Tag Archives: photojournalism

Photo Story: Confiscated From Immigrants at the U.S. Border

Feature Shoot highlights the things that the U.S. Border and Customs Patrol confiscates from immigrants crossing over between Mexico and the United States. Photographer Thomas Kiefer and former janitor collected soap, t-shirts, rosaries, and more and then captured them. The mundane tells a story.  Thanks to my friend Janet Fish for sharing. This had a powerful impact for me and I want to share it with you. We can’t figure out the purpose in confiscating bars of soap and t-shirts.

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I’m in Mexico City on a hump day before I take a group of 10 wonderful women on a textile study tour to Tenancingo de Degollado to explore the Mexican jaspe or ikat rebozo. We are also going on to Taxco to visit the Spratling ranch and then to Metepec to meet master clay artisans. Stay tuned!

Photography: Cartier-Bresson Exhibition in Mexico City

The Mexico City exhibition featuring 398 pieces by French photographer-filmmaker Henri Cartier-Bresson closes May 17, 2015 at Palacio Bellas Artes. Please don’t miss it. Considered the founder of photojournalism, this is the first major retrospective since his death in 2004.

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An hour is not long enough to absorb the emotional intensity of Cartier-Bresson’s work. If you love political history, photojournalism, the decades leading up to World War II and the beginning of photography as an important artistic and cultural vehicle for storytelling, you will love this exhibition. I needed more than two hours to do it justice.

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It represents Cartier-Bresson’s interest in painting, drawing, photography and filmmaking. It is an in-depth view of pre and post-World War Europe, of poverty and racism, of what happens on the street among the people. There are also amazing portraits of notables who he was commissioned to photograph.

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Oaxaca Day of the Dead Photography Workshop, October 2015

Chiapas Festivals and Faces Photography Workshop, January 2016

For example, the exhibit features photographs taken during the coronation of King George II of England. But Cartier-Bresson concentrates on the expressions of people in the crowd and not the regal procession. Some are using raised mirrors to watch the parade, and to do so, they must turn their backs to the King.

 

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Cartier-Bresson uses this as a metaphor for how the people must turn away from monarchy and embrace a republican government.

Program Notes: Impressions of Africa. “He took little interest in local customs or ritual feasts, as he did not want to get drawn into “Exoticism” or what he called “detestable local colour.”  In a style very much influenced by the European New Vision (high angle shots, geometrical compositions, repeating motifs) he tended to photograph subjects like children playing in the street, dockers at work or the effort of rowers in a boat: in other words, the rhythm of African life.

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Aligned with the intellectuals and artists of the time, he was a powerful voice in support of Communism, active in the Spanish Civil War and the French Resistance.

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As a contemporary of Diego Rivera and Frida Kahlo, Cartier-Bresson came to Mexico to photograph, and many of the images shown capture the poor and disenfranchised, including children and prostitutes.

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As I moved through the exhibition, I learned more about photography by seeing this work. Cartier-Bresson shunned fiestas and processions, the formalities of organized life. He concentrated on what was messy and spontaneous.

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His technique was to find a backdrop with texture and interest that he liked and then wait for people to pass through the space.

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As we walked from Palacio Bellas Artes to see the Diego Rivera mural Dream of a Sunday Afternoon on the Alameda, I stopped to take photos of young men practicing their skateboard moves a la Henri Cartier-Bresson — perhaps — and a man sitting on a steel post mid-sidewalk, waiting, surrounded by passersby who paid no attention.

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The Decisive Moment, an essay by Cartier-Bresson, describes his philosophical approach to photography and is considered a foundation for all photographers.

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2015 Day of the Dead Photography Workshop in Oaxaca, Mexico

Oaxaca, Mexico, is the place to be for Day of the Dead  and you will capture it with your camera: parades, cemeteries, family traditions, special food and decor, markets, fiestas and faces. Follow the copal incense and marigold trail. Starts Sunday morning, October 30 and ends Thursday night, November 3.

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Cost:  $995 per person. Price includes all instruction, feedback sessions, personal coaching and transportation to and from Xoxocotlan and Teotitlan del Valle cemeteries. Does not include food or lodging.  We will provide you with a list of hotels and B&B’s to choose the level of accommodation you prefer after you register. Then, make your own reservations directly. Come early or stay later, too.  We will recommend sightseeing and other activities!

