Arrive October 17 and depart October 21, 2019
We have not offered this program since 2017. Now is your chance to register and explore the lives of Frida and Diego through their art. One space open. Click on this link and then contact me: norma.schafer@icloud.com
Looking for Frida Kahlo + Diego Rivera 2019
Posted in Oaxaca Mexico art and culture
Tagged art history, Diego Rivera, Frida Kahlo, Mexico, Mexico City, tour
Arrive Thursday, October 17 and depart Monday, October 21, 2019. Space available for 4 people. Cost is $795 per person. (Does not include lodging)
Come to Mexico City to explore the lives of Frida Kahlo and Diego Rivera through their art. This is in-depth art history education at its best! We offer you a narrated, leisurely cultural immersion that you can miss if you visit on your own. Our expert guide is a bi-lingual Mexican art historian! Come solo, with a partner or friend. Norma Schafer participates in all programs. Small group size limited to 10 people for quality experience.
We will send you the zocalo area meeting location after you register.
Arrive by 4 p.m. and meet for a group dinner on Thursday at 7 p.m. We will have a long weekend — three full days — to learn about Diego Rivera‘s stunning Mexico City murals, visit Casa Azul where Diego and Frida Kahlo lived, and see the largest private collection of their work at the Dolores Olmedo Museum.
Man Controller of the Universe mimics destroyed Rockefeller Center mural
Through their eyes, you will better understand Mexico’s political, cultural and social history, and their personal lives together. Theirs is a story of Mexico’s development as a post-revolutionary modern nation.
If you want to register, send me an email.
A few little nips — Frida painted this after Rivera’s affair with her sister
This is an incredible experience! The Rivera murals at the Secretary of Public Education building were like nothing I expected. The scale, the intensity, the variation of themes, the continual flow of connecting vignettes – just mind blowing! It isn’t just an art tour. It is an intense immersion into the beginning of an art movement, a cultural movement, and a culmination of historic events that come alive. — Christine Bouton, North Carolina
Our expert guide is a noted art historian who holds a master’s degree in art history. She will soon begin a doctoral program. She shares her passion for the Mexican Muralists, narrates the expedition, and leads us through these spaces to give you the most meaningful educational experience:
Yes, you can visit these places independently. But it’s not likely you will get the same in-depth knowledge, insights, and perspectives we offer.
She called him toad. He was 20 years older. They were passionate about life, politics, each other. They shaped the world of modern art and she became an icon in her own right, creating an independent identity that serves as a role model for women. They were twice married and unfaithful, the subjects of books and film, and art retrospectives around the world.
Rivera’s Dream of a Sunday Afternoon in the Alameda Park
Rivera’s mural at the Palacio Nacional (National Palace) covers detailed Mexican history, from pre-Hispanic America to the Spanish Conquest through industrialization, including the French and U.S. invasions, from 1521 to 1930.
David Alfaro Sequieros, Rivera rival; Palacio Bellas Artes mural
Plus, you will have lots of options for independent exploration: shop for outstanding folk art, and eat at local markets, historic and fine contemporary and traditional restaurants! Visit the Anthropology Museum.
Lunch at the gourmet market, Mercado San Juan
See our reviews on Trip Advisor!
Base Trip Includes:
Preliminary Itinerary
One of 125 Rivera painted at SEP, 1923-28, this one mocking the bourgeoisie
Palacio Bellas Artes built during the 30-year Porfirio Diaz presidency
The oldest street in Mexico next to the Palacio Nacional looks like Europe
Be ready to WALK and then, walk some more! Don’t forget to bring an extra suitcase to pack treasures you pick up along the way.
Please make your own lodging arrangements, reserve and pay your hotel directly. You are asked to book your hotel in the Historic Center of Mexico City within walking distance to the Zocalo. We recommend Hotel Catedral or Chill Out Flat or El Gran Hotel Ciudad de Mexico.
