Grand Master of Mexican Folk Art Cecelia Bautista Caballero is recognized for her outstanding creativity and innovation. About 30 years ago she developed a weaving technique to re-introduce the feathered plumage of Purepecha royalty into the rebozos (shawls) she makes on the back-strap loom.
Our Michoacan study tour leads us to a humble home on a side street off the central plaza in the tiny village of San Mateo Ahuiran on the Purepecha Plateau. We want to meet, embrace and support this amazing, talented woman. We want to know her daughters who carry on the tradition.
Three thousand threads of fine cotton make up the warp of this back-strap loom. It can take two or three months to weave the cloth, then another two months to hand-knot the elaborate fringes called the punta.
Angeles Rodriguez Bautista, Cecelia’s daughter, demonstrates back-strap loom weaving
We want to explore a region whose DNA is thought to originate from Siberia, when the Bering Straits were a land bridge that brought people to the shores of North America.
Cecelia Bautista Caballero with Norma Schafer in Ahuiran
Cecelia Bautista Caballero is a living treasure. She enters the dimly lit room with a broad smile to welcome us. She is radiant. The light follows her. A rebozo is slung over her shoulder like a backpack. It bulges like a sack of avocados. She drops it’s weight onto a small, wood table and unwraps the folds to reveal a treasure trove of rebozos she has personally woven.
Donna, Linda, Winn modeling feather rebozos, with Angeles
Despite suffering a stroke that leaves its mark on the right side of her face, Cecelia is still productive. Weaving is her life’s work, her self-expression, her passion. With pride, she tells us how she created the feathered trim in the tradition of her ancestors, using turkey, rooster and bird feathers that are either natural or dyed with local plant tints.
Cecelia’s niece Bertha Estrada Huipe, with Carolyn who bought Bertha’s rebozo
One reason we gravitate to visiting small villages is for the satisfaction of meeting the maker and buying directly from them. We know their prices are fair and just. We know that what we buy will help them feed their families and reinvest in materials. There is something special in this exchange, more than a transaction of money for product. It is filled with appreciation and love.
Even more than this, the journey feels like a pilgrimage to pay personal homage to talented people. Sometimes this journey takes hours or days. We are like explorers, uncovering the past and investing in the future.
We traveled to Ahuiran from Uruapan, designated a Pueblo Magico for its outstanding national park Caputitzio, known for stunning waterfalls. This was our base for two nights as we explored the area after leaving the Monarch Butterfly sanctuaries.
This brought us closer to the indigenous town of Paracho, where we watched luthiers make guitars, violins, mandolins, and other string instruments. The main street is lined with craftsmen fulfilling special orders for musicians around the world.
I’ve been back in Oaxaca for almost two weeks, and my mind is still on Michoacan, the last leg of my September journey, and the rebozos woven there. When I came to Oaxaca years ago, I thought it would be the perfect place from which to explore other parts of Mexico, north and south. And so it is.
Sharing the Journey to Ahuiran, Paracho, Michoacan
Ahuiran is a small Purepecha village about an hour and a half from Patzcuaro in the Mexican state of Michoacan, high on the Maseta Purepecha (plateau) near Uruapan. It’s a beautiful drive through fertile farmland, green hills, pastures and tree-lined roads. And, it’s safe. For a complete discussion of Purepecha culture and history, click here.
Ahuiran rebozo concurso: And the winners are …
Ahuiran women are famous for their hand-woven rebozos made on the back strap loom. They wear what they weave. Not many in other parts of Mexico still adorn themselves in traditional traje. Rebozo-making and wearing is a dying art.
This winner has rayon fringe that looks like peacock feathers.
I joined a group of Patzcuaro women friends to go to a rebozo fair, which was really a concurso, or regional competition to select the best of the best. I could not pass up another chance to see great rebozos. I vowed not to buy another. Hah!
We discovered this competition was more than rebozos. It included wood carving and string instrument making, art forms that are translated to furniture, masks, violins, cellos and guitars.
The judges came from Morelia and they took their time to make their selections. Patience is the keyword for being in Mexico.
