My quest for Japanese indigo fabrics and clothing took us to remote villages and high-end designer boutiques. I searched old kimono stacked in department store corners and flea market stalls. In the old Geisha district of Gion, two vintage textile shops offer 100+ year-old pieces in varying condition. I traveled from Tokyo to Kyoto to the remote thatched roof village of Miyama with blue on my mind. We lingered at the Amuse Museum exhibition of boro cloth in awe of indigo-dyed hemp and cotton patchwork born of poverty.
Indigo is my passion. It’s why I wanted to go to Japan. Oh, and the food. Oh, yes, and the cherry blossoms. Temples. Zen. Gardens. Oh, my.
My sister was more interested in Kabuki and Noh theatre, so we negotiated time dedicated to our interests. We attended performances of both and met with a foremost expert on Noh, a US ex-pat living and teaching in Japan for 40 years. We managed to walk blocks that became miles, traveled by bus, train and taxi, all in search of blue, art and food.
Finding indigo in Japan is not easy. Sometimes we couldn’t locate the address. Sometimes we got lost despite Google maps. Sometimes I would stand on a street corner and call out, Does anyone speak English? to help us get our bearings. (Always, a kind, helpful person came to our aid, even guiding us to where we needed to go!) Sometimes the source was in such a remote area that we couldn’t get there. Tokyo is a vast megalopolis, on a scale beyond my ken. Kyoto, described as smaller, hardly pales in comparison.
The art of dyeing with indigo today is uncommon, as it is in Oaxaca, Mexico, where it is necessary to travel twelve hours from Oaxaca City to meet the maker. In Japan, one must also ferret out the dye masters and makers who turn indigo-dyed cloth into clothing. The practice is almost extinct, just like Mexico. And, as with all things made-by-hand, quality comes with a price, when you can find it.
I also noticed construction similarities between traditional Oaxaca huipiles and Japanese kimonos. Both are simple assemblages of cloth squares and rectangles, with hand-stitchedSi seam sewing and no tailoring (ie. no darts). The long, drooping kimono sleeves are merely rectangles attached to the main robe. Hand-stitching for seams and embellishment a standard practice.
Few pieces, I discovered, are hand-loomed now. Indigo-dyed ready-to-wear can be designed in Japan and made in India to keep prices in check. I found one amazing Meiji period kimono in perfect condition. Price tag, $1,800 USD. Pass. I’m looking for wearable art and not creating a museum-level collection.
What I also discovered is that a focused quest for indigo takes time. Even more than a three-week introductory visit such as the one I just completed. Perhaps another trip is needed to go deeper and wider. Perhaps.
I’m grateful to Elli Sawada, a Kyoto-based indigo dye student originally from San Diego, who referred me to several sources for investigation. Elli is studying with famed master-dyer Fukumi Shimura. Elli and her brother participated in our Oaxaca One-Day Natural Dye and Weaving Study Tour last month.
I also want to thank Nancy Craft of Esprit Travel and Tours, Japan Travel Expert, who generously shared her list of Kyoto textile shopping resources with me. I hunted down those most relevant to my interests.
My friend Madelyn wrote, I hope you found yourself a wonderful indigo garment or textile. Plural, I replied. I filled a duffle bag with blue. Ancient blue. New blue. Traditional blue. Deep, dark, almost black, blue. Kimono with wide, boxy sleeves. Cozy, contemporary long-sleeved jacket with roll-up cuffs. Vintage farmer’s coat with sashiko stitching. All perfect with blue jeans or black skirt. I have satisfied my lust for blue.
Sidebar: Barbara and I were flaneuring down the main street of Tokyo’s Aoyama district (which easily overshadows Fifth Avenue and Rodeo Drive) after visiting the Meiji Jingu Shrine. I noticed a pop-up shop and stepped in to find Yu Design Office featuring hand-crafted indigo clothing.
Yu Design Office was founded by artisan Hiromi Yamada and her architect son Yuji Yamada. They use natural indigo dye from Hanyu City, Saitama, employing a traditional kimono-making technique called itajime from Mizuho City, Tokyo, and fine cloth from Hachioji, Tokyo. Combining indigo, persimmon juice and pitch black, the wool-silk scarf they make takes on a deep greenish blue hue. The cloth is folded and stacked and pressed between wooden boards to give it texture.
Recommendations for hunting down Japan Blue:
Konjaku Nishimura Old Textile Arts, Gion, Kyoto, Nawate Street, Higashiyama-Ku, Kyoto. Email: info@konjaku.com
Chingireya Vintage Textiles, Gion, Kyoto, Nawate Street, Higashiyama-Ku.
Textiles Yoshioka, exquisite, all natural dyes, mostly scarves, shawls, accessories, Gion, Kyoto.
Aizenkobo, indigo workshop and gallery, Kyoto. Third generation workshop, producing traditional garments, scarves, yardage. People love it. I was underwhelmed.
