Norma’s Note: Weaver Porfirio Gutierrez called to tell me about his recognition from the Smithsonian Institution in Washington, D.C. He asked if I would share the news. Congratulations to Porfirio and to all the outstanding weavers of Teotitlan del Valle, Oaxaca, Mexico — many of whom deserve recognition and are unsung cultural heroes. I’m happy to share this with you.
***
My name is Porfirio Gutiérrez and I am a weaver from Teotitlán del Valle. We follow your blog and refer many friends who want to learn more about Oaxaca. I am writing because I thought you might find my recent award from the Smithsonian Institution’s National Museum of the American Indian (NMAI) to be newsworthy. Once a year candidates for their Artist Leadership Program are selected. I am proud to announce that I have been chosen for 2016. Below is more information about how I became a participant and what this means to our village.
Like many people in our village, my family has descended from generations of Zapotec weavers going back as far as anyone can remember. As you know, Teotitlán has been known for its fine weaving since pre-Columbian times. In spite of our long-standing reputation for fine work, the economic downturn and other factors have hurt our livelihood and threaten the existence of our traditional art.
In our town, other components of our Zapotec legacy are about to vanish forever. My parents speak Zapoteco, my siblings and I speak Zapoteco and Spanish, but our children speak mostly Spanish. The same pattern is true with our art; my parents spin, dye and weave. My siblings and I have these skills to some degree, but most of us have had to find outside work in other fields to sustain our families.
The youth in our village may never know the all of arts of their ancestors unless they are shown by the remaining masters who are still practicing our ancient techniques. In an effort to sustain our Zapotec art of weaving, I proposed to the NMAI to bring together experts with a group of interested people in our village for a workshop on traditional plant and cochineal dyes.
We are very fortunate that the NMAI wants to support our efforts and is going to help us with a 4-day training program. During this workshop students will see where dye plants grow in the wild, learn how to make them into dyes, and explore color combinations. NMAI will come to Teotitlán to oversee the program and make professional video that will be posted on their website.
The Smithsonian’s NMAI Artist Leadership Program is truly an important step towards sustaining Zapotec culture and our traditional art form. Their video will give a glimpse into life in Oaxaca. Please visit our website for more information.
Teotitlan del Valle Weaver Recognized by Smithsonian Institution National Museum of the American Indian
Norma’s Note: Weaver Porfirio Gutierrez called to tell me about his recognition from the Smithsonian Institution in Washington, D.C. He asked if I would share the news. Congratulations to Porfirio and to all the outstanding weavers of Teotitlan del Valle, Oaxaca, Mexico — many of whom deserve recognition and are unsung cultural heroes. I’m happy to share this with you.
***
My name is Porfirio Gutiérrez and I am a weaver from Teotitlán del Valle. We follow your blog and refer many friends who want to learn more about Oaxaca. I am writing because I thought you might find my recent award from the Smithsonian Institution’s National Museum of the American Indian (NMAI) to be newsworthy. Once a year candidates for their Artist Leadership Program are selected. I am proud to announce that I have been chosen for 2016. Below is more information about how I became a participant and what this means to our village.
Like many people in our village, my family has descended from generations of Zapotec weavers going back as far as anyone can remember. As you know, Teotitlán has been known for its fine weaving since pre-Columbian times. In spite of our long-standing reputation for fine work, the economic downturn and other factors have hurt our livelihood and threaten the existence of our traditional art.
In our town, other components of our Zapotec legacy are about to vanish forever. My parents speak Zapoteco, my siblings and I speak Zapoteco and Spanish, but our children speak mostly Spanish. The same pattern is true with our art; my parents spin, dye and weave. My siblings and I have these skills to some degree, but most of us have had to find outside work in other fields to sustain our families.
The youth in our village may never know the all of arts of their ancestors unless they are shown by the remaining masters who are still practicing our ancient techniques. In an effort to sustain our Zapotec art of weaving, I proposed to the NMAI to bring together experts with a group of interested people in our village for a workshop on traditional plant and cochineal dyes.
We are very fortunate that the NMAI wants to support our efforts and is going to help us with a 4-day training program. During this workshop students will see where dye plants grow in the wild, learn how to make them into dyes, and explore color combinations. NMAI will come to Teotitlán to oversee the program and make professional video that will be posted on their website.
The Smithsonian’s NMAI Artist Leadership Program is truly an important step towards sustaining Zapotec culture and our traditional art form. Their video will give a glimpse into life in Oaxaca. Please visit our website for more information.
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Posted in Cultural Commentary, Oaxaca Mexico art and culture, Teotitlan del Valle, Textiles, Tapestries & Weaving
Tagged Cochineal, indigo, Mexico, National Museum of the American Indian, natural dyes, Oaxaca, Porfirio Gutierrez, Smithsonian Institution, tapestry, Teotitlan del Valle, weaving