Tag Archives: San Cristobal de las Casas

Chiapas Textile Study Tour 2021: Deep Into the Maya World

The Maya World of Chiapas, Mexico, spans centuries and borders. Maya people weave their complex universe into beautiful cloth. Symbols are part of an ancient pre-Hispanic animist belief system. In the cloth we see frogs, the plumed serpent, woman and man, earth and sky, the four cardinal points, moon and sun, plus more, depending on each weaver.

Andrea with her award-winning huipil, San Andres Larrainzar
San Juan Chamula woman, Los Leñateros print + paper making studio

We go deep into the Mayan world of southern Mexico, from February 23 to March 3, 2021. While we focus on textiles, we also explore what it means to be indigenous, part of cooperative, live in a remote village, have agency and access to economic opportunity. We meet creative, innovative and talented people who open their doors and welcome us.

Church official, Zinacantan, Chiapas
Melanie brought 25 boxes of crayons to give to children along the way

Our dates of February 23 to March 3, 2021, are reserved in a fine historic hotel. 8 nights, 9 days in and around the San Cristobal de Las Casas highlands.

Cost • $2,695 double room with private bath (sleeps 2) • $3,195 single room with private bath (sleeps 1)

We are based in the historic Chiapas mountain town of San Cristobal de las Casas, the center of the Maya world in Mexico. Here we will explore the textile traditions of ancient people who weave on back strap looms.

Ancient Maya cemetery, San Juan Chamula
We distributed more than 50 pairs of glasses to help weavers see

Women made cloth on simple looms here long before the Spanish conquest in 1521 and their techniques translate into stunning garments admired and collected throughout the world today. Colorful. Vibrant. Warm. Exotic. Connecting. Words that hardly describe the experience that awaits you.

Home goods for export made on flying shuttle pedal loom
Extraordinary gauze woven huipil from Venustiano Carranza, Chiapas

We are committed to give you a rich cultural immersion experience that goes deep rather than broad. We cover a lot of territory. That is why we are spending eight nights in this amazing Pueblo Magico — Magic Town — to focus on Maya textiles, weaving and embroidery traditions.

Saints dress in traditional garments, Magdalena Aldama
Julia and friends in Tenejapa during Carnival

Our cultural journey takes us into villages, homes and workshops to meet the people who keep their traditions vibrant. We explore churches, museums and ancient cemeteries. This is an interpersonal experience to better know and appreciate Mexico’s amazing artisans.

Embroidered skirts and shawls, Zinacantan Sunday Market

There will be only ONE study tour to Chiapas in 2021.

Your Study Tour Leader is Norma Schafer, Oaxaca Cultural Navigator LLC. Sheri Brautigam, author of Living Textiles of Mexico, will be your expert resource guide.

Lynn and Andrea — of course! She bought it.

Take this study tour to learn about:

  • culture, history and identity of cloth
  • cultural appropriation or cultural appreciation
  • wool spinning and weaving
  • clothing design and construction
  • embroidery and supplementary (pick-up) weft
  • Maya textile designs — iconography and significance
  • village and individual identity through clothing
  • social justice, opportunities and women’s issues
  • market days and mercantile economy
  • local cuisine, coffee, cacao and chocolate
  • quality and value
Men wear flowers, too, in Zinacantan

We work with one of San Cristobal’s best bilingual cultural guides who has worked with weavers and artisans in the region. Alejandro is a native Mexican who knows textiles and can explain the meaning of the woven symbols embedded in the cloth. You will enjoy learning from him.

Keeping the edges straight on a back-strap loom

We will travel in a comfortable van as we go deep into the Maya world.

