Monthly Archives: April 2012

Portrait Photography Workshop: Maundy Thursday in Oaxaca

Semana Santa, the Easter season in Oaxaca, is magical and mystical.  It is especially so in Teotitlan del Valle where traditional Zapotec practices blended with Catholic ritual offer photographers an exceptional workshop experience.  On the evening of Maundy Thursday, almost the entire village arrived for the five o’clock mass at the church with the overflow spilling out into the church courtyard.  Our small group came to participate and experience the ritual.

Women covered their heads with traditional fringed shawls.  Men approached the sanctuary in reverence with their heads uncovered.

Children played tag around the church courtyard tended by a mother, an aunt or an older sister.

 

The bejeweled horse decked out in sparkling mirrored plumage was fed fresh sweet cornstalks by mesmerized little boys.  The seasoned veterans sat on the garden wall or under the ancient tree on a comfortable bench.

  

After the hour-long service, after everyone stood together in reverent prayer,  the priest and church committee of volunteers led a procession around the plaza to the clanging of wood beaters on top of the church, the blast of trumpets and the rhythmic clap of drum beats.

This would go on all night at regular intervals as is this village’s custom.  On Good Friday, another procession will begin at ten o’clock in the morning with figures of Jesus and the Virgin of Soledad circling the village each in a different direction and then reuniting at the church for another mass.

 

Our next photography workshop is set for summer 2012: Market Towns and Artisan Villages.

Portrait Photography Workshop in Oaxaca: The Best of Day Two

The family of weaver Erasto “Tito” Mendoza Ruiz are wonderful subjects for portrait photography.  Rather than explain, I will show by introducing you to Tito, his wife Alejandrina, and their two children Liliana and Santiago.   Here are my best portraits of the day.

   

Thanks so much to Tito, Alejandrina, Liliana and Santiago for participating with us.  Ale and Tito own El Nahual a folk art gallery in Oaxaca city.  It is filled with some of the best treasures of the villages along with Tito’s stunning, award-winning Saltillo-style tapestry weaving and Francisco Toledo‘s lithographs and etchings. Please visit when you are in town.

   

For me,  it is much easier to photograph one person than four people!  So patience, humor, taking plenty of breaks, asking your subjects to stretch, and taking more photos than you think you need is the key to getting a selection of really good shots.

Our next Oaxaca Market Towns and Artisan Villages photography workshop starts June 28.

 

 

Oaxaca Portrait Photography Workshop, Day Two–Lighting

Today, we are focusing on how to use flash and how to set up lighting for a portrait photography studio shoot.  Instructor Matt Nager brought with him strobe lights on tripods, a soft box,  umbrella diffuser, and a reflector.  Later, this afternoon weaver Erasto “Tito” Mendoza and his family would come to El Diablo y La Sandia B&B for their portraits.  We needed to be prepared.

 

We scout and evaluate the location to determine the best location and furniture arrangement.   We determine which background would give us the best, uncluttered area.  We also choose a location outside in the courtyard to do some shots with natural lighting.

  

Matt explains how the soft box gives very soft natural light to make people look more natural in an artificial lighting environment.  With artificial lights, he likes to be farther away from the subject and will use a 35mm or 50 mm lens instead of the 85 mm lens he usually uses for natural light portraits.  He notes that with artificial lights, the closer you are to a subject, the harsher the portrait will be.

 

Then, we set up some shots to practice on each other so we would get the camera settings just right before our subjects arrived.  The wireless transmitter is set, the battery pack is connected.  We are ready.

 

Matt has photographed for the New York Times, the Denver Post and is commissioned to do portrait photography for major business, professional, and fashion magazines.  He should know!

Tips for successful portrait photography:

Pay attention to composition.  Choose a space that is simple and uncluttered.  Put the body in a frame with a food of space around the body.  Keep it simple.  Last at the space around the head and give it more breathing room.  You can use low depth of field that blurs the background.  Position the subject at a 45 degree angle to give more depth.  Slow it down.  Be thoughtful.  Look at what’s going on in the scene.  Ask the person to change or move positions.  Cover or move any distractions from the background.  Slow it down.  Be thoughtful.  Take more photos than you think you need.