We arrived around 1:00 p.m. and waited. Milled around. Fingered hand-embroidered blouses. Ogled the rebozos that were brought in by the weavers to display for the competition.
Watched the passing fashion parade of glittery pleated skirts and flashy fringe. I saw a mask I liked and negotiated a price and bought it long before the judging started. A lovely young man carved it and asked me if I needed a gardner.
I was assured by the lady who embroidered the animal on this blouse (below right) that it was not a dog but a personal spirit protector. Many women were wearing similar blouses that were finely embroidered. Just not my style.
We looked for lunch. I had my eye on the fish sizzling in oil. (I knew it would be well-cooked.) I walked around the mask table a few more times and did the same to take a closer look at the Paracho instruments. Had an ice cream, and waited some more. In Mexico one learns the virtue of patience quickly.
The Ahuiran rebozos are different from the ikat technique found in Tenancingo de Degollado in the State of Mexico. Here, they are heavier cotton. The traditional rebozos are black with blue and white pin stripes. Now, the color palette is extensive and can include lots of shiny rayon.
The viewing stands filled up with villagers and I noticed a very regal, elegant woman with an extraordinary embroidered blue and yellow skirt. This turned out to be Cecilia Bautista, a Grand Master of Mexican Folk Art.
Cecilia is proud that she was the first weaver to experiment with incorporating real feathers on the fringes. The idea came to her 22 years ago when she learned about feather work done in pre-Hispanic times by her people, the Purepecha (or Tarascans, as the Spanish called them).
Cecilia’s family of musicians came to entertain the crowd by playing traditional songs on their string instruments, all hand-made. Women came forward to dance, including Cecilia. These are worthy of a major symphony orchestra performance.
At 4:00 p.m. the judges were ready to announce the rebozo winners. How did they choose? Density and intricacy of the textile weave. How it draped when they put it on. The soft, silkiness of the fabric. Whether it had a straight edge. The length and technical elaboration of the punta (fringe). There was a special category for puntas that included feathers, too!
And the mask I bought got the first place prize in the category!
There were six gringas who came from Patzcuaro for this event. Three of us left with a rebozo, priced between 1,500 and 3,000 pesos.
This was a festival day in Ahuiran. There were carnival rides, a special market, lots of vendors, cotton candy and barbecue. All the women came out in their best rebozos. The wives of the village leaders were totally decked out, complete with jumbo hair ribbons and the sparkliest skirts. The more confetti the merrier.
We returned along the same route we arrived on, with volcano peaks on the horizon, men stooping over fields planted with potatoes, Purepecha villages with still a few of the original pre-Hispanic style wood homes called trojes (built without nails) still standing. It was a glorious day. Along the roadside, a spray of wildflowers, mostly cosmos, were coming into their color, necks stretching to the sun, heads waving in the breeze.
Here in Oaxaca, nights have turned chilly. Days are mild and sunny with a light breeze. We celebrate the Virgin of Rosario with bands, parades and dances. At this moment the firecrackers are booming. Soon, it will be time for loved ones to return during Dia de los Muertos. The cempazuchitl is in bloom. All is well in my world and I hope the same for yours.
Posted onFriday, September 25, 2015|Comments Off on Mexico Textiles and Folk Art Study Tour: Tenancingo Rebozos and More
I just returned to Oaxaca after exploring other parts of Mexico, including a week in Tenancingo de Degollado, Estado de Mexico (Edomex), where ikat rebozos or shawls are hand-woven on back-strap and flying shuttle looms by master artisans. This experience was so inspiring, that I want to share it with you. I invite you to return with me for a memorable, curated Mexican textile and folk art study tour.
February 3-11, 2016 – 8 nights, 9 days
Group size limited to 12 people. We have 5 spaces left!
