Tag Archives: India

India Journal: Top Artisans at Nature Bazaar

Nature Bazaar is an effort by the Delhi Department of Tourism to bring the best artisans from throughout India to the city for permanent exhibition. Or, let me say, the space is permanent and the artisans rotate. So, it’s more of a pop-up and the artisans change about every six weeks. This group goes until November 30, 2016.

Indigo-dyed organic cotton block print from Rajasthan

Indigo-dyed organic cotton block print from Rajasthan

I returned on my own so I could leisurely browse the textile collection, speak with the makers, and go through the stacks of cloth in search of indigo blue, red madder, turmeric root dyed yellow cloth. I didn’t want to miss anything. This extended to a three-hour meander to uncover as much as possible.

Left, block print of turmeric with indigo over-dye. Right, madder "chicken tracks" with indigo over-dye. Yardage.

Block print yardage, turmeric w/ indigo over-dye (L). Madder w/indigo over-dye (R).

My textile artists friends tell me that the Nature Bazaar cooperative is the best source for India arts in Delhi. Funds from the purchases go directly to the artisans who participate.

Waiting patiently for customers, Nature Bazaar

Waiting patiently for customers, Nature Bazaar

My friend Lee Schwartz, who just returned from a 10-day tour of Rajasthan, claims she saw nothing of the quality on the tour that she encountered at the National Crafts Museum in Delhi. After a visit there, today, I still rank Nature Bazaar as the top shopping spot in Delhi, with second place going to FabIndia.

Artisan from Ahmedabad folds shawls inset with mirrors embroidered to silk.

Ahmedabad artisan folds shawls inset with mirrors embroidered to silk/wool blend.

As with Oaxaca, it’s important to know where to source. I’ve decided to focus  this India visit on textiles and not on typical sightseeing and monuments (though tomorrow we leave for Agra and the Taj Mahal).

Fine miniature paintings with gold leaf, an art form

Fine miniature paintings with gold leaf, an art form

There is so much here that zeroing in on what is important to me helps conserve energy.  It’s impossible to get to more than two or three places in a day because of the intense traffic, horn-honking and dust. It just wears you out!

Indigo dyed patchwork quilt, with dresses, blouses on table.

Indigo dyed patchwork quilt, with dresses, blouses on table.

At Nature Bazaar, I met Margaret Zinyu, who has a degree from the National Institute of Design in Ahmedabad. She planned to go into fashion design but decided to return to her native Nagaland, in northeast India on the Myanmar border, to work with local weavers using cotton dyed with indigo. She is just starting her company Woven Threads and this bazaar was the premiere of her products.

Margaret Zinyu of Woven Threads

Margaret Zinyu of Woven Threads, Nagaland, India

India is at the crossroads of the ancient Silk Road. The people here are a multicultural blend of Asians and Europeans, Hindus and Muslims. There is as much diversity here as I see in Mexico. The people from the Himalaya foothills, part of India, bring their kite flying traditions to the crafts of the country, for example. These are for sale at the Nature Bazaar, too.

Most of India's indigo is cultivated in Tamil Nadu, in the south

Most of India’s indigo is cultivated in Tamil Nadu, in the south

Wood carved stamps used for block printing at Nature Bazaar

Wood carved stamps used for block printing at Nature Bazaar

There are also several stalls with hand-wrought silver jewelry from the Himalayas and Afghanistan. Many of the designs looked North African, like those I had seen in Morocco and southern Spain.

Tribal jewelry maker from Himachal Pradesh.

Tribal jewelry maker from Himachal Pradesh in the Himalayan foothills of India.

Example of ornate silver earrings inlaid with garnets and embellished with pearls.

Example of ornate silver earrings inlaid with garnets and embellished with pearls.

There is no cochineal here, of course. This is a humid country and the insect is only  found in hot, dry climates like Mexico where the nopal cactus thrives. So madder, the red dye that is more the color of red earth than intense carminic red, is what is found here. However, indigo is king in India and the British capitalized on its export starting in the early 17th century. Today, it is only cultivated in Tamil Nadu in the south of the country.

India's indigo from Tamil Nadu, in the south

India’s indigo from Tamil Nadu, in the south

Walking the streets and riding the Metro, I see women of all ages wearing saris and the shalwar kameez pantsuit with tunic top and harem-style pants dyed with indigo blue. Women’s clothing of India is beautiful, lightweight and easy to wear.

India's sari, block print with gold and indigo

India’s sari, block print with gold and indigo

Mexican indigo is extracted from the native plant Indigofera suffruticosa, known as añil, found in the tropics of the Americas.  Native indigo from India is Indigofera tinctoria, known as true indigo, and is found in Asia and Africa.  The plant and leaf structures are different, but the process to produce the color is the same.

