Tag Archives: globalization

Videos–A World of Makers in One T-Shirt: #whomademyclothes

Today, I’m setting out to take visitors from Australia to meet some of the Oaxaca weavers of fine textiles who work in natural dyes. They make the finished product. But it gets me to thinking about all the people who were part of the creation process.

I think, today, I will ask our weavers, Where does the dye come from? Where does the wool come from? Who spins it? What about the cotton? Is it imported? Grown in Mexico? Commercially spun? This whole discussion makes me more curious!

Here is a short, one-minute + video from NPR sent to me by Judi Ross. It’s beautiful and personal. It’s a visual story worth taking time out to see.



I think its fascinating to think about all the people in the world whose hands have touched what we wear.



Cultural Continuity in Oaxaca: Survival Despite Globalization


This post from CasitaColibri just landed in my inbox as I wait in the RDU airport to begin my “one-way” journey to Oaxaca today. It was refreshing to get my mind (and heart) centered on Oaxaca culture after having to repack (2x) my bags at the check-in counter because of extreme overweight (not me, my luggage)!  I forgot that the limit was 50 lbs.  Even for international.  Overweight fees are $200 and 3rd bag fees are $150.  Moving to Mexico for several months is not something I have done before.

Back to the important stuff:  So, the discussion focuses on the impact of external forces that influence a culture and it’s ability to change, adapt and survive. The Aztec and then Spanish conquests were only two of many in a long line of factors that create pressure that can cause a community to either disintegrate or evolve and strengthen in the process. Today, with a new Walmart under construction, with high unemployment, with the full court press of Monsanto to take over small family farms and replace indigenous corn with a genetically modified version, with the potential of fracking as a source of government revenue, there is still a strong local commitment to cultural continuity and voices speaking out against big business.

Thanks to Shannon Sheppard for bringing this to our attention.

Au-then-tic: Real, Genuine, Original, Credible, Trustworthy

What defines authentic? Who is the arbiter of authenticity? Is there a higher standard that we hold some to and not others? What is an authentic Zapotec rug? Is it made only in Teotitlan del Valle? Can it be crafted in Santa Ana, Oaxaca, or can it be made in Santa Ana, California, by a Teotiteco who gets his wool from Teotitlan and weaves on a “traditional” loom? What about the weaving community of Diaz Ordaz – is it equally as authentic as Teotitlan? Must a textile be made with wool that has been prepared using traditional pre-Hispanic natural dyes or can it be made using chemical aniline dyes and still be considered authentic? If it is Zapotec hand-made, is that authentic enough? The Spanish introduced the fixed frame pedal loom along with sheep (and wool) with which to weave blankets and sarapes. Are post-Spanish conquest textiles made on these looms authentic? Why should we care?

What about attribution? If a cousin makes a rug but it is sold under the master’s label with the famous man’s name on it, is it authentic? What if the maker only earns 10% of what the product is sold for? If a master Zapotec weaver is commissioned to make a Navajo-style rug by an art dealer in Santa Fe, New Mexico, and accepts the commission in order to earn enough money to feed his family, is this authentic? After all, an accomplished weaver would have made this Navajo-like piece by hand using “traditional” weaving methods. What is the difference between a Zapotec weaver making a Navajo-style rug and a Chinese weaver making a Zapotec-style rug?

What if a rug merchant conducts and/or supervises the natural dyeing process and certifies that all the yarn used in the rug is naturally-dyed, but hires others to weave the rugs — is this authentic?

What is the difference between a commercial enterprise and authenticity?
Who will monitor and define what is authentic? Can we be authentic and earn a reasonable livelihood, being fairly compensated for time and talent? What is the range of acceptability for what is authentic and what is not?

I’m interested in hearing your thoughts and opinions.

In large part, I think, the consumer has responsibility for knowing what s/he is buying and supporting. “Do your homework,” a wise woman once told me. And that’s what I am asking you to do.

Did you know?

1. Tour guides receive 30-40% commission for bringing people to a weaver’s workshop. (There are some exceptions.) They likely won’t bring people to a house that does not pay commission unless you insist.

2. It is posited that only 8-10 families in Teotitlan actually dye their wool with natural materials. The rest will show a cochineal or indigo dyeing demonstration but do not employ this dyeing method for their tapestry-making.

3. Many of the textile patterns you see on Teotitlan rugs are Navajo derivatives or some combination of Zapotec and Navajo designs. Navajo designs were commissioned by importers in the 1980’s to fulfill the Southwest U.S. art market.

4. Chemically-dyed aniline rugs can be 40% cheaper than naturally dyed wool rugs. That’s because there are many more time-consuming steps to the wool preparation process and higher cost for the raw dye materials.

5. Chemically-dyed wool is environmentally toxic to the weaver and the local community. Breathing vapors causes lung disease and cancer. Discarded chemical dye water seeps into the ground water table.

6. Most people can’t tell the difference between a naturally-dyed and chemically-dyed textile. Can you?

Cautionary Note: WordPress will publish automatically generated related posts, which will show up below. I have no control over which they select or their legitimacy. Explore and determine by your own standards what is authentic or not! Cheers. Norma