You will arrive and leave from Mexico City
Meet together in Mexico City on February 3 with an overnight there at a historic center hotel
Travel to and stay in Tenancingo from February 4 to 10 at a bed and breakfast oasis
Enjoy the company of our bi-lingual guide who migrated from the U.S. to Tenancingo to marry a local thirteen years ago
Meet the master weavers of Tenancingo de Degollado in their home workshops
Learn about ikat warp thread preparation, the complexity of this at-risk textile art and how to differentiate quality
Participate in hands-on natural dye and weaving demonstrations
Understand the intricacy of a fine hand-knotted punta/repacejo (or fringe) and how it adds to the beauty of the lienza (cloth)
Visit three of Mexico’s Pueblo Magicos – magic villages where traditional life flourishes
Travel to Metepec, a Pueblo Magico, and stay overnight on February 10 where you will meet outstanding ceramic artists who make Tree of Life sculptures and cazuelas cooking vessels
Travel to Mexico City on February 11 to depart for home OR stay on your own through President’s Weekend in Mexico City to enjoy museums and world-class restaurants
Along the way, you will eat great food, climb ancient pyramids at important though remote archeological sites, visit three Pueblo Magicos – Malinalco, Taxco and Metepec — and immerse yourself in some of Mexico’s outstanding folk art.
You will even have the option to schedule (at your own expense) an evening massage and/or facial given by aestheticians who will come to our B&B from the spa town of Ixtapan de la Sal.
But, primarily, we are here to learn about the art and craft of making a fine rebozo, meet the men who weave the cloth and the women who tie the elaborate fringe.
Some of the weavers are innovators, like Jesus Zarate, who incorporates intricate floral, bird and animal motifs on the ikat cloth.
Some, like Fito Garcia, use splashes of color that looks like confetti. Camila Ramos ikat designs employ ancient indigenous symbols and figures.
The revered master, 82-year old Evaristo Borboa Casas, is a traditionalist. All have received top honors for their work worldwide.
Each technique requires mathematical and technical precision, extraordinary creativity and months of work to produce one rebozo.
It can take weeks to prepare the ikat warp threads, dye them and dress the loom, with another month or two for the weaving. It can take two or three months to tie a punta, depending on length and elaboration.
After this study trip, I can guarantee that you will better appreciate this textile art form that is at risk of disappearing. Only three or four weavers in Tenancingo continue the back-strap weaving tradition. Sixty years ago there were over 200 weavers working on the back-strap loom.
Itinerary Includes
8 nights lodging
8 Breakfasts
2 Lunches
3 Dinners
Transportation to/from Mexico City and Tenancingo
Transportation to all towns, villages and artisans noted in itinerary
Gratuities to artisans for demonstrations
Wednesday, February 3: Arrive in Mexico City, overnight. Dinner on your own. We will stay at a historic luxury hotel on or near the Zocalo. As soon as you register, we will tell you where. You might also like to arrive a few days early to explore the city. It’s wonderful!
Thursday, February 4: Travel as group to Tenancingo, overnight (B, D) Light group supper at our B&B hotel in Tenancingo.
Friday, February 5: Meet the Best of the Best, Tenancingo’s master rebozeros (rebozo weavers) Fermin Escobar, Evaristo Borboa Casas, Jesus Zarate, Fito Garcia Diaz. Take a ride on the flying shuttle peddle loom. Optional evening massage and/or facial. (B, L)
Saturday, February 6:Malinalco Pueblo Magico. Climb the ancient archeological site (if you wish), the only one in Mesoamerican carved out of the rock face. Visit the workshop of Camila Ramos Zamora and award-winning son Juan Rodrigo Mancio Ramos. See how they work the back strap loom and make natural dyes. Take your turn at the back strap loom. See how the ikat is prepared and dyed. Take time to visit the 16th century Augustinian church with the amazing Paradise Garden Murals. Optional evening massage and/or facial. (B)
Sunday, February 7: Tenancingo Market Walk, including the weekly Sunday rebozo market where you can find good quality textiles at affordable prices. Late afternoon fiber arts weaving demonstration and mini-workshop. (B, D) Light group supper at our B&B hotel.
