Tag Archives: villages

To the Villages with Shuko–Backroads Oaxaca

Shuko Clouse is here. She opened Mano del Sur recently, a beautiful online shop that combines her Japanese aesthetic — simplicity and quality — with Mexican handcraft excellence. Shuko came to Oaxaca to restock the shop.

Shopping with Shuko, our Oaxaca backroads adventure into craft villages

She takes her time. She curates each item. She meets the makers and engages with them. She holds an article in her hands and savors its creation. She kneels down to touch a wool rug whose life is created on the loom. She traces the pattern with her fingertips, asking about ancient design origin.

The women who make clay mural
Each handmade, hand-formed, imperfect, burnished, beautiful

It is a marvel to go shopping with Shuko. She chooses carefully. Selects one or two items that are the same. She is not a volume shopper. I learn from her. Take your time. Each moment with a handmade article is a blessing for the maker and eventually, the buyer.

Shuko with cochineal dyed cotton warp and ikat wool throw/shawl
Arnulfo, Jr. finishes his first rug. So proud. Vendido. Sold!

Don’t rush. When I was in Japan, I saw that a large room with one extraordinary vase containing one exquisite flower was enough. This is antithetical to my own collecting sensibilities. It is a struggle to keep my living environment spare, and I confess I am unsuccessful. But I aspire to this — one object, beautifully crafted, as focal point.

Perfect naturally-dyed beeswax candles suspend from rebar rods
Beeswax candlemaker Viviana Alavez, Grand Master of Oaxaca folk art

Meanwhile, Shuko and I travel the villages; to San Marcos Tlapazola to visit the women makers of red clay pottery; to Mitla to see the weaver of natural dyed wool and cotton; deep into a Mitla neighborhood to visit the antique dealer whose eclectic collection tempts all; to old adobe houses of Teotitlan del Valle where humble weavers work magic.

Spaces Open: Oaxaca Discovery Tour–Textiles and Folk Art 2020

Elaborate, handmade beeswax flowers decorate church candlesticks, made here
Shuko with Viviana, a joyful moment

As always, thank you for reading and following. Can we take you on the backroads? On the Ocotlan Highway? Through the Tlacolula Valley? On a Textile Study Tour adventure?

A collection of dolls on Epifanio’s altar in Mitla
Rare, 17th century Quiatoni necklace with blown glass, coral. Anyone want it?
I’ll buy it for you. $1,200 USD includes mailing.
Shuko with Macrina and family in San Marcos
Ernestina shows us rugs she just finished weaving
Perched on a dead tree branch, Virgin of Guadalupe vintage icon

Preparing for Day of the Dead, Dia de los Muertos

Day of the Dead is coming soon. Festivities in Oaxaca will begin in the next few days, and people are now gathering what they need for home altars to honor their deceased loved ones:

  • palm branches to create an arch over the altar through which loved ones pass from the otherworld — a gateway to now
  • smokey copal incense that provides the aroma to guide the way
  • candles that burn continuously to offer light along the journey
  • fresh flowers, especially marigolds, a seasonal Slot Online offering with a pungent aroma to guide the spirits

Dia de los Muertos Altar, San Pablo Villa de Mitla

Dia de los Muertos Altar, San Pablo Villa de Mitla

  • bread, chocolate, fruit and nuts for the spirit visitors to eat
  • favorite beverages of those who have passed on and will return: hot chocolate, beer, mezcal, whiskey, coca-cola, Fanta orange, atole
  • framed photographs of those who have died (it wasn’t until the 70’s or 80’s, I’m told, that most locals had cameras to capture images)

 See Day of the Dead 5-Day Photo Challenge at Facebook

Oaxaca street parades will start on October 30.

On October 31, the Xoxocotlan panteon (cemetery) will host locals and tourists who come from around the world to experience the reverie and revelry of Muertos. I like to start at the old cemetery around mid-afternoon to be present at the magic hour of sunset.

Pan de Muertos, Bread of the Dead

Pan de Muertos, Bread of the Dead

On November 1, there are many cemetery festivities, at San Pablo Villa de Mitla in the morning and in the evening at the Oaxaca city Panteon, and in San Augustin Etla.

On November 2, in Teotitlan del Valle, the low-key ceremonies of honoring the dead begin with a mid-afternoon meal at home to ensure the dead return to their graves with full bellies. The villagers then accompany the spirits to the the cemetery (around 6 p.m. ) and sit with them through the night to be certain they are cared for and rest in peace.

Teotitlan del Valle, Dia de los Muertos

Teotitlan del Valle, Dia de los Muertos

On November 3, in San Antonino Castillo de Velasco, the flower growing village, holds their Day of the Dead celebrations after they have cut and sold cockscomb, marigolds, lilies and more to surrounding villages and city dwellers.

You might also want to add Santa Maria Atzompa to your itinerary.

Sand paintings, part of the tradition,  Muertos

Sand paintings, part of the tradition, Muertos

These are not created as tourist attractions but exist as part of ancient pre-Hispanic ritual in many parts of Mexico. Oaxaca has one of the most vibrant Day of the Dead celebrations.