Handmade palm brooms

Handmade palm brooms

The most intense blue comes by dipping the cloth at least several times in the indigo dye bath.

Papier mache toys and mobiles

Papier mache toys and mobiles at Nature Bazaar

My goal on this trip is to bring back examples of  of cloth dyed with indigo, using a variety of weaving, tie-dye and printing techniques.

India Journal: Visit to Pure Ghee Textile Designs

Ghee, clarified buffalo or cow butter, is the essential cooking and flavoring oil in India. Ghee also has religious significance and is used at life cycle celebrations throughout the country. It is highly nutritious and is part of the ayurvedic system, which forms the basis of spirituality, food, and health.

Eating with one's hands, to become one with the food.

Eating with one’s hands, to become one with the food.

One could say that ghee is the foundation of Indian life and culture, just as the tortilla is elemental to Mexico. I would venture to say that Aditi Prakash carefully chose the brand name Pure Ghee for the textile design company she started seven years ago to connect what she makes to what is second nature here. Elemental. Essential. Necessary.

Trademark cloth flowers embellish zipper pulls on scrap fabric bag

Trademark cloth flowers embellish zipper pulls on scrap fabric bag

Aditi employs women who are migrants, takes them off the street, trains them in sewing skills and gives them employment. Women sew. Men complete the finish work, led by a master tailor from the neighborhood, who supervises the apprentices. There are two levels of quality control and each product is nearly perfect, just like ghee.

Pure Ghee staff member who oversees quality control

Pure Ghee staff member who oversees quality control

Aditi invited Nidhi and me to her home for a simple Indian vegetarian lunch, to see her workshop studio, so I could learn about the processes and products, and meet the staff who make the bags and accessories that make their way to shops and boutiques throughout the country.

Master tailor finishes edges of new bag design.

Master tailor finishes edges of new bag design.

First, let’s talk about lunch.

Aditi says she uses turmeric in everything. Nidhi echoes this. Turmeric has antiseptic healing powers they say. They add it to yellow lentils with salt and cook the lentils in a stove top pressure cooker for about 30 minutes.

Ghee, chili mustard and curry leaves simmer on stovetop

Ghee, chili mustard and curry leaves simmer on stovetop

In a separate spoon with very large bowl, Aditi combines about 1/4 c. ghee, fresh curry leaves, red chilis from her home state of Hyderabad, cumin and mustard seed. The bowl of the spoon goes over the gas burner until the mixture simmers and cooks, coming to a low boil.

Aditi serves lentil soup in small bowls, a garnish to rice and vegetables

Aditi serves lentil soup in small bowls, a garnish to rice and vegetables

This is added to the lentils, that now has the consistency of a thick soup.

In another cooking pot is potatoes, cauliflower and peas.

Food is ayurvedic, Aditi says. Nidhi adds that cooking is not written down but passed through the generations as part of the cultural tradition. She learned from her mother. Both are independent, creative women who prepare vegetarian meals in the Hindu tradition daily for their husbands.

Silk-cotton draw string bags worn with the sari

Silk-cotton draw string bags worn with the sari for evenings, weddings

Homemade roti, a whole grain flat bread that looks like a tortilla (they both make this from scratch), and brown rice are served as a base for the lentils and vegetable medley. Everyone uses shallow metal plates that look like a cake pan.

Aditi Prakash in her showroom. People find us, she says.

Aditi Prakash in her showroom. People find us, she says.

We eat with the fingers of our right hand, important to bring the five elements from table to body, in complete circle of life and sustenance.

Traditional plaque in Aditi's home.

Traditional plaque in Aditi’s home.

Aditi’s husband is a filmmaker. Both work from home and they built a three-level workspace where each has dominion. Aditi supports craft artisans from throughout India and as an industrial designer, has helped many refine their products to bring to the marketplace.

Bag patterns hang in small workshop space

Bag patterns hang in small workshop space

After lunch and a modest shopping spree (thank goodness Pure Ghee accepts credit cards), the three of us went off to the Nature Bazaar, a cooperative of crafts-people and textile artists from throughout the country.

Artist Nidhi Khurana, New Delhi, November 2016

Artist Nidhi Khurana, New Delhi, November 2016

Aditi says this has one of the best selections in all of Delhi, with very fair prices. It is off-the-beaten-path for tourists but well worth the visit. For me, it will need several hours. There are textiles, lengths of cloth by the meter, paintings and drawings, folk art, brass bells, sari, indigo and Khadi clothing, jewelry from Afghanistan.

