Tag Archives: seminar

2016 Looking for Frida Kahlo + Diego Rivera: Mexico City Art History Study Tour

Come to Mexico City to explore the lives of Frida Kahlo and Diego Rivera through their art. This is in-depth art history education at its best! We offer you a narrated cultural immersion that you can miss if you visit on your own. Come solo, with a partner or friend. Norma Schafer participates in all programs. Small group size limited to 8 people for quality experience.

 

2016 Schedule

  • February 11-15, 2016
  • March 31-April 4, 2016

Arrive and meet for a group dinner on Thursday at 7 p.m. We will have a long weekend — three full days —  to learn about Diego Rivera‘s stunning Mexico City murals, visit Casa Azul where Diego and Frida Kahlo lived, and see the largest private collection of their work at the Dolores Olmedo Museum.

Man Controller of the Universe 1934 replicates mural destroyed at Rockefeller Center

Through their eyes, you will better understand Mexico’s political, cultural and social history, and their personal lives together. Theirs is a story of Mexico’s development as a post-revolutionary modern nation. You will also meet their contemporaries, muralists Jose Clemente Orozco and David Alfaro Sequieros, as you compare and contrast their collective work.

If you want to register, send me an email. Tell me the dates you prefer!

A few little nips

A few little nips — Frida painted this after Rivera’s affair with her sister

This is an incredible experience! The Rivera murals at the Secretary of Public Education building were like nothing I expected. The scale, the intensity, the variation of themes, the continual flow of connecting  vignettes – just mind blowing! It isn’t just an art tour. It is an intense immersion into the beginning of an art movement, a cultural movement, and a culmination of historic events that come alive. — Christine Bouton, North Carolina

 

Our expert guide is a noted art historian who holds a master’s degree in art history who is about to embark on a doctoral program. She shares her passion for the Mexican Muralists, narrates the expedition, and leads us through these spaces to give you the most meaningful educational experience:

  • Palacio Nacional
  • Palacio Bellas Artes
  • Museo de Mural de Diego Rivera
  • Secretaria de Educacion Publica (SEP)
  • San Ildefonso National Preparatory School
  • Abelardo Rodriguez market
  • Casa Azul — the home of Diego Rivera and Frida Kahlo
  • Museo Dolores Olmedo Patiño

MuralsSEP+Best81-28 

Yes, you can visit these places independently. But it’s not likely you will get the same in-depth knowledge, insights, and perspectives if you do.

 

She called him toad. He was 20 years older. They were passionate about life, politics, each other. They shaped the world of modern art and she became an icon in her own right, creating an independent identity that serves as a role model for women. They were twice married and unfaithful, the subjects of books and film, and art retrospectives around the world.

Dream of a Sunday Afternoon in the Alameda Park mural covers 500 years of Mexican history

Rivera’s Dream of a Sunday Afternoon in the Alameda Park survived 1985 earthquake

Casa Azul  — Museo Frida Kahlo is a tribute to the life of both artists. Museo Dolores Olmedo Patiño holds the largest private collection of Frida and Diego paintings in the world. Lola Olmedo was a benefactor and life-long personal friend of Rivera who became executor of his estate that included Casa Azul.

 

Rivera’s mural at the Palacio Nacional (National Palace) covers detailed Mexican history, from pre-Hispanic America to the Spanish Conquest through industrialization, including the French and U.S. invasions, from 1521 to 1930.

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

David Alfaro Sequieros, Rivera rival, painted this mural at Palacio Bellas Artes

Plus, you will have lots of options for independent exploration: shop for outstanding folk art, and eat at local markets, historic and fine contemporary and traditional restaurants!

Lunch at the gourmet Mercado San Juan

Lunch at the gourmet Mercado San Juan

See our reviews on Trip Advisor!

