Virgin of Guadalupe in Textiles at San Bartolo Coyotepec Folk Art Center

The Virgin of Guadalupe is Mexico’s iconic symbol of feminism and the divine. She appears everywhere since Juan Diego first saw her apparition in 1531. She represents Mexico’s syncretism — the Tonantzin Aztec mother goddess and the Catholic Virgin Mary.* (See footnote.) Her origins are pure fertility, plenty, and indigenous. She is the spirit of Mexico and the most widely honored woman in the world. Many call her Mexico’s Patron Saint.

Textile exhibition focuses on Mexico’s tradition and faith.

December 10-12, 2018, Artisan Expoventa at Convivio, Parque Llano.  All the artisans in the exhibition will sell their work here.

Elida Lucina Merino Hernandez, San Pedro Amusgos, Oaxaca
Fito Garcia’s elaborate ikat rebozo with hand-knotted fringe, Tenancingo de Degollado, Estado de Mexico
Tapestry loomed ruana by Erasto Tito Mendoza, Teotitlan del Valle, Oaxaca

Linda Hanna, Oaxaca’s textile maven, curated this exhibition Rosas y Revelaciones working with a myriad of native Mexican weavers and embroiderers for three years. All the pieces were commissioned by her and I was told are part of her personal collection. 

Just in time for the December 12 Dia del Virgen de Guadalupe, the opening celebration was yesterday, December 9, at the Museo Estatal de Arte Popular (Folk Art Museum) in San Bartolo Coyotepec. It will stay up until March 2019. 

Santa Maria Tlahuitoltepec, embroidered blouse
Villa Hidalgo Yalalag, Oaxaca

These are just a sampling of the more than 60 textile works of art on exhibit. It is so stunning, so mesmerizing, so meaningful that it is difficult not to be emotionally overwhelmed by the magnitude of human creativity that is displayed here. 

The power of woman, Isthmus of Tehuantepec, Oaxaca
Flouncy Virgin apron, San Miguel del Valle, Oaxaca
Gilardo Hernandez Quero, San Pablo Villa de Mitla with his crocheted homage

Highest accolades to Linda Hanna for putting this extraordinary exhibition together, and for assembling the artisans to sell their work in an expoventa. It is always most gratifying to be able to buy from artisans directly to support them. 

Catalog available at Museo Estatal del Arte Popular, San Bartolo Coyotepec

*Footnote: A discussion, a dialog and opinions have surfaced around whether the Virgin of Guadalupe is in fact a saint. On my Facebook page

I asked the question: Is the Virgin of Guadalupe a saint? Many have responded. I invite you to join the discussion if you have an opinion or read what people say. 

Rare Find: 18th C. San Pedro Quiatoni Necklace, Coral and Blown Glass Rod Pendants

This necklace is SOLD.

It could be that this San Pedro Quiatoni necklace is from as early as the 17th century, or maybe even the 16th century. When Hernan Cortes, the Spanish Conquistador, came to Mexico and other parts of the Americas in 1521, he brought with him Venetian glass trade beads to use for barter. 

For some reason, there is only one village that adopted this particular style of beading using these trade beads — San Pedro Quiatoni, which is high up in the Sierra Madre del Sur mountains almost three hours from Oaxaca city. 

These necklaces are rare, prized and very collectible.

I came across one last week in my wanderings around the Tlacolula valley with my friend Gretchen who was visiting from Puerto Peñasco, Sonora, located on the Sea of Cortes within an hour’s drive from the Mexico-USA border. I was showing her some of my favorite haunts. It just so happened that someone had just brought this necklace down from the mountains.  

Since I already have two in my collection that I do wear, I decided to send this necklace on into the world for someone else to enjoy. Perhaps that someone is YOU!

22 inches long, coral and blown glass necklace, San Pedro Quiatoni, Oaxaca

16 vintage, mouth-blown glass pendants suspend from this double-strand coral and Venetian trade bead necklace likely from the 17th or 18th century, found only in the Oaxaca mountain village of San Pedro Quiatoni, located about 2 hours from Oaxaca city. Hernan Cortes brought trade beads and European glass rods to the new world in 1521 with the conquest. The people in this village coveted the beads and strung them with Mediterranean coral on hemp and agave rope to hang around their necks. The more beads, the greater the symbol of wealth.

This particular necklace has blue and clear glass rods that are uniform and rare in color. I had the necklace professionally restrung (it was strung by the man who took it in trade) so it is now more secure with a sterling silver hook clasp. Traditionally, the necklaces were tied with blue ribbon (which has a tendency to come loose). This is a rare and collectible piece, perfect for wearing on that special occasion, too. The necklace is 22 inches long. Each rod measures approximately 2-3/4″ long, with some variation in each because they are hand-made. I just came across this spectacular beauty and want to pass this along to another collector since I already have two in my collection.

