For hands-on fun, escape winter and come to Oaxaca from February 2 until February 9, 2013. Together, during this one-week workshop, we will be immersed in the textile culture of Oaxaca to create naturally-dyed felted fabric combining wool, silk and cotton that can be hand or machine stitched into an indigenous clothing design of your choice. Our experts, textile and fiber artist-clothing designer Jessica de Haas, from Vancouver, B.C., Canada and Eric Chavez Santiago from Oaxaca, Mexico, will show you how!
About Your Instructors
Jessica owns the clothing design company Funk-Shui and is an award-winning, internationally known fiber artist and teacher. She recently completed an Arquetopia artist residency in Oaxaca, and taught and exhibited at the Museo Textil de Oaxaca. See her website for bio and designs.
Eric Chavez Santiago, founding director of education at the Museo Textil de Oaxaca, is a weaver and natural dye expert. He has taught natural dyeing techniques in Oaxaca and at U.S. universities and museums since 2006.
Our Itinerary
First, working with Eric in his family’s home studio in Teotitlan del Valle, we will dye and over-dye wool roving with natural materials: cochineal, indigo, wild marigold, pomegranates, nuts and other plants to achieve the colors you will use in your piece(s). We will learn about mordant processes to fix the dye and dye extraction to create over 10 different colors. Wool and dye recipes are included!
Then, working with Jessica in the courtyard of our B&B, we will felt our naturally dyed wool fiber on silk or loosely woven cotton or muslin, making a durable and beautiful fabric. After your fabric is dry, you will have the option to cut and sew it into one of several indigenous Oaxaca styles: the huipil (tunic), the blusa (blouse), rebozo (shawl), boufanda (scarf) or quechequemitl (cape). Here is a piece from Jessica’s collection that you might like!
We give you a pattern book to choose your design! Below is a sample pattern for a quechquemitl.
This workshop is for all levels of experience! You do not have to be an artist to attend. We welcome beginners who have never worked in hand felting and more advanced fiber artists. This is a perfect residency for students, teachers and artists who may want to explore a different medium, too.
We will provide you with patterns for the basic indigenous designs that can be adjusted to fit. If you want to contemporize them, we can help you tweak and make minor adjustments. If you have sewing or pattern drafting experience and want to experiment on your own, you are welcome to work on an independent design project after your fabric is made.
We will be based in the weaving village of Teotitlan del Valle where for generations families have been creating wool textiles. During our time together, we will go on local field trips to meet and talk with weavers who work with natural dyes and weave fabric for wearable art as well as sturdier floor and wall tapestries. We will see examples of the types of garments that can be created from the felted fabric we make.
Materials to bring (preliminary):
- silk, loosely woven cotton, and/or muslin—3-4 meters (4.37 yards) minimum
- beads, sequins, buttons, ribbons, embroidery thread and other embellishments (we will also have a supply on hand that you can use, too)
Note: The materials listed are sufficient to make one garment. If you wish to prepare more than one piece of dyed felted fabric, you are welcome to bring more materials to dye. However, it is likely you will only be able to complete one finished piece during the time allotted.
Oaxaca Cultural Navigator LLC will provide, included in your registration fee:
- all instruction
- 7 nights lodging
- 7 breakfasts
- 7 dinners
- all dye materials
- merino wool roving for one garment
- pattern booklet
- dye recipes
- sewing machine to share, needles, thread
- selected embellishments
Workshop is limited to 8 participants.
Daily Workshop Schedule:
Arrive Saturday, February 2, Depart Saturday, February 9 — 7 nights, 8 days
- Day 1, Saturday, February 2, arrive and settle into your bed and breakfast posada in Teotitlan del Valle (we send directions)
- Day 2, Sunday, February 3, natural dye workshop to prepare wool roving
- Days 3-5, Monday-Wednesday, February 4-6, make the felted fabric on silk, cotton or muslin
- Days 6-7, Thursday-Friday, February 7-8, create your pattern, sew and embellish the garment
- Day 7, Friday, February 8, evening fashion show and reception
- Day 8, Saturday, February 9, depart
(Preliminary daily schedule subject to modification.
Workshop Fee: $1,365 per person shared room and bath, double occupancy. Single occupancy with private bath, add $300. Most travel programs of this type and length cost more than twice as much!
Options:
Option 1: Arrive a day early, on Friday, February 1, and take a Zapotec cooking class on Saturday, February 2 with Reyna Mendoza Ruiz. Includes one night lodging, breakfast, lunch, cooking class and recipes. $110 USD each.
Option 2: Saturday, February 9, guided visit to Yagul and Mitla archeological sites, noted flying shuttle weaver who only works with natural dyes, boutique Mezcal palenque in Matatlan. Excursion includes transportation, lunch, supper, admissions, and overnight lodging February 9. $125 per person.