Base Trip Includes:

  • welcome dinner at renown restaurant Azul Historico
  • guided discussions by an expert art historian educated at UNAM and Southern Methodist University
  • introduction to Norma’s favorite restaurants (meals not included) and folk art galleries
  • transportation to Casa Azul and Dolores Olmedo Museum
  • complete travel packet and readings sent in advance via email

DiegoFrida4Group2-5 copy 

Also consider Evoking Frida Kahlo: Making Altars + Shrines Mixed Media Art Workshop — honor a loved one or create a self-portrait visual memoir

Preliminary Itinerary

  • Day 1, Thursday:  Meet for group dinner at 7 p.m. at Restaurant Azul Historico near the Zocalo. Dinner included in your tour cost. Overnight in Mexico City.
  • Day 2, Friday: guided visit to SEP, Colegio de San Idlefonso, where Diego met Frida, and the Abelardo Rodriguez market where Rivera’s students, including Pablo O’Higgins, painted. Lunch and dinner on your own. Overnight in Mexico City.
One of 125 Rivera painted at SEP, 1923-28

One of 125 Rivera painted at SEP, 1923-28, this one mocking the bourgeoisie

  • Day 3, Saturday: guided visit to Palacio Bellas Artes and Museo Mural de Diego Rivera. Optional folk art shopping or visit to Anthropology Museum. Lunch and dinner on your own. Overnight in Mexico City.
Palacio Bellas Artes built during Porfirio Diaz presidency

Palacio Bellas Artes built during the 30-year Porfirio Diaz presidency

  • Day 4, Sunday:  guided visit to Casa Azul and Museo Dolores Olmedo Patiño. Includes transportation. Lunch on your own. Overnight in Mexico City.
  • Depart on Monday for home.
The oldest street in Mexico next to the Palacio Nacional

The oldest street in Mexico next to the Palacio Nacional looks like Europe

Be ready to WALK and then, walk some more!  Don’t forget to bring an extra suitcase to pack treasures you pick up along the way.

  • Base Cost:  $595 USD per person without lodging.
  • Upgrade: $895 USD per person double occupancy, includes 4 nights lodging.
  • Single Supplement offered: $1,195 USD

Choose the upgrade and stay with us at a comfortable bed and breakfast inn located in the historic center of Mexico City with breakfast included.

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico

Tiffany glass ceiling at El Gran Hotel Ciudad de Mexico — an optional stop on our tour

What the base cost does not  include:

  • lodging — we can recommend wonderful hotels in the historic center of Mexico City where you can make and pay for your own lodging arrangements directly, such as Chill Out Flat B&B, Hotel Catedral or Gran Hotel Ciudad de Mexico.
  • meals except noted in itinerary, alcoholic beverages
  • transportation to/from Mexico City
  • museum admission fees
  • mandatory international health/accident insurance
  • tips for hotels, meals and other services

Base Cost:  $595. USD per person. Small group experience. Maximum: 8 people.

MuralsSEP+Best81-22 MuralsSEP+Best81-21MuralsSEP+Best81-24 

Upgrade: $895. USD per person double occupancy, includes B&B lodging with breakfast, private bath for four nights, Thursday, Friday, Saturday, Sunday. Otherwise, all exceptions noted above apply.

Single Supplement: $1,195. USD for private room and bath.

Optional: Arrive early and/or stay later to discover Mexico City and her incredible museums and restaurants. We will give you a list  of recommendations to explore on your own.

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Katharsis, 1934 mural by Jose Clemente Orozco, Palacio Bellas Artes

Reservations and Cancellations.  A 50% deposit will guarantee your spot.  The last payment for the balance is due 45 days before the program start date. Payment shall be made by PayPal.  We will send you an itemized PayPal invoice.

Please understand that we make arrangements months in advance of the program. Deposits or payments in full are often required.  If cancellation is necessary, please tell us in writing by email. After 45 days before the program starts, no refunds are possible. However, we will make every possible effort to fill your reserved space or you may send a substitute. If you cancel on or before the 45 day date, we will refund 50% of your deposit.

Frida died July 12, 1954 not long after she painted these watermelons

Frida died July 13, 1954, at age 47, not long after she painted these watermelons

Required–Travel Health/Accident Insurance:  We require that you carry international accident/health/emergency evacuation insurance.  Proof of insurance must be sent at least two weeks before departure.  If you do not wish to do this, we ask you email a PDF of a signed and witnessed waiver of liability, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!