Tiffany ceiling, El Gran Hotel Ciudad de Mexico
What the cost does not include:
You might like to arrive early to stay later to discover Mexico City and her incredible museums and restaurants. We will give you a list of recommendations to explore on your own.
Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes
Reservations and Cancellations. Full payment is requested to reserve. We will send you an itemized invoice using Square. You can use your credit card. It’s easy.
If you cancel on or before September 1, 2019, we will refund 50% of your deposit.
Frida died July 13, 1954, at age 47, soon after she painted these watermelons
Required–Travel Health/Accident Insurance: We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least one month before departure. Unforeseen circumstances happen!
To register, email us at norma.schafer@icloud.com. We accept payment with Square only. Thank you.
Frida’s sketchbook & journal; notice the deformed leg from childhood polio.
This workshop is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to adjust the itinerary and substitute leaders without notice.
A note to Frida from Diego two years after her death … “you live in my heart.”
Paint brushes in Frida’s studio at Casa Azul, exactly as she left them
Posted in Cultural Commentary, Mexico City, Travel & Tourism, Workshops and Retreats
Tagged art history, Casa Azul, Diego Rivera, Frida Kahlo, Mexico City, murals, road scholar, study tour, tour, travel
The clock strikes 2017. Yet the Zocalo in Mexico City today is almost empty. All museums and most shops are closed, too. Most Mexican families celebrate the new year at home. On New Years’ Eve last night there were only a few strollers in the Historic Center as everything closed up by 4 p.m. and people dispersed.
Restaurant Azul Historico patio, Mexico City, festive blue
I had an early birthday dinner with my son Jacob at Entremar in Polanco. After a great fish dinner and superb bottle of Valle de Guadalupe Nebbiolo, we returned to Hotel Catedral and I climbed into bed. It was not yet 8:30 p.m. I did not dream about sugar plums and fairies, but thought about the year past and the one to come.
Organ grinders on Mexico City streets, a dying breed
Tips for Visiting Mexico City Over the New Year Holidays
Aztec city of Tenochtitlan, Templo Mayor, under the Cathedral
No specific resolutions for me other than to walk and live with intention, focus on travel only between Mexico and the USA, spend time with family and friends, walk, reflect and do good in the world. The world needs our help.
Alameda Park, Mexico City. Warm enough for fountain play in December.
My son Jacob has been with me this weekend, the best gift I could ever receive. It was his first time in Mexico City. On our first full day, we explored the Diego Rivera murals at the Secretariat de Educacion Publica and the Orozco murals at the Colegio San Ildefonso, had lunch at Restaurant El Mayor, then pushed on to the Tenochtitlan Templo Mayor archeological site and adjoining museum.
Day of the Dead Altar to Frida and Diego, Museo Dolores Olmedo
Special exhibition at Museo Dolores Olmedo
While we missed getting into the Casa Azul, we took an UBER from there to the Museo Dolores Olmedo Patiño near Xochimilco to see early Rivera works, the hairless xoloitscuincle dogs, and a special exhibition of Pablo O’Higgins, Rivera’s protege. NOTE: All paintings by Frida Kahlo in this museum are on traveling exhibition in Europe until April 2017.
Man, Controller of the Universe by Diego Rivera
Then, we saw more Rivera, Orozco, Siquieras and Tamayo murals at Museo Bellas Artes. When you get here, pay attention to the second floor mural painted by Diego Rivera, Man, Controller of the Universe. He recreates what was destroyed at Rockefeller Center.
The New Democracy, by David Alfaro Siquieros, Museo Bellas Artes, Mexico City
Art historians interpret the Siquieros mural (close-up above) as liberation from oppression. This was especially meaningful for me as we are experiencing damaging political changes in the USA that could likely effect social justice and environmental causes well into the future.
Close-up, The Torment of Cuauhtemoc, Siquerios depicts the oppressors
Here, art is a universal language and reminds us that we must be vigilant.
Another section of Siquieros’ The Torment of Cuauhtemoc mural, riveting, painful.