  • Limited to 10 participants. Small Group. Personal Attention.
  • Beginners and more experienced photographers welcome.
  • Bring any camera: DSLR, iPhone or Point and Shoot!
  • Registration is now open!

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This is a hands-on photography workshop for learning and improving technique while you experience Oaxaca’s famed Day of the Dead rituals.  By the end of the week, you will better use your camera for visual storytelling, photojournalism, portraiture and cultural discovery.

Your Workshop Leader is Matt Nager

Matt Nager is a Denver, Colorado, based portrait and editorial photographer. We invited him back to teach this workshop after rave reviews for teaching the People of Oaxaca Portrait Photography Workshop.

His clients include: DISCOVER Magazine, Fast Company Magazine, Mother Jones Magazine, The New York Times, Smithsonian Magazine, and the Wall Street Journal. Matt speaks English and Spanish.  His work is at: www.mattnager.com

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His love for nature and the outdoors, as well as his interest in people and culture, is central to his photography. Before starting his own photography business, Matt worked with the Dallas Morning News and the Rocky Mountain News.

In addition to photography, Matt also regularly shoots video and recently completed his first documentary titled: Campania In-Felix (Unhappy Country) which looks into the rise of health issues in Southern Italy as a result of illegal waste disposal. 6_Zapotecs-7

This cultural immersion workshop tour offers you a deeper appreciation for the food, religious symbols, rituals and family celebrations both in Oaxaca city and in the rural Zapotec village of Teotitlan del Valle.

You will learn to:

  • Use natural light and respond to different lighting situations
  • Include portraits in your travel photography
  • Direct your subject through varying body positions
  • Identify your own photographic style
  • Find and execute portraits “on the fly”
  • Practice street photography
  • Use skills you learn through daily assignments
  • Learn more with one-on-one coaching sessions with Matt
  • Contribute to a gift for subject families — included in your workshop fee

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During our week together, we will review each other’s work, give feedback, and offer supportive critiques.  The workshop includes a mix of class instruction and being out on the streets to capture the action.

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Technical topics covered include natural light, exposure, manual camera settings and night photography. We will offer optional editing sessions using Lightroom photo editing software.  13_Sunset@Xoxo1a Xoxocotlan2014-14

Preliminary Itinerary (subject to change) 

Day of the Dead Workshop Expedition 2015

Day 1, Saturday, October 30:  Meet after breakfast at a central location in Oaxaca City where we will have a welcome and learning session, with a review of camera settings, exposure and using natural light. Then, we’ll hit the streets and local markets! Option is to meet up for a group dinner at your own expense. 2014DOTDTeoti-28

Day 2, Sunday, October 31:  We meet after breakfast. After showing your best work of Day 1, with review and feedback, we will have a learning session on night photography.  At 3:30 p.m. we depart for the famed Xoxocotlan cemetery for an extraordinary Day of the Dead extravaganza.  Matt is with us every step of the way for coaching and technical support. This could be a late night, so be prepared!  We will stay until at least 10 p.m., maybe later! Includes transportation to/from Xoxocotlan.

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Day 3, Monday, November 1:  You will have the morning on your own to prepare your best of the Xoxocotlan cemetery. We will meet midday to share our work with a feedback and learning session, then get back on the streets to catch the calendas and other processions. Some may want to share an optional taxi to San Pablo Villa de Mitla for their Day of the Dead festivities that start mid-afternoon

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Day 4, Tuesday, November 2:  We leave for an afternoon and evening in Teotitlan del Valle after our morning learning and photo feedback session.  You are paired with another workshop participant to share a traditional meal with a local host family and go with them to the village cemetery. To be embedded with a local family is an amazing cultural immersion experience to learn more about indigenous customs and traditions.  We return to Oaxaca city mid-evening. Includes transportation and lunch.

Day 5, Wednesday, November 3:  We meet after breakfast to share experiences and photos of the day. You’ll have the rest of the day on your own to meander and prepare your Best of Week photo presentation.  We get together in early evening for a Best of Week photo presentation followed by goodbyes. Please feel free to invite guests! Then, we’ll meet for an optional group supper (expense on your own).

