Search by Topic
Stay Connected!
LIKE Us on Facebook!
Social Media Connections
Connect: email, text or WhatsApp +1-919-274-6194, FB Messenger, IG
Why Travel With Us: Help sustain traditions.
- We know the culture! This is our land! We are locally owned and operated.
- Eric Chavez Santiago is tri-lingual --Spanish, English, Zapotec.
- Eric was founding director of education, Museo Textil de Oaxaca + folk art expert
- Norma Schafer has lived in Oaxaca since 2005.
- Norma is a seasoned university educator.
- We have deep connections with artists and artisans.
- 63% of our travelers repeat -- high ratings, high satisfaction.
- Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
- We give you a deep immersion to best know Oaxaca and Mexico.
We organize private travel + tours for museums, arts, organizations, collectors + appreciators.
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
OCN Creates Student Scholarship at Oaxaca Learning Center Giving back is a core value. Read about it here
Meet Makers. Make a Difference
Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university, textile and artisan development experience. See About Us.
Programs can be scheduled to meet your independent travel plans. Send us your available dates.
Arts organizations, museums, designers, retailers, wholesalers, curators, universities and others come to us to develop artisan relationships, customized itineraries, meetings and conferences. It's our pleasure to make arrangements.
Select Clients *Abeja Boutique, Houston *North Carolina Museum of Art *Selvedge Magazine-London, UK *Esprit Travel and Tours *Penland School of Crafts *North Carolina State University *WARP Weave a Real Peace *Methodist University *MINNA-Goods *Smockingbird Kids *University of North Carolina at Chapel Hill
Tell us how we can put a program together for you! Send an email norma.schafer@icloud.com
PRESS
- WEAVE Podcast: Oaxaca Coast Textiles & Tour
- NY Times, Weavers Embrace Natural Dye Alternatives
- NY Times, Open Thread–Style News
- NY Times, 36-Hours: Oaxaca, Mexico
Our Favorites
- Cooking Classes–El Sabor Zapoteco
- Currency Converter
- Fe y Lola Rugs by Chavez Santiago Family
- Friends of Oaxaca Folk Art
- Hoofing It In Oaxaca Hikes
- Living Textiles of Mexico
- Mexican Indigenous Textiles Project
- Museo Textil de Oaxaca
- Oaxaca Lending Library
- Oaxaca Weather
- Taller Teñido a Mano Natural Dyes
Food and Poetry: Writing About Eating, Ingredients and the Kitchen
After our cooking class with Reyna Mendoza Ruiz, Robin Greene, MFA, led us in a writing about food discussion. She referred us to Poet Laureate Mark Strand’s poem, “Pot Roast.” He uses words masterfully: gaze, sit, spoon, “I bend, I raise my fork in praise.” We come to a place where we are ‘eating poetry.’ To understand the interrelationship between food and poetry, we must write it out, memorize it, hear the sound repetitions, embed it in our bodies. This is the way to eat poetry.
So I go back to the image of Reyna bending over the metate, grinding the roasted peppers into the paste that will become the base for the mole roja. I take notes and write. Then, I try my hand at the metate and write some more.
Reyna at the Metate
“My fingers are stained red from the grinding of the peppers on the metate, ancient instrument of women’s work. The peppers become paste. My wrists turn “la mano de metate” — the hand of the metate. The stone in my hand grinds against the stone platform that sits on the ground. My back bends, I wipe brow sweat with the edge of my apron. I have hardly just begun. An electric machine would be easier I whisper under my breath. Kneel, Reyna says.
Tapete (rug) at the metate
“My knees are on a hand-woven square rug that sits on the raw earth. My back is an arch, my hands outstretched gripping the edges of the stone cylinder that looks like a rolling pin without handles. Come closer to the metate, she coaches. Use small, close strokes. Add water to make the paste until it is smooth and supple, like the skin of a young woman I imagine. Faster, press against the stone, grind as fine as possible. The stone is granite hewn from the mountainside from the labor of man. Muy fina, back and forth, a reverence to the rhythm of work to fill bellies and remember when time began.”
We offer an optional cooking class with Reyna for those who wish during the women’s creative writing and yoga retreat. It is a great way to stretch your creative cooking and writing skills.
Like this: