Posted onFriday, September 25, 2015|Comments Off on Mexico Textiles and Folk Art Study Tour: Tenancingo Rebozos and More
I just returned to Oaxaca after exploring other parts of Mexico, including a week in Tenancingo de Degollado, Estado de Mexico (Edomex), where ikat rebozos or shawls are hand-woven on back-strap and flying shuttle looms by master artisans. This experience was so inspiring, that I want to share it with you. I invite you to return with me for a memorable, curated Mexican textile and folk art study tour.
February 3-11, 2016 – 8 nights, 9 days
Group size limited to 12 people. We have 5 spaces left!
You will arrive and leave from Mexico City
Meet together in Mexico City on February 3 with an overnight there at a historic center hotel
Travel to and stay in Tenancingo from February 4 to 10 at a bed and breakfast oasis
Enjoy the company of our bi-lingual guide who migrated from the U.S. to Tenancingo to marry a local thirteen years ago
Meet the master weavers of Tenancingo de Degollado in their home workshops
Learn about ikat warp thread preparation, the complexity of this at-risk textile art and how to differentiate quality
Participate in hands-on natural dye and weaving demonstrations
Understand the intricacy of a fine hand-knotted punta/repacejo (or fringe) and how it adds to the beauty of the lienza (cloth)
Visit three of Mexico’s Pueblo Magicos – magic villages where traditional life flourishes
Travel to Metepec, a Pueblo Magico, and stay overnight on February 10 where you will meet outstanding ceramic artists who make Tree of Life sculptures and cazuelas cooking vessels
Travel to Mexico City on February 11 to depart for home OR stay on your own through President’s Weekend in Mexico City to enjoy museums and world-class restaurants
Along the way, you will eat great food, climb ancient pyramids at important though remote archeological sites, visit three Pueblo Magicos – Malinalco, Taxco and Metepec — and immerse yourself in some of Mexico’s outstanding folk art.
You will even have the option to schedule (at your own expense) an evening massage and/or facial given by aestheticians who will come to our B&B from the spa town of Ixtapan de la Sal.
But, primarily, we are here to learn about the art and craft of making a fine rebozo, meet the men who weave the cloth and the women who tie the elaborate fringe.
Some of the weavers are innovators, like Jesus Zarate, who incorporates intricate floral, bird and animal motifs on the ikat cloth.
Some, like Fito Garcia, use splashes of color that looks like confetti. Camila Ramos ikat designs employ ancient indigenous symbols and figures.
The revered master, 82-year old Evaristo Borboa Casas, is a traditionalist. All have received top honors for their work worldwide.
Each technique requires mathematical and technical precision, extraordinary creativity and months of work to produce one rebozo.
It can take weeks to prepare the ikat warp threads, dye them and dress the loom, with another month or two for the weaving. It can take two or three months to tie a punta, depending on length and elaboration.
After this study trip, I can guarantee that you will better appreciate this textile art form that is at risk of disappearing. Only three or four weavers in Tenancingo continue the back-strap weaving tradition. Sixty years ago there were over 200 weavers working on the back-strap loom.
Itinerary Includes
8 nights lodging
8 Breakfasts
2 Lunches
3 Dinners
Transportation to/from Mexico City and Tenancingo
Transportation to all towns, villages and artisans noted in itinerary
Gratuities to artisans for demonstrations
Wednesday, February 3: Arrive in Mexico City, overnight. Dinner on your own. We will stay at a historic luxury hotel on or near the Zocalo. As soon as you register, we will tell you where. You might also like to arrive a few days early to explore the city. It’s wonderful!
Thursday, February 4: Travel as group to Tenancingo, overnight (B, D) Light group supper at our B&B hotel in Tenancingo.