Monday, February 8: A day in Taxco de Alarcon, Pueblo Magico, with the next generation owner of the William Spratling silver jewelry workshop, with lunch at famed Las Delicias, Spratling’s home and a silversmith demonstration. The beautiful original Spratling necklace you see on the right, below, is for sale at $7,000 USD to raise restoration money for the ranch. Interested? (B, L)
Tuesday, February 9: Meet one of Tenancingo’s greatest puntadoras, These are the women who make the elegant rebozo fringes. See if you can tie these intricate knots in a mini-workshop. Afternoon on your own to return to your favorite rebozero, do last minute market shopping or begin packing. (B)
Wednesday, February 10: Travel to Metepec Pueblo Magico , where we will spend the night. Climb the Mesoamerican Teotenango pyramids (if you wish) or visit the museum. Meet master ceramic artists who create outstanding tree of life sculptures and make sturdy cooking cazuelas. Try your hand in a mini-workshop to make one of the clay figures that adorn Mexico’s famed Tree of Life sculptures. Overnight in Metepec with grand finale dinner. (B, D)
Thursday, February 11: Leave Metepec in early morning for Mexico City airport to catch mid-afternoon flights home. If you decide to extend your stay in Mexico over President’s Day Weekend you can easily catch a secure taxi from the airport to downtown Mexico City or travel on to another great spot like Oaxaca! (B)
Study Tour Cost as of October 1, 2015
Double Occupancy– Shared Room and Private Bath, $1,695 per person
Single Room with Private Bath, $1,995 per person
The study tour includesall transportation between Mexico City and Tenancingo de Degollado, lodging in Mexico City, Tenancingo and Metepec, meals as noted in the itinerary, travel to all artisans and destinations noted on the itinerary, cultural bi-lingual guide services, and grand finale Metepec dinner. Plus you receive a comprehensive packet of information about our location, shopping, restaurants, and itinerary sent by email before the study tour begins.
The study tour does not include airfare, taxi from Mexico City airport to Mexico City hotel, some meals as noted in the itinerary, admission to museums and archeological sites, alcoholic beverages, tips, travel insurance, optional transportation and incidentals.
Question: Why aren’t all meals included?
The best answer I can give is that we all have different body rhythms and eating habits. Some of us like a bigger meal during the day, some prefer to eat lightly or not at all at night. Some love their steak and potatoes at 8 p.m. while others prefer a salad. Some like quieter time rather than a daily group experience. I try to make this trip individualized with room for enough personal preference and variation to meet everyone’s needs rather than one size fits all.
Reservations and Cancellations: A 50% deposit will reserve your space. The final payment for the balance due shall be made on or before December 1, 2015. We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us by email that you are ready to register.
If cancellation is necessary, please notify us in writing by email. After December 1, 2015, no refunds are possible. However, we will make every effort to fill your reserved space or you may send a substitute. If you cancel before December 1, 2015, we will refund 50% of your deposit.
About Travel to Mexico City: The Mexico City Benito Juarez International Airport (MEX) is our gateway city and a Mexico City historic center hotel is our meeting point. You can fly to Mexico City from many United States locations on most major USA airlines. Mexico’s excellent new discount airlines Interjet and Volaris service some U.S. cities, as does Aeromexico.
International Travel Insurance Required.We require that you purchase trip cancellation, baggage loss and at least $50,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for insurance documentation as well as a witnessed waiver of liability form that holds Oaxaca Cultural Navigator LLC harmless. We know unforeseen circumstances are possible.
Posted onTuesday, September 15, 2015|Comments Off on Pueblo Magico Malinalco: Hand-loomed Rebozos and Pre-Aztec Pyramids
The magical town of Malinalco in the State of Mexico is a short thirty-minute ride from Tenancingo de Degollado. One of Mexico’s greatest rebozo weavers, Camila Ramos Zamora, and her family live and work here.
Her father was a rebozo weaver from Tenancingo and he moved to Malinalco to marry Camila’s mother. They established a workshop that makes some very amazing ikat/jaspe rebozos on the back strap loom. Some use natural dyes. Most have intricate, lengthy fringes called puntas or rapacejos, that in my opinion represent fifty percent of the beauty of a rebozo.