 

To register, email us at norma.schafer@icloud.com. We accept payment with PayPal only. Thank you.

Frida’s sketchbook and journal. Notice the one deformed leg from childhood polio.

This workshop is produced by Norma Schafer, Oaxaca Cultural Navigator LLC.  We reserve the right to adjust the itinerary and substitute leaders without notice.

A note to Frida from Diego two years after her death … “you live in my heart.”

Paint brushes in Frida’s studio at Casa Azul, exactly as she left them

 

CANCELLED–Chiapas Festivals and Faces: Photography Workshop

THIS WORKSHOP IS CANCELLED!

Arrive January 18 and depart January 25, 2016.

To make this workshop tour affordable, we are organizing it to include only instruction, on-the-hoof, coaching, feedback and photo review sessions, bi-lingual tour guide and all transportation. It does not include lodging or meals.

Cost is $1,295 per person. We need 6 people to hold this workshop. Bring a friend and you both get a 10% discount.

There are many wonderful places to stay in San Cristobal — our base. They range from luxurious to budget. We can recommend a few, including La Joya Hotel, Bela’s B&B, Posada del Abuelito and Na Bolom. You can find them on Trip Advisor. 

The historic 16th Century colonial mountain town, San Cristobal de Las Casas, Chiapas, is our base for making great photographs. Here in southern Mexico close to the Guatemala border, the Maya people hold on to a strong, proud and ancient past. Many on-going rituals and celebrations combine Spanish Catholicism with pre-conquest indigenous mysticism. Traditional hand-woven and embroidered Maya dress is still daily street wear. Before too long, you, too can name villages that people call home by the traje they wear.

Chamula_Zinac_HotelBo-35

During the week we will take part in village festivals that happen only this time of year, meet indigenous Maya families who are back strap loom weavers and embroiderers, visit historic sites, markets, folk healers and mystics. We offer you an amazing ethnographic travel photography experience that is centered in this compact, magical town where wide avenues are for pedestrians only. Our out-of-town travels take us to San Lorenzo Zinacantan, Chiapa de Corso for the Parachicos Festival and San Juan Chamula.

Chamula_Zinac_HotelBo-42 Chamula_Zinac_HotelBo-29

We are on location with photographer/instructor Matt Nager to create powerful photographs.  You are welcome to use any camera you are comfortable with: basic point-and-shoot, mirrorless, iPhone or DSLR. Our emphasis is on the photographer-subject relationship and good composition, finding the best subject and knowing how to interact with them, capturing a sense of place with interest and an innovative eye. We also cover some DSLR camera basics, how to use manual settings, and offer optional coaching on photo editing using Lightroom.

ChiapasBest45-25  ChiapasBest45-16

Who should attend?  The workshop is for all levels of photographers including beginners. We strip down often overly complicated conditions to bring the photographer face-to-face with the subject. We practice both impromptu street photography and classic pre-arranged portrait sessions. We will also cover landscape, architecture and general travel photography.

ChiapasBest45-23 Chamula_Zinac_HotelBo-28

The Workshop Covers:

  • Using natural light and responding to different lighting situations
  • Moving from automatic to manual settings (for DSLR cameras)
  • Directing your subject through varying body positions
  • Identifying your own photographic style
  • Finding and executing photographs “on the fly”
  • Night photography and using a tripod
  • Capturing a scene or historical site
  • Learning more with one-on-one coaching sessions with Matt

Chamula_Zinac_HotelBo-38 ChiapasBest45-33 ChiapasBest45-42

Each day we will discuss different techniques and review best of day images. There will be plenty of time for discussion, feedback, and sharing.  We will address topics such as: How do you stay inspired?  How and when do you ask permission to take a stranger’s photograph? How do you get people to relax, be natural, and not be afraid of the camera? How do you transform the mundane into an interesting photo?

At the end of our week together, we will select our best photographs of the week and hold a group show followed by a celebratory supper, included in the fee.

PenlandToninaNaBolom-63 Chamula_Zinac_HotelBo-44

About Your Instructor Matt Nager

Matt Nager is a Denver, Colorado, based portrait and editorial photographer. We invited him back to teach this workshop after rave reviews for teaching the People of Oaxaca Portrait Photography Workshop.