  • We visit 6 Maya weaving villages
  • We enjoy home-cooked meals
  • We meet makers and directly support them
  • We go far and away, off-the-beaten path
  • We decode the weaving designs unique to each woman and village
  • We explore three towns on their market days
  • We understand the sacred, mysterious rituals of Maya beliefs
Innovative colors with traditional designs from Alberto Lopez Gomez

Who Should Attend  Anyone who loves cloth, culture, and collaboration • Textile and fashion designers • Weavers, embroiderers and collectors • Photographers and artists who want inspiration • Resellers

Winn finds a treasure at our Regrets Sale on the last day

Daily Itinerary

Tuesday, February 23: Travel day. Arrive and meet at our hotel in San Cristobal de las Casas. You will receive directions to get from the Tuxtla Gutierrez airport to our hotel. The airport is a clean and modern facility with straightforward signage. You will book your flight to Tuxtla from Mexico City on either Interjet, AeroMar, Volaris or Aeromexico. There are plenty of taxis and shuttle services to take you there. Your cost of transportation to/from San Cristobal is on your own. Taxis are about $55 USD or 800 pesos. Shared shuttle is 180 pesos or about $10 USD.

Fine food and beverage is a cornerstone of our visit, too

Wednesday, February 24: On our first day in San Cristobal de las Casas, we orient you to the textiles of the Maya World. You will learn about weaving and embroidery traditions, patterns and symbols, women and villages, history and culture. After a breakfast discussion, we will visit Centro Textiles Mundo Maya museum, Sna Jolobil Museum Shop for fine regional textiles, meander the Santo Domingo outdoor market that takes over the plaza in front of the church, and visit two outstanding textile shops. We guide you along the walking streets to get your bearings. We finish the morning together with a Group Welcome Lunch. (B, L)


Carnival in Tenejapa, Chiapas

Thursday, February 25: Tenejapa is about an hour and a world away from San Cristobal de Las Casas. Today is market day when villagers line the streets filled with fresh fruits, vegetables, meats, and household supplies. Peer into dimly lit doorways to find hidden textile treasures. We’ll meander the market to see what’s there. In years past, I’ve found some stunning shawls, huipils and bags. Keep your eyes open. Then, we will visit the outstanding textile cooperative founded by Doña Maria Meza Giron. After a box lunch at the centuries- old Romerillo Maya cemetery, we continue on up another mountain to visit Maruch (Maria), a Chamula woman at her rural home. Surrounded by sheep and goats, Maruch will demonstrate back strap loom weaving and wool carding, and how she makes long-haired wool skirts, tunics and shawls. Perhaps there will be some treasures to consider. Return to San Cristobal de Las Casas in time for dinner on your own. (B, L)

Maruch using a warp board called stairway to the moon to prepare back-strap loom
It was cold in the Chamula highlands at over 7,000 feet altitude

Friday, February 26: After breakfast, we set out for a full morning at Na Bolom, Jaguar House, the home of anthropologist Franz Blom and his photographer wife, Gertrude Duby Blom. The house is now a museum filled with pre-Hispanic folk art and jewelry. We walk the gardens and learn about Franz and Trudy’s work with the Lacandon tribe and their relationship with Frida Kahlo and Diego Rivera. After hot chocolate there we go to the outskirts of town to an outstanding women’s weaving cooperative that was founded over 40 years ago. You will learn about international collaborations and textile design that conserves traditions while meeting marketplace needs for exquisite and utilitarian cloth. After lunch on your own, we meet in the early evening to visit Museo de Trajes Regionales and humanitarian healer Sergio Castro, who has a large private collection of Maya indigenous daily and ceremonial dress representing each Chiapas region. (B)

Sergio Castro explains Naha Lacondon jungle rituals

Saturday, February 27: We set out by foot to a nearby textile collaboration that houses three different cooperative groups, one of which is founded by Alberto Lopez Gomez who was invited to New York Fashion Week in 2019. We hear presentations about creativity, style, innovation, and how to incorporate tradition while breaking new ground. Next, we stop at Los Leñateros, the hand-made paper workshop that is also a graphics arts print studio. You will have the afternoon and evening on your own. (B)

Alberto Lopez Gomez combines tradition with innovation and creativity

Sunday, February 28: This is a big day! First we go to San Lorenzo Zinacantan, where greenhouses cover the hillsides. Here, indigenous dress is embellished in exquisite floral designs, mimicking the flowers they grow. First we meander the open-air market, then visit the church, bedecked in fresh flowers. Next stop is magical, mystical San Juan Chamula where the once-Catholic church is given over to a pre-Hispanic pagan religious practice that involves chickens, eggs and coca-cola. You’ll find out why. We’ll roam Chamula’s abundant textile market, compare and contrast fabrics and designs. (B, L) Dinner on your own.