This week, Came’s son José Rodrigo Mancio Ramos, received the special award for a major piece using natural dyes in the National Rebozo Competition sponsored by FONART and held in Tlaxcala. He carries on the family tradition for creating and executing outstanding textile art. The punta on his winning piece is made in the pointed style preferred by the Spanish aristocrats who came to Mexico in the 18th century.
I visited Camila Ramos Zamora’s two shops in Malinalco as well as the amazing Augustinian church built in 1560. I’ve never seen such detailed, dramatic frescoes as these. The church is a sight to behold.
Here’s a note from Mexico expert Silva Nielands: The Paradise Garden murals in the monastery were not painted by the Augustinians who built it, but by the indigenous people who were taught the painting process. The murals are a mix of European (saintly) themes full of local imagery. The plants, animals, etc. are all important to the indigenous culture and are like a full encyclopedia of the herbal/medicinal, etc. http://utpress.utexas.edu/index.php/books/peterson-paradise-garden
Many towns in Mexico were settled by different Catholic orders: Dominicans, Franciscans, Carmelites, Augustinians and Jesuits, missionaries competing for converts. The Augustinian church dominates the central zocalo and is the only Catholic church in Malinalco.
I admired the black rebozo this woman on the left was wearing as she and two friends exited the church. One friend jumped in to help her put it around her shoulders so I could see the weaving and the very long fringes. I think they were delighted that I noticed and paid them special attention!
My friend Mary Anne hiked up to the archeological site which she reports is an easy, shaded climb up about 400 shallow steps through amazing landscape.
Our group from Los Amigos del Arte Popular de Mexico wandered Malinalco independently to explore and discover. We all met up at Las Placeres for a great lunch on the shaded patio complete with tamarind mezcal Margaritas — mi favorita.
This experience has been so wonderful, that I want to bring you here with me.
So, I’m scheduling a study tour from February 3-11, 2016 to learn about and meet the rebozo weavers of Tenancingo.
Meet in Mexico City on February 3 with overnight there.
Travel to and stay in Tenancingo from February 4 to 10
Participate in hands-on workshops and demonstrations
Travel to Metepec and stay overnight in Metepec on February 10
Travel to Mexico City on February 11 to depart for home OR stay on your own through President’s Weekend in Mexico City to enjoy the museums and world-class restaurants
We will eat great food, climb ancient pyramids at important though remote archeological sites and immerse ourselves in Mexico’s folk art. We’ll even have the option of a respite with massage and facials.
Last Sunday huge crowds gathered under a huge tent for a noon mass in the church courtyard. The sanctuary isn’t large enough to contain everyone who gathered here from the surrounding villages.
Sunday market day in Tlacolula is always a treat and a special day to meet up with family members and friends, and to buy supplies. This Sunday feast day was even more so.
The streets were impassable because they had been set up with carnival rides, sideshows and a midway filled with carnival games. It was a juxtaposition to see women in traditional indigenous dress walking alongside bumper cars and pitch ball games.
What caught my attention was the big top tent right beside the church dome on the skyline.
We could tell this day was special. Women wore their most glittery rhinestone jewelry. Their blouses, skirts and aprons were embellished with sequins.
Families strolled with ice cream cones filled with Leche Quemada and topped with frozen Tuna nieves. That is NOT fish, folks! Children everywhere love cotton candy and Oaxaca is no exception.
Men come to shop for things like cane and iron tools. Women shop for scarves, shawls, aprons and food.
Sheri and I met up at the rebozo section where she was on a quest. These shawls are ikat dyed and woven with either cotton or artecel, a silky natural fiber that is a recent substitute for more costly silk.
The ikat shawl is a utilitarian part of the local costume used to wrap babies, groceries, wipe perspiration and shade the head from the sun. We often see women who wrap it turban-style and then perch a basket on top, child in in one hand, a satchel in the other.
What never ceases to fascinate me are the handwoven, tassled belts that hold up heavy wool loomed skirts, and braids tied with colorful ribbon.
