain.  After a few beers, we became more adventurous and went in and out of the new cemetery (about five blocks from the old) to get some night shots, well fortified from the night chill.  Along about 9:30 p.m. the rain subsided but many of us were slip-sliding through the mud along with the locals who began to appear to clean, decorate, assemble, eat and drink mezcal.  (My tripod feet were an inch deep in mud.)

Entire families keep vigil to watch over their loved ones.  There were many offerings of refreshment that night, which is what makes the Xoxocotlan cemetery so popular as a tourist destination!

Night photography for me is the most difficult and challenging.  Using a flash distorts color and most importantly, disrupts the environment.  Flash is just plain invasion in this situation.  So we put our cameras on tripods and set up shots depending upon the light variables. There were many!  Overhead street lights created a yellow-gold glare. Some of us had cameras that maxed out at 1600 ISO so photos were really dark.  Others could get to 6400 ISO and beyond. I tended to either under or over-expose, struggling with the right depth of field and shutter speed.  I use Aperture setting almost exclusively, so I was able to manipulate the camera to capture some of the obscure faces in the dark.  The children were magnificent!  I’m posting my best of night photos here.

It was pitch black outside, but I got close enough to photograph these mariachi musicians who stroll from grave site to grave site, singing laments and collecting tips.  They are an essential part of the celebration and experience.  Families would ask them to play and sing a favorite tune of their departed loved one.

Just outside the new cemetery there was a street lined with vendors selling all sorts of food, candles, baked goods, flowers, candies, and beverages.  There were even an assortment of ten or more alebrijes (carved copal wood, painted figures) vendors from San Martin Tilcajete.  The rain put a damper on business, which didn’t pick up until closer to midnight.

 During our stroll back to our van, we meandered by this vendor selling cream filled donuts.  There were only two left.  Guess who got them?  And, I got the photo!  They were incredibly delicious.  I managed to get a couple of bites.

 

 

 

 

 

 

 

 

 

 

 

 

 

We left Xoxocotlan exactly at midnight, just as it became transformed into a world of costumed revelers, making our way back to the city for an after cemetery hot chocolate and snack.  At 2:00 a.m. Bella and I chose to walk back to our hotel, a good six long blocks through the deserted streets of the historic center — or so we thought.  Until we came across this Catrina Bride, too beautiful to resist.

I am taking reservations for 2013 Day of the Dead Photography Expedition.  We filled up this year and I had to turn people away.  Let me know if you want to make your deposit to secure your space for 2013.

El Sueño de Elpis: Oaxaca Art Interprets Hope

While Elpis was locked inside Pandora´s box, a miracle furrowed through her dreams: the possibility of a 360-degree turn for humanity, a change that would make the world a better place. She dreamed of the virtues that abounded back in the days when the world honored the sacred feminine ways: actual times in which life and all of its processes were in tune with Earth’s natural rhythms, the seasonal cycles, the equality of all beings — animate and inanimate, equality among genders, among the most diverse species.  When she awoke, she told men and women about her dream and the miracle started to materialize.

 

Artist Mauricio Cervantes‘ interpretation of Elpis’ dream is manifested through a multimedia art installation at Murguia #103 in Oaxaca’s historic district.  The exhibition will be open through Sunday, November 4, 2012.

The space is magical and inspiring. A roofless historic adobe building, living spaces undefined, texture, mood, and altars that are bed frames and yellow chairs adorned with cempasuchitl, the flowers of the dead, ubiquitous during this time of Day of the Dead in Oaxaca.  The altars are suspended, floating, reflected, rooted.

              

Photography workshop participant Helene Haviland and I met Mauricio in the patio of the 17th century once-splendid home hours before the official opening, when the light and shadow were perfect.  Art students were putting the finishing touches on a mural.  Curator Pablo Rico was taking a break, and Mauricio, always generous with his time, explained the meaning of the installation to us.

    

There is so much here that is rich for reflection.  The cracks in the mortar, the decay, the dreams of the builders, the ability to take what is a shell and reconstruct it into something magnificent, beautiful, and strong.  Even stronger.  We go to the core in this space to ask, who are we and what is our hope for humanity.

   

And finally, the camera often shows us what our eyes do not — the many layers of life waiting to be excavated, that we choose our altars, our prayers and the path to salvation.  The cut flowers will die, their scent will dissipate, but our dreams live on in the collective ambition to create a better, cleaner, safer world.

Day of the Dead teaches us that life is cyclical and the spirit of life regenerates.

Coming Up:  Street Photography starts January 16.  Women’s Creative Writing and Yoga Retreat starts March 8.  There is always something wonderful happening in Oaxaca to capture.