Here is the listing I have published on ETSY, priced at $695. If I sell it on Etsy, I will need to pay a fee. If you buy it HERE from me directly, the price is $595 USD plus $8 USPS priority mailing. Extra for insurance. Please purchase by Tuesday, December 11. I leave for the USA on December 12.

16 vintage, mouth-blown glass pendants suspend from this double-strand coral and Venetian trade bead necklace likely from the 17th or 18th century, found only in the Oaxaca mountain village of San Pedro Quiatoni, located about 2 hours from Oaxaca city. Hernan Cortes brought trade beads and European glass rods to the new world in 1521 with the conquest. The people in this village coveted the beads and strung them with Mediterranean coral on hemp and agave rope to hang around their necks. The more beads, the greater the symbol of wealth.

This particular necklace has blue and clear glass rods that are uniform and rare in color. I had the necklace professionally restrung (it was strung by the man who took it in trade) so it is now more secure with a sterling silver hook clasp. Traditionally, the necklaces were tied with blue ribbon (which has a tendency to come loose). This is a rare and collectible piece, perfect for wearing on that special occasion, too. The necklace is 22 inches long. Each rod measures approximately 2-3/4″ long, with some variation in each because they are hand-made. I just came across this spectacular beauty and want to pass this along to another collector since I already have two in my collection.

Exvotos Mexican Folk Art, Vintage + Silver Jewelry, Pillow Covers Sale

Mexico’s Ex-Votos are collectible naive folk art that tell a story of thanksgiving for being saved from near-death or disaster. Yes, it was a miracle to survive.  Usually, the person who escaped tragedy would hire a local artist to paint a tin square depicting the scene. The message of thanks may have included many misspellings, as the painters were not educated. They often include depictions of the saint to whom the supplicant is sending prayers of thanks.

Three of the exvotos are reproductions by famed Mexico City artist Rafael Rodriguez. One is a vintage piece dating from the 1950’s, acquired from a collector friend.

To Buy: Send me an email and tell me which piece(s) you want indicating the number of the item, your name and mailing address. I will send you a PayPal invoice and add-on $8 USD for USPS priority mail if you are in the lower 48 states.

Time sensitive. Purchases must be made by Monday, December 10, 2018. I fly away to North Carolina on December 12, and I’ll need time to package for taking with me.

#1. Vintage Exvoto, 1950s, $495

#1 is a whimsical, vintage exvoto, rare and in excellent condition for its age, is a perfect example of naive folk art, painted at Chapala, Jalisco in the 1950s, according to my collector friend in Mexico City (and she should know!). It says: Gracias a la virgencita y el niño por senar a mi hijo enfermo de Tifoidea a anto de morir. El sans infinitamente agracidas. (signed) Lupe Ma. Miraflores Lopez, Chapala, Jalisco.  (Thanks to the little virgin and her son for saving my son from typhoid before he died. He is infinitely thankful.) Measures 10-1/4″ x 8-1/2″

#2, Skeletons, $135

#2 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez, painted on tin. It measures 14-1/4″ x 10-1/4″ and says: Roperta Lara da las gracias con esta laminita pues unas calaveras nos atacaran a mi y mi vieja. Puebla, 9 de julio de 1940. Roperta Lara gives thanks with this plaque since the skeletons didn’t attack me and my old lady.

#3, The Temptress Snake Woman, $110

#3 is a reproduction by famed Mexico City exvoto artist Rafael Rodriguez. It measures 12″ x 9-3/4″ and says: Contava la gente que salia una serpiente mujer que se lleva va a los hombres a su gruta y alli se los come hasta con zapatos y zombrero.  Jalisco a 5 de Julio de 1938.  Saved from Contava the snake woman who comes out of her cave and captures men and eats them, except for their shoes and hat.

#4 Rufina Estrada is saved, $75

#4 is an exvoto reproduction by Mexico City artist Rafael Rodriguez. It measures 10″ x 7-1/2″ and says: Rufina Estrada dedica esta laminita porque me salve de la huesuda. San Luis, a 11 de enero 1939. Rufina Estrada dedicates this plaque because she was saved from death. San Luis, January 11, 1939.

#5 Vintage Patzcuaro, Michoacan, Silver & White Heart Necklace, $795

#5 is a rare necklace, attributed to Patzcuaro, Michoacan, according to famous Oaxaca jeweler Federico, from whom I bought this some years ago. The beads are vintage, rare and collectible Venetian glass trade beads called White Hearts, brought to the Americas by Cortes. There are 15 handmade silver Virgin of Soledad (?) pendants, each 1-1/2″ long by 7/8″ wide. Pendants have various designs. The necklace is 20″ long. An outstanding piece.

