We introduce you to weavers of wool, cotton and silk who work with organic natural dyes. This one-day educational study tour gives you in-depth knowledge about the artisanal process for making hand-woven cloth using sustainable technologies. We visit home studios and workshops to meet some of Oaxaca’s outstanding weavers in this curated day trip. See the real indigo, cochineal and wild marigold dye process. Meet artisans who create beautiful rugs and clothing.
Schedule your dates directly with Norma Schafer.
Full day rate of $325 USD is for one or two people. $165 per person for each additional person.
You reserve for the dates you prefer. You are welcome to organize your own small group. We match your travel schedule with our availability.
Pricing is for a full day, starting at 9 a.m. and ending around 6 p.m. Customized programs on request. The rate is based on the time we pick you up and return you to your Oaxaca hotel. Please provide us with hotel/lodging address and phone number.
Oaxaca has many talented weavers working on different types of looms: the two-harness pedal loom, the flying shuttle loom and the back-strap loom. They create many different types of cloth from wool, cotton and silk – to use, wear and walk on.
The yarns or threads can be hand-woven and made into tapestry carpets or wall hangings. They might become lighter weight garments such as shawls, ponchos and scarves or fashion accessories and home goods like handbags, travel bags, blankets, throws and pillow covers.
Natural grey wool and dried cochineal bugs
Most weavers dye their material using pre-mixed commercial dyes. Some buy their yarns pre-dyed. This streamlines and simplifies the production process, making the finished piece less costly. Often, there are wide quality differences.
Selection of Teotitlan del Valle wool rugs from the tapestry loom
A growing number of weavers are going back to their indigenous roots and working in natural dyes. They use a time-consuming process to gather the dye materials, prepare them with tested recipes, dye the yarns and then weave them into cloth. These colors are vibrant and long-lasting. There is a premium for this type of hand work.
Dyeing and then weaving can take weeks and months, depending upon the finished size of the textile and type of weaving process used.
Preparing indigo for the dye pot — first crush it to powder
For each visit, we will select artisans who live and work in small villages scattered in the countryside around Oaxaca where families have co-created together for generations to prepare the yarn and weave it.
Natural dyes we will investigate include plant materials like nuts, wild marigold, fruit (pomegranate, persimmon, zapote negro), wood bark and indigo.
Shades of cochineal — a full range of color
Another important dye source is cochineal, which is the parasite that feeds on the prickly pear cactus. The Spanish kept the cochineal secret well hidden for over 400 years, calling it grana cochineal or grain, so that English and Italian competitors could not detect its source.
Cochineal dye bath — the most vibrant red of the natural world
During this one-day outing, we will visit four weavers, see complete natural demonstrations of yarns and threads, learn about over-dyeing to get a full rainbow of colors, and savor the beautiful results that master weavers create.
We may not always visit the same weavers on each tour, based on their availability. At each home studio you will see some of the steps that go into the completed process. By the end of the day, you will have gained a fuller understanding of the difference between natural and commercial dyed cloth as well as the various weaving techniques. This will help you become a more educated collector, able to discern nuances in fiber and dye quality.
Ikat wool rebozo colored with zapote negro (black persimmon) and cochineal
More than this, you will learn about the local culture, the family enterprise of weaving, how weavers source their materials, the dedication to keeping this ancient practice alive. You will see how using natural dyes is a small-batch, organic and environmentally sustainable process. And, you will try your hand in the dye pot and at the loom, too, if you like.
Typical Day
- 9 a.m. — We pick you up in the historic center of Oaxaca city
- 9:30 a.m. — We meet a flying shuttle loom weaver who designs home goods and clothing, using naturally dyed cloth
- 11:30 a.m. — We meet two weaving families who work exclusively with natural dyes to make rugs and tapestry wall hangings
- We enjoy lunch around 2 p.m. at a local comedor that uses all native and natural ingredients
- 4:00 p.m. — We visit the home studio of a women’s cooperative that makes leather trimmed handbags woven with naturally dyed wool
- You return to Oaxaca city by 6:00 p.m.