Locals and seasoned Oaxaca travelers continue Slot Gacor the search for the undiscovered Day of the Dead celebration where few tourists descend. The farther from the city, the more likely this is to occur.

Still life with marigolds, Teotitlan del Valle market

Still life with marigolds, Teotitlan del Valle market

I’m in North Carolina with my friend Hettie, and have with me photos of my parents and copal incense. I’ll start making my memory altar in the next few days. Meanwhile, my Teotitlan del Valle family will light incense and place marigolds at the gate to my home to welcome the spirits and guide them back under the shadow of Picacho.

 See Day of the Dead 5-Day Photo Challenge at Facebook

Muertos altar, November 2, 2015, remembering my dad

Muertos altar, November 2, 2015, remembering my dad

After I built my altar last year, our 99-1/2 year-old mom took a downward turn and I left Oaxaca for California. She died on November 15, 2016. I return to California next week to join my family to lay the headstone on her grave just before the anniversary of her death, a ritual that is part of my religious tradition.

This year, my altar will hold them both. I will sit and honor their lives.

Dorothy Schafitz Beerstein, April 16, 2013

Dorothy Schafitz Beerstein, April 16, 2013

Travel Oaxaca’s Natural Dye Textiles + Weaving Trail: One-Day Study Tour

We introduce you to weavers of wool, cotton and silk who work with organic natural dyes. This one-day educational study tour gives you in-depth knowledge about the artisanal process for making hand-woven cloth using sustainable technologies. We visit home studios and workshops to meet some of Oaxaca’s outstanding weavers in this curated day trip. See the real indigo, cochineal and wild marigold dye process. Meet artisans who create beautiful rugs and clothing.

Schedule your dates directly with Norma Schafer.

Full day rate of $325 USD is for one or two people. $165 per person for each additional person.

You reserve for the dates you prefer. You are welcome to organize your own small group.  We match your travel schedule with our availability.

Pricing is for a full day, starting at 9 a.m. and ending around 6 p.m. Customized programs on request. The rate is based on the time we pick you up and return you to your Oaxaca hotel. Please provide us with hotel/lodging address and phone number.

Dyeing_Australian_Chicas_Eric-94

Oaxaca has many talented weavers working on different types of looms: the two-harness pedal loom, the flying shuttle loom and the back-strap loom. They create many different types of cloth from wool, cotton and silk – to use, wear and walk on.

Wool Coch Red Bobbins62K

The yarns or threads can be hand-woven and made into tapestry carpets or wall hangings. They might become lighter weight garments such as shawls, ponchos and scarves or fashion accessories and home goods like handbags, travel bags, blankets, throws and pillow covers.

Natural grey wool and dried cochineal bugs

Natural grey wool and dried cochineal bugs

Most weavers dye their material using pre-mixed commercial dyes. Some buy their yarns pre-dyed. This streamlines and simplifies the production process, making the finished piece less costly. Often, there are wide quality differences.

Selection of Teotitlan del Valle wool rugs from the tapestry loom

A growing number of weavers are going back to their indigenous roots and working in natural dyes. They use a time-consuming process to gather the dye materials, prepare them with tested recipes, dye the yarns and then weave them into cloth. These colors are vibrant and long-lasting. There is a premium for this type of hand work.

Dyeing and then weaving can take weeks and months, depending upon the finished size of the textile and type of weaving process used.

Preparing indigo for the dye pot -- first crush it to powder

Preparing indigo for the dye pot — first crush it to powder

For each visit, we will select artisans who live and work in small villages scattered in the countryside around Oaxaca where families have co-created together for generations to prepare the yarn and weave it.

indigo-dye-pot

Natural dyes we will investigate include plant materials like nuts, wild marigold, fruit (pomegranate, persimmon, zapote negro), wood bark and indigo.

Shades of cochineal -- a full range of color

Shades of cochineal — a full range of color

Another important dye source is cochineal, which is the parasite that feeds on the prickly pear cactus. The Spanish kept the cochineal secret well hidden for over 400 years, calling it grana cochineal or grain, so that English and Italian competitors could not detect its source.

Cochineal dye bath -- the most vibrant red of the natural world

Cochineal dye bath — the most vibrant red of the natural world

During this one-day outing, we will visit four weavers, see complete natural demonstrations of yarns and threads, learn about over-dyeing to get a full rainbow of colors, and savor the beautiful results that master weavers create.

We may not always visit the same weavers on each tour, based on their availability. At each home studio you will see some of the steps that go into the completed process. By the end of the day, you will have gained a fuller understanding of the difference between natural and commercial dyed cloth as well as the various weaving techniques. This will help you become a more educated collector, able to discern nuances in fiber and dye quality.

Ikat wool rebozo colored with pomegranate and cochineal

Ikat wool rebozo colored with zapote negro (black persimmon) and cochineal

More than this, you will learn about the local culture, the family enterprise of weaving, how weavers source their materials, the dedication to keeping this ancient practice alive. You will see how using natural dyes is a small-batch, organic and environmentally sustainable process. And, you will try your hand in the dye pot and at the loom, too, if you like.