Friday, February 5: Meet the Best of the Best, Tenancingo’s master rebozeros (rebozo weavers) Fermin Escobar, Evaristo Borboa Casas, Jesus Zarate, Fito Garcia Diaz. Take a ride on the flying shuttle peddle loom. Optional evening massage and/or facial. (B, L)
Saturday, February 6:Malinalco Pueblo Magico. Climb the ancient archeological site (if you wish), the only one in Mesoamerican carved out of the rock face. Visit the workshop of Camila Ramos Zamora and award-winning son Juan Rodrigo Mancio Ramos. See how they work the back strap loom and make natural dyes. Take your turn at the back strap loom. See how the ikat is prepared and dyed. Take time to visit the 16th century Augustinian church with the amazing Paradise Garden Murals. Optional evening massage and/or facial. (B)
Sunday, February 7: Tenancingo Market Walk, including the weekly Sunday rebozo market where you can find good quality textiles at affordable prices. Late afternoon fiber arts weaving demonstration and mini-workshop. (B, D) Light group supper at our B&B hotel.
Monday, February 8: A day in Taxco de Alarcon, Pueblo Magico, with the next generation owner of the William Spratling silver jewelry workshop, with lunch at famed Las Delicias, Spratling’s home and a silversmith demonstration. The beautiful original Spratling necklace you see on the right, below, is for sale at $7,000 USD to raise restoration money for the ranch. Interested? (B, L)
Tuesday, February 9: Meet one of Tenancingo’s greatest puntadoras, These are the women who make the elegant rebozo fringes. See if you can tie these intricate knots in a mini-workshop. Afternoon on your own to return to your favorite rebozero, do last minute market shopping or begin packing. (B)
Wednesday, February 10: Travel to Metepec Pueblo Magico , where we will spend the night. Climb the Mesoamerican Teotenango pyramids (if you wish) or visit the museum. Meet master ceramic artists who create outstanding tree of life sculptures and make sturdy cooking cazuelas. Try your hand in a mini-workshop to make one of the clay figures that adorn Mexico’s famed Tree of Life sculptures. Overnight in Metepec with grand finale dinner. (B, D)
Thursday, February 11: Leave Metepec in early morning for Mexico City airport to catch mid-afternoon flights home. If you decide to extend your stay in Mexico over President’s Day Weekend you can easily catch a secure taxi from the airport to downtown Mexico City or travel on to another great spot like Oaxaca! (B)
Study Tour Cost as of October 1, 2015
Double Occupancy– Shared Room and Private Bath, $1,695 per person
Single Room with Private Bath, $1,995 per person
The study tour includesall transportation between Mexico City and Tenancingo de Degollado, lodging in Mexico City, Tenancingo and Metepec, meals as noted in the itinerary, travel to all artisans and destinations noted on the itinerary, cultural bi-lingual guide services, and grand finale Metepec dinner. Plus you receive a comprehensive packet of information about our location, shopping, restaurants, and itinerary sent by email before the study tour begins.
The study tour does not include airfare, taxi from Mexico City airport to Mexico City hotel, some meals as noted in the itinerary, admission to museums and archeological sites, alcoholic beverages, tips, travel insurance, optional transportation and incidentals.
Question: Why aren’t all meals included?
The best answer I can give is that we all have different body rhythms and eating habits. Some of us like a bigger meal during the day, some prefer to eat lightly or not at all at night. Some love their steak and potatoes at 8 p.m. while others prefer a salad. Some like quieter time rather than a daily group experience. I try to make this trip individualized with room for enough personal preference and variation to meet everyone’s needs rather than one size fits all.
Reservations and Cancellations: A 50% deposit will reserve your space. The final payment for the balance due shall be made on or before December 1, 2015. We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us by email that you are ready to register.
If cancellation is necessary, please notify us in writing by email. After December 1, 2015, no refunds are possible. However, we will make every effort to fill your reserved space or you may send a substitute. If you cancel before December 1, 2015, we will refund 50% of your deposit.
About Travel to Mexico City: The Mexico City Benito Juarez International Airport (MEX) is our gateway city and a Mexico City historic center hotel is our meeting point. You can fly to Mexico City from many United States locations on most major USA airlines. Mexico’s excellent new discount airlines Interjet and Volaris service some U.S. cities, as does Aeromexico.
International Travel Insurance Required.We require that you purchase trip cancellation, baggage loss and at least $50,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for insurance documentation as well as a witnessed waiver of liability form that holds Oaxaca Cultural Navigator LLC harmless. We know unforeseen circumstances are possible.
Jesus Zarate is a talented weaver who works on both the flying shuttle peddle loom and back strap loom in his workshop at Cuauhtemoc Oriente #312 in Tenancingo de Degollado, State of Mexico. His work is an outstanding example and among the best of the ikat weavers or rebozeros. He is more than an innovator. His work is like wearing a Monet painting of water lilies.