All times are approximate. We reserve the right to alter the schedule based on artisan availability. Please bring water and a snack.
Squeezing fresh lime juice for the acid dye bath — turns cochineal bright orange
During this complete one-day study tour you will:
- Meet master weavers and their families in their home workshop/studio
- See the raw materials used for coloring wool, cotton and silk
- Watch the weaving process and try your hand (and feet) at the fixed frame 2-harness pedal loom and flying shuttle loom — if you wish
- Discuss the origin of cochineal, its impact on world trade and its many uses today
- Learn how to tell the difference between dyed fibers – are they natural or chemical?
- Observe processes for dyeing with indigo, cochineal, wild marigold and other organic materials
- Understand quality differences and what makes a superior product
- Discover the meaning of the various designs, some taken from ancient codices
- Have an opportunity to shop, if you choose, at the source
- Order a customized size, if you prefer
You are under no obligation to buy.
Zapote negro fruit in a dye bath waiting for wool
This is an educational study tour to give you more in-depth knowledge about the weaving and natural dye process. We offer a stipend to the weavers who take part to compensate them for their knowledge, time and materials. This is included in your tour fee.
Weavers do not pay commissions on any purchases made and 100% of any sales go directly to them.
Also consider these educational options:
About Norma Schafer, your study tour leader
Norma Schafer has organized educational programs and workshops in Oaxaca since 2006 through Oaxaca Cultural Navigator LLC. She is an educator, not a tour guide, and is recognized for her knowledge about textiles and natural dyes.
Nina wears a quechquemitl woven with cochineal dyed cotton
Norma is living in the weaving village of Teotitlan del Valle, Oaxaca, since she retired from The University of North Carolina at Chapel Hill in 2011. Before that, she made frequent visits each year beginning in 2005. Norma has access to off-the-tourist-path small production family workshops where the “manufacturing” process is vertical and hand-made.
- Earned the B.A. in history from California State University at Northridge
- Holds the M.S. in business administration from the University of Notre Dame
- 30-year career in higher education administration and program development
- Created/produced international award-winning programs at Indiana University, University of Virginia, George Washington University and The University of North Carolina at Chapel Hill
- Recognized by the International University Continuing Education Association for outstanding educational program development
- Founder/creator of Oaxaca Cultural Navigator LLC arts workshops/study tours in 2006
- Contributor to Textile Fiestas of Mexico, with chapters about Teotitlan del Valle and Tenancingo de Degollado
- Founder/author of Oaxaca Cultural Navigator blog in 2007
- Learned to weave and use natural dyes as a graduate student in San Francisco too many years ago to count!
- Has an extensive personal collection naturally dyed textiles
- Consultant to textile designers, wholesalers and retailers who want to include sustainable, organic textiles in their body of work and inventory
- International textile conference advisor to Weaving a Real Peace (WARP) organization
- Consultant on tourism/economic development, State of Guanajuato, Mexico Office of Tourism
- Embedded in the cultural and social history of Oaxaca’s Zapotec village life
Includes transportation from/to Oaxaca city to our meeting place in the Tlacolula Valley, all transport to villages and honoraria to artisans. You cover the cost of beverages lunch for those in your party and for your tour leader. Please let us know if you need vegetarian options. We may pre-order a tasting menu that includes a fresh fruit drink (agua fresca) based on group
Schedule your dates directly with Norma Schafer. We will do our best to accommodate your requests.
Reservations and Cancellations
We require a non-refundable 50% deposit with PayPal (we will send an invoice) to reserve. The PayPal amount billed will be based on the number of people you reserve for. The 50% balance is due on the day of the tour in cash, either USD or MXN pesos (at the current exchange rate).
We will have made transportation arrangements and secured the dates/times with the weavers, plus paid them a stipend in advance for participating. We have learned, living in Mexico, that it is essential to keep commitments to sustain relationships. Thank you for understanding.
