Monthly Archives: November 2012

Best of Week Day of the Dead Photographs: Sara E. Thomas

Sara, who goes by Liz, is an inveterate traveler, accomplished intermediate-level photographer and fluent Spanish speaker.  While this was her first visit to Oaxaca, Liz, who holds the B.A. in Spanish from the University of Oklahoma, participated in student exchange programs and extensive independent travel in Spain, other parts of Mexico, Central and South America.  She now lives near Cincinnati, Ohio.

Photo 1:  Teotitlan del Valle weaver Pedro Mendoza and his family hosted Liz along with fellow workshop participant Deby Thompson during the November 2 All Souls’ Day observance for Day of the Dead in the village.  Liz and Deby had dinner with the family and went with them to their gravesite at the cemetery.  We embed our participants with families so they better understand and appreciate the local traditions.

Photo 2:  Guiding the dead spirits, by Liz Thomas.

Liz says, “The total immersion was the best part of this program, and the host family experience goes beyond any normal ‘tour’ we could have when visiting Oaxaca.”

Photo 3:  The offering, by Liz Thomas, who says, “I would recommend this program to others, especially if you are interested in weaving, traditions and getting out of daily life at home. Overall excellent itinerary and planning!”

 

Photo 4: (Left), Omar Chavez Santiago, age 19, at the loom.  Photo 5: (Right), hand-woven, naturally dyed rugs at the home studio of Omar’s family, Chavez Santiago Family Weavers.

 

Photo 6: (Left), Wool on spindles.  Photo 7: (Right), Mariachi minstrel on Macedonio Alcala during a Day of the Dead comparsa.  Note the spider in the hole of the sound box.

Photo 8:  At the Xoxoxcotlan cemetery Liz captures the magic of the night and the illumination of candlelight on the faces of those sitting vigil waiting for their loved ones to arrive.

 

Photo 9:  (Left), the folk art pottery of Teodora Blanco‘s son Luis Garcia Blanco from Santa Maria Atzompa.  We went there after a lovely, cool morning walking the archeological site of Monte Alban.  Photo 10: (Right), the Comparsa Girls.

Photo 10: Liz gave us this beautiful shot of Monte Alban, taken from the heights of the north section.  The buildings dating from 100-600 CE are like sculpture against the 9,000 foot mountain backdrop.

Bill [Bamberger] was very accessible, easy-going and accommodating.  He gave me excellent advice on editing and preparing a portfolio,” says Liz.

Photo 11:  I’d call this one Oblivious!  What would you say.  Liz captured Love On The Street perfectly.  Despite the fact that a full comparsa was underway on the street in front of them, this young couple was concentrating on what was most important — each other.  A whole line up of snuggling couples was as interesting as the masquerade parade going by.

Photo 12:  Icon of Oaxaca, the Church of Santo Domingo is an impressive landmark.  Inside, her gold gilded altar and ceiling was the envy of all of Mexico.   You’ve got to get on your knees to get a wide and tall shot like this.  Saludos to Liz for accomplishing that.

Did I tell you that Liz packed two Nikon cameras around her neck so she didn’t have to take the time to change out lenses?

Anyone for Street Photography in Oaxaca starting on January 16?

 

Best of Week Day of the Dead Photographs: Mark Pollard

Professional photographer Mark Pollard from Los Angeles and the San Francisco Bay Area has taken photos around the world but had never been to Oaxaca, Mexico before.  Mark joined us for the 2012 Day of the Dead Photography Expedition because he wanted to work alongside and get portfolio feedback from our workshop leader Bill Bamberger.

Mark selected ten photos to represent his best of the week. .

Photo 1: (Left) Masquerade Parade along Macedonia Alcala.  Photo 2: (Right) Girl with hanging bottles, by Mark Pollard.

Photo 3:  Lighting candles at the Xoxocotlan cemetery, Oaxaca, Mexico by Mark Pollard, who says, “The grave yard at Xoxocotlan was most memorable for me.  A fantastic experience that produced some engaging photos. Time there with the group and on my own was well-balanced, and so this was both a fun night out and the best way to share the experience with local people.”

Photo 4:  Mark captured this ethereal vision of Monte Alban from a different perspective.  We had a chance to see the world through his eyes, too.

“It was valuable for me to see images that others [in the workshop] took that differed from my own — seeing through their eyes will help break me out of some of my habits and experiment more,” says Mark.