This is going to be a fantastic workshop and I encourage any level photographer to sign up.  I recently had a class with Matt Nager and he is an excellent teacher and a fun person. You will not get a class this good for twice the price!  –Barbara Szombatfalvy, Durham, NC

His love for nature and the outdoors, as well as his interest in people and culture, is central to his photography. Before starting his own photography business, Matt worked with the Denver Post and the Rocky Mountain News.

untitled (6 of 355)

In addition to photography, Matt also regularly shoots video and recently completed his first documentary titled: Campania In-Felix (Unhappy Country) which looks into the rise of health issues in Southern Italy as a result of illegal waste disposal.

His clients include: DISCOVER Magazine, Fast Company Magazine, Mother Jones Magazine, The New York Times, Smithsonian Magazine, and the Wall Street Journal.

Matt speaks English and Spanish, and is learning Italian.  His work is at: www.mattnager.com

Equipment:  Please bring your camera, your computer or tablet, a cable to connect your camera to your device to upload and edit your photos, a jump drive, extra batteries, battery charger, memory cards, optional tripod for night photography. If you use a DSLR camera, you may wish to bring a portrait lens (50mm) and a longer zoom lens. We will send a complete list of “what to bring” after you register!

untitled (270 of 355)

Preliminary Itinerary (subject to change)

Mon. Jan. 18 – Arrive and check-in to your hotel/hostal. (D on your own)

Tues. Jan. 19 – We will meet in a historic center location. Our workshop starts with a learning session, welcome and orientation. We’ll go on a town walkabout, market stroll, capture photos on the fly, and end with a portrait session with well-known humanitarian folk healer. We will have lunch and dinner together as a group, at your own expense.

Wed. Jan. 20 – Learning session and photo review. Depart for Zinacantan for Dia de San Sebastian. This is the most important celebration for this community, with rituals, ceremonies, a horse race, masses, traditional native dances and processions. We have arranged a private portrait session with Zinacantan family. We will have lunch  together as a group, at your own expense. (Dinner on your own.)

LaJoya and-15

Thurs. Jan. 21 – Learning session and photo review. Portrait session with women’s weaving cooperative who come from their village wearing traditional Maya dress. We’ll have an exposition of their textiles, too.  We will have lunch and together as a group, at your own expense. (Dinner on your own.)

Fri. Jan. 22 – Learning session and photo review. Today it’s all about food. We go to the local food market to meet and photograph vendors and see all the locally grown food. Then we meet one of San Cristobal’s great chefs for a photo shoot in the restaurant kitchen followed by lunch. We will have lunch together as a group, at your own expense. (Dinner on your own.)

Sat. Jan. 23 – Learning session and photo review. Parachicos of Chiapa de Corzo, The Great Feast celebration that honors the patron saints Our Lord of Esquipulas, Saint Anthony Abbot and Saint Sebastian includes fabulous masked dancers, rattles, parades, a carnival, and opportunity for night photography.  We will have lunch and dinner together as a group, at your own expense.

11055277_10152597909676741_2710460517066340731_n LaJoya and-27

Sun. Jan. 24 – On our last day, we will visit the church at San Juan Chamula, then prepare for the last presentation and Best of Week Show. We will have lunch and celebratory group dinner together.  Lunch will be at your own expense. Dinner is included in your workshop fee.

Jan. 25 – Depart

You are welcome to come early and stay later. You might want to go on to Tonina, Palenque, Bonampak or Yaxchilan to explore Maya archeology, or go further and cross the border into Guatemala or Villahermosa, Tabasco. We can recommend archeologist-led tour guides who can help facilitate customized travel plans at your own expense.  We can also recommend where you can enroll in a San Cristobal de Las Casas cooking class that features local indigenous meals.

PenlandToninaNaBolom-50

The workshop includes all instruction and personal coaching, transportation to three villages, cultural guide services and celebratory buffet supper at the end of our Best of Week Show. Plus you receive a comprehensive packet of information about our location, shopping, restaurants, and itinerary sent by email before the workshop begins.