Alejandro and Maria Meza Giron, Tenejapa
Magdalena Aldama back-strap loom weaving, the finest

Monday, March 1: Today, we make a study tour to the textile villages of San Andres Larrainzer and Magdalena Aldama. This is another ultimate cultural experience to immerse yourself into families of weavers in their humble homes. We will see how they weave and embroider beautiful, fine textiles, ones you cannot find in the city markets or shops. They will host a show and sale for us, and we will join them around the open hearth for a warming meal of free range chicken soup, house made tortillas, and of course, a sip of posh! (B, L)

Hearty lunch Rosita + Cristobal, Magdalena Aldama, Chiapas
Bitty peeks out from behind exquisite cloth, San Andres Larrainzar

Tuesday, March 2: This is expoventa day! We have invited one of the finest embroiderers of Aguacatenango blouses, an amber wholesaler, an organic coffee grower/roaster, and other artisans to show and sell their work. Afternoon is on your own to do last minute shopping and packing in preparation for your trip home. We end our study tour with a gala group goodbye dinner. (B, D)

Enjoying cocktail hour in hotel garden before gala dinner

Wednesday, March 3. Depart. You will arrange your own transportation from San Cristobal to the Tuxtla Gutierrez airport. The hotel guest services can help. It takes about 1-1/2 hours to get to Tuxtla, plus 1-2 hours for check-in. Connect from Tuxtla to Mexico City and then on to your home country.

What Is Included

• 8 nights lodging at a top-rated San Cristobal de las Casas hotel within walking distance to the historic center and pedestrian streets

• 8 breakfasts • 4 lunches • 1 grand finale gala dinner

• museum and church entry fees

• luxury van transportation

• outstanding and complete guide services

The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation as specified in the itinerary. We reserve the right to substitute instructors and alter the program as needed.

Cost • $2,695 double room with private bath (sleeps 2) • $3,195 single room with private bath (sleeps 1)

Melanie adorned in pompoms and her Cancuc huipil

Reservations and Cancellations.  A 40% deposit is required to guarantee your spot. The balance is due in two equal payments. The second payment of  30% of the total is due on or before October 1, 2020. The third 30% payment is due on or before December 15, 2020. We accept payment using online e-commerce only. We will send you an itemized invoice when you tell us you are ready to register. After December 15, 2020, there are no refunds. If you cancel on or before December 15, 2020, we will refund 50% of your deposit received to date. After that, there are no refunds.

All documentation for plane reservations, required travel insurance, and personal health issues must be received 45 days before the program start or we reserve the right to cancel your registration without reimbursement.

How to Register:  First, complete the Registration Form and send it to us. We will then send you an invoice to make your reservation deposit.

To Register, Policies, Procedures & Cancellations–Please Read

Pom poms are us, and Sheri models them well!
Meet our guide, Alejandro — a knowledgeable textile and cultural translator, too

Terrain, Walking and Group Courtesy: San Cristobal de las Casas is a hill-town in south central Chiapas, the Mexican state that borders Guatemala. The altitude is 7,000 feet. Streets and sidewalks are cobblestones, mostly narrow and have high curbs. Pavement stones are slippery, especially when walking across driveways that slant across the sidewalk to the street. We will do a lot of walking. Being here is a walker’s delight because there are three flat streets devoted exclusively to walking. We walk a lot — up to 10,000 steps per day at a moderate pace. We recommend you bring a walking stick.

NOTE: If you have mobility issues or health/breathing impediments, please consider that this may not be the program for you.

Traveling with a small group has its advantages and also means that independent travelers will need to make accommodations to group needs and schedule. We include plenty of free time to go off on your own if you wish.