Option 3: Sunday, February 10, all day excursion guided visit to Tlacolula Market, including apron and rebozo avenues! Includes transportation, lunch, supper and overnight lodging. $75 per person.
Option 4: Saturday and Sunday Nights in Oaxaca City. We will arrange your stay at a lovely Bed and Breakfast in the city where you can explore the shops and dine in great restaurants. We will provide you with a list of our favorites. $125 per night per person.
About Our Workshops, Retreats and Programs. We offer educational programs that are hands-on, fun, culturally sensitive, and offer you an immersion experience. Our workshop leaders are experts in their field, knowledgeable, have teaching experience and guide you in the learning process. Our goal is to enhance your knowledge while giving you time to explore and discover.
About Lodging and Accommodations. To keep this trip affordable and accessible, we stay in a local posada operated by three generations of women — grandmother, mother, daughter — all great cooks! The food is all housemade (including the tortillas), safe to eat and delicious. Vegetarian options are available.
Accommodations are clean and basic. Shared baths are across the courtyard. (Bring flip-flops and flashlight.) The base price of the trip includes shared room and bath; single supplement with private bath is available (add $300). Please indicate your preference.
Your registration fee does NOT include airfare, taxes, admissions to museums and archeological sites, gratuities, liquor/alcoholic beverages, some meals and some transportation.
Deposits, Reservations and Cancellations. A 50% deposit ($683) is required to guarantee your spot. The final payment for the balance due (including any supplemental costs) shall be paid by December 15, 2012. We prefer Payment with PayPal. We will be happy to send you an invoice.
If cancellation is necessary, please notify us in writing by email. After December 15, 2012, no refunds are possible; however, we will make every possible effort to fill your reserved space. Your registration is transferable to a substitute. If you cancel before December 15, we will refund 50% of your deposit. We strongly recommend that you take out trip cancellation, baggage, emergency evacuation and medical insurance before you begin your trip, since unforeseen circumstances are possible.
To register or for questions, contact: normahawthorne@mac.com I am happy to set up a Skype call with you, too. Skype name: Oaxacaculture
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Linking Oaxaca Past to Present Through Arts and Design
The New York Times featured Oaxaca as a living example of how to best marry past and present in its June 15, 2013 feature story, The Past Has a Presence Here written by Edward Rothstein in The Critic’s Notebook in the Times Arts & Design section. Says Rothstein, “In the museums and gardens of Oaxaca, Mexico, unlike those of the United States, the character of history is unvarnished.”
History converges in Oaxaca, Mexico because her indigenous people have survived for millenia despite conquest, wars, disease, poverty and malnutrition. The archeological ruins of Monte Alban and Mitla are evidence through extraordinary physical remains of the building and destruction of great civilizations. Descendants live in the valleys below with language, culture and art intact. Her food — mole, squash, corn, beans, chiles — are also a living testimony to creativity and adaptation in a harsh land.
Rothstein uses a good part of his “column inches” to discuss the importance and impact of the Ethnobotanical Gardens designed and developed by Alejandro de Avila B. It is a living centerpiece of Oaxaca’s cultural history — a compendium of native plants that people have and continue to depend on for fiber, natural color, shelter, and beauty.
Oaxaca is rich in tradition that has not died out and is only accessible through memory and museum exhibitions.
He goes on to say, “But how different all of this is from images of the indigenous past north of the border! There are few areas where evidence of ancient state-size power exists (mainly in the 2,000-year-old relics of societies that once thrived along the Ohio, Tennessee and Mississippi Rivers). There are few places where cultural continuity is even remotely clear, and where ancient languages are still widely spoken. Even before colonization, cultures disappeared, leaving behind neither oral traditions nor written records. And forced migrations and centuries of warfare so disrupted native traditions that the past now seems little more than an identity-affirming fantasy.”
I think of the Taos pueblo, the Four Corners in Utah, Arizona, Nevada and Colorado, the dioramas and exhibitions in the Museum of the American Indian, annual Indiana pow-wows of the Potawatomi to bring far-flung tribal members together, and the painful history of exile, annihilation and reservations.
What do you think of when you read Rothstein’s article?
And, yes, Oaxaca is safe. I am on an airplane today to Mexico City, then Puebla. I’ll pick back up on my posts in a few days.
Plus, thanks to friend Leslie Fiske Larson for bringing this NY Times article to my attention! Leslie spent several months volunteering at the Museo Textil de Oaxaca and knows a great pushcart fruit stand right around the corner! Yummy papaya.
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Posted in Cultural Commentary, Oaxaca Mexico art and culture, Travel & Tourism
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