Little Indigo Museum, Miyama, Kyoto Prefecture, is operated by Mr. Hiroyuki Shindo. In picturesque town of thatched-roof houses, this is a full-day trip. Small souvenir indigo samples and scarves are for sale. shindigo@cans.zaq.ne.jp
Gallery Kei features vintage textiles and is operated by Kei Kawasaki on the famous Teramachi Street (671-1 Kuoinmae-cho Teramachi Ebisugawa-agaru), just south of the Kyoto Imperial Palace. At our visit, she had vintage boro from Northern Japan, garments and cloth fragments of hand-woven natural materials (hemp, linen, cotton, silk) and dyes. Write to confirm they are open. gallerykei@live.jp
Gran-Pie, also on Teramachi Street between Ebisugawa-dori and Nijo-dori, is a contemporary clothing store with garments designed in Japan, dyed and made in India.
I can’t publish this post without mentioning NUNOworks Fabrics in the Roppongi district of Tokyo. On our last afternoon in Japan, I went bonkers over the bolts of fabrics, and sewn-on-the-premises clothing. Delicious scarves. Beautiful garments. Outstanding design. Reasonable (by Japan standards) prices. Though few pieces are naturally dyed.
Department stores like Isetan (Kyoto Station), Takashimaya, Mitsukoshi and Matsuya Ginza feature contemporary Japanese designer boutiques, including Issey Miyake, Comme de Garçons, Yohji Yamamoto, and others. Some use indigo and other natural dyes, and are priced in the stratosphere.
Where to Stay in Tokyo: the b roppongi hotel. Loved our stay here. Convenient to metro, restaurants, fair price, excellent service.
Where to Stay in Kyoto: we loved the YADO Hotel in Arashiyama. Book room #308. Recommend also staying in Gion area for more central experience.
Exvotos: Mexico’s Naive Folk Art Painting of Thanksgiving
In the third room of Casa Azul you will see a small sampling of a vast collection of exvotos amassed by Frida Kahlo and Diego Rivera. It is said they had one of the largest collections of these small tributes of thanks to a saint for a miracle, for saving a life, a favor received.
Domera Morales Rojas Milagro con ce vida. Cholula, Puebla. 1940’s.
These are charming, naive paintings on laminate, tin, paper or cardboard, made by the person giving thanks. It usually includes a personal message below the scene, along with the name of the petitioner, and sometimes a date. You often see misspellings, incomplete sentences. A hammer and nail was all that was needed to attach the ex voto to the shrine in offering.
New ex voto painted by Rafael Rodriguez, collectible, riding a guajalote.
It is now difficult to find antique ex votos. Many we see are painted on distressed tin or steel to look old. Buyers can be deceived and pay a higher price than the piece is worth.
A prodigious miracle. Lupema Lora Rosales. Zacatecas. Circa 1940. Vintage.
Yet, my tried and true motto is: If you like it, buy it. You may never see a piece like the one in front of you again. Meaningful mementos are important.
My other motto, that I learned a long time ago is: There will always be a sale. That is, there will always be something to fall in love with. If you pass it by, there will be something else, but it won’t be the same!
Saved from octopus strangulation in Baja, California, by Rafael Rodriguez. New.
Back to ex votos.
The day after my visit to Casa Azul last week, I took the Australian group to Bazaar del Sabado in Plaza San Jacinto, San Angel. This is now my favorite place for imaginative, creative shopping in Mexico City. The bazaar, held only on Saturdays, is filled with contemporary art, jewelry, clothing, textiles and artisan designed wares.
Early ex voto, 1931. Saved from pulminary sickness, infinitely grateful.
Adjacent streets are lined with boutiques, galleries, and street artisans selling crafts from all over Mexico. Painters and print makers show their work displayed on easels in the surrounding parks. It is a lively place to meet, eat and spend the day.
Vintage exvoto, giving thanks for safe journey on treacherous mountain road.
My greatest discovery was the small shop operated by Karima Muyaes, whose father was an antique dealer and one of the original founders of Bazaar del Sabado. Karima is a talented painter who is in process of publishing a collection of her vast body of work.
Giving thanks for surviving this train robbery in Chihuahua in 1937. Reproduction.
The shop has a selection of fine contemporary ex voto reproductions and I became enamored with the idea of owning one, a la Frida and Diego. Karima is forthcoming about what is old and what is a reproduction. After I bought a blue six-headed sea monster who, ojala (god willing), did not strangle the supplicant, Karima and I talked about our mutual love for Oaxaca.
You need a magnifying glass to read this old one!
She also told me she had a few vintage ex-votos at her home and invited me to come to visit, which I happily did. The environment is a visual feast in tribute to the work of her father, his collections, and her amazing paintings.
Galley proofs of Karima’s new book, The Color of Spirit
She is in process of putting together a photo book of her life’s work. I had a chance to look at the early galleys and meet the graphic designer from Chicago who is working with her on her project.
Portrait of me and Karima in her living room, Mexico City; her paintings
Painting on ceramic, by Karima Muyaes
I am thinking of purchasing a few ex votos for resale. If you are interested, please let me know. norma.schafer@icloud.com
Painting on canvas, unframed, by Karima Muyaes
Tabletop still life, home of Karima Muyaes
It is likely I will meet Karima again before I leave Mexico City to return to North Carolina on this trip. We will probably visit her studio, where I will take more photos to share with you.
Paint brushes, home of Karima Muyaes
Vintage sterling silver milagros –folk charms, a father’s collection
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Posted in Cultural Commentary, Photography
Tagged antique, ex voto, folk art, Karima Muyaes, laminates, Mexico, milagros, naive painting, reproductions, retablo, vintage