Sunnie and Phoebe from behind a flying shuttle pedal loom at rest

Chiapas Women’s Textile Cooperative Jolom Mayaetik

The textile cooperative Jolom Mayaetik is one of the oldest and most successful in and around San Cristobal de Las Casas, founded in 1980. This is the 5th year we have visited them and they continue to improve processes, increase production, build capacity and create highest quality weavings.

Mural in the Jolom Mayaetik community room

They have over 200 cooperative members in five different villages: Chamula, Zinacantan, San Andres Larrainzar, Magdalenas Aldama, and Oxchuc. Each village is known for their distinctive style of garment. All weave using the back-strap loom, are rescuing traditional designs, and are experimenting, too, with color and form to meet marketplace taste.

Elvia with her son Alejandro, who is learning to weave

I’m always reminded about what cultural anthropologist Martha Turok once told me: Innovation and creativity are vital for keeping traditional indigenous textile processes alive. Without change, the practice will be lost.

A six-foot runner incorporating designs from all the villages in the cooperative. It was on display at the San Francisco International Airport for a year, 2019-2020
Detail of embroidered blouse, made in Chenalho, Chiapas

Jolom Mayaetik president Elvia Gomez Lopez welcomed us again with open arms. She is the daughter of one of the founders. Their organization is based on mutual support of women, providing health care and education to families, guaranteeing a fair wage, and profit-sharing. Even those who don’t sell get paid.

Hand-woven agave bags take months to make!

These women are activist artisans. They subscribe to social justice and human rights. Resisting oppression is a cornerstone of their survival strategies. They are political. They participate in training programs to improve textile making skills and business skills. They are role models for young women in their villages who want to learn and work in collaboration with each other.

Beautiful decorator pillowcases, hand-woven
200 design incorporate Maya universe belief system — a geometry of meaning

Husbands and sons participate, too. Boys are learning to weave. Men help with loom-building and some are supportive of their wives’ independence, because they are bringing money to the family and to communities.

Mural of village life and taking a stand against family violence
Young woman learning to weave on the pedal loom

Before we entered the newly constructed showroom where clothing and home goods are displayed for sale, we sat down around a large meeting table to share stories, break bread together, and hear from some of the cooperative leaders. The beauty of doing this first is to gain an appreciation for the values, goals, challenges and opportunities that Maya women face in their lives.

Julia considers this hand-woven huipil from San Andres Larrainzar

In this cultural exchange of sharing and asking questions, we come to know people as individuals, to hear their stories, and to appreciate the time it takes — often months — to create a handmade textile. Then, as we consider what we may want to purchase, we have a better sense of value for a woman’s time and materials.

Hand-embroidered flowers adorn a pure cotton blouse, Chenalho, Chiapas

We brought gifts of eye glasses of varying strengths to help weavers and embroiderers see better. We brought scissors, embroidery floss and scissors. We brought crayons and books for children. We brought our goodwill and desire to support the efforts of the cooperative by making purchases and making memories.

This mural diagrams the cooperative’s mission statement for all to see

Thanks to our textile study tour travelers for contributing photos to this blog post: Lynn Nichols, Bitty Truan, Claudia Michel, Sheri Brautigam, Marsha Betancourt, Winn Kalmon, Margaret Sherraden.

We are offering this Deep Into the Maya World: Chiapas Textile Study Tour in 2021. The itinerary will be the same but the dates are February 23-March 3, 2021. If you want to join us, complete the Registration Form at the top of the banner of this website and email it. We will then send you a deposit invoice.

Sophisticated San Cristobal de Las Casas: A Changing Scene

It’s different this year in San Cristobal de Las Casas. There are more upscale shops and sophisticated clothing designs using indigenous textiles. Just meandering the three andadors — cobblestone walking streets here — I see remarkable differences.

Sophisticated handwoven pillow covers at Sna Jolobil Cooperative

There are more visitors coming who are interested in textiles and the Maya culture. There is a greater influence from designers and the styles are definitely geared to a more upscale buyer. Some of the jackets and tops encorporate small elements of the Maya counting system but are magnified into stunning graphic designs.

