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Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions ie. hand weaving and natural dyeing. Create value and memories. Enjoy hands-on experiences. Make a difference.
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What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
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OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here!
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Butterflies on the Rebozo: Jesus Zarate’s Ikat Shawls
It’s not easy to describe how Jesus Zarate from Tenancingo de Degollado, Estado de Mexico, prepares the cotton weft threads to weave an ikat rebozo or shawl filled with 125 multi-colored butterflies.
Complex ikat dyed cotton butterfly rebozo or shawl by Jesus Zarate
This rebozo is made on a traditional back strap loom. Jesus ties one end around his waist and the other to a fixed pole or wall. He stands while weaving. The loom is wide and heavy, which is why men do this type of work. It is usually constructed of oak or another hardwood, built to last a lifetime.
Jesus holds the butterfly rebozo on front of a pedal loom
It takes Jesus two or three months to weave this textile, working about six hours a day. That’s before he prepares the weft threads, first tying the knots where the design will be, marking the pattern on the threads that are held together with a cornstarch glue, then dipping the tied area into dye, then untying and washing the threads before he puts them on the loom. It can take a week to warp the loom before the weaving begins.
A Jesus Zarate ikat rebozo is like a Monet painting — innovative, spectacular
Jesus works with his son Hugo by his side. They both weave more traditional patterns on the fixed-frame pedal loom, also called the counterbalance or flying shuttle loom brought to Mexico during the Industrial Revolution.
Cindy Edwards, a North Carolina weaver, tries the pedal loom with Jesus’ son, Hugo
Many of these looms are more than 100 years old. They are in need of continuous repair and their age is a testimony to their durability as a tool for textile creation.
Mexico Textile + Folk Art Study Tour: Rebozos and More
September 8-16, 2016 includes Rebozo Fair — Feria del Rebozo
A traditional ikat design by Jesus Zarate includes gold threads
The first time I visited the home studio of Jesus Zarate was in September 2015. I went along with a group from Los Amigos del Arte Popular de Mexico — people who love Mexican folk art. Three women bought the finest rebozos from Jesus. He cried. He hadn’t sold a fine rebozo in two years.
Jesus shows his rebozo filled with tulip designs — or are they yellow rose buds?
I decided to change the LADAP itinerary to go deeper and focus primarily on rebozo weaving with a side trip to Taxco. I’m now offering a September 2016 and February 2017 tour. It is a perfect experience for weavers and textile lovers alike. We also include an in-depth discussion about and demonstrations of the natural dye process.
Pattern marked chord stiffened with cornstarch glue called atole
Jesus recently lost two sons and is in mourning. He tells me he never smiles. It is difficult for him. His son, Hugo, is his remaining heir to the tradition of ikat weaving in Tenancingo de Degollado.
Son Hugo weaves at counterbalance pedal loom
Jesus has only two pedal looms, not a sign of prosperity in a weaving culture. He is one of a handful who still know how to work the back strap loom. These pedal looms cram into a small workshop at the front of the humble house where he lives with his son. He is no longer married. Often, as we know, the tragedies of life take its toll on relationships.
Ikat pattern taking form on the flying shuttle pedal loom with Jesus looking on
Very few international visitors come to Tenancingo. It is about two-and-a-half hours from the center of Mexico City. To go independently requires a combination of bus and taxi travel with transfers at the Mexico City west bus station and again in Toluca.
Linda wears white roses, an innovative Zarate ikat design–note the texture!
I recently took a group of 10 women to meet many famous rebozo weavers of Tenancingo, including Jesus Zarate. We traveled together from Mexico City and spent a week going deep into the textile culture of the region to see and understand the process. You can read the rave reviews on TripAdvisor.
Please come with me on the next Mexico Textiles and Folk Art Study Tour: Rebozos of Tenancingo, set for September 2016 to coincide with the annual Feria del Rebozo or rebozo fair. Registrations are now open!
Cross draped with white rebozos in Zarate’s workshop corner, a comfort
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Posted in Clothing Design, Cultural Commentary, Photography, Textiles, Tapestries & Weaving, Travel & Tourism, Workshops and Retreats
Tagged back strap loom, folk art, Ikat, jaspe, Jesus Zarate, Mexico, rebozo, shawl, study tour, Tenancingo de Degollado, textiles, travel, weaving, workshop