There are 150 butterflies hand-woven onto a black ground in the rebozo I am wearing in the photo on the upper right. This is a one-of-a-kind textile that takes six weeks to weave and another two months to hand-knot the fringe. That’s not including the preparation of the ikat warp threads that I described in the post about Don Evaristo Borboa. If you click on the photo you can see the extraordinary detail.
Above left, Linda Arroz wears this extraordinary rebozo with an eight inch intricately tied fringe (punta). You can see the full beauty of this rebozo filled with flowers and leaves. The ikat technique requires matching the pattern on the warp and weft threads, a laborious process. This textile, with 5,400 threads across the width, has the feel of silk although it is woven with the finest cotton.
Linda G. fell in love with this green and white floral pattern on black. The texture created by the ikat in each flower is as if the pattern is an inch below water, shimmering with texture. I think you can tell that Jesus Zarate is a humble man who is not used to the limelight.
Jesus’ son works with him, concentrating on basic ikat production using the flying shuttle loom. Together, they are building up an inventory but don’t have enough rebozos to show so won’t participate in the Feria del Rebozo this weekend.
Tragically, Jesus lost two of his four sons and is helping to raise his grandchildren. We felt privileged to support the family by buying rebozos. When we did, tears came to his eyes.
The rebozo I’m wearing above left is a painting of roses, butterflies and quetzal birds considered sacred in Mesoamerican cultures.
I’m traveling this week with Los Amigos del Arte Popular de Mexico, a support group for Mexican folk art and artisans. Our gracious hosts here in Tenancingo are Peter Stanziale and his wife Circe Beltran Lopez, owners of El Porton Inn Hotel, an incredibly beautiful oasis on the Tenancingo-Teneria road.
This experience has been so enrapturing, that I want to bring you here with me. So, I’m going to organize a study tour to learn about and meet the rebozo weavers of Tenancingo. In addition, we will take a day trip to the silver capitol of Mexico, Taxco, explore the Pueblo Magico ceramics village of Metepec and the Pueblo Magico village of Malinalco. We will eat great food, climb ancient pyramids at important though remote archeological sites and immerse ourselves in Mexico’s folk art. We might even have a spa day with massage and facials.
Adolfo “Fito” Garcia Diaz is an innovator. He takes the traditional ikat rebozo pattern that has been used in Tenancingo de Degollado for centuries and adapts it for contemporary style. His weaving is done on a flying shuttle loom and he makes three different rebozo lengths.
The Raton: a short, narrower double-fold neck scarf with fringe.
Mediano: a shawl that is long enough to wrap once around the neck.
The 3/4: ample cloth with enough drape to wrap and hang to show off the fringes.
Fito uses 4,000 threads for the width of his larger rebozos, 2,000 threads for the base color and 2,000 threads for the jaspe or ikat part.
He has won many concursos, as they are known in Mexico. His wall is plastered with framed certificates of competitions he has won, including many First Place awards. (Photos above: Fito with our knowledgeable guide Peter Stanziale, right)
There are three looms in his small patio work area that is an extension of his home. His wife and daughter bring out the rebozos for us to look at as we watch the demonstration and hear Fito explain the warp thread preparation process. It is hard to pay attention to the discussion. Our eyes are diverted to color.
His technique for dyeing the warp threads and preparing the loom is different from Evaristo Borboa. Fito uses the fixed frame flying shuttle pedal loom while Evaristo uses the back strap loom.
I’ve seen the flying shuttle looms in Oaxaca. They are used in Xochimilco and Mitla to make the home goods — tablecloths, napkins, placemats — as well as yardage for clothing and draperies.
These looms are similar but not exactly the same. The textile they produce can be much finer because there are many more heddles to tie to connect the warp thread. When you lift the heddle with the pedal, this creates an opening called the shed. The flying shuttle part here in Tenancingo is thrown by hand through the shed. In Oaxaca, this is a semi-automated process.
We scramble to see his beautiful pieces. It is NOT Filene’s basement. The color combinations are pure and geometrical. Some patterns combine the traditional ikat interspersed with stripes. Some are like a contemporary graphic. My friend Sheri Brautigam, Living Textiles of Mexico, calls his new work confetti. And, it looks like it.