Ex Convent Santo Domingo, now Museo Mundo Maya

It seems as if there is a new energy in San Cristobal. Yes, there are still young European back-packers who pass through on their way from Guatemala to Mexico, populating the busy new pox (posh) bars after 6 p.m.

Frogs, feathered serpents and diamonds representing the center of the universe

However, there is innovation in the air, the kind I haven’t seen in the five years I’ve been bringing small groups of textile travelers here.

Perhaps this is because young weaver and designer Alberto Lopez Gomez from Magdalenas Aldama made a big buzz this year at New York Fashion Week. We are going to his cooperative this Saturday morning.

Today we are off to the traditional weekly market in Tenejapa.

Intricate embroidery work on a huipil of birds and flowers

Sheri Brautigam and I have committed to repeating this popular and always sold-out Chiapas Textile Study Tour in 2021. Our dates are February 23 to March 3. Send us a Registration Form if you are interested in participating. The itinerary will be mostly the same. Only the dates will change.

Far and Away: Maya Weaving Village Magdalena Aldama

The locals call it Aldama, preferring to honor the 1810 Mexican Revolutionary War hero Juan Aldama, rather than the saint name imposed by Spanish conquerors. They are revolutionaries themselves here with most of the village sympathizing with the Zapatista movement.

Zapatista meeting house, Aldama

They are also extraordinary weavers of traditional huipiles and finely woven agave bags. The largest and finest bags take three months to make. The gala, celebratory fiesta huipil, made on the backstrap loom using supplementary weft technique to create the designs, can take eight months to weave.

Gala huipil from Magdalena Aldama, a heavy brocade woven on the back strap loom

I’m taking our Chiapas Textile Tour travelers on an adventure. As we climb the winding mountain road, we pass through Chamula territory where women are wearing the traditional wooly black skirts and men sport wooly white tunics and white hats. At the Y in the road we divert left. To continue right would take us to Chenalho and Chalchihuitan.

It takes Francisco three months to weave one agave fiber bag

As we climb, the mist thickens and droplets cover the windshield of our van. We are covered as if by a shroud. This is territory where wool and heavily woven cotton offer protection from the chill.

Children receive a ninth grade education, become weavers and farmers

In Aldama, women become weaving masters by age twelve. Their designs are mathematic. They count the warp threads. Dream their designs. Wrestle with design problems as they sleep. Wrestle with angels. The designs talk to them through Santa Marta, Magdalena and Maria.

This is a densely woven, cotton blouse used for daily wear

The patterns that emerge are magical and surrealistic. Lady Xoc appears as a figure hidden in cloth, transferred from the frescoes at Yaxchilan. You see her symbol in the cloth of the three villages — San Andres Larrainzar, Aldama, and Santa Marta. Triangles represent the universe. Frogs symbolize the coming of rain. The diamond contains a sacred sense of location. Put your head through the opening of the huipil and the wearer is at the center of the universe.

The symbol of the sunrise is a syncretic symbol of the birth of Jesus. Corn plants tell us the story of the dry season and also of fertility. Indigenous cultures depend on rain and sun to grown corn, squash and beans. To survive and thrive.

Our hosts, Rosa and Cristobal in Aldama

The textiles tell us this.

Other symbols are incorporated in the work we see: rabbit tracks and dog paws, foxes and butterflies. Clothing is part of the natural world.

Obscure light in cooking area. Photo by Mike Schroeder.

With the conquest, Dominican priests isolated each town, forcing them to dress in a way that would control their identity and their freedom of movement. We learn this from the cultural anthropologist I engage to travel with us. We learn that dress is part of cultural identity and carries with it political control.

In some villages, like in Zinacantan, we find out the colors and designs can change regularly — more associated with fashion trends than with anything else. There is pride now in what people make and wear to distinguish themselves.

Festival hat, handwoven bands sewn together, nine months to make

However, young people are moving toward blue jeans and T-shirts. Women are the culture keepers. Men leave their villages to find seasonal work elsewhere, adapting their dress to the dominant culture.

