How could each Lila Downs Concert be better then those that came before? The Best Ever is what I heard people say who have gone to many in the past. I don’t know, but Lila Downs knows how to dazzle a crowd.
Grammy Award Winner Lila Downs
The Guelaguetza Stadium on the Cerro Fortin in Oaxaca city was full on Friday night, July 27. We got there early to be sure to beat the crowds and that gave us a chance to settle into our seats and audience oggle.
Our diverse group from Israel, South Africa, Italy, Mexico and USA
Love this tapete — handwoven sarape
I was lucky enough to be invited to join a group of friends at the last moment. They had an extra ticket and offered it to me. Thank you, Patrice and Neal! Seems that to snag a primo seat means standing in line all night and someone they know did that for them. I was happy to pay the premium.
Lila loves wearing indigenous dress (traje) from the Isthmus of Tehuantepec!
Beribboned and twirling figures with hand-woven hats
I had some serious doubts about whether my shout out for tickets would yield results. I was not successful finding online tickets via Ticketmaster. Nothing materialized and I gave up … until a few days before!
Whirling dervish cowboy dancer devils
We were in the third row, far left of center, behind the mixing station staff. Not great for photos, but a fabulous spot for listening and watching Lila’s husband Paul Cohen on his badass sax. Even Lila made her way over on occasion. I did my best to get photos, but the strobes and movement of dancers made the conditions very challenging.
Little girl Flor de Piña dancers
In the row behind me, he sang every word along with her
I think what was fantastic about this concert is that Lila brought us her incredible traditional play list, the oldies but goodies. Everyone around us sang along. AND, the performance was built around the dancing and costuming of the annual Guelaguetza event held on the last two Mondays in July at the same venue.
Tlacolula de Matamoros Delegation
Benito Juarez, iconic Zapotec president of the Republic: respect human rights
With Lila’s singing mastery, great musicians and representative delegations invited from Tlacolula de Matamoros from the Valles Centrales de Oaxaca, Santa Maria Tlahuitoltepec from the Sierra Mixe, Juchitan women from the Isthmus of Tehuantepec, girls from the Papaloapan region of Oaxaca near Veracruz giving us the Pineapple Dance, and groups that are masked, twirling and whirling, the show couldn’t have been better.
La Bandera, the Mexican Flag, iconic and powerful revolutionary image
Lila Downs and Paul Cohen have a strong commitment to social justice issues in Oaxaca and Mexico. Her songs tell the struggle of poverty, lack of education and health care, discrimination, disenfranchisement, pain and tears, hopes and dreams. Together, they have been a powerful voice for human rights.
Lila sings La Llorona and the audience goes crazy
Artist woodcut projected as stage backdrop to band
The dynamic visual backdrop to the stage were photos and video of migrant farm workers, artist woodcuts of peasant life, the work of artisans and craftspeople, marching soldiers with bayonet rifles, heroic President of Independence Benito Juarez, a Zapotec from Oaxaca.
Sax and trumpet with lots of marimba band back up
Saxaphonist Paul Cohen takes a break to enjoy the Flor de Piña dancers
The fun was mixed with the message that we cannot be complacent about politics and world events. Half the seats in the audience were available to adoring fans for free.
She is ours — Oaxaca’s goddess of song and lyrics. Lila Downs went on stage to perform at the 13th Latin Grammy Awards on November 15, again recognized for what she has contributed to the music world. The Examiner article says it all. Accolades, too, to Paul Cohen, Lila’s husband, producer and collaborator.
Here are two photos I’ve taken of Lila in recent years. Enjoy.
Above: At her Day of the Dead concert in 2011 at the Guelaguetza Auditorium in Oaxaca.
Below: At Las Cuevitas chapel, January 2 in Teotitlan del Valle, Oaxaca. The poncho was woven by Erasto “Tito” Mendoza in the Saltillo style.
“Era importante para mí hacer un tributo a algunas mujeres de mi país que muelen maíz y lo llevan al canto y lo celebran como un milagro que a mí me ha inspirado mucho para poder seguir caminando y cantando.” ~ Lila Downs
“It was important for me to honor the women of my country that grind corn in song and celebrate it as a miracle that inspired me a lot to keep walking and singing.”~ Lila Downs
Video footage filmed in the Tlacolula valley of Oaxaca and the village of Teotitlan del Valle. Disfruta bien! This is where I get to live. Thank you Lila Downs and Paul Cohen for all you do.
The hot band Toto la Momposina (click on this link to hear their great music) from Colombia, South America, opened for Lila Downs last night at the Auditorio Guelaguetza in Oaxaca. Lead singer Sonia Bazanta Vides, who has been dazzling audiences with her voice for over 50 years, announced this was her last concert (if I understood correctly).
Front row seats meant a ringside treat to the dancing, hip swaying, and throb of the bass from the speakers. The beat was definitely cumbia, salsa, tango and with Afro-Caribbean drum accompaniments. Totally a hand-clapping, toe tapping experience. Exuberant and joyful.
Sonia’s voice was only equal to the energetic dancing by the performer in the bright floral blue, yellow and red dress. Both offered visual insight into the music and dance traditions of Colombia. Plus, the band included African and indigenous instruments — flutes, drums, and rattles — that added spice to the performance along with the electric guitars.
