Tag Archives: celebrations

Oaxaca: Lost in the Revelry

Since last writing a blog post on March 26, my husband, sister, son and extended family arrived to celebrate our godson’s wedding on April 6.  Semana Santa came and passed.  We found ourselves in the middle of Baile de Viejitos–Dance of the Old Men, then multiple trips to the airport to pick-up family members.  I took a lot of photographs and planned to post them, but found no time as I guided my loved ones around the city and surrounding villages.  It takes time and energy to be a family tour guide, coordinate taxis, and get guest sleeping arrangements ready.

It also takes a lot of energy to party!  They really know how to do it up here wedding-style.  This wedding, with over 300 guests, was celebrated with a mass at Basilica de Soledad, patron saint of Oaxaca, followed by a fabulous all night dinner dance in the ethnobotanical garden.  The beer, wine and  mezcal flowed.  Floating lanterns ascended to the heavens.  Firecrackers announced the newlyweds.  As we entered the garden after the legal ceremony, the Teotitlan del Valle band played classical music and continued on during dinner under the stars.

After dinner, the band started the traditional Jarabe del Valle.  The padrinos of the wedding had the first dance with the newlyweds.  Then, the parents joined in.  The rest of us were invited for the general Jarabe.  We stomped our hearts out on the dance floor to the Jarabe del Valle, then to cumbia, salsa, and music through the decades starting with the 60’s.  I tried to hold out until the 6 a.m. planned end, but a few of us caved in and got into a taxi at 4 a.m.

Being somewhat dazed from lack of sleep and the hazy afterglow of mezcal, I left my wonderful Nikon D7000 camera with 17-55mm lens on the taxi seat.  So, I have no wedding photos to show, nor photos of the pre-wedding preparations.  I decided not to beat myself up — stuff can always be replaced.  Yes, there is a cost, but we are all healthy and content, so that’s what matters most.

On the Sunday after the wedding, with four hours of sleep under our belt, we gathered in the village for more eating, drinking and traditional Jarabe del Valle dancing under the fiesta tent.  Handmade tortillas, savory grilled, chicken, amazing kinship.  I’ve posted some of these photos on my Facebook page since I still have my iPhone!

My sister and I are leaving Oaxaca tomorrow for a few days in Puebla before flying to San Francisco, where I will visit my 97-year  old mother in the Bay Area for a week.  I’m returning to Oaxaca this summer, hopefully with another camera.  So stay tuned for more to come.

Danza de la Pluma–Dance of the Feather: Teotitlan del Valle, Oaxaca Pre-Hispanic Tradition

Many people come to Teotitlan del Valle, Oaxaca to photograph the extraordinary Dance of the Feather.  This was how we spent Day 5 of our Market Towns and Artisan Villages Photo Workshop.

Los Danzantes — the dancers — make a three-year commitment to recreate the history of the Spanish conquest of Moctezuma and the Aztecs through dance.  The main characters include Moctezuma, Cortes, La Malinche/Doña Marina, the masked spies who gathered intelligence for Cortes, and an assortment of soldiers and warriors.

However, this is an ancient Zapotec ritual dance that pre-dates the arrival of Cortes and the conquistadores to Oaxaca in 1521.   The ritual dance was integrated into a festival to honor the patron saint of Teotitlan del Valle and her church, Preciosa Sangre de Cristo.  It begins every year  on the first Monday of July with the Parade of the Canastas to coincide with the full-moon.  The subtext includes tribute of mezcal, beer, bread, and maize.  Pre-conquest dancers paid tribute to the gods of rain, corn, and fertility.  This is not a folkloric dance or guelaguetza.

It is a serious part of maintaining culture, community, ritual and tradition in Teotitlan del Valle.  The dancers take their commitment seriously and the community supports them in this endeavor.  Everyone turns out to see the dancers.

Even though the rains came during the afternoon, they lasted only about 30 minutes. Loyal viewers were undaunted and stayed; the dancers danced on.  They endure a strenuous 10 hours of dancing on this first day that can be through intense downpours and brutal summer sun.  Fortunately this year, the rain was short and the sky was overcast with just a hint of sunshine — much cooler than those sweltering in the U.S. midwest and east, and what dancers have experienced in years past.

This is the last Dance of the Feather for this group that formed three years ago.  Tradition directs a village man who wants to be Moctezuma to organize a group.   This group is larger than usual.  They added a troupe of young boys to play the role of Spanish soldiers.  We have seen these boys grow up and mature.  They, too, take their responsibilities seriously despite their youth.

