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2017 Oaxaca Women’s Creative Writing + Yoga Retreat: Lifting Your Creative Voice

For the 7th year, women will gather in retreat for a week of creative writing, daily yoga, meditation and exploration in Oaxaca, Mexico. Our workshop is limited to 10 people. Will you be one of them? Some of us are novices. Others are published poets and writers. All are welcome and encouraged. If this is something you have always wanted to do, please do not hesitate. We fill quickly!

In 2017, we are based in Oaxaca City — a UNESCO world heritage site!

Arrive by Friday evening, March 3. The workshop ends Friday morning, March 10, 2017.  The workshop fee includes 7 nights lodging in a top-rated Bed & Breakfast Inn, all instruction, daily yoga, personal coaching sessions, daily breakfast and some lunches.  You might want to arrive a day early to settle in, avoid a late night arrival or missed connection.

Templo Santo Domingo at sunset, Oaxaca, Mexico

Templo Santo Domingo at sunset, Oaxaca, Mexico from rooftop terrace

2016 Summer-Fall: Looking for Frida Kahlo + Diego Rivera–Mexico City Art History Study Tour

Come to Mexico City to explore the lives of Frida Kahlo and Diego Rivera through their art. This is in-depth art history education at its best! We offer you a narrated cultural immersion that you can miss if you visit on your own. Our expert guide is a bi-lingual Mexican art historian! Come solo, with a partner or friend. Norma Schafer participates in all programs. Small group size limited to 8 people for quality experience. We don’t rush you, either.

 

Summer and Fall 2016 Schedule: Take Your Holiday Weekend Here!

  • June 30-July 3, 2016
  • September 1-4, 2016

We can customized dates for groups of 4 or more people. Contact me.

Arrive and meet for a group dinner on Thursday at 7 p.m. We will have a long weekend — three full days —  to learn about Diego Rivera‘s stunning Mexico City murals, visit Casa Azul where Diego and Frida Kahlo lived, and see the largest private collection of their work at the Dolores Olmedo Museum.

Man Controller of the Universe mimics destroyed Rockefeller Center mural

Through their eyes, you will better understand Mexico’s political, cultural and social history, and their personal lives together. Theirs is a story of Mexico’s development as a post-revolutionary modern nation.

If you want to register, send me an email. Tell me the dates you prefer!

A few little nips

A few little nips — Frida painted this after Rivera’s affair with her sister

This is an incredible experience! The Rivera murals at the Secretary of Public Education building were like nothing I expected. The scale, the intensity, the variation of themes, the continual flow of connecting  vignettes – just mind blowing! It isn’t just an art tour. It is an intense immersion into the beginning of an art movement, a cultural movement, and a culmination of historic events that come alive. — Christine Bouton, North Carolina

 

Our expert guide is a noted art historian who holds a master’s degree in art history who is about to embark on a doctoral program. She shares her passion for the Mexican Muralists, narrates the expedition, and leads us through these spaces to give you the most meaningful educational experience:

  • Palacio Nacional
  • Palacio Bellas Artes
  • Museo de Mural de Diego Rivera
  • Secretaria de Educacion Publica (SEP)
  • San Ildefonso National Preparatory School
  • Abelardo Rodriguez market
  • Casa Azul — the home of Diego Rivera and Frida Kahlo
  • Museo Dolores Olmedo Patiño

MuralsSEP+Best81-28 

Yes, you can visit these places independently. But it’s not likely you will get the same in-depth knowledge, insights, and perspectives if you do.

 

She called him toad. He was 20 years older. They were passionate about life, politics, each other. They shaped the world of modern art and she became an icon in her own right, creating an independent identity that serves as a role model for women. They were twice married and unfaithful, the subjects of books and film, and art retrospectives around the world.

Dream of a Sunday Afternoon in the Alameda Park mural covers 500 years of Mexican history

Rivera’s Dream of a Sunday Afternoon in the Alameda Park

Casa Azul  — Museo Frida Kahlo is a tribute to the life of both artists. Museo Dolores Olmedo Patiño holds the largest private collection of Frida and Diego paintings in the world. Lola Olmedo was a benefactor and life-long personal friend of Rivera who became executor of his estate that included Casa Azul.

 

Rivera’s mural at the Palacio Nacional (National Palace) covers detailed Mexican history, from pre-Hispanic America to the Spanish Conquest through industrialization, including the French and U.S. invasions, from 1521 to 1930.

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

David Alfaro Sequieros, Rivera rival;  Palacio Bellas Artes mural

Plus, you will have lots of options for independent exploration: shop for outstanding folk art, and eat at local markets, historic and fine contemporary and traditional restaurants! Visit the Anthropology Museum.