On the same day, we visited Rivera’s mural Dream of a Sunday Afternoon on the Alameda at the Museo de Mural de Diego Rivera.
Dream of a Sunday Afternoon in the Alameda Park, 500 years of Mexican history
Gathering for an outdoor Scrabble game on the plaza, Mexico City
Out in front on the plaza in front of this last museum, the chess and Scrabble players gather. I accepted an invitation to join a Scrabble game until I realized they were playing in Spanish and returned my tiles to the bag.
Jacob Singleton takes a photo of an Orozco mural
Museo Palacio Bellas Artes, Mexico City
In 2016, I legally changed my name to Schafer, bought a condo-apartment in Durham, NC, organized over a dozen workshops and study tours, contributed chapters and photographs to Textile Fiestas of Mexico book, volunteered at the International Folk Art Market in Santa Fe, commemorated the anniversary of our mother’s death, traveled to India, and went back and forth between Mexico and the USA to vote, attend to health care, visit family and reconnect with friends.
Cathedral candles, Mexico City
In 2017, I want to stay put more and be present in Durham, North Carolina, and Oaxaca, Mexico. I have friends who dream of becoming vagabonds, taking to the open road, living with more freedom and unpredictability.
Aztec sculpture, Tenochtitlan, Mexico City
I want to think globally and act locally, make a difference in North Carolina, USA to effect change and make a difference, continue to bring people to Mexico to understand her art, history, culture, textiles.
Happy New Year to all. May we each participate in creating a world we are proud to live in, with respect for family, diversity and uniqueness.
Posted in Cultural Commentary, Photography, Travel & Tourism
Tagged Diego Rivera, dining, Frida Kahlo, Mexico City, muralists, museums, new year, Oaxaca, resolutions, tips, travel
The entire Frida Kahlo permanent exhibition of paintings at the Dolores Olmedo Patiño Museum in Mexico City is on loan to the Faberge Museum in St. Petersburg, Russia, until April 30.
We discovered this last Sunday as we made our afternoon visit as part of the Looking for Frida Kahlo and Diego Rivera Art History Tour. Disappointed? Yes.
But, the Rivera galleries were intact and we were treated to a special exhibition of Pablo O’Higgins lithographs in the space that usually holds Frida’s work.
Pablo O’Higgins, one of Diego Rivera’s most talented disciples, participated in the making of Rivera murals in the public education building, and then painted his own at the Abelardo Rodriguez market.
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He is an enigma to many. He changed his name from Paul Higgins Stevenson (there is even controversy about his real original name) when he arrived in Mexico at age 20 to obscure his upper-class family origins and identity. His father, a conservative lawyer participated in the death sentence of miner and labor organizer Joe Hill.
Writer Susan Vogel addresses the question of his identity in her book, Becoming Pablo O’Higgins: How an Anglo-American Artist from Utah Became a Mexican Muralist.
The character of O’Higgins is fascinating if not fully articulated. Here is a blonde, blue-eyed giant among the Mexican working-class, painting and drawing powerful images of average daily life.
This exhibition, combined with the one at the Museo de Mural de Diego Rivera, shows the skill and directness of O’Higgins’ work. Real. Intense. Honest. Compelling.
So, ultimately, we were not disappointed. The visit was enhanced by this special exhibition.
I’m in Chapel Hill, North Carolina, now, and will be here for the month of April, taking care of legal and health care check-ups. (Don’t worry, all is well.)
On Friday evening, my artist friend, Hollie Taylor Novak, is opening an exhibition at the North Carolina Craft Gallery featuring her Frida Tributes. I’ll be writing more about that later.
Saludos from the state that needs to elect a new governor!
Norma contributes personal essay, How Oaxaca Became Home
Click image to order yours!
Details, Another View of Frida Kahlo at Casa Azul
In the last three years, I’ve probably visited Casa Azul, where Frida Kahlo was born and lived with Diego Rivera, over ten times. I come because I organize the art history study tour, Looking for Frida Kahlo and Diego Rivera.