    

Each of the dancers weaves his own breast and backplate and makes his own amulets.  The masked jester, who represents Cortes’ spy, puts a banana on the horn of his mask. A man watches from the church courtyard sidelines.  A nieves vendor sells these fruity frozen treats.

Our assignment for the workshop was to capture motion by using a slow shutter speed, low ISO and high aperture, experiment with depth of field, and incorporate black and white or sepia.  This was a new stretch for me, a challenge that I welcomed!  I’ve come to discover that blur is something you want in art photography IF it is your intention!  I’m training myself to see those blurred shots a little differently and not discard them (smile).  They can evoke mood.

Villagers come from throughout the Tlacolula Valley dressed in their unique traditional clothing.  These women from a nearby village wear pleated skirts and floral aprons — a style different from the dress in Teotitlan del Valle.

Teotitlan del Valle is a communitarian village.  It’s leaders volunteer for three-years of service without pay.  The dancers also honor these people who govern their community through consensus decision making.

I hope you enjoy these photos and perhaps next summer you can be with us, too.  Consider joining in for the Day of the Dead Photography Expedition this October!

 

The feather headdresses are weighty and uncomfortable.  The men need to take periodic breaks to reposition and re-tie them.  Endurance and athleticism is a necessity for this test of courage and commitment.

 

 

 

 

Oaxaca Portraits: Parade of the Baskets, Teotitlan del Valle 2011

Oaxaca festivals are more than colorful.  They are a sacred experience. Every year beginning on July 5 and lasting for a week, the Zapotec village of Teotitlan del Valle celebrates its Catholic origins and saint day to honor the church–La Iglesia de Preciosa Sangre de Nuestro Senor Jesucristo.  The festival includes an opening celebratory parade — the Parade of the Baskets (Calenda de las Canastas), followed by the Dance of the Feather (Danza de la Pluma), special dinners, and a traveling carnival that overtakes the entire market area complete with rides and food stalls.

Framed by the baskets they will carry on their heads

Framed by the baskets they will carry on their heads

During the late afternoon on July 5 more than a hundred young women participated in with the Calenda de Preciosa Sangre de Nuestro Señor Jesucristo.  They first gather in groups of about 25-30 at the various homes of the members of the village governing committee.

Janet Chavez Santiago

Then, they travel by truck to the church where they assemble and form the parade line, accompanied by their family sponsors.

Gathering for the Calendula

I am fortunate to know the family members of Casa Santiago.  Our photography expedition group  had the privilege of being invited to the home of Pedro Santiago Mendez, the president of the church,  where the young women gathered and waited to be transported.  It was a delicious photo opportunity to capture the intimacy and mystery of the celebration through portraiture.

Wearing traditional dress

All the aunts, uncles, cousins, nieces and nephews gathered at the patron’s home to begin the celebration, prepare the celebratory meal to be taken at the end of the calenda, and offer traditional family support and camaraderie.

The young women who participate in make a commitment to the traditions of the village by wearing the indigenous dress and honoring their history.  A requirement is that they are unmarried.

Now, only the older generation wears the traditional dress in daily life, so preserving this through the calenda is an important Teotitlan del Valle value.

La senora de la casa with granddaughter

Mother and son

Our photography expeditions create an intimate experience.  See our Day of the Dead Photography Expedition that will offer a similar opportunity for access and exploration.

Guisado, celebratory stew on the comal--muy rico!

Let the Parade Begin: Zapotec Weddings in Teotitlan

The preparation begins days, even months ahead. A few days before, the party truck pulls up to deliver hundreds of chairs and raise the huge red and blue striped tent that will cover the courtyard. The wedding celebration is about to begin. On the morning of the wedding, the couple welcomes their relatives in the altar room of the groom’s parent’s house. First, the men from the two families line up and, one by one, walk in to give their blessings to the couple, any advice they have for a good marriage, and any regrets about their relationship that they want to express. Then, the women line up and take their turn. After this, all assemble and form a parade walking around the streets of the village before going to church for the wedding mass, the band leading the way, the priest following, then the couple and their parents, and then all the guests – stringing out for several blocks.