Pure Ghee workshop in action

Pure Ghee workshop in action

If you haven’t noticed, India is about color, texture and sound. It is about silk, cotton and the resurgence of tradition. Both Nidhi and Aditi say that the sari is standard daily dress for women.

Lunch preparation, a vegetarian Hindu meal accompanied by Hyerabad mango pickle.

Lunch preparation, a vegetarian Hindu meal with Hyderabad mango pickle.

I’m going back to Nature Bazaar today. There are over 100 vendors with central payment stations. And, yes, credit cards accepted. Perfect for the cash crisis in play now. I’ll be writing more about this. Perhaps tomorrow.

Sneak preview of Nature Bazaar: piles of indigo and block prints

Sneak preview of Nature Bazaar: piles of indigo and block prints

 

 

 

India Journal: Day One with Nidhi Khurana in New Delhi

It’s Thursday, November 17, almost noon, and I’m half way around the world from where I started from in San Jose, California, recovering from a 22-hour flight across the time zones.

Nidhi Khurana with her saris.

Nidhi Khurana with her saris.

I arrive in India to discover that while in-flight, the government had secretly decided to de-monetize, eliminating 86% of the available cash. Little did I know, and only exchanged the minimum of dollars to rupees at the airport. There is no money in banks or ATMs. We are tethered to our credit cards and those who take them. This is called adventure travel.

Mud resist block printed sari.

Mud resist block printed sari. I want one!

Fortunately, my dear friend, textile artist Nidhi Khurana, who I met in Oaxaca early in 2016, is taking me under her wing along with her friend, textile designer Aditi Prakash, who is the mastermind behind Pure Ghee Designs.  We spent my first day in Delhi immersed in textiles.

Aditi Prakash shows me how to pleat the sari

First, on in Nidhi’s flat, where I got an introduction to the sari and a portion of Nidhi’s collection that was laid out on the bed before me, mostly silks, some woven with gold threads, representing all regions of the country.

It was hard to pick a favorite, and much like playing dress-up.

Do you like this ikat? It was hard to pick a favorite, and much like playing dress-up.

Aditi is an encyclopedia of India’s cloth. She can instantly tell which state or region a textile comes from based on the story woven into the border of each sari. It was all dizzying but the textures and colors sent me to the moon. She explains that that are over 160 different ways to wear the sari. She tells me this as she pleats the ends of the fabric and begins to drape it around me.

Stack of sari fabric, neatly folded and ready for hangers.

Stack of sari fabric, neatly folded, some tie-dyed, embroidered, woven with gold.

I am reminded of how Oaxaca women wear their faldas, their skirts, which are pleated around the waist and then held to their bodies by the woven cinch waistband.  Indian women tuck the ends of their sari’s into the skirt or pants waistband. The intricately woven border, only a portion of the cloth length, is draped over the shoulder so it hangs down the back in full display.

The inside is just as beautiful.

The inside is just as beautiful.

The cloth body and this border are two separately woven pieces that are then woven together to form one length of cloth. It’s important to examine the joinery, since the best saris will combine the two with invisible stitches.

Nidhi picks rocket, chard and dill on her rooftop garden.

Nidhi picks rocket, chard and dill on her rooftop garden.

After Nidhi prepared a vegetarian lunch of steamed rice, cauliflower, peas, fresh salad greens from her rooftop garden, and delicious homemade Indian Gooseberry Pickle (now declared to be my favorite), we set out for Hauz Khas Village to find noted textile collector/gallery owner Sunaina Suneja, also known as Dimple. She is the aunt of Saket B&B owner Anand, a wonderful host.

Sunaina Suneja, known as Dimple, in her textile gallery.

Sunaina Suneja, known as Dimple, in her textile gallery.

Dimple travels the world to show her beautiful textiles, and is noted for her knowledge and use of Khadi cloth and indigo.

Hauz Khas green space surrounded by city

Hauz Khas green space surrounded by city

This is much more than a boutique, gallery shopping destination. It is a 13th century mosque and school in the Indo-Islamic architecture, reminiscent of what I saw in Morocco and at the Alhambra in southern Spain.

The madrasa, school of Islamic learning

Madrasa school of learning, wells and temple

It is from the Mogul invasion of India and offers a park-like oasis in the middle of a city filled with honking cars, dust and a sea of people.

Portrait of Nidhi Khurana at the monument

Portrait of Nidhi Khurana at the monument

Yellow parakeets fly through the keyhole openings of the building. Young couples, groups of friends, families picnic on the grounds. Small gangs of young men huddle in corners to take a smoke. Friends stroll hand-in-hand. There are plenty of places for children to climb, too.

