Norma’s Note: Weaver Porfirio Gutierrez called to tell me about his recognition from the Smithsonian Institution in Washington, D.C. He asked if I would share the news. Congratulations to Porfirio and to all the outstanding weavers of Teotitlan del Valle, Oaxaca, Mexico — many of whom deserve recognition and are unsung cultural heroes. I’m happy to share this with you.
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My name is Porfirio Gutiérrez and I am a weaver from Teotitlán del Valle. We follow your blog and refer many friends who want to learn more about Oaxaca. I am writing because I thought you might find my recent award from the Smithsonian Institution’s National Museum of the American Indian (NMAI) to be newsworthy. Once a year candidates for their Artist Leadership Program are selected. I am proud to announce that I have been chosen for 2016. Below is more information about how I became a participant and what this means to our village.
Like many people in our village, my family has descended from generations of Zapotec weavers going back as far as anyone can remember. As you know, Teotitlán has been known for its fine weaving since pre-Columbian times. In spite of our long-standing reputation for fine work, the economic downturn and other factors have hurt our livelihood and threaten the existence of our traditional art.
In our town, other components of our Zapotec legacy are about to vanish forever. My parents speak Zapoteco, my siblings and I speak Zapoteco and Spanish, but our children speak mostly Spanish. The same pattern is true with our art; my parents spin, dye and weave. My siblings and I have these skills to some degree, but most of us have had to find outside work in other fields to sustain our families.
The youth in our village may never know the all of arts of their ancestors unless they are shown by the remaining masters who are still practicing our ancient techniques. In an effort to sustain our Zapotec art of weaving, I proposed to the NMAI to bring together experts with a group of interested people in our village for a workshop on traditional plant and cochineal dyes.
We are very fortunate that the NMAI wants to support our efforts and is going to help us with a 4-day training program. During this workshop students will see where dye plants grow in the wild, learn how to make them into dyes, and explore color combinations. NMAI will come to Teotitlán to oversee the program and make professional video that will be posted on their website.
The Smithsonian’s NMAI Artist Leadership Program is truly an important step towards sustaining Zapotec culture and our traditional art form. Their video will give a glimpse into life in Oaxaca. Please visit our website for more information.
Pueblo Magico Malinalco: Hand-loomed Rebozos and Pre-Aztec Pyramids
The magical town of Malinalco in the State of Mexico is a short thirty-minute ride from Tenancingo de Degollado. One of Mexico’s greatest rebozo weavers, Camila Ramos Zamora, and her family live and work here.
Her father was a rebozo weaver from Tenancingo and he moved to Malinalco to marry Camila’s mother. They established a workshop that makes some very amazing ikat/jaspe rebozos on the back strap loom. Some use natural dyes. Most have intricate, lengthy fringes called puntas or rapacejos, that in my opinion represent fifty percent of the beauty of a rebozo.
This week, Came’s son José Rodrigo Mancio Ramos, received the special award for a major piece using natural dyes in the National Rebozo Competition sponsored by FONART and held in Tlaxcala. He carries on the family tradition for creating and executing outstanding textile art. The punta on his winning piece is made in the pointed style preferred by the Spanish aristocrats who came to Mexico in the 18th century.
I visited Camila Ramos Zamora’s two shops in Malinalco as well as the amazing Augustinian church built in 1560. I’ve never seen such detailed, dramatic frescoes as these. The church is a sight to behold.
Here’s a note from Mexico expert Silva Nielands: The Paradise Garden murals in the monastery were not painted by the Augustinians who built it, but by the indigenous people who were taught the painting process. The murals are a mix of European (saintly) themes full of local imagery. The plants, animals, etc. are all important to the indigenous culture and are like a full encyclopedia of the herbal/medicinal, etc. http://utpress.utexas.edu/index.php/books/peterson-paradise-garden
Many towns in Mexico were settled by different Catholic orders: Dominicans, Franciscans, Carmelites, Augustinians and Jesuits, missionaries competing for converts. The Augustinian church dominates the central zocalo and is the only Catholic church in Malinalco.
I admired the black rebozo this woman on the left was wearing as she and two friends exited the church. One friend jumped in to help her put it around her shoulders so I could see the weaving and the very long fringes. I think they were delighted that I noticed and paid them special attention!
My friend Mary Anne hiked up to the archeological site which she reports is an easy, shaded climb up about 400 shallow steps through amazing landscape.
Our group from Los Amigos del Arte Popular de Mexico wandered Malinalco independently to explore and discover. We all met up at Las Placeres for a great lunch on the shaded patio complete with tamarind mezcal Margaritas — mi favorita.
This experience has been so wonderful, that I want to bring you here with me.
In addition, we will take a day trip to the silver capitol of Mexico, Taxco, a Pueblo Magico, explore the Pueblo Magico ceramics village of Metepec and the Pueblo Magico village of Malinalco.
We will eat great food, climb ancient pyramids at important though remote archeological sites and immerse ourselves in Mexico’s folk art. We’ll even have the option of a respite with massage and facials.
Send me an email if you are interested in this study tour!
More information coming soon.
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Posted in Cultural Commentary, Pottery, Textiles, Tapestries & Weaving, Travel & Tourism, Workshops and Retreats
Tagged archeology, class, course, Ikat, Malinalco, Metepec, Mexico, rebozos, shawls, study, Tenancingo, textiles, tour, travel, weaving