The woman’s relatives do not pay for the wedding. In Zapotec tradition, the man’s side of the family covers all the costs: the mass, the band, the food and drinks, everything. People never rent a party house or hotel for the reception like we do in the U.S. Teotitlan del Valle families use their own house, rent the tent, hundreds of chairs, and provide food to feed all the guests. Everyone is invited (or so it seems) — all the close and distant relatives, aunts, uncles, godparents, cousins, nieces, close friends, and MORE. Anyone who has ever had an association the family is included on the guest list. You will see town folk lingering at the tall entry gates to the family compound where a wedding is taking place, waiting for an invitation to come in – which will always be extended. A wedding celebration could include hundreds of people. For example, Eric’s parents were recently invited to the wedding of the daughter of the man who delivers their drinking water. The man didn’t know Eric’s parents very well, but liked the way they acknowledged him when he delivered the water, so they were sent an invitation.

The woman’s family is responsible for giving the presents and money to the couple. The man’s relatives would customarily take a bottle of mezcal and flowers, but nothing more. Gifts could include major and small appliances, the size depending upon the closeness of the relationship. In wealthy families, gifts could be a car, a washing machine, a chest filled with gold coins, refrigerators, stoves, television, closets, and dishes. These are delivered to the girl’s house to store until the wedding day. At the end of the mass, the guests form the second parade of the day, the band plays and all promenade to the boy’s house for the reception. A truck or two, filled with the gifts, bring up the rear. Guests will take seats and watch as the trucks are unloaded and the gifts displayed in the center of the patio for all to see. Before cars and television, Eric thinks his people probably gave gifts of rugs, blankets, food and clothing, plus goods traded with other villages.

Guelaguetza: A System of Mutual Support

Weddings cost upwards of $15-20,000 USD. The groom’s family pays for about 60 to 70 percent of the expenses. This is a substantial sum for a weaver, whose annual income might be about $10,000 USD. The bride’s godparents always buy her wedding dress. That is the expectation when agreeing to become a godparent. Many families cannot afford to give a wedding but they feel an obligation to do it according to custom regardless of one’s means. A wedding party can last up to three or four days. When a family doesn’t have enough money, they will ask a relative or close friend to help them cover the costs, and promise to repay it later. This loan is known as the guelaguetza. There is no contract or written agreement. The spoken promise is honored regardless of how long the time passes. It could be one, five or 10 years later before repaying the guelaguetza. The man who made the original gift might say, “my son is getting married now and I would like you to provide the (fill in the blank …. music, barbeque, beer, mezcal, money). The repayment is always in the same form that was given. This is the Zapotec custom and Eric believes this is how his people have learned to honor their traditions, be mutually supportive and get along with each other over the centuries. Every time there is a dance of the feathers, a quince anos (Sweet 15), a wedding, a Christmas posada, or a baptism, there is a guelaguetza – the obligation of giving and paying back.

Eric believes that the women never enjoy the parties. Yet the social fabric of women’s lives are knit together in the camaraderie of life cycle events. Together, they make the fresh tortillas from scratch, starting two days before the event. They are cleaning the chickens, washing dishes, preparing the kitchen, chopping fruits and vegetables. The men are busy, too, trying to get the bull slaughtered to prepare for the barbacoa (goat barbeque), bringing in tanks of propane gas for the cooking stoves, buying the beer and soda, setting up the tent, and also cleaning the house. If the house is small and more space is needed, the men will dismantle the looms and take them out. They might clear out a bedroom or storage room to make more seating and dining space. There are weeks of chores in preparation for these events. Eric feels the women have harder work because they are in the kitchen constantly. That’s the primary reason why he doesn’t want a big traditional party — he is not eager for his mother to work that hard. He is sympathetic to the role of traditional women who prepare and serve the food, give first to the guests and the men, and eat last. And, he also knows that traditions are important to keeping a culture vibrant.

He notes, “When my cousins, the doctors, got married, they rented a party house in Oaxaca. But I saw that the women were bored, they didn’t have anything to do. They waited to be served but were very uncomfortable and didn’t understand this non-traditional practice. There were place cards for seating but in our culture everyone is used to sitting where they want. So, everyone got up and sat where they wanted to. The wedding reception ended after only a few hours, compared with a traditional Teotitlan wedding celebration that continues until 5 or 6 a.m. the next day.”

Some families are leaving the village because they cannot afford to participate in the guelaguetza system. Young people see that there are other choices for courtship and marriage via television and exposure to living in the city or working for a time in El Norte. Family expectations are powerful. Because so much depends upon extended family interaction, acceptance and interdependency, one wonders how these courtship and marriage customs will continue or be shaped by the pressure of external forces that all societies are challenged by.