Monthly Archives: April 2012

Oaxaca Organic Indigo Blue Dye — Añil or Teñido de Reserva

Indigo blue color is derived from an organic botanical plant that grows on the coast of Oaxaca in the village of Santiago Niltepec near Tehuantepec on the Isthmus.  Do you hear the añil in the name?  It takes 200 kilograms of plant material to end up with 1 kilogram of the hardened rock of blue that has dried from the fermented paste.  It’s what Levi Strauss used to make the original blue jeans during the California Gold Rush and even today, a bit of natural organic product is used to “stimulate” the chemical color of blue that was developed in 1904 during the Industrial Revolution.

 

Eric Chavez Santiago, the Museo Textil de Oaxaca‘s director of education, keeps a stock pot of indigo going in his dye kitchen almost constantly.  Eric says it can be refreshed with fructose crystalline.  He recently took a workshop from French dye master Michel Garcia who uses mango skins to activate the dye chemistry.

During a three-hour indigo dye workshop at the museum that I took from Eric, I learned that indigo has been in use for thousands of years in Egypt, Africa and India.  It was used by the Mayans, Incas and Zapotecs of Oaxaca!  It is grown in South Carolina, U.S.A. and most of the world’s production comes from San Salvador.  A small production, boutique crop, only 100 kg of añil is produced each year in Oaxaca state, but the market is growing as more local people are using natural dyes in their woven textiles.  They only produce the indigo in Niltepec.  They don’t dye fabric with it there.

 

It is tricky dyeing with indigo.  Añil oxydizes in water and becomes yellow green.  It is very important to gently immerse what you want to dye into the dye bath so the indigo is not disturbed by movement.  No stirring allowed!  When the cotton or silk  or wool is removed from the dye bath, the fabric color is yellow green and changes to blue as soon as it meets the air.  Multiple dippings are required to get a deep, intense blue and the indigo must not be “tired,” according to Eric.

During today’s workshop, we create shibori and tritik designs on the white cotton cloth we bring to dye.  We have not actually created the dye bath — it is already prepared for us!  Eric Chavez Santiago offers this indigo dye workshop once or twice each month at the textile museum.  Check the museum’s calendar for exact dates.  The cost is 50 pesos and you bring your own fabric to dye.  Very fun.

See my next post for more about Oaxacan indigo.

 

Puebla is the Perfect Stopover Between Oaxaca and Mexico City

The New York Times just published 36 Hours in Puebla, Mexico by travel writer Freda Moon, who did a similar feature about Oaxaca a few months ago.  Freda listed many of my favorite things to do, see, visit, shop for and eat.  Puebla is unique. The city is a blend of Spanish colonial with Moorish-Moslem influences brought from Spain during the conquest.  This is evident in both architecture and food.  In the early 1900’s, the city became a favorite of German immigrants, one reason Volkswagen selected Puebla as a manufacturing and assembly site in the 1960’s.

Here are a few extra tidbits of WHAT TO DO AND SEE IN PUEBLA to supplement Freda’s list:

1. Pan de Zacatlan: Relleno de Queso.  I stumbled upon this authentic European-style bakery walking from Talavera Uriarte to Talavera Celia and after a meditative moment at The Rosary Chapel in Santo Domingo Church.

  

The pastries here are amazing.  Most are stuffed with sweetened queso fresco and taste like eating a cheesecake empañada. The shop sells fresh cheesecakes, cheese,  the flan ranks a 9+ in my book, and it’s OMG for the Pan de Elote.  I sampled just about everything and my eyes were bigger than my stomach.  I had the empañada con queso for dinner during a rain-thunder-lightening storm so strong that I didn’t want to leave my comfortable hotel room. The rest of the goody bag came back to the U.S. with me.  My son and I ate what was left for breakfast in Long Beach, California, the next day.

   

Pan de Zacatlan, 4 Oriente No. 402, Puebla, Pue., Mexico, tel (222) 246 5676, pandezacatlan@hotmail.com. Open every day, 7 a.m. to 9 p.m., Monday through Saturday, Sundays and festivals, 9 a.m. to 8 p.m.

La Dueña, Pan de Zacatlan

Hungry for meat?  Turn left out the door and a couple of doors down is a traditional  restaurant serving lamb grilled on a spit with homemade pan Arabe (pita bread).  These are all over town, a testimony to the influences of pre-Catholic Spain imported to Mexico.

2.  Talavera Uriarte, 4 Poniente, No. 911. So much has been written about this venerable ceramics house that there’s not much left to say.  Their customer service is impeccable, quality superb, and packing and shipping always reliable.  Nothing ever arrives broken.  Ask for Ana!

Maceta for my sister. Uriarte drilled a perfect drainage hole while I waited.