#5 detail, pendants have several unique designs

#6 is a vintage sterling silver beaded necklace, Taxco, $265

#6 is one of those unusual finds, 40 perfectly formed 15 mm beads made in the heyday of Taxco silversmithing, probably from the 1960’s. 23-1/2″ long. I bought these beads in Puebla. The chain broke and I had them restrung on very sturdy jewelers wire.

#6 detail of Taxco bead necklace

#8 new, Spratling sterling silver chain, $395

#8 detail, Spratling stamp

#8 is a new William Spratling sterling silver chain, made in the Spratling studios in Taxco, Guerrero, and is 22″ long. It is a contemporary piece cast from Spratling’s original molds by the Ulrich sisters, who own the famed franchise and whose father was Spratling’s business partner before Spratling died. 

#9 sterling and inlaid abalone shell fish pin, $95

#9 is a perfect specimen of Taxco silver and inlay mastery, from the 60’s or 70’s. 1-1/4″ wide by 1″ high. The abalone shell glimmers and the silver work is pristine. Fish pin, inlaid abalone on silver. Excellent. $95.

#9 Detail

Three Pillow Covers From Chiapas

These pillow covers are woven by the famed cooperative El Camino de Los Altos by women who use back strap looms. The designs are not embroidered, they are woven into the cloth. They each measure 17″ x 16-1/2″ and they are $35 each.

#10 Deep Gray, $35

#11, Gold, $25

#12, White, $35

Permanent Resident of Mexico: Green Card Equivalent

Today, after my third trip to Migracion in as many weeks, I picked up my official Residente Permanente card granted by the federal government of Mexico. I was surprised at myself: I couldn’t stop smiling.  I’m thrilled, in fact, to now be an official part of this country I call home most of the year.

That’s not to say that the USA is not my home. I am a citizen, I vote, I take part in my community, I own property that I return to often, my family is there and I have a deep friendship network. I know my final resting place — in Santa Cruz, California, in a redwood grove, next to our mother, the Pacific Ocean in the distance.

There is much to appreciate in these two worlds — Estados Unidos Mexicanos and the United States of America. Neither is perfect. At the moment, I am happy to have focus here away from the turmoil of nationhood that has gone awry in my home country. As a friend recently said, we live in an imperfect world.

There is solace living in a small Zapotec village thirty minutes from a smallish town that is rich in cultural heritage and indigenous traditions.

I made this decision to apply for a permanent residence in September after I was invited to contribute a chapter to a book featuring the voices of women in the United States who have chosen to live in Mexico. I wrote almost 4,000 words about how I first came here, what kept me coming back, and the difference that living in Mexico has made in my life.

As an exercise in self-reflection, I realized how meaningful life here is for me, my relationships with people who come from an 8,000 year old heritage, and how my creativity is energized by the experience.

When I got to North Carolina in October, the first thing I did was contact the Mexican Consulate in Raleigh to make my application and arrange a personal interview. I was welcomed and treated with respect. I know that Mexicans do not have a similar experience when they appear for their appointments at the U.S. Embassy in Mexico City to apply for a simple tourist visa.

The paperwork required is extensive: one year of printed bank records documenting income to meet a threshold to qualify for this type of visa. I did not tell them anything about me in advance and I did not bring a resume. They must have found this blog and while at the interview invited me to meet with the cultural attache to talk about ways we could work together to educate Carolinians about the artistic and cultural richness of Mexico and her people.  I received the preliminary approval with a stamp in my Passport within two hours.

That was just the beginning. Then, in Oaxaca, on recommendation from friends, I hired German Osorio, a very helpful English-speaking attorney who facilitated another application, payment of a fee, and the series of meetings with officials to complete the process that took several weeks. This included surrendering my Passport for several days, surrendering my Tourist Visa permanently. Without the Tourist Visa, I could not leave the country until the Permanent Resident Visa process was complete.

Not much will change for me with this Permanent Resident Visa, except that the official approval solidifies my commitment to people and place.

 

 

Big Discount: Earrings from Pinotepa de Don Luis

All earrings below discounted from $55 and $45 . NOW $24 each plus $8 mailing via USPS priority mail.

How to Buy: Send me an email, tell me which one you want by NUMBER along with your name, mailing address. I’ll send you a PayPal invoice.

SOLD #5 Deep blue dangle earrings

#16 Hot Tomato Red Dangle Earrings

#8 Black Stars Earrings

#6 Save the Turtles

#13 Lavender blue gourd earrings

#11 earrings from Malinalco, Estado de Mexico, crotcheted waxed linen