Next Photography Workshop:  Summer 2012, Market Towns and Artisan Villages. Two spaces left!

 

Portrait Photography in Oaxaca, Day One

Oaxaca, Mexico is a perfect portrait photography learning laboratory for a workshop. Her people are expressive, colorful and make great subjects for photographers.  Yesterday morning, we gathered in the courtyard of El Diablo y La Sandia for a learning session with Matt Nager, our talented instructor from Denver, Colorado.  Then, we went out on the street to practice what we learned.

After lunch, we went into the studio space of artist Mauricio Cervantes who is preparing for an upcoming exhibition in the Chelsea district of Manhattan, New York City.  We posed Mauricio for a series of portraits that each of us took turns taking.

Here are my best shots of the day of Mauricio Cervantes:

     

And, my best street shots.  [The difficult part for me was to go up to complete strangers and ask their permission to take their photographs, standing no more than 2 feet away from them.  This requires establishing a relationship. That’s very different from using a telephoto lens and doing sleuth photography.  Sometimes, I got turned down and just carried on.]

  

     

Next photography workshop is Oaxaca Photography Expedition: Market Towns and Artisan Villages this summer.  If you are interested in the next Street and Portrait Photography Workshop with Matt Nager, send me an email.

 

 

 

 

 

 

Jose Garcia Antonino, Oaxaca Folk Art Sculptor

For many years now, I have made it a practice to regularly visit the sculpture and pottery studio-workshop-home of Jose Garcia Antonio.  We call him “Don Jose,” an honorific that testifies to his folk art talent working with clay.  Last week, three of us hired a taxi for an all-day excursion into the Ocotlan valley.  Roberta had commissioned a sculpture for her Teotitlan del Valle rooftop garden and we set out to retrieve it.

Don Jose is blind from cataracts, yet his hands feel the wet clay and create primitive works of beauty that are in museum and private collections.  His wife Teresa Mendoza Sanchez is his muse and helpmate.  It is her image that is reflected in his work.  Almost all of his robust depictions of women have her features and signature beauty mark.

His work is recognized in the Grandes Maestros de Arte Popular de Oaxaca Art (Great Masters of Oaxaca Folk Art), a book produced by Banamex Foundation and supported by the Alfredo Harp Helu Foundation. (I was at the presentation but missed getting a book because I was too busy talking! Now, I can’t seem to find one anywhere.)

He proudly showed us his copy of the book signed by all the dignitaries who were there: Philanthropist Alfredo Harp Helu, Dra. Isabel Grañen Purrua, Governor Gabino Cue, and other notables.  I saw him from a distance accept this treasure, an official recognition of his life’s work.  His children have also been acknowledged for their creativity in Arden Rothstein’s book about the new generation of talent coming out of the villages.

 

Jose and Teresa’s home is tucked away beyond the church in San Antonino Castillo Velasco behind a tall gate.  You would never know the treasure trove that awaits you by looking from the street.

   

To get there, you turn right on Castillo Velasco at the sign that directs you into the pueblo from the Ocotlan road.  Then you go straight until you get to the street before the church and turn right.  (If you go right up to the church, the only way you can go is left, so pay attention.)  Turn left at the next street, Calle Libertad, and continue for a few blocks until you see the clay cow and pig on the roof.   Tel. (951) 539-6473.

The next generation: Jose and Maria’s daughter is an excellent sculptor as well. And, a footnote: Because I’m now able to live here many more months out of the year, I went ahead and acquired the pretty clay woman with the braids and bowl on her head, hanging on to her skirts, above left.  As with most primitive folk art, these pieces are delightful, whimsical, and reflective of the cultural art traditions.  They are also very heavy.  Shipping and crating would be a bloody fortune!