Lunch at the gourmet Mercado San Juan

Lunch at the gourmet market, Mercado San Juan

See our reviews on Trip Advisor!

Base Trip Includes:

  • welcome dinner at renown restaurant Azul Historico
  • guided discussions by an expert, bilingual art historian educated at UNAM and graduate Southern Methodist University
  • introduction to Norma’s favorite restaurants (meals not included) and folk art galleries
  • transportation to Casa Azul and Dolores Olmedo Museum
  • complete travel packet and readings sent in advance via email

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Preliminary Itinerary

  • Day 1, Thursday:  Meet for group dinner at 7 p.m. at Restaurant Azul Historico near the Zocalo. Dinner included in your tour cost. Overnight in Mexico City.
  • Day 2, Friday: guided visit to SEP, Colegio de San Idlefonso, where Diego met Frida, and the Abelardo Rodriguez market where Rivera’s students, including Pablo O’Higgins, painted. Lunch and dinner on your own. Overnight in Mexico City.

One of 125 Rivera painted at SEP, 1923-28

One of 125 Rivera painted at SEP, 1923-28, this one mocking the bourgeoisie

  • Day 3, Saturday: guided visit to Palacio Bellas Artes and Museo Mural de Diego Rivera. Optional folk art shopping or visit to Anthropology Museum. Lunch and dinner on your own. Overnight in Mexico City.

Palacio Bellas Artes built during Porfirio Diaz presidency

Palacio Bellas Artes built during the 30-year Porfirio Diaz presidency

  • Day 4, Sunday:  guided visit to Casa Azul and Museo Dolores Olmedo Patiño. Includes transportation. Lunch on your own. Overnight in Mexico City.
  • Depart on Monday for home.

The oldest street in Mexico next to the Palacio Nacional

The oldest street in Mexico next to the Palacio Nacional looks like Europe

Be ready to WALK and then, walk some more!  Don’t forget to bring an extra suitcase to pack treasures you pick up along the way.

  • Base Cost: $895 USD per person double occupancy, includes 4 nights lodging.
  • Single Supplement offered: $1,195 USD

We will stay  at a comfortable bed and breakfast inn or hotel located in the historic center of Mexico City with breakfast included.

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico

Tiffany ceiling, El Gran Hotel Ciudad de Mexico

What the base cost does not  include:

  • meals except noted in itinerary, alcoholic beverages
  • transportation to/from Mexico City
  • museum admission fees
  • mandatory international health/accident insurance
  • tips for hotels, meals and other services

MuralsSEP+Best81-22 MuralsSEP+Best81-21MuralsSEP+Best81-24 

Base Cost: $895. USD per person double occupancy, includes B&B lodging with breakfast, private bath for four nights, Thursday, Friday, Saturday, Sunday. Otherwise, all exceptions noted above apply.

Single Supplement: $1,195. USD for private room and bath.

Optional: Arrive early and/or stay later to discover Mexico City and her incredible museums and restaurants. We will give you a list  of recommendations to explore on your own.

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Reservations and Cancellations.  A 50% deposit will guarantee your spot.  The last payment for the balance is due 45 days before the program start date. Payment shall be made by PayPal.  We will send you an itemized PayPal invoice.

Please understand that we make arrangements months in advance of the program. Deposits or payments in full are often required.  If cancellation is necessary, please tell us in writing by email. After 45 days before the program starts, no refunds are possible. However, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before the 45 day date, we will refund 50% of your deposit.

Frida died July 12, 1954 not long after she painted these watermelons

Frida died July 13, 1954, at age 47, soon after she painted these watermelons

Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance.  Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a signed and witnessed waiver of liability, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

 

To register, email us at norma.schafer@icloud.com. We accept payment with PayPal only. Thank you.

Frida’s sketchbook & journal; notice the deformed leg from childhood polio.

This workshop is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.  We reserve the right to adjust the itinerary and substitute leaders without notice.

A note to Frida from Diego two years after her death … “you live in my heart.”

Paint brushes in Frida’s studio at Casa Azul, exactly as she left them

One-Day Mixed Media Art Workshop: Personal Altars and Shrines

  • One Day, February 25, 2016, 10 a.m. to 2 p.m. OR
  • One Day, February 26, 2016, 10 a.m. to 2 p.m.

Fee: $35 USD/650 MXN pesos OR take both days for $65 USD/1220 MXN pesos

You do not need to have an art background to participate. This is about having fun, exploring and experimentation! All levels welcome.