Friends Aditi and Nidhi at Haus Khaz monument.

Friends Aditi and Nidhi at Hauz Khas monument.

I’m grateful that we had this day together and we ended it with a tea respite at one of the local eateries.

Stone carved detail, Hauz Khas Village

Stone carved detail, Hauz Khas Village

Norma Schafer at the monument

Norma Schafer at the monument wearing Oaxaca Amuzgo coat

 

Carrying firewood through Hauz Khas Village

Carrying firewood through Hauz Khas Village

The caste system is legally banned but exists as it does in all countries, based on birth, economic and social status, inability for upward movement. Often it is based on skin color and religion. We are not impervious to it in the United States of America, either.

Water dumplings, hollow and infused with sugar water. None for me.

Water dumplings, hollow and infused with sugar water. None for me.

 

 

 

 

 

 

 

Textile Travel Guide and Tips: How To Be a Cultural Ambassador

Cloth Roads just published a blog post called Textile Travel Guide: 10 Tips to Be a Star Textile Ambassador. 

This comes as a just-in-time-reminder for me about cultural sensitivity and travel to indigenous parts of the world where handmade textiles still flourish. My trip to India was bumped up a day, so I am on an airplane this Monday morning.

It also comes just-in-time for many of you who are attending the International Shibori Network Symposium in Oaxaca, Mexico.

travel-freemium-small

If you go to the Cloth Roads website, you can join the mailing list and download the guide for free.  It’s common sense and worth the reminder. Some of the tips are to prevent what I’ve seen on guided tours, where participants launch into grabbing and shopping before the local women have a chance to present themselves and their histories.

If you are traveling in 2017 to countries where amazing textiles are found, please take this guide with you.

If you are traveling to Mexico, please bring Textile Fiestas of Mexico by Sheri Brautigam. I contributed two chapters, one about the rugs of Teotitlan del Valle and the other about the rebozos of Tenancingo de Degollado.

As I embark for Delhi, Gujarat and Mumbai, I think about what it means to appreciate cloth and the people of India and the people of Oaxaca who cultivate the raw material, weave and dye, sew and fashion.

We have two spaces open for February 2-10, 2017.

Mexico Textiles & Folk Art Study Tour: Tenancingo Rebozos and More

 

 

Searching for Indigo in India: Countdown to Travel

It’s a 24-hour flight from California to New Delhi, not including the layover in Tokyo. I’m getting ready for a month of travel, focused mostly on the India State of Gujarat, with my Canadian friend Fay Sims, leaving San Jose on November 15.

Indigo dye pot, Teotitlan del Valle, Oaxaca, Mexico

Indigo dye pot, Teotitlan del Valle, Oaxaca, Mexico

My motivation to go to India is multi-fold:

  • to experience first-hand indigo dye history, artisanry and textiles
  • to visit my first cousin, Odissi dancer Sharon Lowen, who has lived in New Delhi, India for 43-years after leaving the USA on a Fulbright


Sharon Lowen’s Odissi Dance in Swarnakamalam…by kasuvandi

  • to embrace my 99-1/2 year old aunt, my mother’s younger sister, who now lives with my cousin
  • to reconnect with friends, textile artist Nidhi Khurana and her painter-muralist husband Ruchin Soni
  • to compare and contrast the textiles of Oaxaca and Gujarat
Eric Chavez Santiago at the indigo dye pot

Eric Chavez Santiago at the indigo dye pot (happy birthday, Eric)

  • to write and photograph the processes and people
  • to get yards of hand-spun cotton Khadi cloth, Ghandi’s symbol of India’s independence from England
  • to discover who knows what else!
Variations of indigo blue, depending on wool color and number of dye dips

Variations of indigo blue, depending on wool color and number of dye dips

Natural Dye and Textile Study Tour, One-Day in Oaxaca

My friend, master weaver Federico Chavez Sosa, asked me to bring him back a chunk of native India indigo to experiment with. My friend, master weaver Alfredo Hernandez Orozco, asked me to bring him any type of native India fiber to experiment with on his flying shuttle loom. They are innovators.

Indigo blue shirts are first made with natural manta cotton, then get four dye dips.

Oaxaca: indigo blue shirts on natural manta cotton, with four dye dips

I am going with one empty suitcase, the second half-full.

What advice do you have for me on the quest for India textiles with natural dyes in New Delhi, Gujarat state and Mumbai?

Example of indigo block print from India, on cotton and silk cloth.

Indigo block print on cotton and silk, from India

Indigo block print on cotton and silk, from India