Folded pedal looms waiting for the next project
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Everyday Life in the Campo, Teotitlan del Valle, Oaxaca, Mexico
Those of us who live here in Mexico probably do much the same things that you do every day. Food shop, clean house, exercise, visit friends, read, write, take naps, volunteer, etc. Most of the immigrants I know are retired and live here either part or full-time. We’re from Canada and the U.S.A. for the most part, but Australians, New Zealanders and South Africans are among us, too.
Oaxaca Red casita color. With Gar Bii Dauu. Local endangered succulent.
Living in Teotitlan del Valle is different from being a city dweller. This village of indigenous Zapotec people holds to a strong, powerful and ancient culture. Many work at weaving wool rugs. Some are musicians. Others are shopkeepers or run comedors. Some are bakers and butchers. A few sew clothing. Many are farmers. In times when there are fewer tourists, many weavers supplement their income by growing and harvesting food.
Plowing my neighbor’s corn field, five plus hours of labor
I live in the campo. Out beyond the hubbub of town, amid the traditional milpas of corn, beans and squash. I’m surrounded on three sides by maize fields. Some are tasseling now. Here, the tradition is to plow the furrows when the corn is waist-high to break the crust and allow rain to penetrate earth. This is living close to the soil. Organic. Honorable.
It’s rainy season. Green stretches for miles. Today I awakened to whistling. Out my window was a young man driving a team of bulls plowing the field next to the casita I live in.
Rene’s Volkswagen van. Can you guess it’s vintage?
I grew up in Los Angeles. Miles of freeways. Concrete. Tiny lots separated by six-foot block walls. School yards paved with asphalt. I remember scraped knees and elbows. The hum of car engines passing. We were all jammed together, a jam of humanity. Even more now. Gridlock. I think I’ve become a country girl.
The crop was planted in July. There wasn’t much rain in June and farmers worried about another year of drought. In my absence over the last five weeks, seems that weather has played catch up and everything is growing.
Two teams of bulls on two days, one white, the other black. Take a rest.
The young man plowing the field rents out his services. His two bulls are tethered with a hand-hewn yoke that supports a wood plow. He guides the curved stick deep into the earth with one hand to keep the furrow straight. In the other, he holds a switch that gently prods the animals to keep on the straight and narrow. Farm machinery cannot do this job well enough.
A perfect day for plowing the fields. From my living room window.
This is his second day at it. Both days, he started at eight in the morning, ended around two o-clock in the afternoon, just before lunch. People work hard here. Five plus hours plowing the field with no break in the heat of the day. The monotony of walking back and forth. The patience of walking back and forth.
Oaxaca Women’s Creative Writing and Yoga Retreat, March 2017
My friend, plumber and handy-man extraordinaire René asks me if I know what the greca (Greek key) symbol means that is woven on village rugs. It’s the step-fret carved into the Mitla temple walls, I answer.
Grecas, Mitla archeological site, post-classical Monte Alban
Yes, and more, he says. The ancient Zapotecs believe the two interlocking hands that form the pre-Hispanic greca represent the serpent deity duality and the life-giving connection between earth and sky, water and fire.
Rene executing the transformation. Beige to red. Symbol of change.
We are eating lunch and the thunder is rolling in. The sky darkens. Earth gives off the aroma of on-coming rain. The just plowed field next door will soon drink its fill. René packs up his painting supplies. Paint does not do well with humidity.
Handwoven indigo rug with greca design, Teotitlan del Valle
The exterior walls of the casita I live in are getting a makeover. The wasband liked beige. I’m in the mood for Oaxaca Red.
From rooftop terrace, a 360 degree view of Tlacolula valley
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Posted in Cultural Commentary, Photography, Teotitlan del Valle, Travel & Tourism, Workshops and Retreats
Tagged corn, creative writing, expat life, farming, food, greca, living in Mexico, Mexico, milpa, Mitla, Oaxaca, organic, photography, rain, smell, Teotitlan del Valle