Mexico is a true melting pot. Her people are a fusion of ethnicities, races, and cultures originating from Asia, Europe, and Africa mingling with America’s First Peoples. The Spanish brought slaves from the Philippines and China, while Portuguese traders imported forced labor from Africa to work Mexico’s sugar cane fields and cattle ranches when indigenous people couldn’t survive disease.
A very important, and heretofore unacknowledged part of Mexican history, is the slave experience in Mexico and the development of communities on the Oaxaca-Guerrero coast formed by people who escaped from the Veracruz cane fields. The Museo de las Culturas Afromestizas — the Afro-Mestizo Museum — in Cuajiniculapa, Guerrero, just across the Oaxaca border, gives voice to those who helped shape Mexican identity and honors their historic role.
Read here to learn more about Afro-Mexicans.
Our Oaxaca Coast Textile Study Tour group stops here on our five-hour return trip to Puerto Escondido from Ometepec. Knowing all of Oaxaca and her roots is important to us. We learn about and understand the contributions of Afro-Mexicans to Mexico’s music, dance, dress, and cuisine.
Read New Yorker magazine essay about Afro-Mexican life on the Costa Chica.
Please send me an email if you are interested in traveling here in 2020. I will only offer this study tour if there are 6 people making a $500 reservation deposit to guarantee we will hold the trip. Likely dates are January 10-20, 2020.
Meaning of the Danza de los Diablos.
Read Culture Trip article about Afro-Mexican origins and pride.
We also see through the dioramas and explanation from our museum guide that institutionalized slavery has left its mark on Mexico just as it has in the United States. The colonizers, be they British or Spanish, used forced human labor to advance their economic and social agendas. Hundreds of years later, isolation, poverty, lack of education and health care, has left its mark, making this region among the most impoverished in Mexico.
Enslaved blacks in American South sought freedom in Mexico, perhaps a reason for the Mexican-American War?
There is a movement to give Afro-Mexicans the federal recognition and support they deserve that will help improve quality of life and economic opportunity.
I stepped up onto the hollow wood box to learn the dance of the region. I’m writing from Morelia, Michoacan, left my Costa Chica notebook at home, and will add the name of our thoughtful guide later.
A must-read is Afro-Mexicans Exist, So We Must Stop Referring to Mexico as a Mestizo Nation by Shanna Collins. This offers important insight into how embedded African roots are in Mexican life and culture. Her argument is that the term Mestizo completely ignores how the role of slaves influenced modern Mexico.
The small museum, just off coastal route MEX 200, is a testimony to the history of enslavement and courage. It opens our eyes and hearts, gives us perspective and enriches our travel experience.
Video: Danza de los Diablos, African Roots in Mexico, El Tule Guelaguetza 2018
Danza de los Diablos is connected with the Afro-Mestizo history of Oaxaca’s Costa Chica, the Pacific coast region between Puerto Escondido and Acapulco, Guerrero. Now referred to as Mexico’s Third Root, people of African descent are an integral part of what it means to be Mexican, more than only the mix of Europeans and AmerIndians. With the conquest of Mexico, Spanish brought African slaves here in the 16th century to work sugar cane fields, mines and agriculture. Most were men and married indigenous women. Race and class was far more permeable in Mexico than in the United States.
Only recently have academics and cultural anthropologists begun to uncover and investigate the importance of African roots in Mexican culture.
Dressed as the devil with mask, horns and horsehair, African roots
The dance and its music, with its stomping and whirling, are said to symbolize the breaking from the repression of slave owners and the church. The woman in the dance represents the mixing of races. She carries a white doll. Traditionally, the dance is performed on November 1 during Day of the Dead.
White mask, dark skin, white baby, symbol of Afro-Mestizo roots
Oaxaca Costa Chica Textile Study Tour, January 11-21, 2019–Spaces Open
Behind the mask, a beautiful countenance
Today, the dance is a testimony to Oaxaca’s rich diversity and deepening respect for her roots.
One of the pleasures I have from writing this blog is the research I do to investigate the culture and history of Oaxaca and Mexico. When I was at the Costa Chica in the last two years, I became more aware of African slave roots as as I talked with cultural anthropologists and locals.
A First Person Commentary
About Afro-Mexicans
Much more has been written about the African experience on the Caribbean coast of Mexico, at the port of Veracruz and south. The Son Jarocho music of Mexico, Cuba and the Caribbean are rooted in Africa, as is the donkey jawbone and drum percussion instruments. There is still a lot to learn.
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Posted in Cultural Commentary, Oaxaca Mexico art and culture, Travel & Tourism, Workshops and Retreats
Tagged Afro-Mestizo, Costa Chica, danza de diablos, devil dance, Mexico, Oaxaca, textile study tour