As we drive up to the house there was a line of dyed warp thread drying across the length of the sidewalk, maybe 100 yards long.
Fito talks about the need to continue the craft. He is afraid that the Tenancingo rebozo is at risk of disappearing. He wants to keep his culture alive. As I walk the streets of Tenancingo today, I saw only one local woman wearing a well-used rebozo. Everyone else wears sports clothes a la Nike or Converse.
He dreams of starting a school to teach young people the traditional art of rebozo weaving. A young intern from UNAM is there with him, studying the art and history of the rebozo for her university graduate thesis. She will write a book about the rebozo weaving of Tenancingo when she finishes.
I am traveling with Los Amigos del Arte Popular de Mexico for this special study tour of Tenancingo rebozos. Our local guide and host is Peter Stanziale, owner of El Porton Inn Hotel, and his wife Circe Beltran Lopez. It’s a beautiful, gracious place to stay.
We didn’t start out planning a trip to San Juan del Rio, Oaxaca. It just happened as we moved into the day. Friend Sheri Brautigam, textile designer, collector and Living Textiles of Mexico blogger, is visiting me. After a roundabout through the Teotitlan del Valle morning market, we headed out to San Pablo Villa de Mitla to visit master flying shuttle loom weaver Arturo Hernandez.
Don Arturo creates fine ikat wool shawls and scarves colored with natural dyes, including cochineal, indigo, wild marigold and zapote negro (wild black persimmon). Sheri knew him from the Santa Fe International Folk Art Market where he exhibited in summer 2014. I’ve known him for years through my friend Eric Chavez Santiago, education director at the Museo Textil de Oaxaca. So, of course, we couldn’t help ourselves and new rebozos made it into our collections.
It was only eleven in the morning. I asked Don Arturo if he knew the village of San Juan del Rio, where some of Oaxaca’s finest mezcal is produced and sold under private label. He said, Yes, it’s only about forty-five minutes from here.
I looked at Sheri, she looked at me. We said, Let’s go. I invited Don Arturo to come with us and he said Yes, once more. A native Zapotec speaker, we were lucky to have him with us. He helped find our way!
About Mezcal: The agave piña or pineapple is dug up out of the ground at maturity (seven to twelves years of field growth) and taken to the distillery, where it is roasted over a wood fired, rock-lined pit. That’s what gives it a smokey flavor. It’s then crushed to yield the liquid that becomes mezcal. Good mezcal goes through two distillations.
Years ago, Sheri worked with a seamstress embroiderer Alma Teresa who lives in San Juan del Rio. Sheri designs gorgeous quechquemitls and Teresa crochets the pieces together. To reconnect with her was another reason to go. Notice Teresa’s blouse and jacket, with the elaborate crochet trim. Seems like some of the most fun days in Oaxaca start with no particular plan.
We headed out toward Hierve del Agua but made a left turn onto a winding road that soon became unpaved dirt, rough from recent rains. It took a good hour plus to get there from Mitla. The road ends at the picturesque village, tucked away in a river valley. Houses are built on hillsides. Other hillsides are terraced with mezcal palenques and maize crops. The stills are at river level. They use the water to cool the distillation process. This is not yet a tourist destination.
This village is known for small production, artesenal mezcal. I was on a hunt for reposado. What I found was an extraordinary reposado at a third the price of what I usually pay in Oaxaca city, plus a wild agave (silvestre) mezcal called Tepeztate from a mezcalero who is akin to a winemaker. He produces mezcal that he sells to some of the top hand-crafted brands.
Sheri got a taste of just distilled mezcal, warm and just out of the still. At eighty-percent alcohol her engine was roaring after just a sip. I inhaled and almost fell over. Don Arturo joined us. Being the designated driver, I had to be more careful. The whole thing reminded me of North Carolina moonshine, but the resulting product here is so much more refined it’s not even comparable.
There are now so many varieties of mezcal, depending on the type of agave used and whether the mezcal is aged and for how long. Añejo can be aged as long as twelve years in oak which takes on characteristics of the wood. Wild agave has a distinctive herbal flavor and aroma. You need to taste to see which you prefer.