3.  Talavera de las Americas,  7 Poniente 510 . Col. San Pedro Cholula, Cholula, Puebla. Tel. (222)261-0367.  Their operation is a very small, family-owned business and they “bend over backwards” for the customer.  It’s worth the visit to Cholula since the painting on the clay is very fine and detailed, the clay body is very light, and the work rivals it’s better known competitors at half the price!  We have purchased here directly and enjoyed the experience.

4.  Hotel Real Santander, 7 Oriente, No. 13, Puebla, two-blocks from the Zocalo.  These are not rooms, they are spacious luxury suites with thick comforters and towels, and excellent beds,  starting at 800 pesos a night in the off-season. Hotel Real Santander is a perfect, quiet hideaway between the Museo Amparo, the photography museum, and …

5. Across the street is La Quinta de San Antonio, my favorite antiques shop in Puebla.  Contact owner Antonio Ramirex Priesca by email.

6.  Churches on every corner, too numerous to list them all.  When you get there, follow the city guide and map to explore.  But, be certain to FIRST VISIT the Rosary Chapel at Santo Domingo Church.  The gold and glitz dazzles.

 

Some of the sculpted heads here remind me of the interior carved wood and painted figures in the extraordinary indigenous church at Tonanzintla.

  

7.  Talavera Celia.  You can find this good quality DO4 Talavera ceramics at Celia’s Café. 5 Oriente 608, Centro Histórico PueblaPuebla. C.P. 72000. Tel: 01 (222) 242 36 63, near the antiques district and weekend flea market.

A note on Talavera Ceramics:  there are only 10 authorized DO4 makers of traditional talavera ceramics in Puebla, Mexico.  More talavera is produced here than is Spain where the antique methods have almost died out.  I list only the best quality talavera ceramics makers on this blog and you can be assured that they all produce DO4 highest quality.  I would steer you away from buying from Talavera Armando — their customer service and shipping is poor and their products arrive broken.

On a personal note:  I will usually book a flight in and out of Mexico City, take the ADO bus from Oaxaca to Puebla, spend a night or two, and capture the colonial charm that makes Puebla so special.  Then, I will go to the Estrella Roja bus station on 4 Poniente to buy and board a luxury Saab Scania bus complete with WiFi  heading to the Benito Juarez International Airport for my flight to the U.S.

Black and White Photography Magazine Spotlights Oaxaca Workshop Instructor

Black and White Photography Magazine features the work of fine art photographer Sam Robbins in its current issue Number 91.  Sam co-leads our summer 2012 Oaxaca Photography Expedition: Market Towns and Artisan Villages with her husband Tom, also an art photographer and architecture professor.

As a testimony to their extraordinary teaching style and technical knowledge, three of last year’s participants are returning and the program is almost full as of this writing.  We have TWO spaces left.

The digital photography workshop is based in Teotitlan del Valle for a photographic cultural immersion experience.  The option is to also bring a second film camera to take your black and white shots. It is for beginners to advanced intermediate amateur photographers.

You can see Sam and Tom Robbins work at their website.

Please send me an email if you are interested in attending with us!

Dance of the Old Men in Teotitlan del Valle, Oaxaca

It looks like Carnival.  Some people call it Carnival.  But, it isn’t.  El Baile de los Viejos — Dance of the Old Men — is an ancient annual Zapotec pre-Hispanic tradition.  The “dance” is a ritual communication to ensure the stability and survival of a people.  The dancers remind the volunteer elected village leaders and especially the president to attend to their own behavior and the justice of their decisions.

The oral history of this dance, also called “disfrasan de vestementas,” is passed from generation to generation.  I asked Pedro Montano Lorenzo to tell me the story of the Dance of the Old Men.  We are sitting all together around the table for comida (lunch) during a giant afternoon thunder and lightening storm.  The heavens are pouring rain. Listen!  he says to his nearly adult children.  This is important for you to know.

 

The spirits of the Old Men first came to the village to save the people.  They return each year to celebrate life and remind us that we must be good people.  The Old Men have the right to represent the people, and speak honestly and directly to the authorities on their behalf.  They must have the courage to tell the president of the village about what needs to be improved.  They transmit to the leaders specific areas of concern after going from home to home in their section of town to talk directly to the people. Pedro says this tradition is “muy fuerte” — very strong and powerful.  It is a reminder that the people are more powerful than the leadership, and it is the people who put them there.

The Old Men are masked and anonymous.  Each of the five sections of the village select their “old man” representatives.  These are trusted individuals who speak Zapotec and know the traditions and customs.  They must be be strong enough to hear the issues and complaints of the people in their section and transmit the information honestly to the leadership.  Theirs is a serious responsibility.