Photo 5:  Mark steps right in to get close to his subjects and loved photographing the comparsas on the street.  They are a combination of street theatre, mime and parade.

 

Photo 6: (Left).  He captured the texture and color of this sand sculpture perfectly, and gave us the beautiful portrait in Photo 7 (right) of Teotitlan del Valle host Luvia Lazo.

“I found the planning to be thoughtful and comprehensive.  Adjustments were made that reflected the wishes of the group.  Bill did an excellent job in providing instruction without overly directing our work,”  says Mark.

Photo 8:  In Mark’s work we saw that there is beauty in simplicity.  Here he captured a family portrait married with sublime Oaxaca color.

Photo 9:  In search of another comparsa, Mark ended up in Jalatlaco to find the parade of the skeletons, a wall mural and a street reveler waiting for the parade to begin.

Photo 10:  And back on Macedonio Alcala, this parade featured a re-enactment of guiding the spirits back to the underworld lured by the aroma of copal incense and cempasuchitl, and the glorious color of cockscomb.

Mark Pollards adds, “I would strongly suggest this trip to others and will do so — a perfect introduction to this time of year in Oaxaca.”

For information about the 2013 Day of the Dead Photography Expedition in Oaxaca, please contact me!

Taking registrations now for Street Photography in Oaxaca starting January 16, 2013.

Photography in Oaxaca: Reality or Romantic Vision

What does a photographer whose subjects were native Americans have to do with Oaxaca?  Read on.

1900’s photographer Edward S. Curtis sought to capture the vanishing American Indian.  The just published Curtis biography,  Short Nights of the Shadow Catcher by Timothy Egan, documents Curtis’ quest over the next thirty years traveling throughout the American west.  The photographs are stunning, emotionally connecting, and compelling. They present us with a real image of native American Indian life at the time.

Or do they?  The book reviewer Josh Garrett-Davis, a Ph.D. student in American history at Princeton University, and  the author of “Ghost Dances: Proving Up on the Great Plains” (Little, Brown & Company) brings to question whether Egan promulgates the romance of the Old West and the inclination of photographer Curtis to capture life as he thought it should be.

This is an important question for documentary photographers.  The discussion challenges me to think about my own photography of Oaxaca life and her indigenous people.  Each of us who holds a camera could benefit from taking a moment to ask ourselves if we romanticize our subjects in order to capture what we believe should be authentic in the face of unrelenting forces of change.

Curtis was given almost unrestricted access to the tribes he photographed, asked his subjects to pose, and often removed signs of contemporary life from his photographs in the darkroom in order to present his subjects in an idealized environment.  We are more easily able to do this today with Photoshop.

Garrett-Davis says, “As gorgeous and useful as much of his work remains, the project as Curtis conceived it was a fool’s errand. He hurried to salvage scraps of pristine Indian culture, because, he said, “There won’t be anything left of them in a few generations, and it’s a tragedy.” He had been infected with the white American fantasy that Indians were the “Vanishing Race,” to use the title of the opening image of the entire series. It depicts a line of Navajos, barely more than silhouettes, riding away from the camera and into a dark oblivion.”

Photography is a powerful medium. Through the lens we get to chose the story we tell.  And, we cannot prevent change.  Societal pressures from within as well as from external influences direct the forces of change.  Positive change has opened access to education, health care, good jobs and discussion about cultural revitalization.

Now, on to showing more Day of the Dead photographs!

Oaxaca Street Photography starts January 16.

 

Best of Week Day of the Dead Photographs: Debbie Mayfield

Debbie Mayfield is from Santa Cruz, California, and this was her first visit to Oaxaca, Mexico.  She had just gotten a new camera and wanted instruction plus a great travel adventure for Day of the Dead.  Usually Debbie and her husband Doug travel independently and this was also their first experience being part of a travel workshop group.  They loved it.

Here are Debbie’s best of week photos.  She says, “I learned not to be afraid to experiment with my camera functions and discovered how wonderful the people from Oaxaca are!”  Debbie got off automatic!  Hurray.

 

“I’d recommend this program to others because there is unstructured time to be on your own.  The flexible schedule made it possible to be in the moment if events came up,” says Debbie.

   

Debbie and Doug discovered El Sueño de Elpis multimedia installation just across the street from our hotel. She really captured the shadows beautifully.  And this masquer is taking a break from the comparsa along Macedonio Alcala.  Debbie says that “I always felt safe and would not hesitate to walk alone.”