This is a full day trip. We could have stayed longer and visited more mezcaleros. But I think we came home with some of the best produced in the village at a fraction of the retail price. If you go, bring your own liter size glass bottles with tight lids. Some bring gallon jugs to fill up. Plan to leave Oaxaca by nine in the morning. You’ll return around seven at night. Don’t go in the rainy season! You will slide all over the road!
Who to visit?
Redondo de San Juan del Rio, Rodolfo Juan Juarez, mezcalero. Tel. (951) 546 5260. Reposado and Tepeztate
Perla del Rio Mezcal, Ignacio Juan Antonio, mezcalero, Tel. (951) 546 5056. Espadin joven.
Alma Teresa’s clothing cooperative, a block from the church. She is sending two daughters to university in Oaxaca. Her husband went to the U.S. to work years ago and never came back.
You can buy a road map of Oaxaca state at the Proveedora, corner Reforma and Independencia, in the Centro Historico. Comes in handy for exploring and having an aventura, like we did.
The flying shuttle loom is a European innovation brought to Oaxaca, Mexico, with the Industrial Revolution. It joins the back-strap loom and the fixed frame two-harness pedal loom as one of the major three weaving technologies still widely used in Oaxaca today.
The advantage of the flying shuttle loom is that it can create wider, lighter weight fabrics from cotton, perfect for long and wide tablecloths, napkins, dish towels, curtains, and shawls. Made-by-hand, it is semi-automated, but requires the design skill and judgment of the weaver.
There are two neighborhoods that use the flying shuttle loom : Santo Tomas Xochimilco and San Pablo Villa de Mitla. Today, we focus on Xochimilco. Most textiles made with a flying shuttle loom use commercial cotton thread colored with chemical dyes, although sometimes you can find pieces made with natural dyes.
Once, the neighborhood of Xochimilco was humming with the sound of the flying shuttle. The loom has a distinct, rhythmic sound, a beat, beat, as the weaver moves the handle back and forth, which operates the opening of the warp threads and the direction of the shuttle. It is fast, and the weaver sways with the beat.
Today, I could find only a few weavers in Xochimilco still using this loom.
Trailing along with Susan, Carol and Norma Dos on a mid-week excursion there in search of textiles, we come across two workshops on either end of Calle Dr. G. Bolaños Cacho between the Iglesia Santo Tomas Xochimilco. One is at the corner of Avenida Venus and the other is at the corner of Macedonio Alcala. To find them, just listen for the looms. On the day we visit, the jacaranda trees are in full purple regalia!
In my opinion, the finest quality is produced by Casa Jimenez Taller Textil. They have several locations. The easiest to find is at the El Pochote organic market every Friday and Saturday, from 9 a.m. to 3 p.m., located in the patio of the 16th Century Santo Tomas Xochimilco Church.
The looms are located way up the hill at Calle 1 de Mayo #105 in Colonia Aurora.
But they have a small gallery closer to Conzatti Park in the Jardin Carbajal, a square near the corner of Calle Xolotl and Calle Macedonio Alcala. It’s just a few doors down from El Quinque, which I’m told, has the best hamburgers in town!
See the turquoise tablecloth that she is holding in the photo above. That’s the one I got my son for a gift. The fringes are hand-tied, just like a rebozo. The weave is tight and even. The cost: well-under $40 USD.
We know the culture! This is our land! We are locally owned and operated.
Eric Chavez Santiago is tri-lingual --Spanish, English, Zapotec.
Eric was founding director of education, Museo Textil de Oaxaca + folk art expert
Norma Schafer has lived in Oaxaca since 2005.
Norma is a seasoned university educator.
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What is a Study Tour: Our programs are learning experiences, and as such we talk with makers about how and why they create, what is meaningful to them, the ancient history of patterning and design, use of color, tradition and innovation, values and cultural continuity, and the social context within which they work. First and foremost, we are educators. Norma worked in top US universities for over 35 years and Eric founded the education department at Oaxaca’s textile museum. We create connection.
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December 6-14: Oaxaca Textile Tour and Workshopsincluding dye and weaving workshops, Tlacolula market, spinning village visits, plus lots more. With Fiber Circle Studio, Petaluma, California. Registration open!