The workshop does not include airfare, lodging, meals, admission to museums and archeological sites, alcoholic beverages, tips, travel insurance, optional transportation and incidentals.

Accommodations: You can check TripAdvisor and BookingDotCom or other online resources for best prices and levels of accommodations. All reservations for lodging will be made and paid for by you directly with the lodging provider.  You are free to choose any accommodation you prefer, from luxury to basic hostel.

Reservations and Cancellations: A 50% deposit will reserve your space. The final payment for the balance due shall be made on or before November 1, 2015. We accept PayPal for payment only. We will send you an invoice for your deposit to reserve when you tell us by email that you are ready to register.

If cancellation is necessary, please notify us in writing by email. After November 1, 2015, no refunds are possible. However, we will make every effort to fill your reserved space or you may send a substitute. If you cancel before November 1, 2015, we will refund 50% of your deposit.

About Travel to San Cristobal de Las Casas: The Tuxtla Gutierrez (TGZ) airport is the gateway city, about one-hour from San Cris. You can fly there from Mexico City on Aeromexico or Interjet. From the USA, Delta Airlines has a codeshare with Aeromexico. Both airlines are located in Mexico City Terminal 2. United Airlines flies between Houston and Oaxaca and does not serve TGZ. UA is located in Mexico City Terminal 1. There is taxi and shuttle van service from TGZ airport to San Cris starting at about 700 pesos. You can also take an ADO overnight bus from Oaxaca to San Cristobal. If you book your stay at La Joya Hotel, we will arrange taxi airport pick-up and delivery for you at your own expense.

International Travel Insurance Required. We require that you purchase trip cancellation, baggage loss and at least $50,000 of emergency evacuation and medical insurance before you begin your trip. We will ask for documentation. We know unforeseen circumstances are possible.

To register, email us at oaxacaculture@me.com We accept payment with PayPal only. Thank you.

Chamula_Zinac_HotelBo-16 Chamula_Zinac_HotelBo-18 PenlandToninaNaBolom-45

 

 

 

 

Textile Felt Fashion Designer Teaches Oaxaca Workshop

Maddalena Forcella is an Italian fashion designer who has lived in Mexico most of her adult life. She works in felt and creates beautiful, comfortable clothing that is Art-to-Wear. In the workshop we create the felted nuno cloth and then design garments using indigenous Mexican textile patterns including the quechequemitl, huipil, rebozo and blusa. You can adapt these to your own fit and style!  When? Felt Fashion Workshop, January in Oaxaca, where the sun still shines in winter.  See Maddalena’s work at the Museo Textil de Oaxaca.

FeltPosterFinal

Art Huipil Mixed Media Workshop Retreat: Explore Your Inner Artist

A  perfect mixed-media art workshop for a getaway in Oaxaca, Mexico! With artist/instructor Lena Bartula. Arrive January 8 and depart January 14. 6 nights and 7 days to explore your inner artist. All-levels, including non-artists, welcome.

Un Fruto Prohibido

The Mesoamerican huipil is an indigenous garment, similar to a blouse. It is woven on the back-strap loom by and for women throughout Mexico and central America, important long before the Spanish conquest. It survives today as an article of clothing that symbolizes womanhood, and identifies origins, family and village lineage.  It serves to conceal and protect, yet its patterns and designs speak and reveal much about the individual creator, her experiences, beliefs and perspectives.

During this five-day workshop retreat, you will be in residence in the indigenous Zapotec village of Teotitlan del Valle, Oaxaca, Mexico, where we explore the traditional meaning of the huipil and reinterpret it for a contemporary context. You will use this article of clothing as a metaphor for social and cultural identity, power of place, and express your inner artist by creating something that is distinctively yours — to hang or display, rather than to wear.

garment worker huipil copy

In the process of making this mixed-media art, you will review your own personal path, the journeys you have taken, the stories you remember, people you know and have shaped you, and form the stories to tell for the future. The huipil becomes your mechanism for self-expression and storytelling. As human beings, we may share similar paths or those that run parallel, intersect or diverge. Life paths digress, slow, stall, explode, or keep a steady state. By participating in this workshop retreat, the experience sparks memory and inspiration to create.