What You Should Bring

  1. Camera, either Digital SLR camera with lens(es) — wide angle, zoom, and/or fixed focal point 50mm, or iPhone or Point and Shoot
  2. Optional tripod for night photography
  3. Laptop computer for photo editing
  4. External hard drive
  5. External card reader
  6. Extra batteries (2) and battery charger
  7. Memory cards (at least 2) and jump drive
  8. Pen and notepad
  9. Sturdy, comfortable walking shoes, sun protection, sun hat

(Before the workshop starts, we will send you a complete packet and information guide with suggested packing list, and other useful information.)

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Cost:  $995 USD.  Deposit to reserve your space is $500. Workshop includes:

  • All instruction and coaching
  • 1 lunch as specified in the itinerary
  • Transportation to villages included in the itinerary
  • Gift to local Teotitlan del Valle host family
  • Comprehensive pre-trip planning packet (via email)

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Not Included:  The expedition does NOT include lodging, meals that are not specified in the itinerary, airfare, taxes, tips/gratuities, travel insurance, liquor/alcoholic beverages and optional transportation.

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About Recommended Accommodations: We will be based in Oaxaca city for this workshop. We will recommend several outstanding hotels and B&B’s where you may choose to stay, complete with contact information and estimated pricing. You can also check TripAdvisor and BookingDotCom.  All reservations for lodging will be made and paid for by you directly with the hotel.  You are free to choose any accommodation you prefer, from luxury to basic hostel.  We will send you a list of recommended hotels after you register and make your deposit.

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Reservations and Cancellations

A 50% deposit will reserve your space.   The final payment for the balance due shall be made on or before August 1, 2014.  We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us you are ready to register.

If cancellation is necessary, please notify us in writing by email.   After August 1, no refunds are possible; however, we will make every effort to fill your reserved space or you may send a substitute.  If you cancel on or before August 1, we will refund 50% of your deposit.

We require that you take out trip cancellation, baggage, and at least $50,000 USD of emergency evacuation and medical insurance before you begin your trip. We know unforeseen circumstances are possible.

To register, email us at oaxacaculture@me.com  We accept payment with PayPal only. Thank you.

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This workshop is produced by Norma H-Shafer, Oaxaca Cultural Navigator LLC.  We reserve the right to alter the itinerary and substitute instructors without notice.

Don’t let this workshop pass you by!

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Photojournalism Workshop in Oaxaca, Mexico–Las Cuevitas and Day of the Three Kings

Like a writer, a photojournalist captures and tells a story through the still photographs s/he takes that is accompanied by a short written narrative.  Oaxaca, Mexico, during the extraordinary and magical Christmas season will be our workshop laboratory to discover and record the scenes of the season– Las Cuevitas and Day of the Three Kings (Epiphany).

 Las Cuevitas–The Caves and Dia de los Tres Reyes–Day of the Three Kings, arrive December 31 and depart January 7    

Plus add-on a Zapotec cooking class with Reyna Mendoza Ruiz on December 31  [arrive December 30] or on January 7  [depart January 8]   –  details below

Bring your digital camera (point-and-shoot or DSLRs welcome), your memory cards, your note pad and pen, your imagination and your sense of adventure.  We will teach you the techniques for capturing and documenting the culture with your camera and writing about what you see to accompany your photos.

The Christmas holidays in Oaxaca are magical and mystical, vibrant and festive.  They are filled with processions, special foods, merrymaking and solemnity.  Together, we will discuss the region’s rich history and culture, the art and craft traditions, belief systems and relationships to nature and daily life.  We will visit archeological sites and crafts villages. This will inform your photographic work that is anchored with diary entries.

Outline of Itinerary:

December 31 — Arrive in Oaxaca and travel from airport to Teotitlan del Valle, check in to bed and breakfast inn.  (If you want to take a cooking class today, arrive on December 30.)

January 1 — Our workshop starts with a morning learning session followed by a day trip to the local Tlacolula regional tianguis (market) filled with food, aprons, household goods, crafts, everything and the kitchen sink.  All day excursion on local bus includes lunch.

January 2 — Morning learning session followed by lunch with a famous weaving family and a procession to Las Cuevitas, the magical caves of Teotitlan del Valle (bring tripods for night photography if you wish)

January 3 — leave in early morning for a day in craft villages of Arrazola and Atzompa, with visit to renown Mesoamerican archeological site of Monte Alban. Following dinner in the city, return to Teotitlan del Valle.

January 4 — Morning learning session followed by weaving and natural dyeing demonstration with Master weaver Federico Chavez Sosa.