After lunch at Comedor Mary, including some of the best Mole Coloradito in the world accompanied by a shared cold Victoria beer, we headed down the main thoroughfare on foot to fill our shopping cart with fresh papaya, mandarin oranges, limes and avocados to take home.
By now, it was late afternoon and time to go home. Sara and Woofy joined us later on the rooftop terrace as we sampled the San Juan del Rio mezcal I had bought the day before, accompanied by a fine sunset to close the day.
Tlacolula Sunday Market Low-down:
I like to get there early by ten-thirty or eleven in the morning to avoid the crush of people and get deep into the market without elbowing my way through.
If I eat lunch at one-thirty or two in the afternoon, this is earlier than the traditional Sunday comida, so I usually always can get a seat and a good selection of menu items at Comedor Mary.
There’s always a line at the Banamex ATM (located near the pharmacy, the ice cream lane, and across from the church). Be prepared to wait a long time!
If you have a car, park in the lot across from the Pemex on the main street for twenty pesos. This is where the buses from Teotitlan del Valle and San Miguel del Valle go in and out.
Prices drop at the end of the day, by four in the afternoon, when people want to pack up and go home.
Best Finds: embroidered aprons, hand-woven shawls, woven bamboo baskets, red clay pottery from San Marcos Tlapazola, handmade wood toys, painted gourds from Guerrero
Why We Left, Expat Anthology: Norma’s Personal Essay
Norma contributes personal essay, How Oaxaca Became Home
Norma Contributes Two Chapters!
Click image to order yours!
Norma Schafer and Oaxaca Cultural Navigator LLC has offered programs in Mexico since 2006. We have over 30 years of university program development experience. See my resume.
Study Tours + Study Abroad are personally curated and introduce you to Mexico's greatest artisans. They are off-the-beaten path, internationally recognized. We give you access to where people live and work. Yes, it is safe and secure to travel. Groups are limited in size for the most personal experience.
Programs can be scheduled to meet your travel plans. Send us your available dates.
Designers, retailers, wholesalers, universities and other organizations come to us to develop customized itineraries, study abroad programs, meetings and conferences. It's our pleasure to make arrangements.
Our Clients Include
*Penland School of Crafts
*North Carolina State University
*WARP Weave a Real Peace
*Methodist University
October 28-November 4, 2021: Oaxaca Day of the Dead Culture Tour Covid restrictions apply! Limited to 10 intrepid travelers who want a cultural immersion experience.
2022 Planning Ahead
We will offer this tour in January 2022. CANCELED. January 16-25, 2021: 2021 Oaxaca Coast Textile Study Tour, space limited. Don’t miss this adventure deep into indigenous weaving traditions.
Questions? Want more info or to register? Send an email norma.schafer@icloud.com norma.schafer@icloud.com
Maps: Teotitlan + Tlacolula Market
We send printable map via email PDF usually within 48-hours after order received. Where to see natural dyed rugs in Teotitlan del Valle and layout of the Sunday Tlacolula Market, with favorite eating, shopping, ATMs. Click Here to Buy Map
Dye Master Dolores Santiago Arrellanas with son Omar Chavez Santiago, weaver and dyer, Fey y Lola Rugs, Teotitlan del Valle
Rebozos, Guitars and Masks in Michoacan, Mexico
I’ve been back in Oaxaca for almost two weeks, and my mind is still on Michoacan, the last leg of my September journey, and the rebozos woven there. When I came to Oaxaca years ago, I thought it would be the perfect place from which to explore other parts of Mexico, north and south. And so it is.
Sharing the Journey to Ahuiran, Paracho, Michoacan
Ahuiran is a small Purepecha village about an hour and a half from Patzcuaro in the Mexican state of Michoacan, high on the Maseta Purepecha (plateau) near Uruapan. It’s a beautiful drive through fertile farmland, green hills, pastures and tree-lined roads. And, it’s safe. For a complete discussion of Purepecha culture and history, click here.