January 11-17, Deep Dive Into Oaxaca: Cooking, Culture + Craft.Take a cooking class and printmaking workshop, visit artisan studios, weavers, and potteries, eat street tacos, taste artisanal mezcal, shop at markets, and explore the depths. SOLD OUT
February 6-15:Guatemala Textile Study Tour: Cloth and Culture. Discover Antigua, Lake Atitlan and Panajachel, Chichicastenango Market, and visit Coban where they weave fine gauze cloth called pikbil. SOLD OUT
March 12-17: Deep Into the Mixteca Alta: Oaxaca Textile + Folk Art Study Tour 2025. This is cultural immersion at its best! Following the Dominican Route, we visit potteries, churches, Triqui weavers working in natural dyes, a cooperative in Tijaltepec that makes smocked blouses, the expansive Tlaxiaco Saturday Tianguis. Experience another side of Oaxaca.
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Ruta del Mezcal One-Day Tour.We start the day with a pottery master and then have lunch with a traditional Oaxaca Cook, who is the mole-making expert. In Mitla, we meet with our favorite flying shuttle loom weaver, and then finish off with a mezcal tasting at a palenque you may NEVER find on your own! Schedule at your convenience!
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Mexico Textiles and Folk Art Study Tour: Tenancingo Rebozos and More
I just returned to Oaxaca after exploring other parts of Mexico, including a week in Tenancingo de Degollado, Estado de Mexico (Edomex), where ikat rebozos or shawls are hand-woven on back-strap and flying shuttle looms by master artisans. This experience was so inspiring, that I want to share it with you. I invite you to return with me for a memorable, curated Mexican textile and folk art study tour.
February 3-11, 2016 – 8 nights, 9 days
Group size limited to 12 people. We have 5 spaces left!
You will arrive and leave from Mexico City
Along the way, you will eat great food, climb ancient pyramids at important though remote archeological sites, visit three Pueblo Magicos – Malinalco, Taxco and Metepec — and immerse yourself in some of Mexico’s outstanding folk art.
You will even have the option to schedule (at your own expense) an evening massage and/or facial given by aestheticians who will come to our B&B from the spa town of Ixtapan de la Sal.
But, primarily, we are here to learn about the art and craft of making a fine rebozo, meet the men who weave the cloth and the women who tie the elaborate fringe.
Some of the weavers are innovators, like Jesus Zarate, who incorporates intricate floral, bird and animal motifs on the ikat cloth.
Some, like Fito Garcia, use splashes of color that looks like confetti. Camila Ramos ikat designs employ ancient indigenous symbols and figures.
The revered master, 82-year old Evaristo Borboa Casas, is a traditionalist. All have received top honors for their work worldwide.
Each technique requires mathematical and technical precision, extraordinary creativity and months of work to produce one rebozo.
It can take weeks to prepare the ikat warp threads, dye them and dress the loom, with another month or two for the weaving. It can take two or three months to tie a punta, depending on length and elaboration.
After this study trip, I can guarantee that you will better appreciate this textile art form that is at risk of disappearing. Only three or four weavers in Tenancingo continue the back-strap weaving tradition. Sixty years ago there were over 200 weavers working on the back-strap loom.
Itinerary Includes
Wednesday, February 3: Arrive in Mexico City, overnight. Dinner on your own. We will stay at a historic luxury hotel on or near the Zocalo. As soon as you register, we will tell you where. You might also like to arrive a few days early to explore the city. It’s wonderful!
Thursday, February 4: Travel as group to Tenancingo, overnight (B, D) Light group supper at our B&B hotel in Tenancingo.
Friday, February 5: Meet the Best of the Best, Tenancingo’s master rebozeros (rebozo weavers) Fermin Escobar, Evaristo Borboa Casas, Jesus Zarate, Fito Garcia Diaz. Take a ride on the flying shuttle peddle loom. Optional evening massage and/or facial. (B, L)
Saturday, February 6: Malinalco Pueblo Magico. Climb the ancient archeological site (if you wish), the only one in Mesoamerican carved out of the rock face. Visit the workshop of Camila Ramos Zamora and award-winning son Juan Rodrigo Mancio Ramos. See how they work the back strap loom and make natural dyes. Take your turn at the back strap loom. See how the ikat is prepared and dyed. Take time to visit the 16th century Augustinian church with the amazing Paradise Garden Murals. Optional evening massage and/or facial. (B)
Sunday, February 7: Tenancingo Market Walk, including the weekly Sunday rebozo market where you can find good quality textiles at affordable prices. Late afternoon fiber arts weaving demonstration and mini-workshop. (B, D) Light group supper at our B&B hotel.