You are encouraged to dream, remember, anticipate, then use an array of materials to construct the huipil. Your huipil may be made of cloth, paper, fabric or a combination, or constructed of something else entirely! You might choose to decorate it with ribbon, buttons, photos, stitching, collected objects, memorabilia, scraps. You may create a literal or abstract interpretation. There is no right or wrong way.

Artist/instructor Lena Bartula will present historical reference and her own personal experiences about the huipil.  She will discuss why she believes that, as both art form and as clothing, the huipil is the perfect container for artful self-expression.

The Program

Day 1: Thursday, January 8: Arrive and check into our Teotitlan del Valle, Oaxaca B&B. Enjoy a relaxed evening around the outdoor kitchen where our home cook prepares fresh quesadillas with local, organic ingredients.

Day 2, Friday, January 9: We join in an opening circle with welcome, introductions, and workshop overview, then hear a presentation on huipiles, their history and tradition, then see contemporary examples, including the work of the teacher and other artists. We will discuss themes, how story-telling brings alive the concepts, and share ideas from which we will begin our work. After a lunch break, we will visit the community museum and/or artisan workshops for inspiration.

Day 3, Saturday, January 10: We will review and talk about what we found or learned on the first day, then begin to layout the materials and supplies to choose what we will use, and start creating preliminary sketches and designs for the huipil. Lena will demonstrate design options, gluing techniques, collage application, painting and stitching. After lunch, you will being the huipil making process.

Day 4, Sunday, January. 11: Field trip! We go to the Tlacolula market, a scavenging adventure to collect more ideas and materials, look for a wide range of representative examples of huipiles on display that come from throughout Oaxaca state and surrounding areas. The market is a great place to familiarize yourself with huipil shapes, textures, designs and colors of “the cloud people” as the Zapotecs call themselves. It’s also your best shopping adventure! After a market lunch, we return to our B&B, then gather for dinner and talk about the best of the day discoveries.

Day 5, Monday, January 12:  Back in the studio, we will talk about what we found at the market and decide what to and how to add them our art huipil constructions. You will continue working with access to Lena’s expertise and coaching, with more personalized instruction and demonstrations as needed. After lunch, it’s continuing to work on your project in the studio.

Day 6, Tuesday, January 13: Today you put the finishing touches on your art huipil as you work toward completing the project by mid-afternoon. After lunch, we will have a group show and tell, presentation where you will have the optional opportunity to talk about your project, how it developed and evolved. Then, it’s photo time to capture the workshop in an inspiring place with new friends. At dinner, we will wrap up with a grand finale celebration.

Day 7: Wednesday, January 14: We say our goodbyes and depart for home after breakfast.

Pathmaker on blk

What to Bring: Materials List

  • Copies of photographs, found objects or treasured memorabilia
  • Favorite art supplies, ie; paints, pencils, markers, tissue paper, scissors, brushes, specialty papers
  • Apron or work shirt
  • A sturdy, large cardboard envelope, portfolio or tube to transport your art huipil home

 Materials we provide:

  • The huipil structure itself – you can choose canvas or paper or cloth or a combination
  • A selection of ephemera and specialty papers
  • Needles and thread, glue, wire
  • Scraps of cloth, yarn, reeds

We’ll stitch, glue, wire, draw, collage and paint until your personal art huipil is complete and ready to go home with you.

Coatlicue_lg

In creating our own huipil, we talk about using it as a container, where acceptance, forgiveness and transformation have a place to co-exist.

About LENA BARTULA

A visual artist for more than thirty-five years, Lena Bartula moved from Santa Fe, New Mexico in 2004 to Mexico, where she lives and works full-time in San Miguel de Allende, Guanajuato. Her repertoire includes painting, installation, printmaking, constructions, book arts and mixed media, as ‘autobiographical symbolist abstraction.’

Lena’s art often combines imagery and pattern, textured layers, and words or letters in English or Spanish, inspired by her own poetry or that of other writers. The huipil, an indigenous blouse in the Mayan and Aztec tradition, called her attention to the ‘why’ of writing one’s personal and collective history in symbols. Out of this was born a series of contemporary huipiles, a tribute to women whose voices and visions have historically been silenced or suppressed.