Ahuiran rebozo concurso: And the winners are …
Ahuiran women are famous for their hand-woven rebozos made on the back strap loom. They wear what they weave. Not many in other parts of Mexico still adorn themselves in traditional traje. Rebozo-making and wearing is a dying art.
This winner has rayon fringe that looks like peacock feathers.
I joined a group of Patzcuaro women friends to go to a rebozo fair, which was really a concurso, or regional competition to select the best of the best. I could not pass up another chance to see great rebozos. I vowed not to buy another. Hah!
Travel with me to Tenancingo, Estado de Mexico, February 3-11, 2016, for the Mexico Textile and Folk Art Study Tour: Tenancingo Rebozos & More
We discovered this competition was more than rebozos. It included wood carving and string instrument making, art forms that are translated to furniture, masks, violins, cellos and guitars.
The judges came from Morelia and they took their time to make their selections. Patience is the keyword for being in Mexico.
We arrived around 1:00 p.m. and waited. Milled around. Fingered hand-embroidered blouses. Ogled the rebozos that were brought in by the weavers to display for the competition.
Watched the passing fashion parade of glittery pleated skirts and flashy fringe. I saw a mask I liked and negotiated a price and bought it long before the judging started. A lovely young man carved it and asked me if I needed a gardner.
I was assured by the lady who embroidered the animal on this blouse (below right) that it was not a dog but a personal spirit protector. Many women were wearing similar blouses that were finely embroidered. Just not my style.
We looked for lunch. I had my eye on the fish sizzling in oil. (I knew it would be well-cooked.) I walked around the mask table a few more times and did the same to take a closer look at the Paracho instruments. Had an ice cream, and waited some more. In Mexico one learns the virtue of patience quickly.
The Ahuiran rebozos are different from the ikat technique found in Tenancingo de Degollado in the State of Mexico. Here, they are heavier cotton. The traditional rebozos are black with blue and white pin stripes. Now, the color palette is extensive and can include lots of shiny rayon.
The viewing stands filled up with villagers and I noticed a very regal, elegant woman with an extraordinary embroidered blue and yellow skirt. This turned out to be Cecilia Bautista, a Grand Master of Mexican Folk Art.
Cecilia is proud that she was the first weaver to experiment with incorporating real feathers on the fringes. The idea came to her 22 years ago when she learned about feather work done in pre-Hispanic times by her people, the Purepecha (or Tarascans, as the Spanish called them).
Cecilia’s family of musicians came to entertain the crowd by playing traditional songs on their string instruments, all hand-made. Women came forward to dance, including Cecilia. These are worthy of a major symphony orchestra performance.
At 4:00 p.m. the judges were ready to announce the rebozo winners. How did they choose? Density and intricacy of the textile weave. How it draped when they put it on. The soft, silkiness of the fabric. Whether it had a straight edge. The length and technical elaboration of the punta (fringe). There was a special category for puntas that included feathers, too!
And the mask I bought got the first place prize in the category!
There were six gringas who came from Patzcuaro for this event. Three of us left with a rebozo, priced between 1,500 and 3,000 pesos.
We returned along the same route we arrived on, with volcano peaks on the horizon, men stooping over fields planted with potatoes, Purepecha villages with still a few of the original pre-Hispanic style wood homes called trojes (built without nails) still standing. It was a glorious day. Along the roadside, a spray of wildflowers, mostly cosmos, were coming into their color, necks stretching to the sun, heads waving in the breeze.
Here in Oaxaca, nights have turned chilly. Days are mild and sunny with a light breeze. We celebrate the Virgin of Rosario with bands, parades and dances. At this moment the firecrackers are booming. Soon, it will be time for loved ones to return during Dia de los Muertos. The cempazuchitl is in bloom. All is well in my world and I hope the same for yours.
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Posted in Cultural Commentary, Folk Art, Textiles, Tapestries & Weaving, Travel & Tourism
Tagged Ahuiran, back strap loom, Cecilia Bautista, feathers, fringe, guitar, mask, Michoacan, Paracho, Purepecha, rebozos, shawls, textiles, tour, tourism, travel, weaving, woodwork, workshop