Typical Day

  • 9 a.m. — We pick you up in the historic center of Oaxaca city
  • 9:30 a.m. — We meet a flying shuttle loom weaver who designs home goods and clothing, using naturally dyed cloth
  • 11:30 a.m. — We meet two weaving families who work exclusively with natural dyes to make rugs and tapestry wall hangings
  • We enjoy lunch around 2 p.m. at a local comedor that uses all native and natural ingredients
  • 4:00 p.m. — We visit the home studio of a women’s cooperative that makes leather trimmed handbags woven with naturally dyed wool
  • You return to Oaxaca city by 6:00 p.m.

All times are approximate. We reserve the right to alter the schedule based on artisan availability. Please bring water and a snack.

Squeezing fresh lime juice for the acid dye bath -- turns cochineal bright orange

Squeezing fresh lime juice for the acid dye bath — turns cochineal bright orange

During this complete one-day study tour you will:

  • Meet master weavers and their families in their home workshop/studio
  • See the raw materials used for coloring wool, cotton and silk
  • Watch the weaving process and try your hand (and feet) at the fixed frame 2-harness pedal loom and flying shuttle loom — if you wish
  • Discuss the origin of cochineal, its impact on world trade and its many uses today
  • Learn how to tell the difference between dyed fibers – are they natural or chemical?
  • Observe processes for dyeing with indigo, cochineal, wild marigold and other organic materials
  • Understand quality differences and what makes a superior product
  • Discover the meaning of the various designs, some taken from ancient codices
  • Have an opportunity to shop, if you choose, at the source
  • Order a customized size, if you prefer

You are under no obligation to buy.

Zapote negro fruit in a dye bath waiting for wool

Zapote negro fruit in a dye bath waiting for wool

This is an educational study tour to give you more in-depth knowledge about the weaving and natural dye process. We offer a stipend to the weavers who take part to compensate them for their knowledge, time and materials. This is included in your tour fee.

Weavers do not pay commissions on any purchases made and 100% of any sales go directly to them.

Also consider these educational options:

About Norma Schafer, your study tour leader

Norma Schafer has organized educational programs and workshops in Oaxaca since 2006 through Oaxaca Cultural Navigator LLC. She is an educator, not a tour guide, and is recognized for her knowledge about textiles and natural dyes.

Nina wears a quechquemitl woven with cochineal dyed cotton

Nina wears a quechquemitl woven with cochineal dyed cotton

Norma is living in the weaving village of Teotitlan del Valle, Oaxaca, since she retired from The University of North Carolina at Chapel Hill in 2011. Before that, she made frequent visits each year beginning in 2005. Norma has access to off-the-tourist-path small production family workshops where the “manufacturing” process is vertical and hand-made.

  • Earned the B.A. in history from California State University at Northridge
  • Holds the M.S. in business administration from the University of Notre Dame
  • 30-year career in higher education administration and program development
  • Created/produced international award-winning programs at Indiana University, University of Virginia, George Washington University and The University of North Carolina at Chapel Hill
  • Recognized by the International University Continuing Education Association for outstanding educational program development
  • Founder/creator of Oaxaca Cultural Navigator LLC arts workshops/study tours in 2006
  • Contributor to Textile Fiestas of Mexico, with chapters about Teotitlan del Valle and Tenancingo de Degollado
  • Founder/author of Oaxaca Cultural Navigator blog in 2007
  • Learned to weave and use natural dyes as a graduate student in San Francisco too many years ago to count!
  • Has an extensive personal collection naturally dyed textiles
  • Consultant to textile designers, wholesalers and retailers who want to include sustainable, organic textiles in their body of work and inventory
  • International textile conference advisor to Weaving a Real Peace (WARP) organization
  • Consultant on tourism/economic development, State of Guanajuato, Mexico Office of Tourism
  • Embedded in the cultural and social history of Oaxaca’s Zapotec village life

IMG_4423 Dolores with Shadows

Includes transportation from/to Oaxaca city to our meeting place in the Tlacolula Valley, all transport to villages and honoraria to artisans. You cover the cost of beverages lunch for those in your party and for your tour leader. Please let us know if you need vegetarian options. We may pre-order a tasting menu that includes a fresh fruit drink (agua fresca) based on group

Schedule your dates directly with Norma Schafer. We will do our best to accommodate your requests.

Silk worms dining on mulberry leaves, Oaxaca, Mexico Wool dyed w moss

Reservations and Cancellations

We require a non-refundable 50% deposit with PayPal (we will send an invoice) to reserve. The PayPal amount billed will be based on the number of people you reserve for. The 50% balance is due on the day of the tour in cash, either USD or MXN pesos (at the current exchange rate).

We will have made transportation arrangements and secured the dates/times with the weavers, plus paid them a stipend in advance for participating. We have learned, living in Mexico, that it is essential to keep commitments to sustain relationships. Thank you for understanding.

Folded pedal looms waiting for the next project

Folded pedal looms waiting for the next project