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Why Travel With Us: Help sustain regenerative traditions.
- We know the culture! This is our land! We are locally owned and operated.
- Eric Chavez Santiago is tri-lingual --Spanish, English, Zapotec.
- Eric was founding director of education, Museo Textil de Oaxaca + folk art expert
- Norma Schafer has lived in Oaxaca since 2005.
- Norma is a seasoned university educator.
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- Wide ranging expertise: textiles, folk art, pottery, cultural wisdom.
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We organize private travel + tours for museums, arts, organizations, collectors + appreciators.
Creating Connection and Meaning between travelers and with indigenous artisans. Meet makers where they live and work. Join small groups of like-minded explorers. Go deep into remote villages. Gain insights. Support cultural heritage and sustainable traditions. Create value and memories. Enjoy hands-on experiences. Make a difference.
What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
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At the Dolores Olmedo Museum: Pablo O’Higgins Prints
The entire Frida Kahlo permanent exhibition of paintings at the Dolores Olmedo Patiño Museum in Mexico City is on loan to the Faberge Museum in St. Petersburg, Russia, until April 30.
We discovered this last Sunday as we made our afternoon visit as part of the Looking for Frida Kahlo and Diego Rivera Art History Tour. Disappointed? Yes.
But, the Rivera galleries were intact and we were treated to a special exhibition of Pablo O’Higgins lithographs in the space that usually holds Frida’s work.
Pablo O’Higgins, one of Diego Rivera’s most talented disciples, participated in the making of Rivera murals in the public education building, and then painted his own at the Abelardo Rodriguez market.
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He is an enigma to many. He changed his name from Paul Higgins Stevenson (there is even controversy about his real original name) when he arrived in Mexico at age 20 to obscure his upper-class family origins and identity. His father, a conservative lawyer participated in the death sentence of miner and labor organizer Joe Hill.
Writer Susan Vogel addresses the question of his identity in her book, Becoming Pablo O’Higgins: How an Anglo-American Artist from Utah Became a Mexican Muralist.
The character of O’Higgins is fascinating if not fully articulated. Here is a blonde, blue-eyed giant among the Mexican working-class, painting and drawing powerful images of average daily life.
This exhibition, combined with the one at the Museo de Mural de Diego Rivera, shows the skill and directness of O’Higgins’ work. Real. Intense. Honest. Compelling.
So, ultimately, we were not disappointed. The visit was enhanced by this special exhibition.
I’m in Chapel Hill, North Carolina, now, and will be here for the month of April, taking care of legal and health care check-ups. (Don’t worry, all is well.)
On Friday evening, my artist friend, Hollie Taylor Novak, is opening an exhibition at the North Carolina Craft Gallery featuring her Frida Tributes. I’ll be writing more about that later.
Saludos from the state that needs to elect a new governor!
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Posted in Cultural Commentary, Mexico City, Travel & Tourism, Workshops and Retreats
Tagged Abelardo Rodriguez market, art, Diego Rivera, fresco, history, lithographs, Mexican Muralism, Mexico, Mexico City, muralists, Pablo O'Higgins, painting, politics, prints, study tour