Nominated for a Latin Grammy, Sonia Bazanta Vides has performed for over 50 years throughout the world, representing the rich and complex music of Colombia and especially the islands where she was raised. She studied music, voice and composition at the Universidad de Colombia and at the Sorbonne in Paris. In 1983, she accompanied Gabriel Garcia Marquez to accept the Nobel Prize in Literature.
As soon as I heard that Lila Downs was performing in Oaxaca, I ordered two (muy facile), never imagining that I would end up in front row on the rail right next to the stage. Que milagro! Though my bags were checked at the gate, I managed to smuggle in my camera. All the signs said no cameras allowed. Fortunately, la prensa (the press) were seated right next to us with mega lenses in hand and I was able to easily blend in. Que milagro! Lila is an incredible performer and vocalist. She is also socially responsible and committed to her Oaxaca and Mixteca origins. It was a wonderful concert. The entire Guelaguetza stadium was packed and the energy was electric.
Color strobe lights changed the atmosphere from yellow and red to blue and green and all hues in between. A “smoke” machine created stage mystery. Lila added shawls, a hat, and a Tito Mendoza woven tapestry poncho to her repertoire as she interpreted each song.
She really knows how to connect with Oaxaca and her people. I took over 450 photos and wore down my battery. A photo extravanganza for sure.
The audience was enthralled. There are many foreigners in the city now to enjoy Dias de los Muertos. The stands were sprinkled with extranjeros. And the band played on!
Even with my long lens the environment was challenging. Her white dress. Constantly changing colors and movement. Being a novice shooter. I didn’t have my tripod and camera shake without it is predictable. Even though I balanced the camera on the rail to provide stability, you can see that many of my shots are imperfect. I was just grateful to be this close and personal.
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Lila Downs Concert Is Mini-Guelaguetza Extravaganza
How could each Lila Downs Concert be better then those that came before? The Best Ever is what I heard people say who have gone to many in the past. I don’t know, but Lila Downs knows how to dazzle a crowd.
Grammy Award Winner Lila Downs
The Guelaguetza Stadium on the Cerro Fortin in Oaxaca city was full on Friday night, July 27. We got there early to be sure to beat the crowds and that gave us a chance to settle into our seats and audience oggle.
Our diverse group from Israel, South Africa, Italy, Mexico and USA
Love this tapete — handwoven sarape
I was lucky enough to be invited to join a group of friends at the last moment. They had an extra ticket and offered it to me. Thank you, Patrice and Neal! Seems that to snag a primo seat means standing in line all night and someone they know did that for them. I was happy to pay the premium.
Lila loves wearing indigenous dress (traje) from the Isthmus of Tehuantepec!
Beribboned and twirling figures with hand-woven hats
I had some serious doubts about whether my shout out for tickets would yield results. I was not successful finding online tickets via Ticketmaster. Nothing materialized and I gave up … until a few days before!
Whirling dervish cowboy dancer devils
We were in the third row, far left of center, behind the mixing station staff. Not great for photos, but a fabulous spot for listening and watching Lila’s husband Paul Cohen on his badass sax. Even Lila made her way over on occasion. I did my best to get photos, but the strobes and movement of dancers made the conditions very challenging.
Little girl Flor de Piña dancers
In the row behind me, he sang every word along with her
I think what was fantastic about this concert is that Lila brought us her incredible traditional play list, the oldies but goodies. Everyone around us sang along. AND, the performance was built around the dancing and costuming of the annual Guelaguetza event held on the last two Mondays in July at the same venue.
Tlacolula de Matamoros Delegation
Benito Juarez, iconic Zapotec president of the Republic: respect human rights
With Lila’s singing mastery, great musicians and representative delegations invited from Tlacolula de Matamoros from the Valles Centrales de Oaxaca, Santa Maria Tlahuitoltepec from the Sierra Mixe, Juchitan women from the Isthmus of Tehuantepec, girls from the Papaloapan region of Oaxaca near Veracruz giving us the Pineapple Dance, and groups that are masked, twirling and whirling, the show couldn’t have been better.
La Bandera, the Mexican Flag, iconic and powerful revolutionary image
Lila Downs and Paul Cohen have a strong commitment to social justice issues in Oaxaca and Mexico. Her songs tell the struggle of poverty, lack of education and health care, discrimination, disenfranchisement, pain and tears, hopes and dreams. Together, they have been a powerful voice for human rights.
Lila sings La Llorona and the audience goes crazy
Artist woodcut projected as stage backdrop to band
The dynamic visual backdrop to the stage were photos and video of migrant farm workers, artist woodcuts of peasant life, the work of artisans and craftspeople, marching soldiers with bayonet rifles, heroic President of Independence Benito Juarez, a Zapotec from Oaxaca.
Sax and trumpet with lots of marimba band back up
Saxaphonist Paul Cohen takes a break to enjoy the Flor de Piña dancers
The fun was mixed with the message that we cannot be complacent about politics and world events. Half the seats in the audience were available to adoring fans for free.
The Grand Finale included everyone on stage
Guns at the border — NO
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Posted in Cultural Commentary, Mexico, Oaxaca Mexico art and culture, Travel & Tourism
Tagged concert, guelaguetza, Lila Downs, Mexico, music, Oaxaca, Paul Cohen