In Magdalena Aldama, there is a strong desire to keep the traditions and pass them along to the children. We saw ten year old girls weaving and embroidering along with their mothers, aunts and cousins.

Ancient guava tree, just leafing out. Photo by Mike Schroeder.

After being treated to a show and sale of their family’s work, Rosa and Cristobal invite us into their wattle and daub (mud and stick) house to sit down for lunch. There are seventeen of us. We are served delicious organic free range chicken soup, rice and steamed vegetables.

The hill town, San Cristobal de Las Casas

The kitchen-dining area is open hearth. Wood smoke fills the air. The fire heats a huge cauldron of broth and chicken pieces. It has been cooking for days and is fork tender. Toddlers run underfoot or are slung around the backs of their mothers, held tight by a handwoven rebozo. Our eyes water. Our mouths water. Cristobal brings out the pox and we sip the corn-sugar cane distilled beverage. It reminds me of mezcal.

Sunset in front of the cathedral

I am grateful for the women and men who traveled with me. They were generous of heart, spirit and resources. They understood that when then made a purchase, they give support to culture, tradition and the continuation of indigenous cloth.

Registration for the 2020 Chiapas Textile Study Tour will open soon. Dates will be February 25 to March 4. If you are interested, please send me an email: norma.schafer@icloud.com

Making PomPoms in San Cristobal de Las Casas, Chiapas

Wandering around San Cristobal de Las Casas last week I discovered Punto y Trama, on Belisario Dominguez #13b, just two blocks off the Andador Real de Guadalupe walking street. What drew me in was the sign on the door that announced PomPom workshops.

Lazaro Ramirez trimming a PomPom to perfection

Then, once inside I immediately noticed the furry wool Chamula woven shawls adorned with PomPoms. A new fashion trend, I noted.

First, you wrap 6 threads of yarn around a tube 150 times.

Slide the yarn off the tube.

PomPoms are big here in San Cristobal. They dangle from everything: necks, ears, wrists, shoulder and handbags, woven string shopping bags, and garments. They serve as functional ties and outrageous adornment. Sometimes they are combined with hearts, beads, Frida portraits, tassels.

Tie the yarn tight with waxed linen

I decided to take a PomPom making workshop, fascinated by another way to work with fiber as part of textile and clothing design.

Cut all the loops open

Cut, cut, cut, holding the yarn ball at the poles

This is a three-hour one-day workshop OR six-hour two-day workshop taught by Lazaro Ramirez, whose family is originally from Magdalenas Aldama. The cost is 350 pesos per session. That translates to about $18 USD at the current exchange rate.

Keep cutting around the equator, turning the ball constantly

Use a sharp scissor. You’ll be cutting bits at a time, like shaving

At the end of three hours I had made three PomPoms. I decided to order the quantity I wanted from Lazaro instead of making them myself.  The class exercise gave me a great appreciation for the time needed to craft one PomPom, which he sells at 15 pesos each. And, each one is perfect.

The green one is almost done but still ragged. Yellow is perfect.

Fifteen pesos each equals about eight cents. That’s eight cents an hour, including labor and materials.

Here is the PomPom and tassel I made. Lazaro made the heart.

Lazaro says you can use wool to make the PomPoms, but synthetic polyester yarn is finer and gives a tight, compact product with glorious colors — electric, like the people here prefer.

Included in the class are heart making and embroidery techniques

I learned all the wrapping, tying and cutting techniques. The most time consuming is to hold the PomPom at the “north and south poles” and to cut along the “equator,” constantly turning until a perfect ball forms. Not an easy task, I learned.

Choose your style of PomPom and heart, examples to make

Inspired, Juanita takes the class tonight.

I intend to use the PomPoms to decorate the checked wool shawls I bought in Chamula last week. They make great pillows, bed throws, or a shoulder covering on a chilly night — with pizzazz.

PomPom adorned wool shawl hand-woven in Chamula, back strap loom

Punto y Trama owner Manuela Trevini Bellini supports #fashionrevolution

#fashrev: It’s estimated that 80 billion pieces of clothing are shipped from factories and distributed around the world.

I constantly ask: Who made my clothes?