Category Archives: Photography

Feria del Barro Rojo del San Marcos Tlapazola 2018: Red Clay Pottery Fair

Who wants to join me for lunch in San Marcos Tlapazola tomorrow, Saturday, July 14? I’ll be there by 11 a.m. in time to see Lila Downs, the madrina (patron) of the celebration, cut the ribbon for the official opening.

This is the third year of the festival and each year it grows bigger. In addition to selling the specialty ceramics of the village — the beautiful red clay dinnerware and accessories — you can dance, eat, take photos, drink atole and mezcal, buy aprons, and just overall enjoy the festivities.

My own Teotitlan del Valle kitchen has a shelf of red clay dinnerware made by Macrina Mateo Martinez, one of the more famous artisans.

San Marcos is located in the hills about 20 minutes above Tlacolula. You could combine this with a visit to the Sunday market, too.

I took the photos below in 2015, the year I separated from my wasband, still deciding how I would spell my new last name which is a derivative of my mother’s maiden name (in case you were wondering why the names don’t match!).

Red clay pottery, San Marcos Tlapazola, photo by Norma Schafer

Fueling the kiln at San Marcos, photo by Norma Schafer

Portrait of a potter, San Marcos Tlapazola, photo by Norma Schafer

Mujeres del Barro Rojo, San Marcos Tlapazola, photo by Norma Schafer

 

Tribute to Mothers: Feliz Dia de la Madre

Red roses for love, a Mother’s Day Gift to you

First, a bouquet of red roses for all mothers, daughters and foster mothers. For the women in our lives who give us strength, courage and determination to stand up with shoulders back, head high. For the women who came before us to open the path and show us the way. Saludos y felicidades, siempre.

Mother’s Day, dedicated to my own mother, Dorothy Schafitz Beerstein, b. February 14, 1916, d. November 15, 2015, and the remarkable women of Mexico.

Embroidered story rebozo by Teofila Servin Barriga, Patzcuaro, Michoacan

Rosa, center, and her nieces, Magdalenas Aldama

In Yochib, Oxchuc,talented weaver with impaired mobility, limited health care access

The girls who will become women, learning from the matriarch

The young women, keepers of tradition and culture

To those of us who explore and discover and support the makers

Cousins Maya and Alicia in Teotitlan del Valle, Oaxaca

The generations: Grandma Juana, Baby Luz, and Mama Edith

Grower of native corn, Mixe region of Oaxaca

My own mother, two years before her death at age 99 

For everything hand-made, here’s to the makers!

The women pottery makers of San Marcos Tlapazola

Intricately embroidered blouse, San Bartolome Ayautla, 8 months to make

To Lila Downs, who tells stories in song, with compassion

Frida Kahlo Calderon, our muse and heroine

Susie in Chiapas, thanks to the adventurers who visit

To the women who love and give care

Deceased potter Dolores Porras, inspiration for Atzompa

To Margarita, the basket weaver, Benito Juarez Market

Thank you to all the women who make a difference just by being you!

Bonus–Yochib, Oxchuc, Chiapas: Portrait of Young Girl with Dog

Oaxaca and Chiapas have a lot in common. They are the two poorest states in Mexico, have the lowest literacy rates and in the rural areas there is little or no access to health care.

Chiapas and Oaxaca have the highest percentage of indigenous people in Mexico, yet they are under-represented in politics and business, lack access to education.

Because of the rural character of each state, people are isolated and removed from the mainstream. They produce some of the most exquisite textiles in all of  Mexico.

For this entire time in Chiapas, I am using only my iPhone 8Plus with zoom lens. All the photos you’ve seen since February 12 are from my portable device with very little editing. I’m a devotee. Thinking of selling other equipment!

Thank you for following this adventure. There is more to come. Our Chiapas Textile Study Tour Group 2 starts this coming Tuesday evening.

Join us for 2019 Chiapas Textile Study Tour, February 27-March 8

Chiapas Textile Study Tour Snapshot: Thursday In and Around Tenejapa

On Thursday, we spent the day outside of San Cristobal de Las Casas, on the road to Tenejapa village, Romerillo Maya cemetery and then to the home of Maruch and her son Tesh in the Chamula district of Chiapas.

First stop, Tenejapa for the Thursday market and textile cooperative

Cynthia with Maria Meza, coop manager

Taking registrations now for 2019 Chiapas Textile Study Tour.

Walking along the village market street, Gail spots a huipil hanging inside a shop

Look inside doorways to see textiles are hanging from the rafters

Small doorways open from the street into hardware stores, pharmacies, bakeries, tienditas (little stores), dry goods suppliers. The inside is often obscure. Sometimes, there are textile treasures — hand embroidery, traditional clothing made on back strap looms — hanging on clothes lines. You have to look for them.