January 5 —  After morning learning session, enjoy a demonstration with artisans who work in natural dyes and handspun and woven silk. Spend the afternoon with a family celebrating Dia de Los Tres Reyes.

January 6 — After morning learning session, spend the day on your own to explore, shop or prepare for the evening final presentation and best of week show.

January 7 — Depart or stay an extra day for a cooking class in traditional Oaxacan foods including how to prepare mole [also available on December 31 before the workshop begins]

June Finfer, photographer, filmmaker, playwright

June Finfer, Chicago playwright, documentarian, and photographer will lead you in this learning adventure where you will enter into the world of the Mixtec and Zapotec people.  June will share her tips on using your camera to capture the decisive moment, and her writing experience on how to keep a diary of your experience.  You will in effect be a photojournalist.

Use what you learn to become a photojournalist

The Internet has created many opportunities for amateurs to contribute to the art of photojournalism.  Small, portable cameras give each of us the personal power to create stories through images that are publishable on blogs, podcasts and online news magazines.

Even traditional media outlets welcome photographs from amateurs who capture an important event with fair and accurate representation.

We will discuss ethical approaches to objectivity, the role of the citizen journalist, what to shoot, how to frame, and how to edit.

You can focus in-depth on a subject or a wide survey.  You will build a portfolio of photographs and narration based on these important rituals that combine pre-Hispanic and Catholic traditions.  Using the techniques of photojournalism, you will be able to record the visual elements of the celebrations while learning about their significance.

About Your Workshop Leader June Finfer 

JUNE FINFER is an award-winning playwright, photographer, and a producer of documentaries. She studied photography at Illinois Institute of Technology with Aaron Siskind and her films about the architecture of Mies van der Rohe have been broadcast on A&E and PBS. Her play, The Glass House, was produced off-Broadway in New York in 2010.  She adapted an unfinished novel by Shirley Jackson, directed by Joanne Woodward for American Playhouse, nationally broadcast by the Corporation for Public Broadcasting.

June’s films include Greentowns USA: A New Deal,  Earthshapers,  Creating Community: Lafayette Park, and The Tugendhat House: Mies van der Rohe’s Czech Masterpiece. Awards and Grants include: American Film Festival, first prize CINE Goethe-Institute Graham Foundation for Advanced Study in the Fine Arts, Illinois Arts Council,  Illinois Humanities Council,  Maryland Humanities Council,  Ohio Humanities Council, TELLY U.S. International Film and Video Festival.  See details at www.lostandfoundproductions.org

Lodging and Costs: 

We will be based in the Zapotec weaving village of Teotitlan del Valle.  To keep this program affordable, we have selected clean and basic accommodations at a woman-operated bed and breakfast inn that is part of their family compound.  Josefina, along with her mother-in-law Magdalena and daughter Eloisa, prepare delicious meals from scratch.  (If you desire luxury travel, please consider a different experience.)

Base Cost: $1195 per person double occupancy with shared bath facilities.  6 nights, 7 days.

[  ] Option 1:  I will share a room, double occupancy with shared bath, $1195 per person.

[  ] Option 2:  I prefer a single room with shared bath for a total of $1,295 per person.

[  ] Option 3: I will share a room, double occupancy, with private bath for a total of $1,295 per person.

[  ] Option 4: I prefer a single room with private bath for a total of $1,495.

[  ]  Option 5:  Add-on a 5-hour Zapotec cooking class, includes local market shopping tour and lunch, on December 31 (arrive on December 30) or January 7 (depart on January 8).   Add $110 for cooking class and additional night lodging.

If you want to arrive earlier or stay later, we can arrange additional nights lodging in Teotitlan del Valle at $55 per night and additional nights lodging in Oaxaca city at $125 per night (each includes breakfast).

Most travel workshops of this type and length cost more than twice as much!

The trip does NOT include airfare, taxes, gratuities, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city.

We reserve the right to substitute instructors and alter the program as needed.

Register Today! Use the Registration Form on the banner.

Full payment is due to register you for the program.  We prefer Payment with PayPal. 

Please see our cancellation policy in the “Register Today” section of the home page.  We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.

To get your questions answered and to register, contact: normahawthorne@mac.com or call (919) 274-6194.  Thank you.

This program is produced by Norma Hawthorne, Oaxaca Cultural Navigator LLC.