There are three Diego Rivera frescoes in San Francisco, California. To get in to see them all is not easy, but it is well worth the effort. It was an incredible treat to be able to see these frescoes up close and personal. A word of advice: it’s very important to plan and confirm your visits in advance.
In Mexico, Rivera intended his murals to be accessible to the public. That was an important social and political premise of the Mexican Muralist Movement — art for and of the people. All are filled with consistent Rivera themes: the worker, the common soldier, the peasant farmer and industry. These murals mirror those in Mexico City of the same era (like Man, Controller of the Universe) and I recognize similar scenes and characters.
Looking for Diego Rivera + Frida Kahlo in Mexico City: 3-Day Art History Tour
These are the three murals in order of their creation:



Pan American Unity, left half

Pan American Unity, right half
These are the three murals in order of accessibility:
San Francisco Art Institute
The most accessible fresco is The Making of a Fresco Showing the Building of a City at the San Francisco Art Institute, open 9 a.m. to 7 p.m. This is a private, degree-granting university. Doors are open to students and to the public Monday through Friday. Check for weekend hours. The challenge is to find parking around the steep Cow Hollow hills. But if you are in a taxi or take UBER, no worries.

The mural is at the end of a student exhibition gallery space on the main level to the left of the entry courtyard. We followed good directional signs to get there. Once inside, the floor to ceiling wall art dominates the space.
This is a painting within a painting. Rivera included himself (back to viewer, with his ample frame centered on the scaffolding) with helpers making a fresco. His patrons who financed the project are part of the set. It reminds me of the caricature portraits we see at the Palacio Nacional depicting the history of Mexico that Rivera started in 1929 at about the same time. In fact, this Mexico City mural was not completed for another ten years because of commissions like this one in the U.S. It is very Rivera with a bold figures, the central one wearing a red star. You will see a lot of similarities here if you are familiar with his style.

There is a small donation box in front suggesting support for mural preservation. We didn’t find hand-out information, art history notes or guestbook. The best descriptions are online, which I suggest you read before visiting.
800 Chestnut Street (between Jones and Leavenworth), San Francisco, CA 94133. Phone: 415-771-7020

Looking for Diego Rivera + Frida Kahlo in Mexico City: 3-Day Art History Tour
City College of San Francisco
Located in the Sunset on a hill overlooking the Pacific Ocean, City College of San Francisco boasts a comprehensive historical reference mural to The Marriage of the Artistic Expression of the North and the South on this Continent. Informally called The Pan American Unity Mural, Rivera painted it in 1940 for the Golden Gate International Exposition on Treasure Island.

He was invited by civic and arts leaders to participate in the Exposition’s “Art in Action” program, joining other prominent artists. Fair-goers watched while Rivera and his assistants painted!
Frida Kahlo, who marries Rivera for the second time in San Francisco in 1940, stands front and center, while Rivera, his back to the viewer, holds the hand of actress Paulette Goddard. This mural is the most political of the three San Francisco pieces and is parallel in style to the Palacio Nacional mural of the same era, each featuring the founding fathers of Mexico and the USA.

Because of state funding cuts, visiting hours at SFCC are limited. Please consult the website to see when there is a volunteer faculty/staff member scheduled to open the Diego Rivera Theatre where the mural can be seen.
This important mural is housed in a very cramped space. I was told that for years the intent has been to build a larger gallery to view it. But … the college depends on designated private gifts to realize project goals. A small donation box sits in front of the mural. We gave more than requested for a beautiful, thorough art history brochure with color photo. Thanks to the college for providing this!

Notes: Be sure to walk upstairs to a small balcony (don’t trip, it’s also used for storage) to get the most expansive view of the mural. From above, the center view is obstructed by a large carved wood sculpture that obstructs the experience. Free street parking available.
50 Phelan Avenue, San Francisco, CA 94112. Viewing Hours are posted on the website. Phone only goes to voicemail: 415-452-5313
The City Club of San Francisco

Rivera asked Olympic swimmer Helen Willis to model.
Our experience at The City Club of San Francisco, an exclusive, members only space on the 10th floor of the former Pacific Stock Exchange, proved that you can’t always trust what you read online, even from USA Today. We read the mural was open for viewing from 3 to 5 p.m., Monday through Friday. Not exactly true.
We found out the hard way that you can only gain entrance to see the mural if you make an appointment in advance with a City Club staffer. Denied entry and after repeated phone calls from the lobby that all went to voicemail, we finally connected with a live person. When I introduced myself and requested a visit, I got a harsh scolding about not having an appointment, a tirade about this being a private club, a rant about not to trust internet information, then a reluctant agreement to allow us upstairs to see the mural for ten minutes. We were shocked by staff behavior because of the club’s great reputation for hospitality.