Pedro Montaño (second from top left) and his wife Carina Santiago (third from top left), who own Restaurant Tierra Antigua in Teotitlan del Valle, hosted Debbie and Doug for lunch.  They joined Pedro’s brother Fidel and with Marisela with their parents at El Descanso Restaurant operated by Fidel and Mari. Pedro explained the meaning of Muertos in the village and took Debbie and Doug to the cemetery after comida.  We embed all our photography participants in a family for Day of the Dead to give them the most authentic, culturally sensitive immersion experience.  And, as a gift, we also take a family portrait to share.

 

Building sand sculptures on the Plaza de la Danza is not without humor and endurance.  It takes at least three days to construct and decorate these amazing works of art.  Pray for no rain.

Self expression through wall art during Dia de los Muertos is ubiquitous around the city, from Jalatlaco to Xoxocotlan. This is NOT graffiti.

  

Being in the middle of an amazing parade, the spending the day with Carina and Pedro, and visiting the Chavez Santiago Family Weavers were most memorable events for Debbie.  She says, “Thanks, Norma for a truly great Oaxaca experience!”  Thanks to you, Debbie, for being with us and sharing your love of photography and enthusiasm for adventure.  Great pics!

Best of Week Day of the Dead Photography: Norma Hawthorne

Here is a selection of my personal best photographs taken during our Day of the Dead Photography Expedition in Oaxaca, Mexico, from October 28 through November 4, 2012.  Over the next weeks, I will share the photos of all our workshop participants.  The range of our work with differing points of view provide an in-depth visual journey into the extraordinary experience of being in Oaxaca during Muertos.

Photo 1: The Red Quinciniera.  Street life presents itself randomly.  Here, a quinciniera celebration in front of Santo Domingo Church was in full swing and I got these boys jumping for joy as she is splendidly triumphant.

Daily culling of hundreds of photographs to yield the best ten or fifteen is a challenge.  To then bring that down to the best ten or fifteen for the entire collection of a week of work is daunting. That is what each of us was asked to do as we received daily feedback from our instructor Bill Bamberger and fellow participants.  This helped in the selection process.  It also helped to use a ranking system in either Photoshop/Bridge or Lightroom to make the task a  bit easier.

Photo 2:  In the pottery village of Santa Maria Atzompa, we stopped to visit the taller (workshop) of Luis, the son of famed, deceased potter Teodora Blanco. Atzompa Laundry with Vessels was the result.

Photo 3:  The Donut Vendor was on the Xoxocotlan main street between the Panteon Nuevo (new cemetery) and where our van was parked.  There were two left.  Cream filled and delicious.

Photo 4:  Love on the Zocalo, Oaxaca, Mexico.  She only had eyes for him and they never waivered, even though I paused not more than ten feet away for a series of night shots with my tripod.  My ISO was probably bumped up to 6400!  Love is everywhere on the streets of Oaxaca. It’s infectious.

Photo 5:  Red Drapery, Panteon Antiguo, Xoxocotlan.  The ancient 16th century cemetery is mysterious, almost an archeological site. At 5 p.m. it began to rain.  Huddled under an ancient archway, I sought shelter and found this scene.

   

Photo 6 (left): Hurdy Gurdy Player, Mexico City.  He may have been as old as twelve or fourteen, with extraordinary eyes.  Photo 7 (center): Omar Chavez Santiago Portrait, Teotitlan del Valle, Oaxaca. Photo 8 (right): Federico Chavez Sosa Portrait, Teotitlan del Valle, Oaxaca.

 

Photo 9 (left): Food Trucks Oaxaca Style at Night.  Photo 10 (right): Reflections of El Sueño de Elpis, Maurico Cervantes’ multimedia art installation, Oaxaca.

 

Photo 10 (left): Lady on the Bus.  For this one, I nearly got my foot run over as the bus careened around the corner as we were standing on the curb ready to cross.  Glad I had my camera handy!  Photo 11 (right): Garbage Goes Here, recycling outside the cemetery in Teotitlan del Valle the night of the village vigil on November 2, All Souls’ Day.

Photo 12:  Panteon Jungle, Teotitlan del Valle, Oaxaca.  Standing vigil at the grave site of Augustin Ruiz’ mother.  The backlight gives the trees an eerie feeling of being in a jungle and captures the ethereal mood of the place.

I am taking reservations now for the 2013 Day of the Dead Photography Expedition.  Please contact me to hold your place!