Oaxaca is filled with altars that include sacred images and the Virgin of Guadalupe. Day of the Dead family altars display photographs of departed loved ones.  Frida Kahlo collected altars and ex-votos. She is a perfect subject for an altar you might create — an icon in her own right! You could make a memory altar in tribute to a departed loved one or in honor of a family member or friend. You might also make a self-portrait altar — what would you include?

Frida with monkey copy 800 kb self-portrait-with-necklace-of-thorns   

Your personal altar can be based on experience, travels, relationships. Your altar might contain a message to send or be a gift.  If you are visiting Oaxaca, it can be a memorabilia altar or a token to give to a friend when you return home.

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About Hollie Taylor, MFA, Workshop Leader

Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.

Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.  

She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows. 

Art produced at Hollie’s workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome. A workshop with Hollie is engaging and fun!

 

Where is the workshop held?

We will hold this workshop at a comfortable private home with courtyard and terrace workshop space in Teotitlan del Valle. Space is limited. If you are coming from Oaxaca city, you may want to share a taxi or take a collectivo. We can give you the names of Teotitlan taxi drivers to make your plans easy. Directions provided after registration.

We can order in lunch at 150 pesos per person additional, if you wish.

Materials Fee and What to Bring

Materials fee: 100 MXN pesos. We give you a 4″x 5″ altar box pre-constructed and ready to decorate. We also give selected art supplies, glue, and other basic materials. Materials fee can be paid on the day of the workshop.

You Bring: Found objects, magazines, a pencil, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles, anything that conjures up Oaxaca, Frida, or something personal! Participants often like to share what they bring.

8.Frida.Paint altar parts with acrylic ink.800KBcopy

 

Rolling on Matte Medium to seal the foam core.

Rolling on Matte Medium to seal the foam core.

Reservations and Cancellations. The full fee of $35 per day is paid in advance to guarantee your spot. We accept payment with PayPal only.  Tell us you are ready to register and we will send you an invoice. After your reservation is made and you find you are unable to attend, you may send a friend in your place. If you prefer to make your payment in MXN pesos, we will make arrangements to meet you in advance to handle this.

This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.

Oaxaca Natural Dye Workshops

Oaxaca Natural Dye Workshops can be scheduled at your convenience whenever you plan to visit Oaxaca. Of course, this depends on instructor availability, too. Ideally, we would like at least two or more weeks advance notice to schedule a workshop on the dates you prefer.

Indigo Dye Bath 4

The one, two or three-day workshops, 10 a.m. to 3 p.m. each day, are held in the historic center of Oaxaca city. The location is within a five minute taxi ride from the Zocalo or you can choose to walk 20-minutes to get there.  We send map and directions after you register and pay your deposit.

You will take home recipes/formulas for each dye and a wool sampler of colors you make during the workshop. The sample includes 5 grams of each color.  This is a workshop to learn the process.  If you want to bring your own wool to dye, the cost is 10 pesos per gram extra with a maximum of 10 grams per color.

Featuring private and small group workshops. 

Penland Indigo Workshop

 The Complete 3-day Workshop (32 colors)

Day 1–Prep for the Process:  10:00 am to about 3:00 pm — This is a preparation day. You will prepare grey and white wool with a mordant, in order to achieve 30 different colors on Day 2 and Day 3! We will talk about natural dyes in Oaxaca, and make the extract of pericón (wild marigold) and pomegranate.

Day 2–Red, Yellow, Brown: 10:00 am to 3:00 pm — You dye with pomegranate and pericón (wild marigold), then prepare extracts of cochineal (acid and neutral), the insect that produces carminic acid to give an intense, colorfast red.

Day 3–Rainbows & Overdyes: 10:00 am to 3:00 pm — You will prepare an indigo vat, make a shibori scarf design, then dye with indigo to get various shades of blue. With an indigo over-dye, you will get a range of purples and greens to master the color variations.

Private workshop fee is $470 USD for one person. $425 per person for two or more people.

The 2-day Workshop (11 colors)

Day 1: 10:00 am to about 3:00 pm — First you begin to understand the natural dye process by first applying a mordant to the white wool. This takes time, and we wait until the wool is sufficiently “cooked” so that you can prepare it to create 11 different colors. You will then dye with pericon (wild marigold) and pomegranate, and make an extract of cochineal (acid and neutral).

Day 2: 10:00 am to 3:00 pm — You will prepare an indigo dye vat and then use the wool you dyed on Day 1 to make over dyes that will yield purples and greens.

Private workshop fee is $290 for one person. $265 per person for two or more people.

The 1-Day Workshop: Cochineal Only

From 10:00 am to 3:00 pm you will start the mordant process, discuss natural dyes in Oaxaca, start the mordant process, and prepared extracts of cochineal as you change the pH of the dye vat to yield 12 different colors of red.

