It’s festival season in Teotitlan del Valle. It was a full moon, a large globe of yellow light illuminating the path and all who walked it. On Christmas Eve baby Jesus is carried on a pillow through the winding cobblestone streets by the patron of the *last posada. He is followed by a litter holding statues of Mary and Joseph shouldered by four young women.
The procession is flanked on one side by men, the other side women, each carrying lit decorated beeswax candles adorned with handmade wax flowers. Firecrackers boom out in front. A man swings a copal incense burner. The aroma is sweet, intense. Children and adults tweet whistles. The drummer keeps the pulse of the crowd throbbing.
We pick up people along the way to join in. Some stand at street corners or in doorways. Even the smallest of children participate. Early acculturation to custom and tradition.
The timing is precise. The procession must arrive at the church exactly at 10 p.m. for the evening mass to return the figures to their rightful resting places for another year, when the cycle will be repeated again with different actors.
My son, sister and brother-in-law are here and I’ve had the joy of being a tourist in my own town for the last few days. This night, we got to the house of the patron a little after 7 p.m. to learn that the procession that would leave the house to get to the church wouldn’t begin until 8 p.m.
Being the wonderful, hospitable people that Teotitecos are, we got invited in to see the creche and the blessing ceremony before the group gathered to walk the streets of the village.
My sister, a flautist, struck up a conversation with the band leader who invited her to join them at a special morning band ceremony on December 31 that will welcome in the new year. Start time? 4 a.m.! I’m not sure Barbara is going to make it.
Tradition in this village is to have a family meal at midnight after the mass ends to welcome the birth of Dios Niño. This is a feast of tamales, wine, mezcal, salad, chicken, stuffed pork, turkey or whatever other favorite entree the family likes. There may be beans, rice, fresh vegetables from the fields, ponché (like a sweet fruit cider), fresh fruit and an extravagant dessert.
There is no big festival meal served during Christmas Day here like in the USA. Families relax, stroll, play games. So, I asked Josefina if she would prepare a carry out. Roasted chicken spiced with salsa roja, mixed with carrots, green beans, squash and potatoes, served with organic rice and beans. Surprise, Lupita shows up with a gift of handcrafted chile rellenos stuffed with chicken.
We finished on the rooftop terrace with wine and a three-hundred-and-sixty-degree view of the Tlacolula Valley. The red sun vanished in the west.
*The Last Posada: La Ultima Posada, is actually on December 23, when Mary and Joseph move to the Casa de la Patron for the final evening before the birth of Jesus. The baby appears at this house on December 24, is cradled by the woman of the household, then is held by the patron under a canopy as the procession leaves the house and moves through the village to the church. This December 24 event is called La Procession.
Technical issues: My USB internet connection is REALLY slow these last days. It takes about 30 minutes to upload one photo! So this is a delayed post. Lots of intervening activities since I wrote this: The radish festival, a trip to Hierve El Agua, and a mezcal exploration to the remote mountain village of San Juan Del Rio. More to come.
Another Year in Santa Cruz Xoxocotlan, Oaxaca, Day of the Dead
It’s my habit, practice, custom, wish to leave Oaxaca city at 3:00 p.m. to arrive at the old cemetery (panteon) in Santa Cruz Xoxocotlan by 4:00 p.m. to celebrate Day of the Dead/Dia de los Muertos. I go there first and spend at least an hour and half in this sacred space. It’s just before the magic hour, before the light begins to fade at dusk. Getting there early has another advantage — a parking place close to the center of town.
The old cemetery is magical. It houses the remains of an old adobe church with crumbling walls that are held up by wood scaffolding. The fading stucco lintel can still be read, dated 1648 and adorned with cherubs and saints. It is roofless.
Yellow plastic do not cross–danger zone tape is a warning against entry. There is more of it this year. There are tombs inside. Last year a family invited us in to join them at an ancestor’s grave covered with flowers. This year, there was no one and I didn’t see any flowers. Perhaps it is now too dangerous to enter. I don’t know if there is a restoration plan.
Some of the grave stones are so weathered they are hard to read. Other tombs are marked by simple crosses and mounds of earth. You can tell who still has relatives in town who will pay attention to the dead. Some graves are empty of adornment. Others may have a token marigold plant so the souls know where to return.
We step carefully. Grave sites are adjoining and there is no clear path. If you aren’t careful, you can trip and fall. I stand against the concrete wall that holds this space to take it all in, look at the clear Oaxaca sky, think about life and death, and see an ancient Zapotec tradition unfold that pre-dates the Spanish conquest. I never tire of this. There are ancient bones here.
Just as in Teotitlan del Valle and San Pablo Villa de Mitla, locals welcome tourists because tourism is essential for Oaxaca’s economy. Those in larger villages accustomed to visitors for Muertos usually don’t mind having their photos taken but I’m always careful to ask. In the smaller villages, it’s still awkward since tourism is a relatively new phenomenon.
This year, however, what captivated me most was the changing, deteriorating structure of the old adobe, the arrival of the old and young together to tend to tradition, and the profusion of flowers.
As I rounded a corner I found a four-legged friend who was barking, guarding her own treasure hidden beneath the marble roof of an old monument that was now serving another purpose — shelter for new-born pups.
There is a profusion of homeless street dogs in Oaxaca. Most are never neutered and families usually don’t want females because they become pregnant. Duh! In some of the pueblos there is a growing movement toward education about animal protection/sterilization. But it is slow to take hold.
At every cemetery throughout Oaxaca, families bring in bundles of marigolds and purple cockscomb, vases, candles, oranges and bananas, brooms to sweep up the dried flowers from last year. Often they use wheelbarrows provided by the cemetery committee in each village. There is always a water cistern close by.
Don’t worry. You can buy candles, flowers and fruit right out on the street on your way to the cemetery. There are plenty of places to snack, grab a beer, and entertain yourself with amusements for children and adults, see the sand sculpture and an art exhibition. Wood-carvers from San Antonio Arrazola have a great annual display of alebrijes, too.
As we made our way through town to the new cemetery, we began to feel a different vibe. It was beginning look more like Halloween and an all-night party. It was only 7:00 p.m. The night was young and the young ones were getting ready.
Xoxo (Ho-Ho), as the town is called for short, has many wonderful murals on the Day of the Dead theme that are spray painted by street artists. This is a close-up of one below.
At the main cemetery, mezcal is offered freely to visitors by those gathered graveside. This burial ground is a wide open space with strolling mariachis and lots of flash photography.
We didn’t linger there long — long enough to get the taste of the wild and wonderful celebration to come later, and long enough to sip a mezcal with a family in tribute to their ancestors. Remember, the dead are only dead if no one remembers them and celebrates their lives.
Perhaps this will be my last Dia de los Muertos post this year. We shall see. I hope you have enjoyed the series, and may your departed loved ones continue to rest easy.
Tips to Participate: Bring several bundles of marigold flowers and offer some to local people to add to the tombs. You can also bring bananas, oranges and nuts. This is a very thoughtful gesture that demonstrates your desire to share in the ritual. Smile. Sit a while. Even if you don’t speak Spanish and smile and nod of acknowledgement goes a long way to friend-building.
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Posted in Cultural Commentary, Mexico, Oaxaca Mexico art and culture, Photography, Travel & Tourism
Tagged cemetery, culture, day of the dead, dia de los muertos, Mexico, Oaxaca, panteon, photographs, Santa Cruz Xoxocotlan, street dogs, traditions, Zapotec