As we emerged from the elevator, the staffer hid a candy jar from her desktop where she sits sentry on the landing in front of the mural. Seems other riffraff before us dipped into the candy dish and she is keeping a watchful eye.

Lobby, Stock Exchange Tower
The staffer we met is definitely the gatekeeper. You need to call in advance, make an appointment and purr. I wouldn’t say you know me.
Do you think Diego would roll over in his grave?
Stock Exchange Tower, 155 Sansome Street, San Francisco, CA 94104. Phone: 415-362-2480
Recommendations:
- Call in advance to each site to confirm opening times.
- Make an advance appointment directly with The City Club to see the mural there.
- Educate yourself. Read about each mural in advance since only the City College of San Francisco may publish an art history description.
- Devote a half-day for visiting the three murals. They are in different parts of the city and traffic can be difficult.
- Be ready to pay at least $16 per hour to park near the City Club if you are driving a car. Park farther out and use UBER.
- Be prepared to be disappointed. You may not get in to all venues.

View from the rooftop terrace, SF Art Institute with Alcatraz.
Looking for Frida Kahlo + Diego Rivera in Mexico City: Art History Tour
Suggested Visiting Route:
- 11 a.m. — San Francisco Art Institute (open 9 a.m.-7 p.m.)
- 1 p.m. — City College of San Francisco (open 1-3 p.m.)
- 3:30 p.m. City Club of San Francisco (by appointment only — call 415-362-2480 well in advance. Purr when you talk to staff.)
A BIG thank you to East Bay friend Mary Ann for organizing this day and driving to all parts of The City.

Coit Tower from the SF Art Institute rooftop terrace. See the Bay Bridge?
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Ringing the Bells: San Miguel Arcangel Church, San Miguel del Valle, Oaxaca
San Miguel del Valle, Oaxaca, calls to me. Perhaps because it is hidden — escondido — beyond Santa Ana del Valle and Diaz Ordaz, tucked into the fold of the foothills leading to the Sierra Juarez on the way to the eco-tourism center of Cuajilomoyas.
Stepping up into the church patio
Illuminated Saint Michael on the altar
There are dazzling, artful aprons there that talented women embroider with birds, flowers, animals, and plants in a cascade of color. Wearable art! It is all from their imagination. There is no design that shows up twice. You can find them from this distinctive dress each Sunday at the Tlacolula Market, a 15-minute trip from the village.
Welcome to San Miguel Arcangel
Merry modeling an artful apron
I went back last week with my young friend Lupita. She rarely leaves Teotitlan del Valle and its a big world out there along the Pan American Highway MEX 190. We were lucky. When we arrived, the gates to the church patio were open to me for the first time. This was my fourth visit in recent weeks.
Watch the video!
Inside, I said hello to the man who was doing his church volunteer service. I asked him if we could step up to the altar and then enter an anteroom where there were reliquaries and antique treasures from centuries past. He welcomed us. Invited us in, told us to take our time.
Antonio Miguel invites into the anteroom for a look around
Ancient frescoes were painted on lime plastered walls. Deeply carved wood embellished Zegache-style mirrors. A broken clay figure perched under a gilded miniature pergola. Priestly robes hung in a glass case. It was a feeling of old, mystical, medieval. Without restoration, the space felt even more sacred.
Hand painted frescoes of saints adorn walls
Clay figure perched under gilded pergola
I explained to Lupita that it was her people, the Zapotecs, who were conscripted to become stone masons, wood carvers and painters, doing the labor to decorate these buildings of the new religion after the conquest. This was like being inside a fortress, sturdy, solid, everlasting.
Frame of the antique organ
Ascending through the turret, a rest stop for a view
Antonio asked if we wanted to see the antique organ from the same era as the one in Tlacochahuaya. We would have to climb the narrow winding stairs up the turret to the second floor. He went first. The organ was a wood frame with no musical parts. It must have been splendid once.
From the organ balcony, looking into the sanctuary
Lupita makes her way down steep stone steps. I follow her.
He kept looking at his watch. I have to go ring the bells, he said. It’s noon. So we scaled another round of steps to the top of the bell tower, greeted with spectacular views.
Rope bell is suspended with twisted cowhide
Zapotec symbols decorate church support beams
Antonio rang the bells announcing to the entire village it was twelve o’clock. Then he gave me an interview. He lived in Pomona, California, working as a landscaper for 10 years. He is happy to be home in his village!
An inscription, from 1560?
The Virgin of Guadalupe is everywhere, the patron saint of Mexico
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Posted in Cultural Commentary, Oaxaca Mexico art and culture, Travel & Tourism
Tagged bell tower, campanario, frescoes, San Miguel Arcangel church, San Miguel del Valle