Frida Kahlo Calderon, daughter of Jewish Hungarian father and Oaxaquena mother
Can you get to Mexico City next weekend?
On this latest visit last Friday with a group from Australia and New Zealand, I served as a consultant for their leader who wanted a one-day quick immersion into Frida’s life for her group.
Frida’s father and mother, her portrait of them
I wondered: How do I continue to take photos of the same iconographic details of Frida and Diego’s life? The paint brushes. The photographs. The furniture. The folk art collection.
Detail of studio paint brushes, her strokes became weaker at the end
The pre-Hispanic ceramics and lava rock sculpture. The clothing. The frog urn that contains her ashes. The paintings she created out of pain. Reverence. Disappointment. Courage. Commitment to love and family. Passion.
Watermelons. Celebration of Life. Finished just before death.
Go to the details, I told myself. Captures the parts, not the whole. Focus on the brush strokes. The lace. The color. The shadows and reflections. The images of the men and women she loved.
Colored oil crayons, still neatly boxed, waiting. Ready.
Go to the details. Find the ribbons. Find the ribs of the plant leaves. The shape of flowers. The accoutrements of the corsets and built-up shoes to hide her deformities. The textures and reflections.
Palm ribs in the expansive garden, Casa Azul
She put such a strong, uplifting face to the world despite her injuries — physical and emotional.
She called Diego “Toad” and “Panza” — ashes contained within the frog jug.
This trip to Casa Azul was different for me and I used the experience to examine the infinite, small parts of life that we often scan over to take in the big picture.
Visceral, the insides of a gourd, like a fertile womb ready to give seed. But she couldn’t.
If you want to join me in Mexico City, Thursday, July 29, for a July 30 morning start to a three-day immersion into the murals, paintings and lives of Friday and Diego, there is a space for you. It’s so easy to fly in and out!
Lover, sculptor Isamu Noguchi, in Mexico
Why is Frida Kahlo an icon? Perhaps you would like to help me answer this question.
Supported by a frame, a corset, exposed, bare and barren.
What does she represent for women who aspire to be independent, strong, feminine and vulnerable?
Painting from a wheel chair, Casa Azul
She hid her misshapen body beneath glorious hand-woven and embroidered dresses, put her best foot and face forward. Persevered and thrived.
Loved by photographer Nicolas Murry. She was devoted to Diego.
Today, she is more famous, more revered than Diego Rivera because she exposed herself and revealed the internal, damaged self.
Frida refused to let her polio define her, though she wore a brace, sturdy shoes.
Andre Breton called her Mexico’s surrealist painter. She is more than that. Surrealism conjures up Salvador Dali and the distortions he saw in life. Frida reflected on her own distortions and created beauty from them.
Saludos, Norma
On the bus, a fateful day of destruction and a lifetime of reconstruction
Would Frida have become the painter she did without having suffered the trolley car accident that sent a metal spear through her uterus?
Frida Kahlo, 1907-1954
Self-portrait, through Frida Kahlo’s looking glass
Sometimes courage requires that we each put one foot in front of the other to move forward, despite set-backs. We love Frida Kahlo because through her story she teaches us that life requires risk, innovation, and that being afraid is part of our existence.
Painted gourd adorns kitchen table in Casa Azul
When Frida died, Diego Rivera wanted to establish a museum to honor her. She was not yet recognized. He convinced his friend, Dolores Olmedo, to invest in purchasing Frida’s paintings and Casa Azul.
Closet where Frida’s belongings were sealed for 50 years
But, he made her promise not to open the green closet door, where clothing, diaries and photos remained secreted for fifty years.
In 2006, the closet was opened and art history was rewritten.
The garden at Casa Azul
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Posted in Cultural Commentary, Mexico City, Workshops and Retreats
Tagged art history, Diego Rivera, feminism, Frida Kahlo, icons of womanhood, life, Mexican painters, Mexico City, study tour, Women