Private workshop fee is $235 for one person. $195 per person for two or more people.

One-day Indigo Dye Workshop—click here for details and complete description

How to Register and Pay: Send Norma Schafer an email to tell us your preferred dates. We will check about available dates and let you know. Then, you tell us you are ready to register.
 
A 25% non-refundable deposit will confirm your registration. The balance is due on the first day of the workshop in cash (USD or pesos, or you can use a credit card with a 4% service fee). 
  1. We will send you a payment request using Zelle bank transfer with NO SERVICE FEE. Tell us how your account is registered — email address or phone number.
  2. You can use a credit card to pay with a 4% service fee. We will invoice you.
  3. Tell us which payment method you prefer. 
  4. Once we receive the deposit, we confirm and send you directions.
  5. You pay the balance due in cash (US Dollars or Mexican Pesos at the exchange rate of the day) on the day of the workshop.

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Notes:

  • Days must be taken in sequence. If there is a group of 4 or more people, we can offer a group price. Please contact us.
  • Lunch is on your own. You can bring a lunch or go out in the neighborhood.
  • Please bring your own drinks and snacks.
  • We give directions to the workshop after you register and pay the registration fees.
  • Please, no children under the age of 15. 

About Your Instructor: The workshop instructor is a knowledgeable expert in the natural dye process and materials. She provides dyed wool and cotton yarns and thread for many of Oaxaca’s famous weavers and textile designers, and she works with textile designers worldwide to offer customized colors that are used in fashion and home goods.

DyeWorkshopJan_Group-11

Reservations and Refund Policy.  To reserve, we require a 25% non-refundable registration fee. The balance is due on the first day of the workshop payable in CASH in either USD or MXN pesos at the exchange rate of the day. 

DyeWorkshopJan_Group-14 DyeWorkshopJan_Group-9

Please let us know if you have any questions.

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Remembering Frida Kahlo: Icon of Passion and Pain

We ended the four-day Looking for Frida Kahlo and Diego Rivera Art History Study Tour in Mexico City with a morning at Casa Azul and the Frida Kahlo Museum followed by an afternoon at the Dolores Olmedo Patiño Museum. (I’ll be setting 2016 dates soon. Contact me to be notified.)

A few little nips

Frida Kahlo is a great source of inspiration and admiration. I see Frida differently each time I visit her home and look deeper into her art. Many are self-portraits about her accident, deformities, wish to be a mother, miscarriages and marital infidelities. Her work is honest and vulnerable.

Evoking Frida Kahlo: Making Memory Altars and Shrines

Consider making a self-portrait altar — a visual memoir!

Art historians and her admiring public describe her work as intensely personal and something we can all relate to, which is why, even today, her following is immense. She is compared to a contemporary Virgin of Guadalupe.

 

On this visit I was most interested in capturing close-up photographs of some of Frida’s most important works that are on exhibit. I am also continuing to experiment with my new Olympus OMD5 Mark II mirrorless camera that I used to take all the photos here.

 

We will repurpose the images for a 4-day mixed media art workshop, February 25-28, 2016.

Evoking Frida Kahlo: Making Memory Altars and Shrines

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In this mixed media art workshop, led by North Carolina artist Hollie Taylor, participants will build an altar or shrine to remember loved ones or to honor Frida Kahlo, feminist icon of passion and pain.

You can also use the workshop to make a self-portrait altar, incorporating images and experiences from your own life, much like a visual memoir.

 

We look at Frida’s life as an example. She was a woman of strength and complexity. While she lived with intense chronic pain, both physical and emotional, her face to the world successfully hid her deformities and shaped her identity. We see this in the Casa Azul exhibit, Appearances Can Be Deceiving.

  

A new documentary film shown at Casa Azul tells the story of Frida, a woman who has become a contemporary role model, honored for her courage and honesty, and for her ability to paint with emotion as a tool for self-reflection and healing.

Evoking Frida Kahlo: Making Memory Altars and Shrines gives us a chance to personally interpret Frida’s life and employ it as a jumping off point to create our own art altar in memory of Frida or our own special someone. Frida’s courage and obstacles, successes and set-backs are a metaphor for all of us.

  

It offers us an opportunity, through art, to explore identity, image, impression, impact, intent. To create an art altar is to interpret and to understand, to reveal what is hidden, to emotionally connect in a very visual way, and to offer homage.

  

Akin to the Mexican approach to death and dying through Day of the Dead, by building a memory altar or shrine, we create a space where we embrace and examine a loved one’s life using photos and memorabilia.

Consider making a self-portrait altar — a visual memoir!