Monday, February 8: A day in Taxco de Alarcon, Pueblo Magico, with the next generation owner of the William Spratling silver jewelry workshop, with lunch at famed Las Delicias, Spratling’s home and a silversmith demonstration. The beautiful original Spratling necklace you see on the right, below, is for sale at $7,000 USD to raise restoration money for the ranch. Interested? (B, L)
Tuesday, February 9: Meet one of Tenancingo’s greatest puntadoras, These are the women who make the elegant rebozo fringes. See if you can tie these intricate knots in a mini-workshop. Afternoon on your own to return to your favorite rebozero, do last minute market shopping or begin packing. (B)
Wednesday, February 10: Travel to Metepec Pueblo Magico , where we will spend the night. Climb the Mesoamerican Teotenango pyramids (if you wish) or visit the museum. Meet master ceramic artists who create outstanding tree of life sculptures and make sturdy cooking cazuelas. Try your hand in a mini-workshop to make one of the clay figures that adorn Mexico’s famed Tree of Life sculptures. Overnight in Metepec with grand finale dinner. (B, D)
Thursday, February 11: Leave Metepec in early morning for Mexico City airport to catch mid-afternoon flights home. If you decide to extend your stay in Mexico over President’s Day Weekend you can easily catch a secure taxi from the airport to downtown Mexico City or travel on to another great spot like Oaxaca! (B)
Study Tour Cost as of October 1, 2015
The study tour includes all transportation between Mexico City and Tenancingo de Degollado, lodging in Mexico City, Tenancingo and Metepec, meals as noted in the itinerary, travel to all artisans and destinations noted on the itinerary, cultural bi-lingual guide services, and grand finale Metepec dinner. Plus you receive a comprehensive packet of information about our location, shopping, restaurants, and itinerary sent by email before the study tour begins.
The study tour does not include airfare, taxi from Mexico City airport to Mexico City hotel, some meals as noted in the itinerary, admission to museums and archeological sites, alcoholic beverages, tips, travel insurance, optional transportation and incidentals.
Question: Why aren’t all meals included?
The best answer I can give is that we all have different body rhythms and eating habits. Some of us like a bigger meal during the day, some prefer to eat lightly or not at all at night. Some love their steak and potatoes at 8 p.m. while others prefer a salad. Some like quieter time rather than a daily group experience. I try to make this trip individualized with room for enough personal preference and variation to meet everyone’s needs rather than one size fits all.
Reservations and Cancellations: A 50% deposit will reserve your space. The final payment for the balance due shall be made on or before December 1, 2015. We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us by email that you are ready to register.
If cancellation is necessary, please notify us in writing by email. After December 1, 2015, no refunds are possible. However, we will make every effort to fill your reserved space or you may send a substitute. If you cancel before December 1, 2015, we will refund 50% of your deposit.
About Travel to Mexico City: The Mexico City Benito Juarez International Airport (MEX) is our gateway city and a Mexico City historic center hotel is our meeting point. You can fly to Mexico City from many United States locations on most major USA airlines. Mexico’s excellent new discount airlines Interjet and Volaris service some U.S. cities, as does Aeromexico.
International Travel Insurance Required. We require that you purchase trip cancellation, baggage loss and at least $50,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for insurance documentation as well as a witnessed waiver of liability form that holds Oaxaca Cultural Navigator LLC harmless. We know unforeseen circumstances are possible.
To register, please email us at norma.schafer@icloud.com
We accept payment with PayPal only. Thank you.
Norma w/Tenancingo hosts Peter & Circe
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Posted in Cultural Commentary, Travel & Tourism, Workshops and Retreats
Tagged back strap loom, Estado de Mexico, flying shuttle loom, folk art, Ikat, rebozos, shawls, State of Mexico, study, Tenancingo de Degollado, textiles, tour, travel, Tree of Life ceramics, weaving, William Spratling