As a conceptual artist, she creates most of her work from an original idea, and after much deliberation and research, chooses her materials and techniques accordingly. The relationship of words, like text and textile, are instrumental in formulating ideas, and although technically she is neither a weaver nor paper maker, these traditional crafts play a major role in her work on this series. Sewing has become a method of ‘weaving together’ ideas, and Bartula has been known to stitch disparate materials such as leaves, maps, plastic and corn husks.

She considers art making as a way to speak of beauty, truth, spirit, joy, pain, justice, everything that this human life entails. Her works are shown in museums and galleries throughout the world, in her San Miguel de Allende, Mexico, studio/gallery, and are found in collections in France, Italy, Great Britain, United States, United Kingdom, Australia, Canada, Guatemala and Mexico.

silencio huipil copy

What Past Participants Say About Lena Bartula

“At first I worried that I wouldn’t be able to come up with ideas, but once I let my mind relax and opened it to all the possibilities that the materials offered, the ideas and the work flowed along. Lena is so helpful with suggestions, and I love her style of teaching.”  – Irene 

“I have wanted to work with Lena for many years now and was thrilled when she announced the Huipil Workshop. What a pleasure to work for two days with others making personal art. Between the surroundings and Lena’s supportive, guiding presence my vision for what might be was surpassed. YES!” –Patricia 

“After signing up I found myself very occupied remembering my entire life and mentally searching for ways to represent it tangibly. Gathering my materials, I traveled to Mexico from Guatemala, and what a joy! Lena is a gentle inspiration as a workshop leader and a lovely person. The group was compatible as we all worked and talked and shared. And each of us had a rewarding and big start on the final image we created at the workshop to take home.” –Judy 

“I was lucky to hear about Lena’s workshop in time to attend and enjoyed every minute in her particular and beautiful world of visual art. Working with new materials and concepts I learned to expand my creative horizons and now feel inspired to take risks, think way outside my various boxes and deeply contemplate my creative path.” –Kathleen

Cost to Participate:

  • $895 per person double occupancy, shared bath
  • $1,195 per person single occupancy, private bath

(Note: Non-residential tuition offered at $765 per person for local daily commuters. This option does not include daily lodging, breakfast or dinner.)

Workshop Retreat includes: all instruction, some materials as specified in the daily schedule, 6 nights lodging, 6 breakfasts, 6 dinners.

Your registration fee does NOT include airfare, taxes, admissions to museums and archeological sites, tips, liquor/alcoholic beverages, lunches, transportation, and insurance.

UnforeseenLove_lg copy

About Our Workshops, Retreats and Programs.  We offer educational programs that are hands-on, fun, culturally sensitive, and offer you an immersion experience.   Our workshop leaders are experts in their field, knowledgeable, have teaching experience and guide you in the learning process.  Our goal is to enhance your knowledge while giving you time to explore and discover.

About Lodging and Sense of Place: To keep this trip affordable and accessible, we stay in a local posada/guest house in Teotitlan del Valle. The food is all house made (including the tortillas), safe to eat and delicious. Vegetarian options are available.  Our workshop space is outdoors, al fresco, in the patio courtyard. We look over blooming bougainvillea to the mountain-tops beyond, There are walking and hiking trails, opportunities to visit local weavers and craft artisans, and plenty of time for reflection.

Insurance Required:  We require proof of international travel insurance that covers accidents, with $50,000 of emergency medical evacuation to the U.S.A. or your home country is required by all participants.  Thank you for your understanding.

Deposits, Reservations and Cancellations.  A 50% deposit is required to guarantee your spot.  The last payment for the balance due (including any supplemental costs) shall be paid by November 15, 2014.  We only accept payment with PayPal.  We will send you an invoice as soon as you tell us you are ready to register.

If cancellation is necessary, please notify us in writing by email.   After December 1, 2014, no refunds are possible; however, we will make every possible effort to fill your reserved space.  Your registration is transferable to a substitute.  If you cancel before November 15, we will refund 50% of your deposit.

To register or for questions, contact: normahawthorne@mac.com