Out on the street the market is a crush of people, fruit, veggies, meat and more

Tenejapa. Still remote enough that foreign visitors are an anomaly. Children and adults are curious, shy and distant. I saw about six Europeans in addition to our group during this market day.

Market day in Tenejapa means handmade textiles for sale, too.

The population of Tenejapa is 99.5% indigenous. About 99.8% speak an indigenous language, and almost 53% speak only their native language and do not speak Spanish. Health care services and educational opportunities are limited. Maya culture and traditional folk practices are strong.

She is minding the store and watching the passersby.

The village celebrates Carnavale with pre-Lenten festivities on February 15

Traditional dress of a Tenejapa man, once commonplace. Now for ceremonies only.

Adults and children participate. Mayordomos and their wives observe.

Next we stop at Romerillo cemetery to understand Maya burial practices

The Maya practice syncretism, a blend of mystical pre-Hispanic beliefs and Spanish Catholicism. Mostly, they are spiritual and keep their connection to ancient traditions.

The Maya cross represents the four cardinal points, a pre-Hispanic symbol

The Romerillo cemetery is on a grand hill overlooking a valley. Wood planks cover graves so that the living can communicate with and ask advice from the dead.

Evangelization was easier for the Spanish; the symbol existed before they arrived.

After lunch, we take a dirt road to rural Chamula territory to meet Maruch

Maruch and her family raise their own sheep, shear and wash the wool, card and spin. Sheep are sacred, raised for their fleece and not for food.

Carding, hand-spinning with the malacate and weaving on the back strap loom 

Join us for the 2019 Chiapas Textile Study Tour. We are accepting registrations now.

Hand carding local sheep wool for spinning

Using the malacate drop spindle to spin wool and prepare it for weaving.

We are an hour away from San Cristobal de Las Casas, but it feels as if time stands still here and we are standing in a place that could have been 500 years ago. Isolation preserves culture, but it also marginalizes native peoples.

Lanita models a furry capelet woven by Maruch

Sheep wool skirts and capelets are made to look like a furry animal, repel moisture and keep people warm. There is no heat and it’s chilly at 7,000 feet altitude in February.

At cooperative Huellas Que Trascienden, Lanita and Cynthia

We finished off the day with a visit to a new cooperative in the city that names the weaver of each garment with a featured photo on the hang tag. Recognition is finally coming to the women who do the work! We did our best to support them.

 

Sunset in Puerto Escondido, Oaxaca, Mexico

My internet connection is funky and while I wanted to publish a post today about our Oaxaca Textile Study Tour trip to the mountain village of San Juan Colorado, it may not happen. The photo download is not cooperating.

Sunset at Puerto Escondido, Oaxaca, Mexico

So in lieu of hand-spun green, brown coyuche and creamy white native cotton, I’m going to tell you about our first night in Puerto Escondido on the beach after flying in the AeroTucan 13-passenger single engine Cessna Grand Caravan skirting 12,000 foot mountains and not going higher than 9,300 feet altitude.

Patrice Petrillie tells us about the endangered caracol purpura snail

How do we know? We could all see the altimeter. The pilot sat a mere eight feet in front of me!

Patrice Patrillie, director of Dreamweavers Tixinda Cooperative invited our group to the home of a supporter for sunset on the beach, a presentation about the purpose of Dreamweavers to sustain indigenous textile craft, and to participate in a release of endangered baby sea turtles.

Barbara and Sandi enjoying appetizers before the turtle release

Dreamweavers was having an expoventa on Sunday, January 21, and our itinerary dovetailed so that we would return for the event from our wanderings along the coast and in the mountains discovering textile villages in time for the 10:00 a.m. opening.

Being here in time for the expoventa was planned as part of the itinerary for the Oaxaca Textile Study Tour.

I’m accepting names now for people interested in our 2019 trip.

Please send an email.

We put the sea turtles on the sand to make their way to the ocean

Before touching the turtles, we were asked by our host to wash our hands in sand and sea water to eliminate any odors.

The sea turtles are a food staple for indigenous people who live in coastal towns along the Pacific. There is a rescue operation in place to protect them from poachers.

Along the Puerto Escondido coast where we learned about the caracol purpura

The tension is always about honoring the cultural traditions of native people who rely on sea animals to survive and wildlife preservationists who want the species to survive. With global warming, survival is becoming a more difficult challenge for all of us.

As I held this turtle, its flippers were strong, eager to escape

As with the turtles, the caracol purpura, a snail that lives on the rocky coastline of Oaxaca, is at risk of extinction. Mixtec people have used the snail ink for millenia to dye their clothing a brilliant purple, just as the Romans harvested the snail along the coast of Morocco to color the senators’ robes. But, this creature is also endangered and caracol threads incorporated into clothing drives the price up. Yet, this, too, is part of the regional culture as humans interpret their lives through the garments they wear.

The last bit of sunset before we return to town