 

Each section hosts a party that is financed by the people of the section, every household giving according to their means.  It could be money, a bottle of mezcal or a chicken.  The party is to welcome the Old Men from the other world, to celebrate them, and to feed them and give them strength before they leave the host house and proceed to the municipal building where they will meet with the president to give feedback.  Each section goes to the municipal building on one of the five days to speak to the president and dance the ritual, hence the five-day celebration.

The Old Men and their two other-worldly assistants, men dressed as women (to represent the women of the village, I am told), laugh with a ribald, stylized “risa” that tells everyone they are present and to pay attention.  The laugh is called a broma sannas — a good joke — to remind the pueblo that is needs to be in equilibrium and to restore good feelings if relationships need mending.

The band accompanies the procession and all ritual gatherings

The Old Men wear traditional manta cloth out of respect for the old ways.  They perform a ritual dance in the municipal palace with the president and village leaders to mime the relationship between the leaders and the village people.  The dance says that there is mutual respect between the leadership and the people, that they agree to fulfill the obligations to the village, responsible for each others’ behavior and the behavior of the leadership.  The dancers give an offering of mezcal, sweets and beer to the president of the village.  This is a ritual exchange to offer congratulations if everything is going well.  It can also be a  reminder that the balance of power is out of equilibrium and needs correction.

Some people think that the fiesta celebrates the resurrection of Jesus because it falls on the Monday immediately after Easter Sunday and call it Carnival.  Others say it has no relationship to Christianity and is an ancient pre-Hispanic practice.  All say that the children need to know this story in order to sustain the culture.

Carnival in Teotitlan del Valle, Oaxaca: Continued

Carnival in Teotitlan del Valle, Oaxaca is a five-day festival that begins on the Monday after Easter.  Why is this?  Carnival is celebrated around the world, and other places in Mexico and Oaxaca before Lent begins.  I asked several local residents who said they did not know.  It’s the way it has always been, they replied.  Perhaps this timing of Teotitlan’s Carnival predates the Spanish conquest and goes back to an ancient pueblo springtime ritual.  Does anyone out there know the answer?

 

Meanwhile, Day Two, hosted by the Mendoza Ruiz weaving family for their section, continued with the same fervor as the first day.  The family invited me as a guest and to take photographs.

    

Oaxaca Photography Workshops Coming Up Soon!

Cooking teacher and chef extraordinaire Reyna Mendoza Ruiz prepared an incredible mole amarillo , traditional for Teotitlan del Valle fiestas, with the aid of an army of women. (I’m linking you to a recipe, but for the most authentic experience, come to Teotitlan for a cooking class with Reyna.)  Her brother, weaver Erasto “Tito” Mendoza and owner of El Nahual gallery with his wife Alejandrina Rios, told me the meat was toro when I was served a bowl laden with the sauce covering a succulent meat, fresh potatoes, green beans and choyote squash.

   

The women had been up since 6:00 a.m. preparing for about 100 people who gathered for the 2:00 p.m. Teotitlan time midday meal.  Alejandrina said the beef had been stewing in an olla since the early morning hours.  Reyna offered me a spoon but I preferred the Zapotec way of dipping the fresh made tortilla into the spicy mole and tearing off a bit of the toro to eat together accompanied by fresh horchata.

  

As is tradition, the men are seated separately and served first.  Then, a section of the table is cleared for the abuelos, mothers and children to sit together.  Everyone drinks beer and mezcal as the band plays, the host family begins the bailando, the Zapotec line dance that is de rigueur at every function.  Then, the masquers who danced in the plaza the night before (and all the next night) make their grand entrance.

  

Late in the afternoon, around 6:00 p.m. Teotitlan time, the group will exit the Mendoza Ruiz home and begin its procession to the plaza outside the municipal building in front of the rug market.

    

Again, the crowd will gather to watch the masquers make merry, eat nieves and cream-filled pastries, and sit mesmerized as sun sets.  (Oaxaca time for the celebration is 7-10 p.m. through Friday.)  Best estimates were a crowd of 500-700 people, so get there early to snag a front row seat!

We made our way there by various modes of transportation: by foot, by tuk-tuk, by car and by truck. I didn’t see anyone on the back of a donkey.

The merriment will continue through the night and into the morning, when the troupe returns to the Mendoza Ruiz family at 6:00 a.m. for another meal to fortify themselves for Day Three.  As I write this, it is Day Three and I can hear the band in the distance.  Today, the festival is in our section of town and another family will host the meal and merry-making.  To be continued: food, beer, mezcal, dancing, music, processions, clean-up, and interconnected community.

 

P.S. I managed to take over 700 photos between 3:00 and 9:00 p.m. and culled them down to what I am showing you here using Lightroom, my new lifesaver! thanks to the Oaxaca Portrait Photography Workshop we just finished.